🇧🇪 Road To Malmö: Belgium

photo: RTBf

We can not wait for the Eurovision Song Contest in Malmö. Therefore, we have a closer look at one of the contestants every day. Today: Belgium.

Mustii

Mustii, also known as Thomas Mustin, is a talented Belgian singer and actor born in Brussels in 1990. He studied theater at the Institut des Arts de Diffusion in Louvain-la-Neuve, finishing his studies in 2012. Mustii quickly made a name for himself in both acting and music. He started his acting career with a role in the French TV series “À tort ou à raison” and played Benvolio in a production of “Romeo and Juliet” that opened the new Théâtre de Liège.

Mustii directed the play “Débris” in Brussels and was involved in “L’Auberge du Cheval-Blanc,” showcasing his versatility. He acted alongside famous actors in the movies “Odd Job” and “Les Survivors,” and in the popular TV series “The Break.”

In 2014, Mustii’s music career took off when he signed with Black Gizah Records and released his hit single “The Golden Age.” He was recognized as a major new talent, winning Revelation of the Year at the 2016 D6bels Music Awards. In 2019, he won the Magritte Award for Most Promising Actor and continued to impress with his second album “It’s happening now” in 2022, which included the hit “Skyline.”

Excitingly, on August 30, 2023, it was announced that Mustii will represent Belgium at the Eurovision Song Contest 2024, promising to showcase his exceptional talents on an international stage.

Languages in Belgium

Belgium is a fascinating country with a rich linguistic landscape. It officially recognizes three languages: Dutch, French, and German. Dutch is spoken by the majority, particularly in the northern region of Flanders, while French is predominant in the southern part of Wallonia. German, though spoken by a smaller percentage, is primarily used in the eastern part of the country, in the region bordering Germany.

This multilingual setup reflects Belgium’s complex history and cultural diversity. Each language area has its own distinct identity and cultural practices, contributing to the country’s unique mosaic. The bilingual capital, Brussels, serves as a melting pot where both Dutch and French are widely used, offering a microcosm of the nation’s linguistic diversity.

Belgium’s language divide also extends into its political and educational systems, with separate governance for each linguistic community. This coexistence of languages fosters a vibrant cultural scene, but also presents challenges in terms of national unity and administration. Despite these challenges, Belgium’s multilingualism is a testament to its rich cultural heritage and openness to diversity.

With Belgium speaking three languages, Mustii will sing in English.

Belgium in the Eurovision Song Contest

The first Belgian participants were Fud Leclerc and Mony Marc in 1956. Leclerc took part 4 times in total. In one year, the Flemish broadcaster provides the entry, the other year the Wallon broadcaster does. Mustii represents Wallon broadcaster RTBf. One time so far, Belgium won: in 1986 Sandra Kim brought the trophy to Belgium with her song “J’aime la vie”. Jean VallĂ©e (L’amour, ça fait chanter la vie in 1978) and Urban Trad (Sanomi in 2003) reached a 2nd place. In recent years LoĂŻc Nottet (2015) and Blanche (2017) reached a 4th place. Last year, Gustaph was also very succesful with a 7th place with his song “Because of you”.

The bookmakers

Currently, Belgium is in 8th place in the betting odds to win the contest. In the odds to reach the final, Mustii has a 4th place. A good score for Belgium is likely.

The Song

And this is the song: 

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It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. 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Foreign Minister Jean-NoĂ«l Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland WeiĂźmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RĂšV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

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Eurovision 2026
Martijn

Weekly Update

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Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-NoĂ«l Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland WeiĂźmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RĂšV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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