🇬🇧 Blast from the past: UK 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967, when Sandie Shaw brought the first victory to the United Kingdom with “Puppet On A String”.

United Kingdom in the Eurovision Song Contest

Few countries have a Eurovision pedigree like the United Kingdom. Since debuting in 1957, the UK has won five times: Sandie Shaw (1967), Lulu (1969), Brotherhood of Man (1976), Bucks Fizz (1981) and Katrina & The Waves (1997). The country hosted on nine occasions, most recently Liverpool 2023. t also holds the record for most runner‑up finishes, with 16 second places; the last came in 2022 when Sam Ryder’s “SPACE MAN” topped the jury vote. Recent form has been mixed: in 2023, host act Mae Muller finished 25th with 24 points; in 2024, Olly Alexander placed 18th with 46 points; and in 2025, Remember Monday ended 19th on 88 points.  Such swings epitomise the UK’s roller‑coaster history: long stretches of podiums and wins, punctuated by lean years, yet always central to Eurovision’s story and spectacle. 

Sam Ryder, EBU

A Song For Europe 1967

The UK national final in those days was called A Song For Europe. One artist sang 5 or 6 songs. Sandie Shaw was chosen to do the job in 1967. The contest was held on February 25. The results were announced one week later.
The 5 titles were:

  1. Tell The Boys, 2nd place
  2. I’ll Cry Myself To Sleep, 3rd place
  3. Had A Dream Last Night, 4th place
  4. Puppet On A String, 1st place
  5. Ask Any Woman, 5th place

 

“Had A Dream Last Night” was written by another very popular pop star from those days: Chris Andrews. He is known for a lot of hits in the late sixties, “Yesterday Man” and “Pretty Belinda” being the biggest.

You can watch a recap of all songs here in good quality.

Sandie Shaw

Sandie Shaw (born Sandra Ann Goodrich on 26 February 1947 in Dagenham) ranks among Britain’s defining 1960s pop voices. As a teenager, talent scouts noticed her; Pye Records signed her, and in 1964 she hit No. 1 with the Burt Bacharach–Hal David song “(There’s) Always Something There to Remind Me.” She followed it with a run of singles—“Girl Don’t Come,” “Long Live Love,” and “Message Understood”—that cemented her chart presence. Performing barefoot, she turned a quirk into a signature and a style statement. In 1967, Shaw won the Eurovision Song Contest for the United Kingdom in Vienna with “Puppet on a String,” securing the country’s first victory, and the single topped charts across Europe.

In the early 1970s, Shaw stepped away from pop to pursue stage roles and business ventures. She later challenged her recording contracts. In the 1980s she returned to the charts through collaborations with indie admirers, notably The Smiths. Her 1988 album “Hello Angel” showcased a mature voice. Through the 1990s and 2000s she recorded selectively. She curated reissues of her catalogue. Sandie trained as a psychotherapist, mentoring artists and advocating for performers’ rights. She published memoirs and kept performing. In 2017 the UK honoured her with an MBE for services to music. It’s an honour that recognized a career bridging eras while remaining unmistakably hers.

I’m going to the toilet

Boudewijn Büch (1948–2002) was a Dutch author, poet, bibliophile, and television presenter. He became famous for literary travel programs on VARA, a Dutch public broadcaster.

In 1988, Büch invited Sandie Shaw onto his VARA show. He kept the conversation light, comparing music “then and now.” Sandie’s ground rules forbade any talk of the Eurovision Song Contest. When Büch raised the topic anyway, Shaw stood up, said “I’m going to the toilet,” and walked out, almost yanking her microphone cable free. Büch closed the episode in the restroom, singing “Puppet on a String,” and he concluded that the song had gone down the toilet.

Puppet On A String

“Puppet On A String” is Sandie Shaw’s bright, bouncy slice of 1960s Europop. Lyricist Bill Martin and composer Phil Coulter wrote the song. At Eurovision 1967 in Vienna, Shaw performed barefoot, locking onto the camera with crisp phrasing and a smile. The arrangement rides an oom‑pah, fairground swing with brisk brass and a skippy rhythm. The hook lodges instantly, and the melody aims squarely at continental tastes. The United Kingdom stormed to victory with 47 points. That is more than double the runner‑up. This way the UK its first Eurovision win.

