Blast from the past Archives - Eurovision Universe

🇵🇹 Blast from the Past: Portugal 1994

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today we want to honour Sara Tavares, who participated for Portugal in 1994. She passed away last Sunday. Portugal in the Eurovision Song Contest Portugal started participating in the Eurovision Song Contest in 1964. It all started with a zero. This was the starting signal for a long and not easy road for Portugal. The idiosyncratic entries the country had often finished low. Exceptions were Carlos Mendes (1958) and José Cid (1980), both of whom reached a seventh place. In 1996, Lucia Moniz finished in sixth place with her “O meu coração não tem cor”. But for a victory, Portugal had to wait until 2017. It was Salvador Sobral who managed to enchant both the televoters and the professional jury with his subdued song “Amar pelos dois”. It turned into a landslide victory for the Portuguese; something they had been waiting for so long. photo: EBU/Andres Putting Festival RTP Da Canção 1994 The national final in Portugal is always called Festival RTP Da Canção. This year, two semifinals were held, on 10 and 17 january. Each of the semifinals contained 10 songs. Among them, Marco Quelhas, who represented Portugal in the 2001 contest as a half of the duo MTM. Eight songs headed to the final: Isabel Campelo, “Malmequer do Campo“, 122 pts, 3rd Trivium, “Trovas do Demo e d’el Rei“, 84 pts, 5th Pedro Miguéis, “Todos Nós Alguma Vez“, 136 pts, 2nd Inova Fora Nada, “O Vento Sabe o Que Quer“, 83 pts, 6th José Carvalho, “Lisboa, Minha Linda Cidade“, 92 pts, 4th Fernanda Lopes, “Se Fores Poema“, 75 pts, 7th Tó Carlos, “Ai Dona Inês“, 46 pts, 8th Sara Tavares, “Chamar a Música“, 220 pts, 1st As you can see, Sara Tavares won with a landslide, 84 points ahead of the runner up! Sara Tavares Sara Alexandra Lima Tavares, born on February 1, 1978, in Lisbon, Portugal, was a renowned Portuguese singer, composer, guitarist, and percussionist. Of Cape Verdean descent, her parents immigrated to Portugal and settled in Almada in the 1970s. Tavares grew up in Lisbon and faced early family challenges, with her father leaving and her mother moving south with her siblings, leaving Sara in the care of an older woman. Tavares exhibited remarkable musical talent from a young age. In 1994, at just 16, she won the national television song contest “Chuva de Estrelas,” performing Whitney Houston’s “One Moment in Time.” That same year, she triumphed at the “Festival da Canção,” earning a spot in the 1994 Eurovision Song Contest. Her winning song, “Chamar a Música,” was included on her debut EP, “Sara Tavares & Shout” (1996), where she blended gospel and funk with Portuguese influences. Her debut album “Mi Ma Bô,” produced by Lokua Kanza, was released in 1999. In 2017, Tavares released the album “Fitxadu,”. It was inspired by Lisbon’s diverse African sounds and cultures, showcasing a more electronic and urban sound. The album earned a Latin Grammy nomination for Best Portuguese Language Roots Album. Tavares was multilingual, composing in Portuguese, Portuguese-based Creole languages, and occasionally English. Sara was known for singing the European-Portuguese version of “God Help the Outcasts” from the Disney movie “The Hunchback of Notre Dame,”. She won a Disney Award for the best version of the original song with it. She also won a Portuguese Golden Globe for Best Portuguese Singer in 2000. photo: Henryk Kotowski Tavares passed away on November 19, 2023, in Lisbon at the age of 45, after a long battle with a brain tumor diagnosed since 2009. Her death was a great shock in the Eurovision community. Chamar a Música “Chamar a Música,” the captivating song that Sara Tavares performed at the 1994 Eurovision Song Contest, showcases her exceptional talent as a young artist. At just 16 years old, Tavares brought this melodic and emotionally resonant piece to the Eurovision stage, representing Portugal with grace and artistry. The song is characterized by its smooth, soulful melody. It is blending elements of Portuguese musical tradition with contemporary influences. Although Tavares’ performance was well-received, it ultimately placed 8th in the competition. Despite this, “Chamar a Música” remains a significant part of her early career, reflecting her deep connection to her cultural roots.

