Road to Vienna: Belgium

Road to Vienna: Belgium

As the Eurovision Song Contest 2026 in Vienna approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Belgium.

Essyla : An Artist with an eccentric stage presence

Essyla, born Alice Van Eesbeeck in 1997 in Perwez, Belgium, developed a passion for music at a young age. Influenced by French chanson, jazz, folk, rock, and funk, she quickly found her artistic voice. She formed her first band as a child and later trained at the IMEP music school in Namur to refine her vocal skills.

Breakthrough on The Voice Belgique

Essyla gained national recognition in 2021 as a finalist on The Voice Belgique Season 9. Mentored by Typh Barrow, she finished as runner-up behind Jérémie Makiese. This exposure introduced her powerful voice and unique style to a wide audience.

Music Career and First Releases

After the show, Essyla worked as a backing vocalist while developing her solo career. In 2023, she released her debut singles “Let You Go” and “Not My Kind of Dude,” followed by her first EP I’ll Be Okay. Her music blends pop with funk and rock influences, often focusing on empowerment and self-confidence. Later singles like “Your Letters” (2024) and “Tip Toe” (2025) further established her sound.

Road to Eurovision Song Contest 2026

In 2026, Essyla reached a major milestone when RTBF selected her to represent Belgium at the Eurovision Song Contest in Vienna. This marks a defining moment in her growing career.

Dancing on the Ice: Emotional Pop in Focus

Dancing on the Ice explores the thrill of emotional risk in modern relationships. It shows how vulnerability and chaos can feel intentional—and even exciting.

Duality and Inner Conflict

The song highlights a tension between confidence and insecurity, love and doubt. The protagonist seeks connection while questioning their own emotional stability.

Fragile Love, Strong Impact

The ice metaphor reflects the beauty and instability of love. Dancing on it symbolizes choosing intensity over safety, making the track a powerful statement on living and feeling deeply.

Belgium in the Eurovision Song Contest

Belgium has a long history in the Eurovision Song Contest, having participated since its inception in 1956. The country has secured one victory: in 1986 with Sandra Kim‘s “J’aime la vie.” However, good scores for Jean Vallee (1978) and Urban Trad (2004) can not be left unmentioned. In recent years Loïc Nottet (2015) and Blanche (2017) reached the top-5. The previous Flemish entry, Gustaph’s “Because Of You”, reaced a 7th place. Over the years, Belgium has achieved several top-ten results, reflecting its ongoing commitment to the competition.

The Bookmakers

Belgium is currently ranked 28th with the bookmakers, suggesting that Essyla, like Red Sebastian last year, might miss out  the big final. Still, surprises are part of Eurovision’s magic.

We look forward to see  Essyla to shine on stage.

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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. France had scored well with a singer from Tunisia. That was clearly audible. The song contained many Arabic influences. Singer Amina knew how to capitalize on her participation. Her song “Le dernier qui à parlé” became an international hit. But it was Carola, also

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Eurovision 2026
Anja Kroeze

Road to Vienna: Belgium

Road to Vienna: Belgium As the Eurovision Song Contest 2026 in Vienna approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Belgium. Essyla : An Artist with an eccentric stage presence Essyla, born Alice Van Eesbeeck in 1997 in Perwez, Belgium, developed a passion for music at a young age. Influenced by French chanson, jazz, folk, rock, and funk, she quickly found her artistic voice. She formed her first band as a child and later trained at the IMEP music school in Namur to refine her vocal skills. Breakthrough on The Voice Belgique Essyla gained national recognition in 2021 as a finalist on The Voice Belgique Season 9. Mentored by Typh Barrow, she finished as runner-up behind Jérémie Makiese. This exposure introduced her powerful voice and unique style to a wide audience. Music Career and First Releases After the show, Essyla worked as a backing vocalist while developing her solo career. In 2023, she released her debut singles “Let You Go” and “Not My Kind of Dude,” followed by her first EP I’ll Be Okay. Her music blends pop with funk and rock influences, often focusing on empowerment and self-confidence. Later singles like “Your Letters” (2024) and “Tip Toe” (2025) further established her sound. Road to Eurovision Song Contest 2026 In 2026, Essyla reached a major milestone when RTBF selected her to represent Belgium at the Eurovision Song Contest in Vienna. This marks a defining moment in her growing career. Dancing on the Ice: Emotional Pop in Focus Dancing on the Ice explores the thrill of emotional risk in modern relationships. It shows how vulnerability and chaos can feel intentional—and even exciting. Duality and Inner Conflict The song highlights a tension between confidence and insecurity, love and doubt. The protagonist seeks connection while questioning their own emotional stability. Fragile Love, Strong Impact The ice metaphor reflects the beauty and instability of love. Dancing on it symbolizes choosing intensity over safety, making the track a powerful statement on living and feeling deeply. Belgium in the Eurovision Song Contest Belgium has a long history in the Eurovision Song Contest, having participated since its inception in 1956. The country has secured one victory: in 1986 with Sandra Kim‘s “J’aime la vie.” However, good scores for Jean Vallee (1978) and Urban Trad (2004) can not be left unmentioned. In recent years Loïc Nottet (2015) and Blanche (2017) reached the top-5. The previous Flemish entry, Gustaph’s “Because Of You”, reaced a 7th place. Over the years, Belgium has achieved several top-ten results, reflecting its ongoing commitment to the competition. The Bookmakers Belgium is currently ranked 28th with the bookmakers, suggesting that Essyla, like Red Sebastian last year, might miss out  the big final. Still, surprises are part of Eurovision’s magic. We look forward to see  Essyla to shine on stage.

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