The single topped the UK charts, and Shaw recorded versions in multiple languages, cementing its cross‑European appeal. Lyrically, the song toys with the image of a lover manipulated like a marionette, “a puppet on a string”, while the upbeat pop setting turns the drama into perfect television. “Puppet On A String” stands as a defining Eurovision winner and an enduring cornerstone of Sandie Shaw’s catalogue today.

 

 

 

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Eurovision 2026

Weekly Update

It’s Tuesday, March 17, 2026, which means it’s time for another weekly Eurovision update! Over the past week, the final wave of song reveals for Eurovision 2026 generated plenty of buzz both on and off the stage. Four more countries unveiled their entries, completing the Vienna line-up. Meanwhile, controversies erupted around a few artists and songs. Preparations also ramped up as EuroClub tickets went on sale and pre-party announcements rolled out. The Heads of Delegation met in Vienna to finalize plans. The betting odds also shifted as new favorites emerged. Here are this week’s top stories: New Eurovision Entries Confirmed 🇨🇭 Switzerland Switzerland has revealed its entry for Eurovision 2026: Veronica Fusaro will perform the song “Alice”. The track is an intense alternative pop ballad with rock influences. It tells the story of a woman whose personal boundaries are gradually crossed under the guise of affection. Fusaro was internally selected by Swiss broadcaster SRG SSR. “Alice” is a revamped version of a song from her 2025 album, updated in collaboration with producer Charlie McClean. 🇦🇲 Armenia Armenia completed this year’s Eurovision roster by announcing SIMÓN as its representative with the song “Paloma Rumba”. The entry delivers a “rebellious anthem” about breaking free from a suffocating 9-to-5 routine. Its title literally translates to “Dove’s Dance” and symbolizes a joyful dance of freedom. Lilit Navasardyan (LI’LITH) composed “Paloma Rumba”. David Tserunyan, Eva Voskanyan, and Rosa Linn (Armenia’s 2022 representative) wrote the lyrics. SIMÓN earned the selection after finishing as the runner-up in Armenia’s national final. 🇨🇿 Czechia Czech Television (ČT) confirmed 23-year-old Daniel Zizka as the Czech representative for Eurovision 2026 with his song “CROSSROADS”. During the artist reveal on March 8, the broadcaster highlighted his soulful voice and authentic style. Daniel impressed the selection team by performing his song flawlessly in the studio on his first attempt. He premiered “CROSSROADS” on March 11, completing Czechia’s line-up for Eurovision 2026. 🇬🇪 Georgia Georgia unveiled its entry “On Replay”, which trio Bzikebi will perform. Bzikebi famously won Junior Eurovision 2008 as children. Now the three members return to the Eurovision stage as adults. Giga Kukhianidze composed “On Replay”, while Lizi Japaridze wrote the lyrics. The song closed the release schedule for the 70th contest. Georgia will present “On Replay” in the first semi-final on May 12. 