🇮🇪 Blast from the Past: Ireland 1979

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Cathal Dunne, who represented Ireland in 1979 with the song “Happy man”. Ireland in the Eurovision Song Contest Ireland’s journey in the Eurovision Song Contest reads like a tale of two eras. Once the undeniable monarchs of Eurovision, their story is a mix of triumph and challenge, a saga of unparalleled success followed by a period of struggle. In the golden age of Irish Eurovision history, the nation didn’t just participate; they dominated. Their legacy began with Dana’s “All Kinds of Everything” in 1970. The 1980s saw Johnny Logan emerge as a Eurovision icon. His “What’s Another Year” in 1980 and “Hold Me Now” in 1987 didn’t just win; they brought him the title Mr. Eurovision. Linda Martin, with “Why Me?” in 1992, written by none other than Logan, added another chapter to this story. The 1990s continued to smile on Ireland, with Niamh Kavanagh’s “In Your Eyes” in 1993 and the duo of Paul Harrington & Charlie McGettigan with “Rock ‘n’ Roll Kids” in 1994. Eimear Quinn’s “The Voice” in 1996 was perhaps the zenith of this era. In recent years, Ireland struggles and hardly reaches the final. Johnny Logan, 1987 The Irish National Song Contest 1979 On the 4th of February, the Irish National Song Contest was held. Eight songs were performed, and regional juries chose the winner. Some familiar names could be found on the shortlist: Tweed, “No restrictions“, 4 pts, 5th Johnny Logan, “Angie”, 15 pts, 3rd Anderson, “Goodbye”, 3 pts, 6th The Memories, “The main attraction“, 13 pts, 4th Red Hurley and Tina, “Hiding behind our smile”, 0 pts, 8th Cathal Dunne, “Happy man“, 36 pts, 1st Catriona Walsh, “Superstar”, 3 pts, 6th The Miami Show Band, “Too much is going on”, 26 pts, 2nd Both Red Hurley and Tina represented Ireland before, but faced a zero this time. Totally unknown, but soon to become one of the biggest Eurovision stars ever, Johnny Logan, made his debut in this national final. Cathal Dunne Cathal Dunne, born in 1951 in Cork, Ireland, is a renowned Irish singer, widely recognized for his participation in the 1979 Eurovision Song Contest. He represented Ireland with the song “Happy Man,” which became quite popular, reaching No. 3 in the Irish charts. Dunne’s musical journey began early, influenced by his uncle, Jack Lynch, the former Taoiseach (prime minister) of Ireland. After graduating from University College Cork and Montfort College of Performing Arts in 1974, Dunne quickly made his mark in the music industry. He won the Castlebar Song Contest that same year with “Shalom” and participated in the Yamaha Music Festival in 1976 with “Lover, Not a Wife.” His single “Bad Boy” and top ten hit “Danny” further established his presence in the Irish music scene. He was also known for his performances with his backing bands, Stateside and later The Formula, in Irish clubs. In 1981, Dunne’s song “We’ll be there” was featured in Fianna Fáil’s general election campaign. His Eurovision entry “Happy Man” won him the Irish National Song Contest, beating notable competitors like Tina Reynolds, Red Hurley, and future winner Johnny Logan. He finished fifth in the Eurovision final in Jerusalem. Dunne’s move to the United States in the early 1980s marked a new chapter in his career. Settling there permanently after initial concerts in Michigan in 1982, he embraced the role of a traditional Irish balladeer, releasing several albums and diversifying his performances with comedy and show tunes. His continued dedication to music has kept him connected to his Irish roots while entertaining audiences in his adopted home. Happy Man As said, “Happy Man” was Ireland’s entry in the Eurovision Song Contest held in Jerusalem that year. This ballad with its optimistic lyrics stood out as a cheerful and engaging composition. Dunne, not just the performer but also the songwriter, showcased his multifaceted talent through this entry. The song’s essence, encapsulated in its title, reflects a positive and content outlook on life. Its light-hearted and jubilant nature resonated with audiences, leading to a respectable fifth-place finish in the contest. This achievement was significant, considering the competitive nature of Eurovision and the diverse array of musical styles it encompasses. “Happy Man” enjoyed commercial success following the contest, particularly in Ireland where it reached number three on the charts. The song remains a memorable part of Cathal Dunne’s musical career.

