70 years of Eurovision: two strong women

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years.

1998

Birmingham was the city where the Eurovision Song Contest was held in 1998. The presentation was done by tongue-in-cheek commentator Terry Wogan and host Ulrika Jonsson. North Macedonia made its debut, but was still called FYROM at the time. Italy withdrew. From then on, the results were determined by televoting only.

The songs

Danijela, who had participated for Croatia three years earlier, did so again, but this time solo. Her ballad “Neka mi ne zvane”, complete with dress-up, is still often cited as a fan favorite.

The duo Thalassa participated for Greece. However, only singer Dionisia took the stage. The male half of the duo, Yiannis Valvis, had gotten into such a heated argument with the production that his accreditation had been revoked. He was no longer allowed to enter the hall in Birmingham and had to watch Eurovision from his hotel room. Guildo Horn & Die Orthopädischen Strümpfe performed for Germany. With “Guildo hat euch lieb!”, Horn delivered a performance that was unique. He jumped into the audience, accompanied himself musically with cowbells, and even climbed onto scaffolding. This drove the cameramen tasked with capturing it to despair. He certainly stood out!

Chiara from Malta did too, but for exactly the opposite reason. With a serene ballad and candles on stage, she also impressed a lot. Until the very last moment, Chiara was still a contender for the final victory. She ultimately finished third.

She did so just behind Imaani. The British candidate came second with “Where Are You?”. She scored a European hit with her song. Fun fact: The Dutch candidate Edsilia Rombley named her daughter Imaani after her colleague. And Edsilia also made an impression with her “Hemel en aarde.” Terry Wogan predicted a victory for her. It resulted in a fourth place finish. But every country also had a backup jury. The results for some countries are known. What is certain is that with that backup jury, it would have been a battle between the United Kingdom and the Netherlands.

Dana International

But that didn’t happen, because Israel won. It was the country that received the most attention beforehand. Not because Dana International was such a good singer. But because her story impressed. Born as Yaron Cohen, he discovered at a young age that he was, in fact a woman. After gender reassignment surgery, she went through life as Sharon Cohen. Her stage name, however, was Dana International. As early as 1995, she came second in the Israeli national final with “Layla Tov Europa.” Three years later, the Israeli broadcaster internally selected Dana and her song “Diva.” Although this was much to the displeasure of a group of very strictly religious Orthodox Jews, Dana was adored by the queer community in Israel. When she won, it was therefore a huge celebration for them. And with this, a transgender person won the Eurovision Song Contest for the first time.

1999

The Eurovision circus moved to Jerusalem. For the first time, the contest was hosted by three presenters: Yigal David, Sigal Shachmon, and Dafna Dekel. The latter had participated for Israel herself in 1992. A relegation zone still existed, and Lithuania returned after a five-year absence.

Many things changed. The orchestra was gone and would never return. This also applied to the rule that participants had to sing in their own national language.

The songs

Doris Dragović participated for Croatia, having represented Yugoslavia 13 years earlier. She finished very high with a fourth place. However, afterwards she received penalty points because she had used samples that were not allowed. It had no further consequences for Croatia. Darja Švajger also participated for the second time, representing Slovenia.

Things became complicated because the Netherlands sent a singer named Marlayne, and Cyprus entered Marlain. Both singers did very well in the polls. But the Cypriot Marlain, in particular, did not live up to her role as favorite at all. It was also complicated that two countries, namely Bosnia and Herzegovina and Germany, both entered a song that had already been released. In both countries, the winner of the national final was disqualified for that reason. Instead, Bosnia and Herzegovina entered with a rap by a Bosnian/French duo. Germany sent a group with a Turkish background and a song that was sung partially in Turkish.

Singer Selma represented Iceland with a disco track, “All Out Of Luck”. For the first time, Iceland was a serious contender for the final victory, which the island just barely failed to achieve.

