Weekly Update

It’s time for another weekly Eurovision update! This week’s news spans a heartfelt farewell, a surprise comeback announcement, and national selection developments across Europe. A German hit-maker behind Eurovision classics has sadly passed away. France’s Patrick Fiori eyes a Eurovision return for Armenia. Countries like Czechia, Estonia, and Italy are gearing up their Eurovision 2026 plans. Here are this week’s top stories:

Germany: Eurovision Songwriter Bernd Meinunger Dies at 81

Legendary German lyricist Bernd Meinunger, who penned 19 songs for the Eurovision Song Contest, has passed away at age 81. He died on 17 October 2025 at his home in Grünwald, Bavaria, due to multiple organ failure. Meinunger was best known for his long-time collaboration with composer Ralph Siegel. Together they created iconic Eurovision entries that shaped Germany’s Eurovision history. He wrote the lyrics for Germany’s 1982 winner “Ein bisschen Frieden”, as well as other classics like “Dschinghis Khan” (1979) and “Theater” (1980). Meinunger’s Eurovision career spanned from 1979 to 2015 with a total of 19 entries. His first entry “Dschinghis Khan” placed 4th, and his crowning achievement was Nicole’s victory in 1982. His final Eurovision contribution came in 2015, writing San Marino’s entry “Chain of Lights”.

Outside Eurovision, Meinunger was extraordinarily prolific. He reportedly wrote over 5,500 songs in multiple languages. More than 200 of his songs reached the Top 100 charts internationally. Meinunger earned around 400 gold and platinum records over his career. His work extended far beyond Eurovision, but within the contest community he earned a reputation as Germany’s Schlager poet” for his contributions to pop music.  source: promiflash.de

Meinunger receiving the Grand Prix of Eurovision 1982

🇦🇲 Armenia: Patrick Fiori Plans Eurovision Return in 2027

French singer Patrick Fiori, who achieved 4th place for France at Eurovision 1993, has revealed plans for a comeback. He would be representing Armenia this time. Appearing on France 2’s talk show Quelle époque! on 18 October, Fiori announced that he has “an agreement in principle” to represent Armenia at the Eurovision Song Contest 2027. Fiori is of Corsican-Armenian descent (his father is Armenian). He expressed pride in his roots by stating, “I will represent Armenia in Eurovision.” Fiori even hinted at hoping to perform as a duet with an Armenian artist on the Eurovision stage. 

Patrick Fiori’s original Eurovision appearance was over three decades ago. He sang “Mama Corsica” for France in 1993, finishing a respectable 4th in Millstreet. As of now, Armenia’s broadcaster (AMPTV) has not officially confirmed Fiori’s 2027 participation or even their 2026 plans. It’s early days, but Fiori’s announcement has created excitement about a potential Franco-Armenian collaboration in a future Eurovision. source: Gala.fr

🇨🇿 Czechia: Eurovision 2026 Song Submissions Window Closes

In Czechia, the first phase of selecting a Eurovision 2026 entry has just concluded. Česká televize (Czech TV) closed its song submission window on 19 October, after a six-week period inviting artists and songwriters to send in their entries. The deadline was set at 23:59 CEST. All proposals submitted by then will now proceed to the review stage. Czechia’s Eurovision 2026 representative will be chosen through a combined process involving an expert jury and a public vote, similar to the method used for the 2025 selection.

Next, the Czech broadcaster will screen the entries and likely shortlist finalists for a national selection or an internal selection process. With the submissions closed, we can anticipate an announcement of the selected song and artist in the coming months. Czechia has been steadily improving its Eurovision approach. The 2026 selection aims to build on past success. The hope is that this mixed jury-public selection will pick an entry capable of achieving a strong result on home turf of the contest’s host country. source: Eurovoix.com

🇪🇪 Estonia: 171 Entries Submitted for Eesti Laul 2026

Estonia’s Eurovision season is off to a strong start with a high volume of entries for its national final. Broadcaster ERR announced that 171 songs were submitted for Eesti Laul 2026, the country’s selection contest for Eurovision. This figure is only slightly lower than last year’s submissions, indicating sustained enthusiasm from creators. Of the 171 entries, 77 are in Estonian and 94 in other languages. Ssongwriters from 20 different countries (including Brazil and Australia) have entered songs.