🇷🇴 Blast from the Past: Romania 2006

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Mihai Trăistariu, who represented Romania in the 2006 contest with “Tornero”. Romania in the Eurovision Song Contest Romania made its debut in the Eurovision Song Contest in 1994. The country has mostly participated every year, missing out only a few times. One notable absence was in 2016, when the country was disqualified due to unpaid debts to the European Broadcasting Union.Romania has achieved several respectable placements throughout the years, but, so far, the country hasn’t won the contest. Romania’s best results were third place, achieved in 2005 with the song “Let Me Try” by Luminița Anghel & Sistem and in 2010 with the song “Playing with Fire” by Paula Seling & Ovi. Romania is known for bringing a variety of music genres to the contest, from pop and rock to folk and traditional. Some entries, like “Zaleilah” by Mandinga in 2012, featured a mix of Romanian folk sounds with modern beats, giving it a distinct flavor.This year, unfortunately, Romania was facing their worst score ever, getting no points at all in the semifinal for “D.G.T. (Off and on)” by Theodor Andrei. Luminița Anghel Selecția Națională 2006 The Romanian national final always has the name Selecția Națională, also in 2006. Two semifinals and a final took place, three days in a row. The final, containing twelve songs, was held on February 26th. “Hey a hey”, Gina Pop Band, 4 pts, 10th “Se tu vuoi”, Linda, 10 pts, 6th “It’s our world”, Maria Radu & Mike Peterson, 5 pts, 8th “Sunshine”, Jasmine, 5 pts, 8th “Jokero”, Akcent & Nico, 20 pts, 2nd “Brand new feeling”, Dora, 13 pts, 3rd “Sagapo”, MiDo, 3 pts, 12th “Tornero”, Mihai Trăistariu, 22 pts, 1st “Be my boyfriend”, Indiggo, 6 pts, 7th “I believe in my star”, Laurențiu Cazan, 12 pts, 4th “Gândești prea high”, Delia, 4 pts, 10th “The universe”, Tony Poptămaș and Desperado, 12 pts, 4th Note that not only “Tornero” was a success. “Jokero” by Akcent and Nico also became an international hit. Aksent – Jokero Mihai Trăistariu Born on December 16, 1979, in Piatra Neamț, Romania, Mihai displayed an early passion for music. He began his music education at the Carmen Sylva Art School in Piatra Neamț and later graduated from the Bucharest Academy of Music. Mihai’s breakthrough came with his participation in various music festivals. In 1999 Mihai joined the group Valahia. They took part in the national final for the Eurovision Song Contest in 2000 with the song “Why” and reached a 2nd place. Also in 2002 (“Mother”, 4rd), and in 2004 (“Friends are friends”, 3rd). In 2005 he also took part, now in duet with Nico, “All the time”. It was the same year that Mihai’s debut album was released. But his rise to international fame was cemented with his Eurovision entry. In 2006, he performed the song “Tornero,” a catchy pop track infused with operatic elements. The song finished in 4th place, one of Romania’s highest rankings in the contest, and subsequently became a hit across Europe.In total, Mihai released four albums. Also, he took part in Selecția Națională numerous times. His most successful participation, apart from “Tornero”, was “I won’t surrender” in 2017, which reached a 2nd place. In 2019 Mihai withdrew, because he did not agree with Romanian television on the way the contest was organized. He had taken part in a show on another tv-station (Your Face Sounds Familiar) and stated “I do not trust the objectivity of the Eurovision Romania organisers, regarding the unclear situation about the competitors — those who qualified through the pre-selection and those who were later favoured — I decided to withdraw.”Nowadays, Mihai Trăistariu has another career….. he is, as far as we know, the only Eurovision participant with an OnlyFans page. Tornero The song stood out due to Mihai’s powerful vocal range and its infectious pop-opera blend. At the contest, held in Athens, Greece, “Tornero” managed to achieve 4th place with 172 points. This ranking is one of the highest Romania has achieved in the contest. The track is a pop song with operatic elements, and its title, “Tornero,” is an Italian word meaning “I will return.” The song is about a man who promises his love that he will return to her. “Tornero” was well-received, not just within the Eurovision community, but also among general music enthusiasts. After the contest, it charted in several European countries and became a notable hit.

