After the Eurovision Fame: Dana International

Dana International won the Eurovision Song Contest 1998 in Birmingham, United Kingdom, representing Israel.

 

Childhood and early Career

 Dana International (Sharon Cohen) was born in Tel Aviv, Israel as the youngest of three children. Her family is of Yemenite-Jewish descent.

Though assigned male at birth, she identified as female from a very young age. She dreamed to become a singer from the age of eight, when she watched Israeli singer Ofra Haza perform her song “Chai” in the 1983 Eurovision Song Contest. Although the family was quite poor, her mother worked to pay for her music lessons, and she stated that her childhood was happy.

Dana International took her stage name from a feminized version of a childhood friend Daniel, who died in a car accident.

At 18 years of age, Cohen (still legally male at the time) earned a living as a drag queen, parodying many famous female singers. During one of her performances, she was discovered by Offer Nissim, a well-known Israeli DJ, who produced her debut single “Saida Sultana” (“The Great Saida”), a satirical version of Whitney Houston’s song “My Name Is Not Susan”. The song received considerable exposure and helped launch her career as a professional singer.

In 1993, Dana International flew to London to continue her transition, and legally changed her name to Sharon Cohen. That same year Sharon  released her first album, titled “Danna International”, in Israel. Soon after, the album was also released in several other countries including Greece, Jordan, and Egypt (In Jordan and Egypt the album sold illegally). Sharon’s stage name Dana International comes from the title track of the album, and was originally spelled with two n’s. “Danna International” turned  gold in Israel.

 

2nd Album “Umpatampa” and Eurovision Song Contest

 In 1994, Dana released her second, Trance-influenced album “Umpatampa”, which built on the success of her debut album and provided further hit singles. The album went platinum in Israel and has sold more than 50,000 copies to date. Because of her popularity and the success of this album, she won the award for Best Female Artist of the Year in Israel.

In 1995, Dana attempted to fulfill her childhood dream of performing in the Eurovision Song Contest. She entered the Eurovision qualifying contest Kdam Eurovision in Israel with a song entitled “Layla Tov, Eropa” (“Good Night Europe”) which finished second in the pre-selections, but became another hit single.

In 1996, Dana released her third album, “Maganuna”. Although this album was less successful than her previous efforts, it still reached gold in Israel.

Dana was chosen to represent Israel in the Eurovision Song Contest 1998 in Birmingham with the song “Diva”. Orthodox Jews and others with conservative views were opposed to the choice and attempted to void her participation in the contest. In May 1998, Dana performed “Diva” at the Eurovision final and won the contest with 172 points.

She became internationally known, and was interviewed by the big music stations, unfortunately mostly focusing on her life as a transsexual person before winning the contest. Dana’s own words “the message of reconciliation” were; “My victory proves God is on my side. I want to send my critics a message of forgiveness and say to them: try to accept me and the kind of life I lead. I am what I am and this does not mean I don’t believe in God, and I am part of the Jewish Nation.”

 

Dana released “Diva” as a single in Europe and it became a hit, reaching number 11 in the UK charts and the top ten in Sweden, Belgium, Finland, Ireland, and the Netherlands.

 

After winning the Eurovision

In 1999, Dana released “Woman in Love”, a Barbra Streisand cover. In May 1999, Dana again participated in the Eurovision Song Contest held in Jerusalem. Dana was a part of the interval act and sang the Stevie Wonder song “Free”. One memorable moment from the event was when she presented the award to the winners of the contest. Whilst she was carrying the heavy trophy, one of the composers of the winning Swedish entry stepped on the long trail of her dress by mistake, and she fell over on stage – in front of a television audience estimated to be a million or more, making it one of the most memorable moments in the 50-year-long history of the contest.

She released her next album “Free” in Europe in 1999, which enjoyed moderate success. A few months later Dana moved back to Israel and started to work on different projects. Israeli and Japanese editions of “Free” were released in 2000. That same year, an Israeli documentary film was made about Dana called Lady D.

