Blast from the past: Belgium 1981

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1981, when Emly Starr represented Belgium with her song “Samson”.

Belgium in the Eurovision Song Contest

Belgium is one of the countries that participates from the beginning on. The Belgians switch every year between the Flemish and Wallon broadcasters. Just once, Belgium won: in 1986, Sandra Kim sang she was 15, claimed she was 14 and in the end appeared to be 13. However: more Belgian songs were successful. In 1978 and 2003 Belgium was the runner up: Jean Vallee and Urban Trad were very close. In recent years, Belgium made it to the top-5 with Loïc Nottet (2015) and Blanche (2017). The best scoring Flemish entry was the 2010 song “Me and My Guitar”, sang by Tom Dice.

Eurosong 1981

No less than 40 songs participated in the Belgian selection of 1981. Out of three heats, 10 finalists were chosen. The final was held in the Amerikaans Theater in Brussels, hosted by Luc Appermont. No results were made public, apart from the winner. However, in later years jury members of those days confirmed that Liliane Saint-Pierre’s “Brussel” reached the 2nd place.

Liliane Saint-Pierre

Stella already participated in 1970 for the Netherlands as a member of Hearts Of Soul, and in 1977 for Belgium as a member of Dream Express. She sang solo for Belgium in 1982. Liliane Saint-Pierre represented her country in 1987, in….. Brussels! The title of the winning song was later shortened to “Samson”.

Emly Starr

Emly Starr, born Marie-Christine Mareels on September 5, 1957, in Wetteren, Belgium, is a singer best known for representing Belgium at the Eurovision Song Contest in 1981. She began her career at a young age under the stage name “Heidi” but later adopted the name Emly Starr, performing English-language pop and disco songs. In 1978, she appeared in the short film Santiago Lovers.

Starr gained recognition with her disco act “Emly Starr Explosion,” and in 1980, she participated in the World Popular Song Festival in Tokyo, finishing eighth with the song Mary Brown. The following year, she won Belgium’s Eurosong contest, earning the opportunity to perform Samson at the Eurovision Song Contest in Dublin, where she finished in 13th place.

In 1985, Starr played the role of Erika in the film Springen and sang its title song, Jump in the Dark. Eventually, she transitioned from performing to the business side of the entertainment industry, working alongside her husband, Tony Winter (Frans De Schrijver). Together, they manage the Globe Show Center in Denderleeuw, which houses a television studio and organizes events. They also provide showbiz equipment rentals, contributing to the Belgian entertainment scene.

Samson

“Samson” was composed by Kick Dandy, a pseudonym for Tony Winter (Frans De Schrijver), and the lyrics were written by Penny Els. It is a dynamic, upbeat disco-pop track, characterized by its catchy rhythm and energetic performance, which was a popular style in the early 1980s.

The lyrics of “Samson” playfully reference the biblical story of Samson, known for his great strength, and Delilah, who betrays him. However, the song reinterprets the tale, using it as a metaphor for a romantic relationship, with the singer comparing herself to the powerful figure who falls for a lover’s charm. Emly Starr’s lively stage presence and the colorful, engaging choreography added to the song’s appeal. The daring dress with a high slit contributed to the festive atmosphere.

Despite the spirited performance, “Samson” scored 40 points at Eurovision and finished in 13th place out of 20 entries. Although it did not achieve a top ranking, the song remains a memorable part of Emly Starr’s career.