Despite the global interest, Eesti Laul producer Riin Vann noted that domestic Estonian artists still dominate the field, keeping a strong local flavor in the competition. Now that the submission window has closed (it ended on 20 October), a professional jury will review all entries blindly (without knowing the writers or performers) to pick the best ones. Only 12 songs will be chosen for the televised Eesti Laul 2026 final. The final is scheduled for 14 February 2026 in Tallinn. As in previous years, the winner will be decided over two rounds: a jury-and-televote round to pick superfinalists, followed by a televote to choose the ultimate winner. Estonia had a remarkable Eurovision result in 2025 (3rd place). source: eeter.err.et

🇮🇹 Italy: Sanremo 2026 Rules Published, Eurovision Participation Confirmed

Italy has officially kicked off its Eurovision 2026 preparations by releasing the rules for the upcoming Festival di Sanremo 2026. National broadcaster RAI published the Sanremo 2026 regulations on 16 October, confirming that the winner of Sanremo will again represent Italy at Eurovision 2026 in Vienna. With this announcement, Italy also formally confirmed its participation in the 70th Eurovision Song Contest. The Sanremo rules outline a festival with 26 artists in the Campioni category (established stars) and 4 artists in Nuove Proposte (newcomers). The two competitions will run separately as they did last year.

RAI also reiterated the usual Eurovision clause: if the Sanremo winner declines the Eurovision slot, the offer will pass to the runner-up (and further down if necessary) until an artist accepts the ticket to Vienna. The five-night Sanremo festival will maintain its traditional format, including special theme nights. For example, the fourth night will be a covers night where contestants perform classic hits (Italian or international) for fun, which won’t affect the competition results. The grand final of Sanremo will feature voting from multiple juries (press jury, radio jury, and televoting) with a weighted system to determine the winner. It will be followed by a final round sing-off among the top 5 acts. Italy’s 2025 Eurovision entrant (Lucio Corsi) finished 5th in the contest.

Each of these stories marks an important development on the road to Eurovision 2026. Stay tuned for more updates on EurovisionUniverse.com as the journey to Vienna continues!

