🇦🇺 Road to Malmö: Australia

 

photo: EBU/SBS

We can not wait for the Eurovision Song Contest in Malmö. Therefore, we have a closer look at one of the contestants every day. Today: Australia.

Electric Fields

Electric Fields is an Australian electronic music duo, composed of the talented vocalist Zaachariaha Fielding and keyboardist/producer Michael Ross. They incorporate Pitjantjatjara, Yankunytjatjara, and English into their music. Their musical journey includes the release of an EP, numerous singles, and their upcoming representation of Australia at the Eurovision Song Contest 2024 with their song “One Milkali (One Blood).”

The duo’s origins trace back to their solo appearances on The X Factor Australia, with Fielding competing in 2011 and Ross in 2013. They united as Electric Fields in 2015, debuting with the celebrated EP “Inma” in 2016, which was lauded for its emotional resonance and cultural richness. They’ve been recognized with several awards, including Best New Talent at the 2017 National Indigenous Music Awards, and have gained prominence for their performances and collaborations, including a notable partnership with Norwegian group Keiino.

Electric Fields stands out not only for their music but also for their personal stories and advocacy. Fielding, from Mimili in the APY lands, brings a rich Indigenous Australian heritage to their music and visual arts, earning significant accolades such as the Wynne Prize and Ramsay Art Prize People’s Choice prize in 2023. Ross contributes a diverse musical influence, enhancing their sound. Together, they embody a philosophy of authenticity and unity, breaking conventional boundaries and celebrating their queer identities. Their story, told in the documentary “Voice From The Desert,” highlights their journey and the transformative power of their music.

Yankunytjatjara

The Yankunytjatjara language is a proud testament to the rich cultural tapestry of Indigenous Australia, belonging to the Western Desert language group. Spoken by the Yankunytjatjara people, it thrives in the central desert region of Australia, particularly around Uluru and the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. Despite facing challenges from historical and modern pressures, efforts to revitalize and preserve Yankunytjatjara are robust, involving educational programs and community initiatives. Its linguistic structure, embodying the intricate relationship between the land and its people, offers invaluable insights into Indigenous knowledge, ecology, and spirituality. Yankunytjatjara not only facilitates communication but also serves as a living repository of ancestral wisdom and cultural identity.

Australia in the Eurovision Song Contest

The first Australian performance in the Eurovision Song Contest was Jessica Mauboy’s guest performance in 2014. As a reward for years of broadcasting the contest, Australia was able to take part in the contest itself for the first time in 2015. Guy Sebastian debuted with “Tonight again” and reached a 5th place. A year later, Dami Im was 2nd in the contest with her song “Sound of silence”. With three more top-10 positions, up until last year with Voyager, Australia is quite a succesful country in the Eurovision Song Contest.

The Bookmakers

Australia is currently 27th in the betting odds to win the contest. However, fans expect a special performance during the contest itself, which might completely change the odds for Electric Fields.

The song

This is the song:

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However, there could be scheduling conflicts with her RTL commitments, which might depend on RTL’s involvement in Eurovision next year. đź“· Superbass, Wikimedia Commons Swarovski isn’t the only woman in the mix. Several ORF news anchors – such as Nadja Bernhard, Alexandra Wachter, and Raffaela Schaidreiter – are also rumored as possibilities for the hosting team. Fans have even speculated about bringing back the trio of female hosts from Vienna 2015: Arabella Kiesbauer, Mirjam Weichselbraun, and Alice Tumler. In fact, Kiesbauer has already stated she’d be ready to return if asked, saying “if I’m needed, I’ll be there”. ORF has yet to make any official announcements, so the host selection remains an exciting guessing game for now. Also Conchita Wurst is rumoured as a host. She did the job in the green room in 2015. Vienna and Innsbruck in Final Host City Talks Vienna and Innsbruck have emerged as the final two cities vying to host Eurovision 2026. Both cities submitted their official bid proposals by the July 4 deadline and impressed the broadcaster with their plans. ORF conducted initial site visits at Wiener Stadthalle in Vienna and the Olympiaworld arena in Innsbruck, the venues proposed in the bids. Following those inspections, ORF invited both cities to enter detailed negotiations, calling the two proposals “very exciting and promising”. ORF’s Director General Roland WeiĂźmann praised Vienna and Innsbruck for their strong enthusiasm and suitable conditions to host the contest. The Stadthalle (which can hold up to ~16,000 attendees and previously hosted Eurovision in 2015) and Innsbruck’s Olympiaworld (around 12,000 capacity) both meet the key requirements. Over the coming weeks, ORF will be in deep discussions with each city’s team to scrutinize all logistical and financial details. 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Martijn

