70 years of Eurovision: An audio selection and a hit

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years.

1996

Thirty countries wanted to participate in the Eurovision Song Contest in Oslo. That did not happen. All countries, except host country Norway, therefore had to fight for a spot. This took place via an audio selection round. Denmark, Germany, Hungary, Israel, debuting Macedonia, Romania, and Russia did not make it through. The contest was presented by Ingvild Bryn and the famous Morten Harkett, singer of A-ha. During the broadcast, extensive use was made of virtual reality, allowing Ingvild Bryn to easily walk between the sections of the scoreboard, or even through it.

The songs

Marianna Efstratou participated for Greece for the second time. Elisabeth Andreassen performed for no less than the fourth time, but for the first time solo.

Notable was Lúcia Moniz, who represented Portugal. Her “O meu coração não tem cor” finished sixth, which for a long time was the best score ever for the Portuguese. Maarja-Liis Illus and Ivo Linna really caught the eye of Estonia. She was 15, he 46. The duo sang a sweet song titled “Kaelakee hääl”. And what Finland failed to achieve in all those years, Estonia did effortlessly: walking straight into the top 5 with a song in a Finno-Ugric language. There was also a major difference between the two Dutch duo partners, Maxine and Franklin Brown. However, in this case, it concerned the length. The Dutch entry “De eerste keer” is one of the few that rose in the rankings áfter the Eurovision Song Contest. The Spanish jury had, or so people thought, said “Poland, 6 points”. But the somewhat nasal-speaking jury chairwoman had said “Holland, 6 points”. People only found out about that later. It is not for nothing that this country ought to be called The Netherlands.

Austria (“Weil’s dr guat got” in Vorarlberg) and France “Diwanit bugale” in Breton both sang in a minority language. The new generation after ABBA was also making its appearance. Peter Grönvall was one of the members of the group One More Time. And he was the son of Benny Andersson of ABBA. The group had already had a major hit in Europe with “Highland”. Singer Nanne Grönvall would participate in the Swedish Melodifestivalen a number of times, and even once in the British national final.

Eimear Quinn

Around this time, the Belgian documentary filmmaker Herman Molle made a documentary titled “How do I win the Eurovision Song Contest?”. Molle’s main recommendation: become Irish. Because Ireland won again. Eimear Quinn had sung with Anúna, the choir that accompanied River Dance. With her song “The Voice”, she effortlessly secured the seventh victory for Ireland. “You’re bringing it back too soon,” Morten Harkett grumbled briefly. But the party in Ireland was no less big for it. Nor was the nervous breakdown among the people at the Irish broadcaster RTÉ.

1997

The Eurovision Song Contest practically resided in the Point Theatre in Dublin. However, the audio pre-selection had been scrapped. The relegation zone was back, so a number of countries swapped places again. Italy returned after a three-year absence. Also new: televoting. In five countries, the public was allowed to cast their vote. The Eurovision Song Contest was presented by Carrie Crowley and, once again, someone from a boy band: Ronan Keating of Boyzone.

The songs

Şebnem Parker participated for Turkey for the second consecutive time. Her “Dinle” was roughly at the bottom in the odds, but surprisingly finished third in the final ranking. Celebrations in Turkey, which now finally dared to dream of a victory. Young Maarja-Liis Illus from Estonia also returned after a year, this time solo. And Alma Čardžić from Bosnia and Herzegovina also took a second try.

Tor Endresen participated for Norway. He had competed in the Norwegian national final almost every year and had finally won. How disappointing that he finished with zero points. The duo Jalisse competed for Italy. The two finished fourth. It didn’t really help: Italy dropped out immediately afterwards. Bianca Shomburg had won the Soundmixshow in Germany, where she imitated Celine Dion. However, she did not do that in terms of the result at the Eurovision Song Contest. Russia sent the country’s biggest star. For years, Alla Pugacheva had been unmatched. There was no sign of that at the Eurovision Song Contest. The rest of Europe appreciated her with a fifteenth place.

And then there was Paul Oscar. He represented Iceland. Lying on a sofa, surrounded by female beauty (which he had no eye for in real life), he sang his song. At the end of the song, he made a ‘gun gesture’ with his hand, shooting himself in the mouth. It was striking that Oscar received points exclusively from televoting countries.

Katrina & The Waves

An unwritten rule is that when an established name participates, they can finish very high but do not win. Katrina & The Waves did not adhere to this. In the 80s, they had a big hit with “Walking On Sunshine”. The song “Love Shine A Light” was originally intended as an anthem for Samaritans in recognition of the thirtieth anniversary of the Swindon branch of that organization. Nevertheless, it ended up at the Eurovision Song Contest, where it won effortlessly. Katrina & The Waves had an international hit with it. The song remains a Eurovision classic to this day. In 2020, it took center stage in the replacement broadcast for the canceled Song Contest: Eurovision Shine A Light.

