Blast from the past: Austria 1976

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1976, when Waterloo and Robinson represented Austria with the song My Little World.

 

Austria in the Eurovision Song Contest

Austria started participating in 1957. Their first victory came in 1966, when Udo Jürgens won with Merci Cherie. It was his third consecutive participation. After that, Austria did not make it to the top-3 again for decades. In 2014 this changed, when Conchita Wurst gained the trophy with her Rise Like a Phoenix. In 2018 there was another top-3 place for Austria: Cesár Sampson even won the jury voting with Nobody But You. With Teya and Salena (Who The Hell Is Edgar?) last year and Kaleen (We Will Rave) this year, Austria reached the final.

Almost returning

My Little World was, as far as we know, selected internally. But in 2004, Waterloo and Robinson took part in the national selection again. Their song You Can Change the World was 2nd. After the national competition, Waterloo and Robinson, sued the winning group Tie Break. They said that the song Du Bist was too long (over three minutes) and copied the song Für Dich by German singer Yvonne Catterfield. However, the lawsuit was rejected for legal reasons. ORF, the TV broadcaster, said that the small time over the limit wasn’t enough to disqualify the song and promised to shorten it to three minutes for the Eurovision Song Contest. So no return at Eurovision for Waterloo and Robinson.

Waterloo and Robinson

Waterloo & Robinson is a pop music duo from Austria. The group consists of Hans Kreuzmayr (Waterloo) and Josef Krassnitzer (Robinson).

Beginning

Hans and Josef met in 1969 when Hans was looking for someone to help design displays for his boutique. Both were already playing in local bands. They decided to make music together. At their early shows, they were called The Edward Brothers.

In 1971, they entered a music competition and came in third place with their song Du Kannst Sehen (a song about a blind girl). After that, they had hits with songs like Lili’s Haus, Baby Blue (their first big hit in Europe), and Hollywood, a worldwide hit. In 1974, Baby Blue and Hollywood took turns being number 1 and 2 on the Ö3 chart.

Eurovision and Wild Land

The duo represented Austria in the Eurovision Song Contest in 1976. They finished in 5th place with their song My Little World. In 1978, they filmed a movie called Wild Land in Kenya, and they also released an album with the same name.

Germany

Their popularity grew in Germany, but in Austria, their songs didn’t get as much attention. In 1979, they released Do You Remember Marianne, which became a hit in Germany but not in Austria. They appeared on many popular TV shows in Germany but started having disagreements due to their declining success in Austria. This led to their split in 1981.

After the split

After the split, Waterloo continued his solo career with songs like Im Land das Ewigkeit Heißt and other hits. Robinson also released some solo music and helped produce music for young artists, but he stayed out of the spotlight. Waterloo took part in the Austrian national selections for Eurovision twice as a soloist: in 1983 and in 1990.

After about ten years, they tried working together again and performed concerts in 1989 and 1990. They both kept doing solo projects as well. Robinson went on an “Unplugged Tour,” and Waterloo spent time on a Native American reservation in North America. This experience influenced his later music, and he released albums with Native American themes like Tales of the Sun, Moon and Stars, Apaches’ Land, and Indio. While promoting Indio, Waterloo was playing Winnetou at a festival, where he met his current wife, Andrea.

Nowadays

Their concerts now include both their old hits from the 1970s and newer songs with Native American influences. In 2002, they released a new version of the Opus hit Live Is Life, which became a hit in Austria. In 2004, they placed second in the Austrian selection for the Eurovision Song Contest with their song You Can Change the World.

Waterloo released a solo CD in 2005 for his 60th birthday, and a Christmas CD in 2006. Robinson also worked on solo projects during this time. They were still touring together at that point.

In 2007, they decided to focus only on their solo work for live shows.

In 2015, they reunited for a short time to perform at special events and on TV for the Eurovision Song Contest, which took place in Vienna.

My Little World

My Little World is a song performed by the Austrian pop duo Waterloo & Robinson. The song was composed by Gerhard Heinz, who is known for his work in film scores and pop music, while the lyrics were written by Peter Orthofer. The track was selected to represent Austria in the Eurovision Song Contest in 1976.

At Eurovision, which was held in The Hague, The Netherlands, My Little World was performed as Austria’s entry. The duo delivered a heartfelt and melodic performance that resonated with both the jury and the audience. The song, with its catchy tune and reflective lyrics, stood out during the competition.

Ultimately, My Little World scored 80 points in the contest and finished in 5th place, a strong result for Austria. The song was well-received and helped further establish Waterloo & Robinson’s career both in Austria and internationally. Their Eurovision appearance cemented their reputation as one of the country’s leading pop acts during the 1970s.