Weekly Update

It’s time for another weekly Eurovision update. Lithuania has officially confirmed its participation for 2026. Bosnia & Herzegovina sadly announced it will not return. Belgium’s Eurovision plans remain uncertain despite earlier reports. Meanwhile, Kazakhstan is inching closer to a possible debut. Austrian media are buzzing with the first host rumors, and ORF has entered negotiations with Vienna and Innsbruck to decide the 2026 host city. 🇱🇹 🇧🇦 Lithuania In, Bosnia-Herzegovina Out of Eurovision 2026 Lithuania’s broadcaster LRT has confirmed that the country will compete in the Eurovision Song Contest 2026. The confirmation was given to ESC Today. Details on how Lithuania will select its entry are yet to be announced, but a national final is expected as in previous years. đź“· EBU/Sarah Louise Bennett In contrast, Bosnia & Herzegovina will not be participating in Eurovision 2026. Broadcaster BHRT officially stated it cannot return next year. That is due to ongoing EBU sanctions stemming from unpaid debts. The Bosnian delegation explained that without resolving the funding issues and outstanding debts – and securing a sponsor – a Eurovision comeback isn’t feasible. Bosnia & Herzegovina last took part in 2016 and has been absent from the contest ever since. 🇧🇪 Belgium’s 2026 Participation Remains Uncertain Contrary to reports last week, Belgium’s Eurovision 2026 participation is not yet fully confirmed. French-language broadcaster RTBF (responsible for Belgium’s 2026 entry) clarified the station has not officially committed to the contest yet. RTBF cited ongoing discussions within the EBU and among its member broadcasters. That’s why they are proceeding with preparations without a formal confirmation of participation for now. In short, Belgium is lining up a potential act for Eurovision 2026, but RTBF is keeping its options open until certain international discussions are resolved. 🇰🇿 EBU to Discuss Kazakhstan’s Possible Debut Kazakhstan’s Eurovision dreams are gaining traction. During the recent EBU General Assembly in London, the chairman of Kazakhstan’s broadcaster (Khabar Agency) met with EBU officials to propose the country’s debut in 2026. According to Kemelbek Oishybayev (Khabar’s director), EBU chief Noel Curran reacted positively and agreed to have Kazakhstan’s participation proposal discussed at the next EBU meeting. If the EBU extends an invitation, 2026 could mark Kazakhstan’s first appearance in the Eurovision Song Contest. Kazakhstan has participated in Junior Eurovision in the past, but because Khabar is not a full EBU member, a special invitation is required for the main contest. So far, Australia is the only country to receive such an invitation. A final decision on Kazakhstan’s Eurovision 2026 fate is expected in the coming months. 🇦🇹 Host Rumors: ORF Eyes Swarovski and Knoll for 2026 With Austria preparing to host Eurovision 2026, speculation has started about who will present the shows. One name on everyone’s lips is Andi Knoll. He is Austria’s veteran Eurovision commentator. According to Kleine Zeitung, Knoll is considered a likely choice – essentially a “fixed” host for 2026. Knoll has been the Austrian commentator since 1999. So seeing him step on the Eurovision stage next year would be a fitting full-circle moment. đź“· Johan Morgenbesser, Wikimedia Commons Another high-profile name emerging is Victoria Swarovski. ORF is reportedly interested in the TV presenter as a potential Eurovision host. Victoria is known for hosting Germany’s “Let’s Dance”. Austrian media reveal that ORF insiders are “flirting” with the idea of featuring the Tyrolean-born Swarovski in the hosting lineup. However, there could be scheduling conflicts with her RTL commitments, which might depend on RTL’s involvement in Eurovision next year. đź“· Superbass, Wikimedia Commons Swarovski isn’t the only woman in the mix. Several ORF news anchors – such as Nadja Bernhard, Alexandra Wachter, and Raffaela Schaidreiter – are also rumored as possibilities for the hosting team. Fans have even speculated about bringing back the trio of female hosts from Vienna 2015: Arabella Kiesbauer, Mirjam Weichselbraun, and Alice Tumler. In fact, Kiesbauer has already stated she’d be ready to return if asked, saying “if I’m needed, I’ll be there”. ORF has yet to make any official announcements, so the host selection remains an exciting guessing game for now. Also Conchita Wurst is rumoured as a host. She did the job in the green room in 2015. Vienna and Innsbruck in Final Host City Talks Vienna and Innsbruck have emerged as the final two cities vying to host Eurovision 2026. Both cities submitted their official bid proposals by the July 4 deadline and impressed the broadcaster with their plans. ORF conducted initial site visits at Wiener Stadthalle in Vienna and the Olympiaworld arena in Innsbruck, the venues proposed in the bids. Following those inspections, ORF invited both cities to enter detailed negotiations, calling the two proposals “very exciting and promising”. ORF’s Director General Roland WeiĂźmann praised Vienna and Innsbruck for their strong enthusiasm and suitable conditions to host the contest. The Stadthalle (which can hold up to ~16,000 attendees and previously hosted Eurovision in 2015) and Innsbruck’s Olympiaworld (around 12,000 capacity) both meet the key requirements. Over the coming weeks, ORF will be in deep discussions with each city’s team to scrutinize all logistical and financial details. The final decision on the Eurovision 2026 host city is expected by the second half of August – so we’ll soon find out whether the honor goes to the capital Vienna or the Tyrolean city of Innsbruck. That’s all for this weekly update. Stay tuned for another roundup next week. The road to Eurovision 2026 continues! Share

Share
Read More »