Vienna 12 points: from eighties music to progressive metal

Five more countries start their second rehearsals. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.


🇧🇪 Belgium – Essyla, “Dancing on the Ice”

Running order: 11 | Rehearsal: 10:30–10:55 CEST

During Belgium’s second rehearsal in Vienna, with ESSYLA carrying the flag in 2026, another Belgian Eurovision story returns to the spotlight. Forty years ago, Sandra Kim won the contest in Bergen with “J’aime la vie”, giving Belgium its first and so far only victory. Her triumph, however, has always carried an unusual footnote. In the song she sang that she was fifteen. At the time, the public was told she was fourteen. Later, Sandra Kim admitted she had actually been only thirteen when she stepped onto the Eurovision stage. The revelation made her the youngest winner in contest history, a record that can no longer be broken under today’s age rules. While ESSYLA rehearses for a new Belgian chapter, Kim’s story remains a reminder of Eurovision’s unpredictable past: a bright, youthful performance that became both a national celebration and a lasting controversy for fans across Europe and beyond, even today.

📷 EBU/Corinne Cumming

🇱🇹 Lithuania – Lion Ceccah, “Sólo Quiero Más”

Running order: 12 | Rehearsal: 11:05–11:30 CEST

Six languages in the Lithuanian entry may sound like a Eurovision record, but the multilingual crown still belongs to Norway. In 1973, the Bendik Singers performed “It’s Just A Game” in Luxembourg and packed an extraordinary twelve languages into one playful pop song. English and French carried most of the lyrics, but the performance also included brief phrases in Spanish, Italian, Dutch, German, Irish, Serbo-Croatian, Hebrew, Finnish, Swedish and Norwegian. The result was more than a gimmick: the song’s jazzy vocal exchanges and theatrical delivery made it stand out in a year when Eurovision had just introduced the free-language rule. Norway finished seventh with 89 points, its best result for several years. Today, “It’s Just A Game” remains a fascinating reminder that Eurovision’s love of linguistic experiments is not new. Long before Lion Ceccah, Bendik Singers had already turned the contest into a multilingual playground and a lasting Eurovision curiosity.

📷 EBU/Corinne Cumming

 San Marino – Senhit feat. Boy George, “Superstar”

Running order: 13 | Rehearsal: 11:40–12:05 CEST

ulture Club may be a household name for older pop fans, but many people watching Eurovision this year might not know the band, for a simple reason: they were not born yet when the group ruled the charts. Formed in London in 1981, Culture Club became one of the defining acts of the 1980s. With Boy George as their charismatic frontman, the band stood out with a colourful image and a sound that mixed pop, soul, reggae and new wave. Their breakthrough came with “Do You Really Want to Hurt Me”, followed by international hits such as “Karma Chameleon” and “Time (Clock of the Heart)”. Culture Club’s impact went beyond record sales. They helped shape the look and feel of 1980s pop and challenged expectations around fashion, identity and performance. For younger Eurovision viewers, this is a chance to discover an influential chapter in British pop history for themselves today.

📷 EBU/Corinne Cumming

🇵🇱 Poland – Alicja, “Pray”

Running order: 14 | Rehearsal: 12:20–12:45 CEST

Hit Hit Hurra! was a Polish music talent show aimed at young performers, broadcast on TVP1. The format gave children and teenagers a national stage, combining competitive performances with professional guidance and live musical backing. Its jury included well-known figures from the Polish music scene, among them Eurovision 1994 runner-up Edyta Górniak, music journalist Hirek Wrona and vocal coach Bartek Caboń. One of the programme’s most notable winners was Alicja Szemplińska. In 2016, at just 14, she won the first edition after impressing viewers and the jury with her performance of Beyoncé’s “Listen”. Her victory became an early milestone in a career that later led her to The Voice of Poland and to Eurovision. Alicja rehearses today for the Eurovision Song Contest in Vienna. Today, Hit Hit Hurra! is remembered as an important stepping stone for young Polish talent and future pop stars nationwide.

📷 EBU/Corinne Cumming

🇷🇸 Serbia – Lavina, “Kraj mene”

Running order: 15 | Rehearsal: 12:55–13:20 CEST

Progressive metal is built on ambition. The genre takes the power of heavy metal and combines it with complex rhythms, extended song structures and influences from progressive rock, classical music and jazz. Instead of relying only on short, direct hooks, progressive metal often develops slowly, moving through different moods and dramatic contrasts. That makes it a natural fit for artists who want to tell a story on stage.

At this year’s Eurovision Song Contest in Vienna, Serbia’s Lavina brings that approach into a very different arena. The six-member band from Niš, formed in 2020, represents Serbia with “Kraj Mene”. Their music, rooted in metal and rock influences, adds a darker, theatrical edge to a contest often associated with pop. For viewers less familiar with the genre, Lavina’s rehearsal today offers a chance to hear how progressive metal can be emotional, technical and accessible at the same time for audiences watching live.

📷 EBU/Corinne Cumming

 

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A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

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Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times. 🇱🇺 Luxembourg The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts. 🇨🇿 Czechia Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final. 🇫🇷 France Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego? 🇦🇹 Austria Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year. 🇱🇻 Latvia Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. Whether the song is strong enough for a place in the final remains to be seen. 🇩🇰 Denmark Søren stands on stage with a kind of aquarium behind him, containing his dancers. Eventually, Søren himself also crawls into the aquarium, exactly at the moment when he has to hit a high note. That takes guts. Søren simply goes for it. The whole package has everything it needs for a high placing. 🇦🇺 Australia Delta Goodrem wears a dress with 7,000 Swarovski crystals. Her grand piano also appears to be covered in crystals. Delta has a great deal of experience and uses it to deliver a very strong performance. Right at the end, it turns out that a platform rises out of the piano. Delta rises up on it. She ends as a kind of Lady Liberty. Top three? 🇺🇦 Ukraine The vocals from Ukraine’s Lekela are fine. During the performance, however, little happens. We see curtains coming down, and use is made of the good old wind machine. A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

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