Related news

Blast from the past

Blast from the past: Monaco 1974

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1974, when Romuald represented Monaco with the song “Celui qui reste et celui qui s’en va”. Monaco in the Eurovision Song Contest Monaco debuted in 1959 and quickly became a mini‑state powerhouse: ten top‑five finishes and a lone victory in 1971, when Séverine won with “Un banc, un arbre, une rue”. Though champions, the principality never hosted the contest. Other standout results include François Deguelt’s runner‑up in 1962 and third places for François Deguelt (1960), Romuald (1964) and Mary Christy (1976), with fourths from Michèle Torr (1977) and Caline & Olivier Toussaint (1978).  After 1979, Monaco withdrew until a short‑lived comeback. The 2004–06 entries all fell in the semi‑final: Märyon’s “Notre planète” (19th, 10), Lise Darly’s “Tout de moi” (24th, 22) and Séverine Ferrer’s “La coco‑dance” (21st, 14), the first Eurovision song to include Tahitian. Citing voting patterns, TMC withdrew, and the microstate has not returned since. Monaco’s last Grand Final appearance remains 1979, yet compact history looms large: French‑language pop, performers and staging that helped Monaco punch above its size. Séverine Internal selection Monaco 1974 Monaco’s national selection for the Eurovision Song Contest 1974 was handled internally by broadcaster TMC, continuing the principality’s preference for inviting established Francophone artists rather than staging a public national final. Veteran singer Romuald was appointed as Monaco’s act, performing “Celui qui reste et celui qui s’en va”, a chanson ballad with music by Jean‑Pierre Bourtayre and lyrics by Michel Jourdan. Contemporary and retrospective listings describe the 1974 process as internal, with no televised competition and no alternate candidates publicly documented. Eurovision records show Monaco’s entry details and broadcaster credit accordingly.  Timing‑wise, the artist confirmation and song unveiling occurred in early 1974 ahead of the Brighton contest. The single was issued on Mercury as a 7″ 45 rpm, underscoring that the track was Monaco’s official entry. For researchers of Monaco’s Eurovision history, the 1974 campaign illustrates how a compact, broadcaster‑led selection, artist first, song second, could deliver a cohesive package without a public national final, a model Monaco often used in that era.   Romuald Romuald Figuier (born 9 May 1938 in Saint‑Pol‑de‑Léon, Brittany) is a French singer best known to Eurovision fans as Romuald, noted for chanson repertoire. He began his career at the Théâtre des Variétés, appearing in Robert Dhéry’s revue La Grosse Valse (1962–64). He first appeared at the Contest for Monaco in 1964, finishing third with “Où sont‑elles passées?”, composed by Francis Lai with lyrics by Pierre Barouh. Five years later he represented Luxembourg with “Catherine”, placing 11th in Madrid. He returned to Monaco in 1974 with “Celui qui reste et celui qui s’en va”, which finished fourth in Brighton and remains one of the principality’s strongest results. Beyond Eurovision, Romuald worked on the international festival circuit. He represented Luxembourg at Sopot in 1968 and France at Viña del Mar in 1973 with “Laisse‑moi le temps”, a Michel Jourdan/Caravelli composition later adapted by Paul Anka and Sammy Cahn as “Let Me Try Again”, recorded by Frank Sinatra. Alongside singles in several languages, he also maintained a career on French television, stage and radio. Taken together, his three Eurovisions chart a rare cross‑border story: a French artist trusted by two microstates, and a performer who secured two top‑four finishes a decade apart. Celui qui reste et celui qui s’en va “Celui qui reste et celui qui s’en va” (Monaco 1974) is a classic French chanson ballad. Sung by Romuald, it finished fourth with 14 points, tying with Luxembourg and the United Kingdom. Music by Jean‑Pierre Bourtayre and lyrics by Michel Jourdan, the entry unfolds as an elegant break‑up narrative: the one who stays versus the one who leaves. Orchestral strings and subtle drum accents support Romuald’s burnished tenor, while backing voices add warmth and lift in the refrain. Conducted by Raymond Donnez, the performance balances restraint and drama, shaping a cinematic arc that gracefully swells to a poised, dignified climax.  