🇺🇦 Blast from the past: Ukraine 2020

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Go_A, who were supposed to represent Ukraine in the 2020 contest but did so a year later. We keep an eye on the, lesser known, 2020 entry. Ukraine in the Eurovision Song Contest Ukraine is one of the most succesful countries in the Eurovision Song Contest so far. With three victories since it’s debut in 2003, three more top-3 positions and not a single failure to qualify, this country holds a special record. Already in 2004, it was Ruslana who managed to get the first place in the contest. In 2016, Jamala brought the victory home again. It was in 2022 when Kalush Orchestra broke all the Eurovision records existing. And who does not remember Verka Serduchka, Ani Lorak, Svetlana Loboda and the group we are talking about today, Go_A? photo: UA:PBS Vidbir The Ukrainian national final is called Vidbir. There had been a lot of controversy about Vidbir in 2019: the winner, Maruv, had performed on Crimea after it had been occupied by Russia in 2014. Also, Maruv had planned several performances in Russia. In the end, for this reason Ukraine withdrew. A new rule in the 2020 is that only artists who had not performed in Russia after 2014 were allowed. Also, artists who had traveled to Crimea after that year without permission from the Ukrainian authorities, were not accepted. 16 songs entered two semifinals. Six songs were allowed to the final, where televoters and a jury chose the winner. The jury members were Andriy Danilko (Verka Serduchka!), Tina Karol and producer Vitaliy Drozdov. These were the songs, entering the final: “99“, sung by Krutь, 9 pts, 3rd “Vegan“, sung by Jerry Heil, 2 pts, 6th “Solovey“, sung by Go_A, 12 pts, 1st “Horizon“, sung by David Axelrod, 5 pts, 5th “Call for love“, sung by Khayat, 9 pts, 2nd “Bonfire“, sung by Tvorchi, 5 pts, 4th Go_A Go_A is a Ukrainian folktronica band formed in 2012. The band’s name fuses the English term “Go” with the Greek letter “Alpha”, representing the start of all things. Thus, their name signifies a “return to origins.” The ensemble features Kateryna Pavlenko on vocals from Nizhyn, Taras Shevchenko [uk] handling keyboards and percussion from Kyiv, Ihor Didenchuk [uk] of Lutsk (who is also part of the rap group Kalush), and Ivan Hryhoriak from Bukovyna. Their songs are performed solely in Ukrainian. Formed from a serendipitous 2012 meeting between Taras Shevchenko, a skilled keyboardist (unrelated to the renowned poet), and folk singer Kateryna Pavlenko, Go_A has swiftly become an emblem of contemporary Ukrainian music. Their initial offering, “Koliada” (Коляда), was soon overshadowed by the nationwide success of “Vesnianka” (Веснянка). This track ruled Ukraine’s 10Dance chart for six weeks and earned them the “Discovery of the Year” title by Kiss FM radio. Their debut album, “Idy na zvuk” (Follow the Tune), launched in 2016, fortified their reputation, incorporating the hit “Vesnjanka”. A special Christmas collaboration with Katya Chilly, “Shchedryi vechir”, marked the end of the year. Eurovision 2020 beckoned next. Chosen to represent Ukraine with “Solovey”, the pandemic’s shadow caused a cancellation. Undeterred, Go_A returned in 2021 with “Shum”, clinching fifth place overall, but a noteworthy second in public votes[9]. Adding to their laurels, band member Ihor Didenchuk, with rap group Kalush, triumphed in Eurovision the next year. In 2023, post their European tour, Go_A graced Eurovision again, performing “Shum” alongside Ukrainian musical legends during the flag parade. They further joined Duncan Laurence’s emotive “You’ll Never Walk