 

 

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🇬🇧 Blast from the past: UK 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967, when Sandie Shaw brought the first victory to the United Kingdom with “Puppet On A String”. United Kingdom in the Eurovision Song Contest Few countries have a Eurovision pedigree like the United Kingdom. Since debuting in 1957, the UK has won five times: Sandie Shaw (1967), Lulu (1969), Brotherhood of Man (1976), Bucks Fizz (1981) and Katrina & The Waves (1997). The country hosted on nine occasions, most recently Liverpool 2023. t also holds the record for most runner‑up finishes, with 16 second places; the last came in 2022 when Sam Ryder’s “SPACE MAN” topped the jury vote. Recent form has been mixed: in 2023, host act Mae Muller finished 25th with 24 points; in 2024, Olly Alexander placed 18th with 46 points; and in 2025, Remember Monday ended 19th on 88 points.  Such swings epitomise the UK’s roller‑coaster history: long stretches of podiums and wins, punctuated by lean years, yet always central to Eurovision’s story and spectacle.  Sam Ryder, EBU A Song For Europe 1967 The UK national final in those days was called A Song For Europe. One artist sang 5 or 6 songs. Sandie Shaw was chosen to do the job in 1967. The contest was held on February 25. The results were announced one week later.The 5 titles were: Tell The Boys, 2nd place I’ll Cry Myself To Sleep, 3rd place Had A Dream Last Night, 4th place Puppet On A String, 1st place Ask Any Woman, 5th place   “Had A Dream Last Night” was written by another very popular pop star from those days: Chris Andrews. He is known for a lot of hits in the late sixties, “Yesterday Man” and “Pretty Belinda” being the biggest. You can watch a recap of all songs here in good quality. Sandie Shaw Sandie Shaw (born Sandra Ann Goodrich on 26 February 1947 in Dagenham) ranks among Britain’s defining 1960s pop voices. As a teenager, talent scouts noticed her; Pye Records signed her, and in 1964 she hit No. 1 with the Burt Bacharach–Hal David song “(There’s) Always Something There to Remind Me.” She followed it with a run of singles—“Girl Don’t Come,” “Long Live Love,” and “Message Understood”—that cemented her chart presence. Performing barefoot, she turned a quirk into a signature and a style statement. In 1967, Shaw won the Eurovision Song Contest for the United Kingdom in Vienna with “Puppet on a String,” securing the country’s first victory, and the single topped charts across Europe. In the early 1970s, Shaw stepped away from pop to pursue stage roles and business ventures. She later challenged her recording contracts. In the 1980s she returned to the charts through collaborations with indie admirers, notably The Smiths. Her 1988 album “Hello Angel” showcased a mature voice. Through the 1990s and 2000s she recorded selectively. She curated reissues of her catalogue. Sandie trained as a psychotherapist, mentoring artists and advocating for performers’ rights. She published memoirs and kept performing. In 2017 the UK honoured her with an MBE for services to music. It’s an honour that recognized a career bridging eras while remaining unmistakably hers. I’m going to the toilet Boudewijn Büch (1948–2002) was a Dutch author, poet, bibliophile, and television presenter. He became famous for literary travel programs on VARA, a Dutch public broadcaster. In 1988, Büch invited Sandie Shaw onto his VARA show. He kept the conversation light, comparing music “then and now.” Sandie’s ground rules forbade any talk of the Eurovision Song Contest. When Büch raised the topic anyway, Shaw stood up, said “I’m going to the toilet,” and walked out, almost yanking her microphone cable free. Büch closed the episode in the restroom, singing “Puppet on a String,” and he concluded that the song had gone down the toilet. Puppet On A String “Puppet On A String” is Sandie Shaw’s bright, bouncy slice of 1960s Europop. Lyricist Bill Martin and composer Phil Coulter wrote the song. At Eurovision 1967 in Vienna, Shaw performed barefoot, locking onto the camera with crisp phrasing and a smile. The arrangement rides an oom‑pah, fairground swing with brisk brass and a skippy rhythm. The hook lodges instantly, and the melody aims squarely at continental tastes. The United Kingdom stormed to victory with 47 points. That is more than double the runner‑up. This way the UK its first Eurovision win. The single topped the UK charts, and Shaw recorded versions in multiple languages, cementing its cross‑European appeal. Lyrically, the song toys with the image of a lover manipulated like a marionette, “a puppet on a string”, while the upbeat pop setting turns the drama into perfect television. “Puppet On A String” stands as a defining Eurovision winner and an enduring cornerstone of Sandie Shaw’s catalogue today.      