In 2001, after a break, Dana released her seventh album “Yoter Ve Yoter” (More and More).  The album put her career in Israel back on track and provided two hits called “Ani Nitzachti” (I Won) and “Achrei HaKol” (After All), which eventually both went gold.

Dana was about to sign with a major label, Sony BMG Music Entertainment, for an international recording contract. There were disagreements that led to Sony Music cancelling the deal before it was completed.

A few years later, in 2005, Dana participated in the 50th anniversary of the Eurovision Song Contest, held in Copenhagen, after “Diva” was selected as one of fourteen songs considered to be the best Eurovision songs. The song did not make it into the final top five. Dana got the chance to perform both “Diva” and an old Eurovision favourite of hers, Baccara’s 1978 entry “Parlez-Vous Français”.

 

Return to music and Eurovision comeback

 

After a few years away from show business, together with the relaunch of her official website, a first single of the upcoming album was released in March 2007: “HaKol Ze LeTova” (“It’s All For the Best”). The official album, also titled “Hakol Ze Letova,” was released on 15 August 2007. “

On 26 February 2008, Dana gained an additional achievement when the song “Ke’ilu Kan” written and composed by her and performed by Boaz Mauda, was chosen on Kdam  to represent Israel at Eurovision Song Contest 2008 in Belgrade, Serbia. It came 5th in the semi-final and gained 9th place in the final rank.

Dana campaigned for Kadima chairwoman Tzipi Livni shortly before 2009 legislative elections in Israel. At a women’s political rally in Jerusalem Dana performed a disco song alongside Livni onstage, announcing “I now formally invite you to the diva sisterhood.”

On 8 March 2011, Dana International won the Israeli National Final for Eurovision with the song “Ding Dong”, and represented Israel at Eurovision for a second time. The song did not make it into the final; she was the first Eurovision winner not to do so.

 

2013–present: new singles, TV show and album

In April 2013, after a two-year break, Dana released a new single, “Ma La’asot” (What To Do). It was released digitally worldwide on 24 April 2013. On 29 May, Dana released a video clip for the song Loca, to promote the Gay Pride Tel Aviv 2013. Dana will perform on the main event for the Gay Pride on 7 June. Her third single for that year, “Ir Shlema” (A Whole City), was released in July. Late in January 2014, Dana’s new music reality show “Yeshnan Banot” premiered. Dana is the main judge on the show, attempting to find Israel’s next girl group.

Also in 2014, Dana was the main attraction aboard the first Jewish boat to participate in the Amsterdam Pride Canal Parade. Dana stated, “I don’t believe in any religion, so I’m here as an Israeli, not as a Jew. But it’s time to end the persecution over religion or national reasons. Just cut out all that shit. That’s my message.” Previously, after she won the Eurovision song competition, a religious debate had been held as to whether, and how, Dana should pray in a synagogue, with one rabbinical authority concluding that Dana should be counted in a minyan as a man.  She could not sing in front of the community since she was also a woman, according to the rabbi, and that would violate the Orthodox rule of kol isha.

In June 2017, Dana released a new single, called “Ruti”. In August 2017 she released another single, called “Yesh Li Ahava (La Costa)” (I Have Love (La Costa)). In November 2017 she released a third single, called “Nish’eret Itcha” (Staying With You).

In April 2018, Dana recorded a new version of the Jewish folk song “Hava Nagila” to promote “Israel Calling”, a pre-Eurovision event. 20 years after her win in the 1998 Eurovision Song Contest in Birmingham with her song Diva, Dana released a new version of her hit in June 2018, in association with NYX Hotel and pagfilms.

In July 2018, Dana performed at the rally during the 2018 Israeli LGBT’s strike events with her song “Ani Nitzakhti” (I Won). Later that month she released a new version of the Jewish song “Mi Ha’Ish” (Who is the Man) to promote the Jerusalem Pride and Tolerance Parade, in which she performed in August.

In may 2019, Dana performed in the Eurovision song contest with Bruno Mars’s song “Just the way you are”.

Dana is also active on Facebook and Instagram

 

 

 

 

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Eurovision 2026
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It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-Noël Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland Weißmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RÚV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

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