2026 🇸🇪 Sweden: Felicia’s Israel Comment Draws EBU Reminder Sweden’s Eurovision representative, Felicia, sparked controversy by stating that Israel “should not be allowed to compete” in Eurovision 2026. The European Broadcasting Union responded by contacting SVT and Felicia to reiterate the contest’s rules against political statements. SVT held a meeting with Felicia following the incident. The broadcaster confirmed that she has been clearly reminded of Eurovision’s guidelines forbidding political advocacy. The EBU also stressed that all contestants must respect the event’s neutrality and keep the focus on music. source: SVT 🇦🇿 Azerbaijan: Broadcaster Denies AI Rumors Around Entry Azerbaijan’s broadcaster İctimai officially dismissed rumors that its Eurovision entry “Just Go” by JIVA was created using artificial intelligence. Speculation had spread online after fans noted that the song’s composer, Fuad Javadov, used AI tools in some previous projects. In a public statement, İctimai clarified that “Just Go” is an original work “created through a professional process.” The broadcaster stated that allegations of AI involvement “do not correspond to reality”. They also noted the increased involvement of local songwriters this year, with 107 of 186 submissions written by Azerbaijani creators. The selection committee chose JIVA for her strong live vocals. This aligned with Azerbaijan’s focus on vocal quality, especially now that juries have returned for the semi-finals. source: Instagram İctimai 🇷🇴 Romania: Entry “Choke Me” Faces Backlash Romania’s Eurovision entry “Choke Me” by Alexandra Căpitănescu has come under fire from anti-violence campaigners. Critics argue that the song’s lyrics – which repeat the phrase “choke me” – glamorize sexual strangulation. Campaigners have called the entry “dangerous” and “reckless” for young audiences. Many people have urged the EBU to disqualify the song or demand a lyric change. So far, no official action has been taken. Alexandra has defended her song. She explains that the vivid “choking” imagery is a metaphor for feeling overwhelmed by emotions and self-doubt, not a literal call for violence. source: Romania Insider EuroClub 2026 Tickets Now on Sale EuroClub – the official afterparty venue during Eurovision week – is coming to Vienna, and tickets are now on sale. Nightly EuroClub events will run from May 11 through May 16 at the Prater DOME in Vienna, giving fans and delegations a place to celebrate after each show. Early-bird tickets cost around €28 for OGAE fan club members and about €37 for non-members. These discounted prices are only available until March 14. The EuroClub will feature different themed nights and guest DJs. It is open to all fans aged 18 and over. With the Eurovision party atmosphere returning, many attendees are already snapping up EuroClub passes to dance into the early hours during contest week. source: Instagram Euroclub   Heads of Delegation Meeting Held in Vienna The Heads of Delegation meeting for the Eurovision Song Contest 2026 took place today in Vienna. Representatives from all 35 participating countries gathered on March 17. This was one week after the deadline for each broadcaster to submit their song, staging plans and other materials for the contest. During the meeting, each delegation handed over its final entry and performance plans to the EBU and host broadcaster ORF. This annual summit allows producers to review all plans, ensure rules are being followed, and begin working on the show’s running order. Now that the Heads of Delegation meeting is complete, preparations move into the next phase. In the coming weeks, ORF will focus on postcard filming, stage design work and other production tasks as the road to Vienna continues. source: Eurovoix Update: A draw decided that Austria will perform in 25th position in the final of the Eurovision Song Contest. Betting Odds Update With all 35 songs now revealed, the betting markets are