Charlotte Nilsson

Because Sweden won. She was dubbed the Euro-Pamela Anderson. During the national final, Melodifestivalen, Charlotte Nilsson sang “Tusen och en natt”, but on the Eurovision stage in Jerusalem, it became “Take Me To Your Heaven”. It was not easy. The battle was between Sweden and Iceland until the very end. Charlotte is now called Perelli, has participated a second time in the Eurovision Song Contest and has become a welcome guest at Eurovision-related events.

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Road to Vienna: Poland As the Eurovision Song Contest in Basel approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Poland. Alicja Szemplińska: Poland’s Pop and Soul talent Alicja Szemplińska, born on 29 April 2002 in Ciechanów, Poland, is a talented singer and songwriter known for her powerful and emotional voice. She began singing at a young age, taking lessons at a local community centre and performing in a church choir. By the age of 12, she was already receiving professional vocal training, shaping her style with influences from pop and soul music. Breakthrough and Career Beginnings Alicja first gained national recognition in 2016 after winning the TV show Hit, Hit, Hurra!, earning training with renowned vocal coach Seth Riggs. Her career took a major leap in 2019 when she won The Voice of Poland. Soon after, she signed with Universal Music Polska and released her debut single “Prawie my,” which quickly gained over one million views. Growing Presence in Music and Media Beyond talent shows, Alicja has built a strong presence in Poland’s music scene. She has performed at major televised events and festivals, including the Junior Eurovision Song Contest 2020. In 2022, she expanded her career by hosting the radio show 21 grams of soul. She also recorded “Stick Together,” the official song for the 2023 Men’s Handball World Championship. Major Achievements and Debut Album By her early twenties, Alicja had already won three major Polish talent competitions, highlighting her rapid rise. In 2024, she released her debut album Nie wracam, marking an important milestone and establishing her as a serious recording artist in the Polish pop industry. Eurovision Journey: From 2020 to 2026 Alicja was originally selected to represent Poland at the Eurovision Song Contest 2020 with her song “Empires,” but the event was cancelled due to the COVID-19 pandemic. Despite this setback, she continued developing her music career. In 2026, she made a successful return by winning Poland’s national selection with her self-written song “Pray.” This victory secures her long-awaited debut on the Eurovision stage in Vienna, confirming her growth as both a performer and songwriter. Pray: Faith, Freedom, and Self-Empowerment A Powerful Story of Growth Pray is a deeply emotional track that blends vulnerability with confidence. The song explores personal struggle, spiritual reflection, and the journey toward self-belief. It tells the story of an artist learning to grow, take control, and embrace independence. Searching for Freedom and Inner Peace At its core, “Pray” is about finding freedom—emotionally and spiritually. The artist feels incomplete and searches for meaning and balance. Faith plays a key role, creating tension between doubt and hope. Prayer becomes a way to cope, heal, and stay grounded. From Insecurity to Confidence As the song develops, the message shifts from self-doubt to empowerment. The artist begins to reject outside expectations and defines success on their own terms. This transformation highlights a relatable journey toward self-worth and authenticity. The Reality Behind Success “Pray” also reflects the pressure that comes with ambition. Even with growing confidence, challenges remain. The song shows that success is not perfect—it requires resilience, persistence, and strength. A Bold Message of Independence By the end, the artist takes full control, expressing confidence and determination. Faith remains a central theme, driving both personal and artistic growth. Poland in the Eurovision Song Contest Poland made its Eurovision debut in 1994 and achieved its best result that year, finishing second with Edyta Górniak‘s “To nie ja!” Since then, the country has participated numerous times, with varying degrees of success. They never made it to the top-5 again. Ich Troje was the most succesful group with “Keine Grenzen – Żadnych granic” in 2003.  The Bookmakers Poland is currently ranked 30th with the bookmakers—meaning a spot in the final seems unlikely… but who knows? It’s Eurovision, baby!