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Road to Vienna: San Marino As the Eurovision Song Contest 2026 in Vienna approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on San Marino. Senhit: From Musical Theatre to Eurovision Senhit, born in Bologna to Eritrean parents, began her career in musical theatre. In the late 1990s and early 2000s, she toured across Europe, starring in major productions like Fame, The Lion King, and Hair. These roles helped shape her stage presence and artistic foundation. Transition to Music and Early Albums After returning to Italy, Senhit launched her music career with her debut album Senit (2006), followed by Un tesoro è necessariamente nascosto (2007). In 2009, she released So High, an English-language album that highlighted her versatility in pop music. Eurovision Debut and Career Growth Senhit represented San Marino at Eurovision 2011 with “Stand By.” Although she didn’t reach the final, it boosted her international visibility. She continued releasing singles, rebranded from “Senit” to “Senhit” in 2014, and built a strong presence in the European club scene, leading to her EP Hey Buddy (2017). Eurovision Comeback and “Adrenalina” Success Selected again for Eurovision 2020, her entry was canceled due to the pandemic. She returned in 2021 with “Adrenalina” featuring Flo Rida, reaching the final and gaining major streaming success, becoming a fan favorite across Europe. Recent Music and Projects In recent years, Senhit has stayed active with new releases, live performances, and hosting San Marino’s national selection show. Her 2024 album Dangerous includes collaborations with top international producers and artists. Eurovision 2026 Return In 2026, Senhit won San Marino’s national selection with “Superstar,” featuring Boy George. This marks her third Eurovision appearance, reinforcing her status as a dynamic and enduring figure in the pop music scene. Boy George: An 80s Icon Boy George, born George Alan O’Dowd in London, grew up in a working-class Irish family. Inspired by glam rock legend David Bowie, he developed a passion for music early on. His bold, androgynous style and love for performance quickly made him stand out in London’s vibrant club scene. Culture Club and Global Fame In 1981, Boy George formed Culture Club, achieving worldwide success with hits like “Do You Really Want to Hurt Me” and “Karma Chameleon.” By the mid-1980s, the band became one of the biggest pop acts globally, winning a Grammy Award and multiple Brit Awards. His unique voice and image made him a defining figure of 80s pop culture. Challenges and Solo Career Facing personal struggles and addiction, Culture Club disbanded in 1986. Boy George later rebuilt his career with solo hits like “Everything I Own” and “The Crying Game.” He also explored DJing and dance music while becoming an influential LGBTQ+ icon. Reinvention and Creative Projects From the late 1990s onward, Boy George reunited with Culture Club and expanded into new ventures. He created the musical Taboo and remained active in music, television, and writing. Despite legal setbacks, he achieved sobriety and continued evolving as an artist. Legacy and Continued Success In the 2010s, Boy George appeared on shows like The Voice UK and toured globally. With over 50 million records sold, he is widely recognized as a trailblazer in music, fashion, and LGBTQ+ representation. Eurovision 2026 Debut In 2026, Boy George joins Senhit to represent San Marino at the Eurovision Song Contest 2026 with their song “Superstar.” This marks his long-awaited Eurovision debut, adding a new chapter to his legendary career. Superstar: Confidence and Self-Expression Set in a vibrant nightlife atmosphere, “Superstar” explores a world where appearances matter. People try to impress, creating a sense of pressure and expectation. In contrast, one person stands out—not for confidence, but for insecurity and self-doubt. From Insecurity to Empowerment As the song develops, it shifts into a powerful message of growth. The lyrics encourage stepping out of the shadows and embracing who you are. What starts as uncertainty transforms into confidence and self-belief. Strength Through Struggles References to heartbreak and emotional scars add depth to the story. The song highlights that true confidence doesn’t come from perfection, but from overcoming challenges and learning from past experiences. Embracing Individuality The second verse celebrates uniqueness, describing the individual as strong and valuable. Differences are not flaws—they are strengths. The journey through hardship becomes a source of inner power. Be Your Own Superstar At its heart, “Superstar” is about authenticity. It reminds listeners that being a “superstar” isn’t about fame, but about self-acceptance. By embracing imperfections and showing your true self, you turn vulnerability into confidence. San Marino in the Eurovision Song Contest San Marino has participated in the Eurovision Song Contest since 2008. Despite being one of the smallest countries in the competition, it has made notable contributions, with its best result in 2019 when Serhat‘s “Say Na Na Na” finished 19th in the Grand Final. But when we talk about San Marino, we must not forget Valentina Monetta. She participated for her country on no less than four occasions. She was, in 2014, the first one to bring San Marino to the final. The Bookmakers Ranked 27th with the bookmakers, San Marino faces an uphill battle — will they defy the odds and make it to the final?    