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Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, March 17, 2026, which means it’s time for another weekly Eurovision update! Over the past week, the final wave of song reveals for Eurovision 2026 generated plenty of buzz both on and off the stage. Four more countries unveiled their entries, completing the Vienna line-up. Meanwhile, controversies erupted around a few artists and songs. Preparations also ramped up as EuroClub tickets went on sale and pre-party announcements rolled out. The Heads of Delegation met in Vienna to finalize plans. The betting odds also shifted as new favorites emerged. Here are this week’s top stories: New Eurovision Entries Confirmed 🇨🇭 Switzerland Switzerland has revealed its entry for Eurovision 2026: Veronica Fusaro will perform the song “Alice”. The track is an intense alternative pop ballad with rock influences. It tells the story of a woman whose personal boundaries are gradually crossed under the guise of affection. Fusaro was internally selected by Swiss broadcaster SRG SSR. “Alice” is a revamped version of a song from her 2025 album, updated in collaboration with producer Charlie McClean. 🇦🇲 Armenia Armenia completed this year’s Eurovision roster by announcing SIMÓN as its representative with the song “Paloma Rumba”. The entry delivers a “rebellious anthem” about breaking free from a suffocating 9-to-5 routine. Its title literally translates to “Dove’s Dance” and symbolizes a joyful dance of freedom. Lilit Navasardyan (LI’LITH) composed “Paloma Rumba”. David Tserunyan, Eva Voskanyan, and Rosa Linn (Armenia’s 2022 representative) wrote the lyrics. SIMÓN earned the selection after finishing as the runner-up in Armenia’s national final. 🇨🇿 Czechia Czech Television (ČT) confirmed 23-year-old Daniel Zizka as the Czech representative for Eurovision 2026 with his song “CROSSROADS”. During the artist reveal on March 8, the broadcaster highlighted his soulful voice and authentic style. Daniel impressed the selection team by performing his song flawlessly in the studio on his first attempt. He premiered “CROSSROADS” on March 11, completing Czechia’s line-up for Eurovision 2026. 🇬🇪 Georgia Georgia unveiled its entry “On Replay”, which trio Bzikebi will perform. Bzikebi famously won Junior Eurovision 2008 as children. Now the three members return to the Eurovision stage as adults. Giga Kukhianidze composed “On Replay”, while Lizi Japaridze wrote the lyrics. The song closed the release schedule for the 70th contest. Georgia will present “On Replay” in the first semi-final on May 12. 2026 🇸🇪 Sweden: Felicia’s Israel Comment Draws EBU Reminder Sweden’s Eurovision representative, Felicia, sparked controversy by stating that Israel “should not be allowed to compete” in Eurovision 2026. The European Broadcasting Union responded by contacting SVT and Felicia to reiterate the contest’s rules against political statements. SVT held a meeting with Felicia following the incident. The broadcaster confirmed that she has been clearly reminded of Eurovision’s guidelines forbidding political advocacy. The EBU also stressed that all contestants must respect the event’s neutrality and keep the focus on music. source: SVT 🇦🇿 Azerbaijan: Broadcaster Denies AI Rumors Around Entry Azerbaijan’s broadcaster İctimai officially dismissed rumors that its Eurovision entry “Just Go” by JIVA was created using artificial intelligence. Speculation had spread online after fans noted that the song’s composer, Fuad Javadov, used AI tools in some previous projects. In a public statement, İctimai clarified that “Just Go” is an original work “created through a professional process.” The broadcaster stated that allegations of AI involvement “do not correspond to reality”. They also noted the increased involvement of local songwriters this year, with 107 of 186 submissions written by Azerbaijani creators. The selection committee chose JIVA for her strong live vocals. This aligned with Azerbaijan’s focus on vocal quality, especially now that juries have returned for the semi-finals. source: Instagram İctimai 🇷🇴 Romania: Entry “Choke Me” Faces Backlash Romania’s Eurovision entry “Choke Me” by Alexandra Căpitănescu has come under fire from anti-violence campaigners. Critics argue that the song’s lyrics – which repeat the phrase “choke me” – glamorize sexual strangulation. Campaigners have called the entry “dangerous” and “reckless” for young audiences. Many people have urged the EBU to disqualify the song or demand a lyric change. So far, no official action has been taken. Alexandra has defended her song. She explains that the vivid “choking” imagery is a metaphor for feeling overwhelmed by emotions and self-doubt, not a literal call for violence. source: Romania Insider EuroClub 2026 Tickets Now on Sale EuroClub – the official afterparty venue during Eurovision week – is coming to Vienna, and tickets are now on sale. Nightly EuroClub events will run from May 11 through May 16 at the Prater DOME in Vienna, giving fans and delegations a place to celebrate after each show. Early-bird tickets cost around €28 for OGAE fan club members and about €37 for non-members. These discounted prices are only available until March 14. The EuroClub will feature different themed nights and guest DJs. It is open to all fans aged 18 and over. With the Eurovision party atmosphere returning, many attendees are already snapping up EuroClub passes to dance into the early hours during contest week. source: Instagram Euroclub   Heads of Delegation Meeting Held in Vienna The Heads of Delegation meeting for the Eurovision Song Contest 2026 took place today in Vienna. Representatives from all 35 participating countries gathered on March 17. This was one week after the deadline for each broadcaster to submit their song, staging plans and other materials for the contest. During the meeting, each delegation handed over its final entry and performance plans to the EBU and host broadcaster ORF. This annual summit allows producers to review all plans, ensure rules are being followed, and begin working on the show’s running order. Now that the Heads of Delegation meeting is complete, preparations move into the next phase. In the coming weeks, ORF will focus on postcard filming, stage design work and other production tasks as the road to Vienna continues. source: Eurovoix Update: A draw decided that Austria will perform in 25th position in the final of the Eurovision Song Contest. Betting Odds Update With all 35 songs now revealed, the betting markets are

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