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Blast from the past
Martijn

🇬🇧 Blast from the past: UK 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967, when Sandie Shaw brought the first victory to the United Kingdom with “Puppet On A String”. United Kingdom in the Eurovision Song Contest Few countries have a Eurovision pedigree like the United Kingdom. Since debuting in 1957, the UK has won five times: Sandie Shaw (1967), Lulu (1969), Brotherhood of Man (1976), Bucks Fizz (1981) and Katrina & The Waves (1997). The country hosted on nine occasions, most recently Liverpool 2023. t also holds the record for most runner‑up finishes, with 16 second places; the last came in 2022 when Sam Ryder’s “SPACE MAN” topped the jury vote. Recent form has been mixed: in 2023, host act Mae Muller finished 25th with 24 points; in 2024, Olly Alexander placed 18th with 46 points; and in 2025, Remember Monday ended 19th on 88 points.  Such swings epitomise the UK’s roller‑coaster history: long stretches of podiums and wins, punctuated by lean years, yet always central to Eurovision’s story and spectacle.  Sam Ryder, EBU A Song For Europe 1967 The UK national final in those days was called A Song For Europe. One artist sang 5 or 6 songs. Sandie Shaw was chosen to do the job in 1967. The contest was held on February 25. The results were announced one week later.The 5 titles were: Tell The Boys, 2nd place I’ll Cry Myself To Sleep, 3rd place Had A Dream Last Night, 4th place Puppet On A String, 1st place Ask Any Woman, 5th place   “Had A Dream Last Night” was written by another very popular pop star from those days: Chris Andrews. He is known for a lot of hits in the late sixties, “Yesterday Man” and “Pretty Belinda” being the biggest. You can watch a recap of all songs here in good quality. Sandie Shaw Sandie Shaw (born Sandra Ann Goodrich on 26 February 1947 in Dagenham) ranks among Britain’s defining 1960s pop voices. As a teenager, talent scouts noticed her; Pye Records signed her, and in 1964 she hit No. 1 with the Burt Bacharach–Hal David song “(There’s) Always Something There to Remind Me.” She followed it with a run of singles—“Girl Don’t Come,” “Long Live Love,” and “Message Understood”—that cemented her chart presence. Performing barefoot, she turned a quirk into a signature and a style statement. In 1967, Shaw won the Eurovision Song Contest for the United Kingdom in Vienna with “Puppet on a String,” securing the country’s first victory, and the single topped charts across Europe. In the early 1970s, Shaw stepped away from pop to pursue stage roles and business ventures. She later challenged her recording contracts. In the 1980s she returned to the charts through collaborations with indie admirers, notably The Smiths. Her 1988 album “Hello Angel” showcased a mature voice. Through the 1990s and 2000s she recorded selectively. She curated reissues of her catalogue. Sandie trained as a psychotherapist, mentoring artists and advocating for performers’ rights. She published memoirs and kept performing. In 2017 the UK honoured her with an MBE for services to music. It’s an honour that recognized a career bridging eras while remaining unmistakably hers. I’m going to the toilet Boudewijn Büch (1948–2002) was a Dutch author, poet, bibliophile, and television presenter. He became famous for literary travel programs on VARA, a Dutch public broadcaster. In 1988, Büch invited Sandie Shaw onto his VARA show. He kept the conversation light, comparing music “then and now.” Sandie’s ground rules forbade any talk of the Eurovision Song Contest. When Büch raised the topic anyway, Shaw stood up, said “I’m going to the toilet,” and walked out, almost yanking her microphone cable free. Büch closed the episode in the restroom, singing “Puppet on a String,” and he concluded that the song had gone down the toilet. Puppet On A String “Puppet On A String” is Sandie Shaw’s bright, bouncy slice of 1960s Europop. Lyricist Bill Martin and composer Phil Coulter wrote the song. At Eurovision 1967 in Vienna, Shaw performed barefoot, locking onto the camera with crisp phrasing and a smile. The arrangement rides an oom‑pah, fairground swing with brisk brass and a skippy rhythm. The hook lodges instantly, and the melody aims squarely at continental tastes. The United Kingdom stormed to victory with 47 points. That is more than double the runner‑up. This way the UK its first Eurovision win. The single topped the UK charts, and Shaw recorded versions in multiple languages, cementing its cross‑European appeal. Lyrically, the song toys with the image of a lover manipulated like a marionette, “a puppet on a string”, while the upbeat pop setting turns the drama into perfect television. “Puppet On A String” stands as a defining Eurovision winner and an enduring cornerstone of Sandie Shaw’s catalogue today.      

Read More »
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