Alone”. From traditional roots to global acclaim, Go_A epitomizes the spirit of modern Ukraine, harmonizing history with today. photo: EBU Solovey “Solovey” is the song by the Ukrainian band Go_A. Selected as Ukraine’s entry for the Eurovision Song Contest in 2020, the track became synonymous with Go_A’s unique fusion of electronic music with traditional Ukrainian sound. The title “Solovey” translates to “Nightingale” in English, and lyrically, the song tells the tale of a young woman’s complex feelings towards a man, using the metaphor of the nightingale’s song to express deep emotions. Musically, “Solovey” incorporates the band’s signature blend of powerful vocal techniques, inspired by Ukrainian folklore, with contemporary beats and rhythms. Kateryna Pavlenko’s voice, with its distinctive timbre, rings out clear and strong, capturing the listener’s attention from the outset. COVID19 Due to the COVID19 pandemic, EBU, host organizers NOS/NPO/AVROTROS and the city of Rotterdam had to decide to a cancellation of the contest. That also meant that Go_A could not represent Ukraine in the 2020 contest. On the evening of the Grand Final, 16 May 2020, a show from a studio in Hilversum, Netherlands, was broadcast: Europe Shine A Light. Go_A was part of this show. Ukrainian broadcaster UA:PBC however supported Go_A to be the 2021 representants in the contest. Their song “Shum” reached a 5th place in the Eurovision Song Contest. Go_A at a home session during the pandemic.

🇫🇮 Blast from the past: Finland 1989

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Anneli Saaristo, who represented Finland in 1989. Finland in the Eurovision Song Contest Finland’s participation in the Eurovision Song Contest has been marked by a variety of performances and results since the country’s debut in the competition in 1961. Over the years, Finland has experienced both highs and lows. Finland’s initial years in Eurovision were tough. For many years, the nation struggled to make a significant impact on the scoreboard. They even scored ‘nul points’ (zero points) in 1963, 1965, and 1982. Their best score was a 6th place for Marion Rung and her “Tom Tom Tom” in 1973.Finland’s most iconic moment in the contest came in 2006 when the hard rock band Lordi won with the song “Hard Rock Hallelujah”. Not only did this victory mark Finland’s first and, so far, only win in the contest, but it was also historic because Lordi was a hard rock band with a monster image – quite a departure from the usual Eurovision acts.This year, Finland reached the top again, winning the televote and reaching a second place overall. Again, the song “Cha-cha-cha” and Käärijä’s performance faced a unique sound and performance. Photo: Corinne Cumming/EBU Euroviisut, the national final In those days, the national selection was called Euroviisut. Ten songs competed in the contest that was held on February 4th in the Kulttuuritalo in Helsinki. Note that Anneli Saaristo sang two songs in the competition! Two songs are not in Finnish but in Swedish. The entire show can be watched here. Oi Äiti Maa, sung by Anneli Saaristo, 74 pts, 3rd Kan Det Vara Kärlek?, Mervi Hiltunen, 72 pts, 4th Hiljaisuutta, Kirka, 62 pts, 5th Rauhaton Sydän, Meiju Suvas, 24 pts, 10th Huominen Eurooppa, Tanjalotta Räikkä, 39 pts, 8th La Dolce Vita, Anneli Saaristo, 110 pts, 1st Minä Olen Muistanut, Kim Lönholm, 52 pts, 7th Rakkauden Laulut, Sonja Lumme, 62 pts, 5th Vad Finns Kvar, Cris Owen, 103 pts, 2nd Kahden Juhla, Marjorie, 31 pts, 9th Anneli Saaristo In the early 1970s, Saaristo participated in pop song contests. Throughout the decade, she worked as the soloist for a