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History
Martijn

70 years of Eurovision: two strong women

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1998 Birmingham was the city where the Eurovision Song Contest was held in 1998. The presentation was done by tongue-in-cheek commentator Terry Wogan and host Ulrika Jonsson. North Macedonia made its debut, but was still called FYROM at the time. Italy withdrew. From then on, the results were determined by televoting only. The songs Danijela, who had participated for Croatia three years earlier, did so again, but this time solo. Her ballad “Neka mi ne zvane”, complete with dress-up, is still often cited as a fan favorite. The duo Thalassa participated for Greece. However, only singer Dionisia took the stage. The male half of the duo, Yiannis Valvis, had gotten into such a heated argument with the production that his accreditation had been revoked. He was no longer allowed to enter the hall in Birmingham and had to watch Eurovision from his hotel room. Guildo Horn & Die Orthopädischen Strümpfe performed for Germany. With “Guildo hat euch lieb!”, Horn delivered a performance that was unique. He jumped into the audience, accompanied himself musically with cowbells, and even climbed onto scaffolding. This drove the cameramen tasked with capturing it to despair. He certainly stood out! Chiara from Malta did too, but for exactly the opposite reason. With a serene ballad and candles on stage, she also impressed a lot. Until the very last moment, Chiara was still a contender for the final victory. She ultimately finished third. She did so just behind Imaani. The British candidate came second with “Where Are You?”. She scored a European hit with her song. Fun fact: The Dutch candidate Edsilia Rombley named her daughter Imaani after her colleague. And Edsilia also made an impression with her “Hemel en aarde.” Terry Wogan predicted a victory for her. It resulted in a fourth place finish. But every country also had a backup jury. The results for some countries are known. What is certain is that with that backup jury, it would have been a battle between the United Kingdom and the Netherlands. Dana International But that didn’t happen, because Israel won. It was the country that received the most attention beforehand. Not because Dana International was such a good singer. But because her story impressed. Born as Yaron Cohen, he discovered at a young age that he was, in fact a woman. After gender reassignment surgery, she went through life as Sharon Cohen. Her stage name, however, was Dana International. As early as 1995, she came second in the Israeli national final with “Layla Tov Europa.” Three years later, the Israeli broadcaster internally selected Dana and her song “Diva.” Although this was much to the displeasure of a group of very strictly religious Orthodox Jews, Dana was adored by the queer community in Israel. When she won, it was therefore a huge celebration for them. And with this, a transgender person won the Eurovision Song Contest for the first time. 1999 The Eurovision circus moved to Jerusalem. For the first time, the contest was hosted by three presenters: Yigal David, Sigal Shachmon, and Dafna Dekel. The latter had participated for Israel herself in 1992. A relegation zone still existed, and Lithuania returned after a five-year absence. Many things changed. The orchestra was gone and would never return. This also applied to the rule that participants had to sing in their own national language. The songs Doris Dragović participated for Croatia, having represented Yugoslavia 13 years earlier. She finished very high with a fourth place. However, afterwards she received penalty points because she had used samples that were not allowed. It had no further consequences for Croatia. Darja Švajger also participated for the second time, representing Slovenia. Things became complicated because the Netherlands sent a singer named Marlayne, and Cyprus entered Marlain. Both singers did very well in the polls. But the Cypriot Marlain, in particular, did not live up to her role as favorite at all. It was also complicated that two countries, namely Bosnia and Herzegovina and Germany, both entered a song that had already been released. In both countries, the winner of the national final was disqualified for that reason. Instead, Bosnia and Herzegovina entered with a rap by a Bosnian/French duo. Germany sent a group with a Turkish background and a song that was sung partially in Turkish. Singer Selma represented Iceland with a disco track, “All Out Of Luck”. For the first time, Iceland was a serious contender for the final victory, which the island just barely failed to achieve. Charlotte Nilsson Because Sweden won. She was dubbed the Euro-Pamela Anderson. During the national final, Melodifestivalen, Charlotte Nilsson sang “Tusen och en natt”, but on the Eurovision stage in Jerusalem, it became “Take Me To Your Heaven”. It was not easy. The battle was between Sweden and Iceland until the very end. Charlotte is now called Perelli, has participated a second time in the Eurovision Song Contest and has become a welcome guest at Eurovision-related events.

Read More »
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