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Martijn

Weekly Update

It’s time for another weekly Eurovision update! This week’s news spans a heartfelt farewell, a surprise comeback announcement, and national selection developments across Europe. A German hit-maker behind Eurovision classics has sadly passed away. France’s Patrick Fiori eyes a Eurovision return for Armenia. Countries like Czechia, Estonia, and Italy are gearing up their Eurovision 2026 plans. Here are this week’s top stories: Germany: Eurovision Songwriter Bernd Meinunger Dies at 81 Legendary German lyricist Bernd Meinunger, who penned 19 songs for the Eurovision Song Contest, has passed away at age 81. He died on 17 October 2025 at his home in Grünwald, Bavaria, due to multiple organ failure. Meinunger was best known for his long-time collaboration with composer Ralph Siegel. Together they created iconic Eurovision entries that shaped Germany’s Eurovision history. He wrote the lyrics for Germany’s 1982 winner “Ein bisschen Frieden”, as well as other classics like “Dschinghis Khan” (1979) and “Theater” (1980). Meinunger’s Eurovision career spanned from 1979 to 2015 with a total of 19 entries. His first entry “Dschinghis Khan” placed 4th, and his crowning achievement was Nicole’s victory in 1982. His final Eurovision contribution came in 2015, writing San Marino’s entry “Chain of Lights”. Outside Eurovision, Meinunger was extraordinarily prolific. He reportedly wrote over 5,500 songs in multiple languages. More than 200 of his songs reached the Top 100 charts internationally. Meinunger earned around 400 gold and platinum records over his career. His work extended far beyond Eurovision, but within the contest community he earned a reputation as “Germany’s Schlager poet” for his contributions to pop music.  source: promiflash.de Meinunger receiving the Grand Prix of Eurovision 1982 🇦🇲 Armenia: Patrick Fiori Plans Eurovision Return in 2027 French singer Patrick Fiori, who achieved 4th place for France at Eurovision 1993, has revealed plans for a comeback. He would be representing Armenia this time. Appearing on France 2’s talk show Quelle époque! on 18 October, Fiori announced that he has “an agreement in principle” to represent Armenia at the Eurovision Song Contest 2027. Fiori is of Corsican-Armenian descent (his father is Armenian). He expressed pride in his roots by stating, “I will represent Armenia in Eurovision.” Fiori even hinted at hoping to perform as a duet with an Armenian artist on the Eurovision stage.  Patrick Fiori’s original Eurovision appearance was over three decades ago. He sang “Mama Corsica” for France in 1993, finishing a respectable 4th in Millstreet. As of now, Armenia’s broadcaster (AMPTV) has not officially confirmed Fiori’s 2027 participation or even their 2026 plans. It’s early days, but Fiori’s announcement has created excitement about a potential Franco-Armenian collaboration in a future Eurovision. source: Gala.fr 🇨🇿 Czechia: Eurovision 2026 Song Submissions Window Closes In Czechia, the first phase of selecting a Eurovision 2026 entry has just concluded. Česká televize (Czech TV) closed its song submission window on 19 October, after a six-week period inviting artists and songwriters to send in their entries. The deadline was set at 23:59 CEST. All proposals submitted by then will now proceed to the review stage. Czechia’s Eurovision 2026 representative will be chosen through a combined process involving an expert jury and a public vote, similar to the method used for the 2025 selection. Next, the Czech broadcaster will screen the entries and likely shortlist finalists for a national selection or an internal selection process. With the submissions closed, we can anticipate an announcement of the selected song and artist in the coming months. Czechia has been steadily improving its Eurovision approach. The 2026 selection aims to build on past success. The hope is that this mixed jury-public selection will pick an entry capable of achieving a strong result on home turf of the contest’s host country. source: Eurovoix.com 🇪🇪 Estonia: 171 Entries Submitted for Eesti Laul 2026 Estonia’s Eurovision season is off to a strong start with a high volume of entries for its national final. Broadcaster ERR announced that 171 songs were submitted for Eesti Laul 2026, the country’s selection contest for Eurovision. This figure is only slightly lower than last year’s submissions, indicating sustained enthusiasm from creators. Of the 171 entries, 77 are in Estonian and 94 in other languages. Ssongwriters from 20 different countries (including Brazil and Australia) have entered songs. Despite the global interest, Eesti Laul producer Riin Vann noted that domestic Estonian artists still dominate the field, keeping a strong local flavor in the competition. Now that the submission window has closed (it ended on 20 October), a professional jury will review all entries blindly (without knowing the writers or performers) to pick the best ones. Only 12 songs will be chosen for the televised Eesti Laul 2026 final. The final is scheduled for 14 February 2026 in Tallinn. As in previous years, the winner will be decided over two rounds: a jury-and-televote round to pick superfinalists, followed by a televote to choose the ultimate winner. Estonia had a remarkable Eurovision result in 2025 (3rd place). source: eeter.err.et 🇮🇹 Italy: Sanremo 2026 Rules Published, Eurovision Participation Confirmed Italy has officially kicked off its Eurovision 2026 preparations by releasing the rules for the upcoming Festival di Sanremo 2026. National broadcaster RAI published the Sanremo 2026 regulations on 16 October, confirming that the winner of Sanremo will again represent Italy at Eurovision 2026 in Vienna. With this announcement, Italy also formally confirmed its participation in the 70th Eurovision Song Contest. The Sanremo rules outline a festival with 26 artists in the Campioni category (established stars) and 4 artists in Nuove Proposte (newcomers). The two competitions will run separately as they did last year. RAI also reiterated the usual Eurovision clause: if the Sanremo winner declines the Eurovision slot, the offer will pass to the runner-up (and further down if necessary) until an artist accepts the ticket to Vienna. The five-night Sanremo festival will maintain its traditional format, including special theme nights. For example, the fourth night will be a covers night where contestants perform classic hits (Italian or international) for fun, which won’t affect the competition results. The grand final of Sanremo will feature

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