Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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Eurovision 2025

Weekly update

Here is your weekly update! The last few songs have been published by the broadcasters. Revamps and official videos have been made. Blablablabla The new songs are: Switzerland: Zoë Më – “Voyage”Cyprus: Theo Evan – “Shh”Georgia: Mariam Shengelia – “Freedom”France: Louane – “Maman” Pre-Party Season Gears Up Here is your weekly update for the Pre-Party season: Nordic Eurovision Party – The Pre-Party Season Begins:Oslo kicks off the pre-party season with the Nordic Eurovision Party on March 22. This exciting event features Norway’s 2025 representative Kyle Alessandro, alongside beloved acts like Sandra Kim (Belgium 1986) and Klara Hammarström (Melodifestivalen 2025). Fans will enjoy a lively evening as many artists debut their Eurovision entries live for the first time ahead of the big contest. Eurovision In Concert (Amsterdam) – New Artists Confirmed:Amsterdam’s eagerly awaited Eurovision In Concert (April 5) continues to thrill fans by adding several Eurovision 2025 participants. Lithuania’s Katarsis, Ukraine’s Ziferblat, Australia’s Go-Jo, Melody from Spain, Marko Bošnjak from Croatia, and San Marino’s Gabry Ponte have all joined the lineup this week. Visitors can expect an incredible night. It will be filled with live performances of this year’s entries alongside special surprise appearances from past Eurovision stars. Together they make this an essential event for Eurovision enthusiasts. London Eurovision Party – Exciting New Acts Announced:The London Eurovision Party on April 13 expands its impressive lineup this week. Czechia’s Adonxs, performing the catchy “Kiss Kiss Goodbye,” will join Electro Velvet, the UK’s memorable 2015 Eurovision duo. Additional performers include Katarsis (Lithuania), Emmy (Norway), and Australia’s Go-Jo. London-based fans can look forward to an unforgettable evening mixing fresh 2025 acts with nostalgic performances. Madrid Pre-Party (PrePartyES) – Lineup Grows Further:Madrid’s prominent Eurovision PrePartyES (April 17–19) just announced nine new artists. Joining the spectacular lineup are Montenegro’s Nina Žižić, Norway’s Kyle Alessandro, Austria’s JJ, and Denmark’s Sissal. Special guest will be Marina Satti (Greece 2024). Fans attending the three-night celebration will experience a vibrant mix of Eurovision 2025 performances and memorable appearances by popular Eurovision alumni, cementing Madrid’s pre-party as a highlight of the Eurovision calendar. New video’s No less than 17 countries published the official video of their songs. Here’s your weekly update upon that. We will not mention them all individually, but you can find them all in our database. We mention just a few: Montenegro’s Revamp – Nina Žižić’s Fresh Sound Montenegro has unveiled a revamped version of Nina Žižić’s Eurovision 2025 entry. The song now features updated production elements and enhanced vocal arrangements, giving it a fresh, contemporary appeal. Žižić expressed excitement about the improvements, aiming to captivate both jury members and Eurovision fans alike in Basel. Italy’s video – a special one We didn’t add Italy’s video to the database, as the song is interrupted several times. It contains a beautiful story, so we still recommend watching it. It is worth it, the full 5 minutes!! Spain’s Song Revamp  Spain isn’t resting after their national final. Melody has unveiled a revamped version of “Esa Diva,” the song with which she won Benidorm Fest. The new version comes with a more international pop sound and a brand-new music video, giving the song a fresh polish ahead of Eurovision​. Spanish broadcaster RTVE explained that the revamp aimed to boost the song’s appeal while keeping its original essence. Melody believes the updates have made her entry even stronger. Malta’s Eurovision Entry: From ‘Kant’ to ‘Serving’ Malta’s Eurovision 2025 journey experienced a significant twist with Miriana Conte’s entry, originally titled “Kant.” The Maltese word “kant” translates to “singing,” but its pronunciation closely resembles a vulgar English term, leading to potential misunderstandings. This linguistic overlap prompted the European Broadcasting Union (EBU) to request changes to the song’s title and lyrics to ensure suitability for the international audience. ​ In response, Conte and her team retitled the song to “Serving,” aligning with the original theme of confidence and self-expression. The revamped version maintains the song’s essence while adhering to the EBU’s guidelines. The updated music video, released on March 14, 2025, showcases Conte’s adaptability and commitment to her artistic vision. ​   Share

