Road to Vienna: Ukraine

Road to Vienna: Ukraine

As the Eurovision Song Contest 2026 in Vienna approaches, we continue our daily spotlight on this year’s contestants. Road to Vienna: Ukraine.

 

Leléka: Ukraine’s Jazz singer

Viktoriia Kornikova, known as Leléka, is a Ukrainian singer, songwriter, and composer based in Berlin. She rose to international attention after winning Vidbir 2026, securing her spot as Ukraine’s representative at the Eurovision Song Contest 2026 in Vienna.                                                                                                                                    Born on 10 November 1990 in Pershotravensk (now Shakhtarske), Ukraine, Leléka developed a passion for the arts at a young age. Initially trained as an actress at the Karpenko-Karyi Theatre University in Kyiv, she performed in stage productions, shaping her storytelling skills—now a key element of her music.

Move to Germany and Musical Evolution

In 2014, Leléka moved to Germany to focus fully on music. She studied jazz vocals and composition at the Carl Maria von Weber University of Music in Dresden. During this time, she created a unique sound blending jazz with Ukrainian folk influences.                                                                                                                                            In 2016, she founded the Berlin-based band LELÉKA, combining international jazz with Ukrainian folk traditions. The group quickly gained recognition, winning major awards such as the Creole Global Music Contest (2017) and the European Jazz Award Burghausen (2018).

Their discography includes Tuman (2019) and Sonce u Serci (2021), the latter earning a German Jazz Award nomination. The band also contributed music to the Ukrainian TV series And There Will Be People.

Recent Projects

Leléka continued exploring Ukrainian heritage through music with Rizdvo (2023), focused on Christmas traditions, and Kolysanky (2025), inspired by lullabies. She has performed widely across Europe, building a strong presence on the jazz and world music scene.

Ridnym: A Song About Change and Renewal

 

 Ridnym explores transformation, resilience, and emotional renewal. The track uses natural imagery and atmospheric storytelling to show that change is inevitable—and often necessary for growth.

From Loss to Strength

Rather than presenting loss as defeat, “Ridnym” frames it as part of a cycle. The song highlights how accepting difficult moments can lead to healing, strength, and new beginnings.

Themes of Identity and Connection

At its core, the track focuses on facing fear, overcoming hardship, and staying connected to one’s roots. It emphasizes perseverance and shared experience, creating a strong sense of belonging and continuity.

Cultural Depth and Ukrainian Influence

The use of Ukrainian-language passages adds authenticity and emotional depth. These elements connect tradition with modern music, enriching the song’s message and broadening its global appeal.

Ukraine in the Eurovision Song Contest

Ukraine has a distinguished history in the Eurovision Song Contest, having participated since 2003. The country has achieved three victories: in 2004 with Ruslana‘s “Wild Dances,” in 2016 with Jamala‘s “1944,” and in 2022 with Kalush Orchestra‘s “Stefania.” But in fact, Ukraine did always score well. It is the only country that always reached the final!

The Bookmakers

With a predicted 9th place in the final and a third-place ranking in the semi-finals, Ukraine looks set to qualify with ease once again this year

 

 

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A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

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Eurovision Song Contest 2026 - Banner
Eurovision 2026
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Eurovision time! The second semi-final opens with a parody of JJ’s “Wasted Love”, performed by the hosts. To us, it feels like wasted time. 🇧🇬 Bulgaria In what looks like a waiting room, we see Dara with her dancers. There is some rather wild dancing going on. Halfway through the performance, the waiting room disappears, but the act remains just as gripping. Dara opens the show and immediately grabs the viewer’s attention, from the first second to the last. A perfect opener. 🇦🇿 Azerbaijan At first, Jiva’s performance is rather understated. That should put the focus mainly on the vocals and the song. Halfway through, the man she has to let go of appears, and a small routine with ribbons unfolds. A pity, because it distracts from the particularly strong vocals Jiva delivers. Whether the song is strong enough for a place in the final, we would not dare say. 🇷🇴 Romania There is a lot happening on stage for Romania. At first, Alexandra is connected to the two guitarists by light cables. Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times. 🇱🇺 Luxembourg The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts. 🇨🇿 Czechia Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final. 🇫🇷 France Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego? 🇦🇹 Austria Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year. 🇱🇻 Latvia Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. Whether the song is strong enough for a place in the final remains to be seen. 🇩🇰 Denmark Søren stands on stage with a kind of aquarium behind him, containing his dancers. Eventually, Søren himself also crawls into the aquarium, exactly at the moment when he has to hit a high note. That takes guts. Søren simply goes for it. The whole package has everything it needs for a high placing. 🇦🇺 Australia Delta Goodrem wears a dress with 7,000 Swarovski crystals. Her grand piano also appears to be covered in crystals. Delta has a great deal of experience and uses it to deliver a very strong performance. Right at the end, it turns out that a platform rises out of the piano. Delta rises up on it. She ends as a kind of Lady Liberty. Top three? 🇺🇦 Ukraine The vocals from Ukraine’s Lekela are fine. During the performance, however, little happens. We see curtains coming down, and use is made of the good old wind machine. A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

Read More »
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