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Martijn

70 years of Eurovision: An audio selection and a hit

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1996 Thirty countries wanted to participate in the Eurovision Song Contest in Oslo. That did not happen. All countries, except host country Norway, therefore had to fight for a spot. This took place via an audio selection round. Denmark, Germany, Hungary, Israel, debuting Macedonia, Romania, and Russia did not make it through. The contest was presented by Ingvild Bryn and the famous Morten Harkett, singer of A-ha. During the broadcast, extensive use was made of virtual reality, allowing Ingvild Bryn to easily walk between the sections of the scoreboard, or even through it. The songs Marianna Efstratou participated for Greece for the second time. Elisabeth Andreassen performed for no less than the fourth time, but for the first time solo. Notable was Lúcia Moniz, who represented Portugal. Her “O meu coração não tem cor” finished sixth, which for a long time was the best score ever for the Portuguese. Maarja-Liis Illus and Ivo Linna really caught the eye of Estonia. She was 15, he 46. The duo sang a sweet song titled “Kaelakee hääl”. And what Finland failed to achieve in all those years, Estonia did effortlessly: walking straight into the top 5 with a song in a Finno-Ugric language. There was also a major difference between the two Dutch duo partners, Maxine and Franklin Brown. However, in this case, it concerned the length. The Dutch entry “De eerste keer” is one of the few that rose in the rankings áfter the Eurovision Song Contest. The Spanish jury had, or so people thought, said “Poland, 6 points”. But the somewhat nasal-speaking jury chairwoman had said “Holland, 6 points”. People only found out about that later. It is not for nothing that this country ought to be called The Netherlands. Austria (“Weil’s dr guat got” in Vorarlberg) and France “Diwanit bugale” in Breton both sang in a minority language. The new generation after ABBA was also making its appearance. Peter Grönvall was one of the members of the group One More Time. And he was the son of Benny Andersson of ABBA. The group had already had a major hit in Europe with “Highland”. Singer Nanne Grönvall would participate in the Swedish Melodifestivalen a number of times, and even once in the British national final. Eimear Quinn Around this time, the Belgian documentary filmmaker Herman Molle made a documentary titled “How do I win the Eurovision Song Contest?”. Molle’s main recommendation: become Irish. Because Ireland won again. Eimear Quinn had sung with Anúna, the choir that accompanied River Dance. With her song “The Voice”, she effortlessly secured the seventh victory for Ireland. “You’re bringing it back too soon,” Morten Harkett grumbled briefly. But the party in Ireland was no less big for it. Nor was the nervous breakdown among the people at the Irish broadcaster RTÉ. 1997 The Eurovision Song Contest practically resided in the Point Theatre in Dublin. However, the audio pre-selection had been scrapped. The relegation zone was back, so a number of countries swapped places again. Italy returned after a three-year absence. Also new: televoting. In five countries, the public was allowed to cast their vote. The Eurovision Song Contest was presented by Carrie Crowley and, once again, someone from a boy band: Ronan Keating of Boyzone. The songs Şebnem Parker participated for Turkey for the second consecutive time. Her “Dinle” was roughly at the bottom in the odds, but surprisingly finished third in the final ranking. Celebrations in Turkey, which now finally dared to dream of a victory. Young Maarja-Liis Illus from Estonia also returned after a year, this time solo. And Alma Čardžić from Bosnia and Herzegovina also took a second try. Tor Endresen participated for Norway. He had competed in the Norwegian national final almost every year and had finally won. How disappointing that he finished with zero points. The duo Jalisse competed for Italy. The two finished fourth. It didn’t really help: Italy dropped out immediately afterwards. Bianca Shomburg had won the Soundmixshow in Germany, where she imitated Celine Dion. However, she did not do that in terms of the result at the Eurovision Song Contest. Russia sent the country’s biggest star. For years, Alla Pugacheva had been unmatched. There was no sign of that at the Eurovision Song Contest. The rest of Europe appreciated her with a fifteenth place. And then there was Paul Oscar. He represented Iceland. Lying on a sofa, surrounded by female beauty (which he had no eye for in real life), he sang his song. At the end of the song, he made a ‘gun gesture’ with his hand, shooting himself in the mouth. It was striking that Oscar received points exclusively from televoting countries. Katrina & The Waves An unwritten rule is that when an established name participates, they can finish very high but do not win. Katrina & The Waves did not adhere to this. In the 80s, they had a big hit with “Walking On Sunshine”. The song “Love Shine A Light” was originally intended as an anthem for Samaritans in recognition of the thirtieth anniversary of the Swindon branch of that organization. Nevertheless, it ended up at the Eurovision Song Contest, where it won effortlessly. Katrina & The Waves had an international hit with it. The song remains a Eurovision classic to this day. In 2020, it took center stage in the replacement broadcast for the canceled Song Contest: Eurovision Shine A Light.

Read More »
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