dance orchestra and mainly recorded cover versions of pop songs. In the spring of 1978, Saaristo competed in the Finnish Eurovision qualifiers Euroviisut with the song “Sinun Kanssasi, Sinua Ilman,” which became her first hit. Her next recording was “Aamulla Rakkaani Näin,” which Lea Laven had performed in the same qualifiers. Saaristo’s first album, “Aina Aika Rakkauden,” was released in 1980. Published by a small record company, the album was a commercial disappointment. In 1982, Saaristo participated in the Autumn Tune competition with the song “Tyhjät Sanat” and in the 1984 Euroviisut with “Sä Liian Paljon Vaadit,” finishing third. Both songs were hits, and her subsequent albums sold better than the first. In the fall of 1988, Saaristo received a press award in the Autumn Tune for her song “Taivaspaikka.” In 1989, she performed in the Eurovision qualifiers with the songs “Oi Äiti Maa” and “La Dolce Vita,” the latter winning. At the Eurovision Song Contest in Lausanne, “La Dolce Vita” placed seventh. The “La Dolce Vita” album achieved gold status. Some of Saaristo’s most renowned songs include “Viimeinen Känni,” “Evakon Laulu,” “Päättyneet Juhlat,” “Appelsiinipuita Aavikkoon,” and “Kypsän Naisen Blues.” In the project “Miten Enkeleitä Vietellään,” she interpreted Bertolt Brecht’s erotic poems alongside Monna Kamu and Liisa Tavi. In the 2000s, Saaristo participated in Rakkauden Kiertokulku concerts with Eija Kantola and Marjorie. Saaristo has also acted, for instance, in Turku City Theater. In 2005, she appeared in Timo Koivusalo’s movie Kaksipäisen Kotkan Varjossa. That same year, she was nominated for the Iskelmä-Finlandia award. In 2011, Saaristo was granted an artist pension. In recent years, she has performed with pop singer Fredi on the “Fredi’s Guest” concert tour. Controversy When Anneli Saaristo took part in Euroviisut and won it, this was of course mentioned in the fan magazines. A Finnish reporter in one of the magazines wrote about Anneli: “She looked like a nightmare already in 1978 when she for the firs time sang in our national heats but the 11 years since then have done their job well: there is no word to describe her looks!”. The writer of the article apologized one magazine later; he explained the article was not a proper translation of a letter in Finnish, and was mixed up with another article, that should have been published. La Dolce Vita “La Dolce Vita” is perhaps one of the most iconic songs associated with Anneli Saaristo, especially on the international stage. It was Finland’s official entry to the Eurovision Song Contest in 1989. The title, which translates to “The Sweet Life” in Italian, captures the essence of living life to the fullest and enjoying its pleasures. The song’s participation in Eurovision marked a significant moment for Finland. Competing in Lausanne, Switzerland, “La Dolce Vita” achieved a commendable 7th place finish. This placement was a notable achievement for Finland at that time. The tune itself is melodious and catchy, combining traditional pop elements with a distinct Finnish touch. Anneli’s powerful voice and emotive rendition made the performance memorable, helping the song stand out amidst other competitors. While “La Dolce Vita” may not have secured the top spot at Eurovision, it cemented its position as one of Anneli Saaristo’s most celebrated tracks. Following the contest, the song enjoyed considerable airplay and popularity in Finland and even gained recognition in various parts of Europe. The song’s success also contributed to Anneli’s continued prominence in Finnish music, further showcasing her versatility and talent.

