Road to Vienna: Poland

Road to Vienna: Poland

As the Eurovision Song Contest in Basel approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Poland.

Alicja Szemplińska: Poland’s Pop and Soul talent

Alicja Szemplińska, born on 29 April 2002 in Ciechanów, Poland, is a talented singer and songwriter known for her powerful and emotional voice. She began singing at a young age, taking lessons at a local community centre and performing in a church choir. By the age of 12, she was already receiving professional vocal training, shaping her style with influences from pop and soul music.

Breakthrough and Career Beginnings

Alicja first gained national recognition in 2016 after winning the TV show Hit, Hit, Hurra!, earning training with renowned vocal coach Seth Riggs. Her career took a major leap in 2019 when she won The Voice of Poland. Soon after, she signed with Universal Music Polska and released her debut single “Prawie my,” which quickly gained over one million views.

Growing Presence in Music and Media

Beyond talent shows, Alicja has built a strong presence in Poland’s music scene. She has performed at major televised events and festivals, including the Junior Eurovision Song Contest 2020. In 2022, she expanded her career by hosting the radio show 21 grams of soul. She also recorded “Stick Together,” the official song for the 2023 Men’s Handball World Championship.

Major Achievements and Debut Album

By her early twenties, Alicja had already won three major Polish talent competitions, highlighting her rapid rise. In 2024, she released her debut album Nie wracam, marking an important milestone and establishing her as a serious recording artist in the Polish pop industry.

Eurovision Journey: From 2020 to 2026

Alicja was originally selected to represent Poland at the Eurovision Song Contest 2020 with her song “Empires,” but the event was cancelled due to the COVID-19 pandemic. Despite this setback, she continued developing her music career.

In 2026, she made a successful return by winning Poland’s national selection with her self-written song “Pray.” This victory secures her long-awaited debut on the Eurovision stage in Vienna, confirming her growth as both a performer and songwriter.

Pray: Faith, Freedom, and Self-Empowerment

A Powerful Story of Growth

Pray is a deeply emotional track that blends vulnerability with confidence. The song explores personal struggle, spiritual reflection, and the journey toward self-belief. It tells the story of an artist learning to grow, take control, and embrace independence.

Searching for Freedom and Inner Peace

At its core, “Pray” is about finding freedom—emotionally and spiritually. The artist feels incomplete and searches for meaning and balance. Faith plays a key role, creating tension between doubt and hope. Prayer becomes a way to cope, heal, and stay grounded.

From Insecurity to Confidence

As the song develops, the message shifts from self-doubt to empowerment. The artist begins to reject outside expectations and defines success on their own terms. This transformation highlights a relatable journey toward self-worth and authenticity.

The Reality Behind Success

“Pray” also reflects the pressure that comes with ambition. Even with growing confidence, challenges remain. The song shows that success is not perfect—it requires resilience, persistence, and strength.

A Bold Message of Independence

By the end, the artist takes full control, expressing confidence and determination. Faith remains a central theme, driving both personal and artistic growth.

Poland in the Eurovision Song Contest

Poland made its Eurovision debut in 1994 and achieved its best result that year, finishing second with Edyta Górniak‘s “To nie ja!” Since then, the country has participated numerous times, with varying degrees of success. They never made it to the top-5 again. Ich Troje was the most succesful group with “Keine Grenzen – Żadnych granic” in 2003. 

The Bookmakers

Poland is currently ranked 30th with the bookmakers—meaning a spot in the final seems unlikely… but who knows? It’s Eurovision, baby!

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A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

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Eurovision time! The second semi-final opens with a parody of JJ’s “Wasted Love”, performed by the hosts. To us, it feels like wasted time. 🇧🇬 Bulgaria In what looks like a waiting room, we see Dara with her dancers. There is some rather wild dancing going on. Halfway through the performance, the waiting room disappears, but the act remains just as gripping. Dara opens the show and immediately grabs the viewer’s attention, from the first second to the last. A perfect opener. 🇦🇿 Azerbaijan At first, Jiva’s performance is rather understated. That should put the focus mainly on the vocals and the song. Halfway through, the man she has to let go of appears, and a small routine with ribbons unfolds. A pity, because it distracts from the particularly strong vocals Jiva delivers. Whether the song is strong enough for a place in the final, we would not dare say. 🇷🇴 Romania There is a lot happening on stage for Romania. At first, Alexandra is connected to the two guitarists by light cables. Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times. 🇱🇺 Luxembourg The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts. 🇨🇿 Czechia Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final. 🇫🇷 France Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego? 🇦🇹 Austria Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year. 🇱🇻 Latvia Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. Whether the song is strong enough for a place in the final remains to be seen. 🇩🇰 Denmark Søren stands on stage with a kind of aquarium behind him, containing his dancers. Eventually, Søren himself also crawls into the aquarium, exactly at the moment when he has to hit a high note. That takes guts. Søren simply goes for it. The whole package has everything it needs for a high placing. 🇦🇺 Australia Delta Goodrem wears a dress with 7,000 Swarovski crystals. Her grand piano also appears to be covered in crystals. Delta has a great deal of experience and uses it to deliver a very strong performance. Right at the end, it turns out that a platform rises out of the piano. Delta rises up on it. She ends as a kind of Lady Liberty. Top three? 🇺🇦 Ukraine The vocals from Ukraine’s Lekela are fine. During the performance, however, little happens. We see curtains coming down, and use is made of the good old wind machine. 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