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Eurovision 2025
Martijn

Weekly update

Here is your weekly update! The last few songs have been published by the broadcasters. Revamps and official videos have been made. Blablablabla The new songs are: Switzerland: Zoë Më – “Voyage”Cyprus: Theo Evan – “Shh”Georgia: Mariam Shengelia – “Freedom”France: Louane – “Maman” Pre-Party Season Gears Up Here is your weekly update for the Pre-Party season: Nordic Eurovision Party – The Pre-Party Season Begins:Oslo kicks off the pre-party season with the Nordic Eurovision Party on March 22. This exciting event features Norway’s 2025 representative Kyle Alessandro, alongside beloved acts like Sandra Kim (Belgium 1986) and Klara Hammarström (Melodifestivalen 2025). Fans will enjoy a lively evening as many artists debut their Eurovision entries live for the first time ahead of the big contest. Eurovision In Concert (Amsterdam) – New Artists Confirmed:Amsterdam’s eagerly awaited Eurovision In Concert (April 5) continues to thrill fans by adding several Eurovision 2025 participants. Lithuania’s Katarsis, Ukraine’s Ziferblat, Australia’s Go-Jo, Melody from Spain, Marko Bošnjak from Croatia, and San Marino’s Gabry Ponte have all joined the lineup this week. Visitors can expect an incredible night. It will be filled with live performances of this year’s entries alongside special surprise appearances from past Eurovision stars. Together they make this an essential event for Eurovision enthusiasts. London Eurovision Party – Exciting New Acts Announced:The London Eurovision Party on April 13 expands its impressive lineup this week. Czechia’s Adonxs, performing the catchy “Kiss Kiss Goodbye,” will join Electro Velvet, the UK’s memorable 2015 Eurovision duo. Additional performers include Katarsis (Lithuania), Emmy (Norway), and Australia’s Go-Jo. London-based fans can look forward to an unforgettable evening mixing fresh 2025 acts with nostalgic performances. Madrid Pre-Party (PrePartyES) – Lineup Grows Further:Madrid’s prominent Eurovision PrePartyES (April 17–19) just announced nine new artists. Joining the spectacular lineup are Montenegro’s Nina Žižić, Norway’s Kyle Alessandro, Austria’s JJ, and Denmark’s Sissal. Special guest will be Marina Satti (Greece 2024). Fans attending the three-night celebration will experience a vibrant mix of Eurovision 2025 performances and memorable appearances by popular Eurovision alumni, cementing Madrid’s pre-party as a highlight of the Eurovision calendar. New video’s No less than 17 countries published the official video of their songs. Here’s your weekly update upon that. We will not mention them all individually, but you can find them all in our database. We mention just a few: Montenegro’s Revamp – Nina Žižić’s Fresh Sound Montenegro has unveiled a revamped version of Nina Žižić’s Eurovision 2025 entry. The song now features updated production elements and enhanced vocal arrangements, giving it a fresh, contemporary appeal. Žižić expressed excitement about the improvements, aiming to captivate both jury members and Eurovision fans alike in Basel. Italy’s video – a special one We didn’t add Italy’s video to the database, as the song is interrupted several times. It contains a beautiful story, so we still recommend watching it. It is worth it, the full 5 minutes!! Spain’s Song Revamp  Spain isn’t resting after their national final. Melody has unveiled a revamped version of “Esa Diva,” the song with which she won Benidorm Fest. The new version comes with a more international pop sound and a brand-new music video, giving the song a fresh polish ahead of Eurovision​. Spanish broadcaster RTVE explained that the revamp aimed to boost the song’s appeal while keeping its original essence. Melody believes the updates have made her entry even stronger. Malta’s Eurovision Entry: From ‘Kant’ to ‘Serving’ Malta’s Eurovision 2025 journey experienced a significant twist with Miriana Conte’s entry, originally titled “Kant.” The Maltese word “kant” translates to “singing,” but its pronunciation closely resembles a vulgar English term, leading to potential misunderstandings. This linguistic overlap prompted the European Broadcasting Union (EBU) to request changes to the song’s title and lyrics to ensure suitability for the international audience. ​ In response, Conte and her team retitled the song to “Serving,” aligning with the original theme of confidence and self-expression. The revamped version maintains the song’s essence while adhering to the EBU’s guidelines. The updated music video, released on March 14, 2025, showcases Conte’s adaptability and commitment to her artistic vision. ​   Share

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