🇱🇺 Blast from the past: Luxembourg 1980

photo credits: Nationaal Archief, Den Haag, Netherlands We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: two cute ladies, but unfortunately also a sad story. Luxembourg in the Eurovision Song Contest Luxembourg has triumphed in the contest on five distinct occasions. However, the twist is that not a single winner was of Luxembourgish descent. The champions Jean-Claude Pascal (1961), France Gall (1965), Anne-Marie David (1973), and Corinne Hermes (1983) originated from France. Meanwhile, Vicky Leandros (1972), a Greek by birth, has made Germany her longtime residence. National final In 1980, Luxembourg selected their song internally. It is not exactly known how. However, there is a video in which we can see something that looks like an audition. Ralph Siegel and Bernd Meinunger composed a song. For the French lyrics of it, they teamed up with Jean-Paul Cara and Pierre Delanoë. The twins Sophie and Magaly were chosen to sing the entry. Sophie and Magaly Sophie and Magaly, French twin sisters, formed a musical duo. They were born in Neuilly-sur-Seine at 24 august 1962. They gained significant attention when they represented Luxembourg in the 1980 Eurovision Song Contest with “Papa Pingouin”, securing the ninth position. Despite this placement, the track witnessed tremendous commercial acclaim in France, selling over a million copies. Their subsequent release, “Arlequin”, didn’t fare well, leading their German producer Ralph Siegel from Ariola to part ways with them. Another producer, Charles Talar, stepped in, but the duo’s later tracks, “Toi” and “Les nanas de Zorro”, failed to capture the audience, resulting in their disbandment. When Sophie and Magaly, still minors at the time, entered into a contract with Ralph Siegel, their parents lacked insight into the standard practices of the showbiz world. The agreement they made with Siegel ensured only a minimal percentage of the sales would go to the sisters. In April 1982, during a prime-time slot on TF1’s “Droit de réponse”, Magaly opened up about their earnings. She revealed that they each had been paid a mere 5,000 francs (equivalent to 762 € before adjusting for inflation), despite their record sales surpassing a million 45 rpm units. Further, she shared that Siegel had chosen to discontinue his professional relationship with them and was unwilling to revisit the terms of the contract, maintaining that it was already fair and binding. Years later, in 2005, French songwriter Jean-Paul Cara corroborated that Siegel’s intention was never to propel Sophie and Magaly to stardom. He had enlisted them specifically for that one song. Tragically, in the late ’80s, Magaly was diagnosed with HIV, culminating in her passing from AIDS on 2 april 1996. Sophie, grappling with severe depression, resided in southern France until her death on 27 February 2019. Papa Pingouin As said, the song was written and composed by Ralph Siegel and Bernd Meinunger along with Pierre Delanoë and Jean-Paul Cara. The song delves into the whimsical daydreams of the main character, a restless penguin who envisions himself soaring like a seagull and journeying globally, recounting several imagined destinations. By the song’s conclusion, the penguin discerns that existence “on the ice floe” isn’t as dismal as he perceived. Symbolizing his relinquished wanderlust, he “sets his suitcase ablaze.” The song reached the 9th place in the Eurovision Song Contest in Den Haag. Additionally, Sophie & Magaly produced a German rendition of the track titled “Papa Pinguin.” A 2006 animated rendition by the penguin Pigloo propelled the song back into the limelight in France, topping the SNEP Singles Chart for a trio of weeks. With its 27-week chart presence, it ranked as the fifth most popular single in France for that year. Additionally, the tune made its mark on the Swiss Singles Chart, securing the 24th spot. Its German counterpart, “Papa Pinguin”, gained traction in German-speaking regions, climbing to fourth place in Austria and securing the sixth position in both Germany and Switzerland.