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Eurovision 2025
Martijn

Weekly update

Here is your weekly update! The last few songs have been published by the broadcasters. Revamps and official videos have been made. Blablablabla The new songs are: Switzerland: Zoë Më – “Voyage”Cyprus: Theo Evan – “Shh”Georgia: Mariam Shengelia – “Freedom”France: Louane – “Maman” Pre-Party Season Gears Up Here is your weekly update for the Pre-Party season: Nordic Eurovision Party – The Pre-Party Season Begins:Oslo kicks off the pre-party season with the Nordic Eurovision Party on March 22. This exciting event features Norway’s 2025 representative Kyle Alessandro, alongside beloved acts like Sandra Kim (Belgium 1986) and Klara Hammarström (Melodifestivalen 2025). Fans will enjoy a lively evening as many artists debut their Eurovision entries live for the first time ahead of the big contest. Eurovision In Concert (Amsterdam) – New Artists Confirmed:Amsterdam’s eagerly awaited Eurovision In Concert (April 5) continues to thrill fans by adding several Eurovision 2025 participants. Lithuania’s Katarsis, Ukraine’s Ziferblat, Australia’s Go-Jo, Melody from Spain, Marko Bošnjak from Croatia, and San Marino’s Gabry Ponte have all joined the lineup this week. Visitors can expect an incredible night. It will be filled with live performances of this year’s entries alongside special surprise appearances from past Eurovision stars. Together they make this an essential event for Eurovision enthusiasts. London Eurovision Party – Exciting New Acts Announced:The London Eurovision Party on April 13 expands its impressive lineup this week. Czechia’s Adonxs, performing the catchy “Kiss Kiss Goodbye,” will join Electro Velvet, the UK’s memorable 2015 Eurovision duo. Additional performers include Katarsis (Lithuania), Emmy (Norway), and Australia’s Go-Jo. London-based fans can look forward to an unforgettable evening mixing fresh 2025 acts with nostalgic performances. Madrid Pre-Party (PrePartyES) – Lineup Grows Further:Madrid’s prominent Eurovision PrePartyES (April 17–19) just announced nine new artists. Joining the spectacular lineup are Montenegro’s Nina Žižić, Norway’s Kyle Alessandro, Austria’s JJ, and Denmark’s Sissal. Special guest will be Marina Satti (Greece 2024). Fans attending the three-night celebration will experience a vibrant mix of Eurovision 2025 performances and memorable appearances by popular Eurovision alumni, cementing Madrid’s pre-party as a highlight of the Eurovision calendar. New video’s No less than 17 countries published the official video of their songs. Here’s your weekly update upon that. We will not mention them all individually, but you can find them all in our database. We mention just a few: Montenegro’s Revamp – Nina Žižić’s Fresh Sound Montenegro has unveiled a revamped version of Nina Žižić’s Eurovision 2025 entry. The song now features updated production elements and enhanced vocal arrangements, giving it a fresh, contemporary appeal. Žižić expressed excitement about the improvements, aiming to captivate both jury members and Eurovision fans alike in Basel. Italy’s video – a special one We didn’t add Italy’s video to the database, as the song is interrupted several times. It contains a beautiful story, so we still recommend watching it. It is worth it, the full 5 minutes!! Spain’s Song Revamp  Spain isn’t resting after their national final. Melody has unveiled a revamped version of “Esa Diva,” the song with which she won Benidorm Fest. The new version comes with a more international pop sound and a brand-new music video, giving the song a fresh polish ahead of Eurovision​. Spanish broadcaster RTVE explained that the revamp aimed to boost the song’s appeal while keeping its original essence. Melody believes the updates have made her entry even stronger. Malta’s Eurovision Entry: From ‘Kant’ to ‘Serving’ Malta’s Eurovision 2025 journey experienced a significant twist with Miriana Conte’s entry, originally titled “Kant.” The Maltese word “kant” translates to “singing,” but its pronunciation closely resembles a vulgar English term, leading to potential misunderstandings. This linguistic overlap prompted the European Broadcasting Union (EBU) to request changes to the song’s title and lyrics to ensure suitability for the international audience. ​ In response, Conte and her team retitled the song to “Serving,” aligning with the original theme of confidence and self-expression. The revamped version maintains the song’s essence while adhering to the EBU’s guidelines. The updated music video, released on March 14, 2025, showcases Conte’s adaptability and commitment to her artistic vision. ​   Share

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Read More »