Weekly update

Here is your weekly update! The last few songs have been published by the broadcasters. Revamps and official videos have been made. 

The new songs are:

Switzerland: Zoë Më – “Voyage”
Cyprus: Theo Evan – “Shh”
Georgia: Mariam Shengelia – “Freedom”
France: Louane – “Maman”

Pre-Party Season Gears Up

Here is your weekly update for the Pre-Party season:

  • Nordic Eurovision Party – The Pre-Party Season Begins:
    Oslo kicks off the pre-party season with the Nordic Eurovision Party on March 22. This exciting event features Norway’s 2025 representative Kyle Alessandro, alongside beloved acts like Sandra Kim (Belgium 1986) and Klara Hammarström (Melodifestivalen 2025). Fans will enjoy a lively evening as many artists debut their Eurovision entries live for the first time ahead of the big contest.

  • Eurovision In Concert (Amsterdam) – New Artists Confirmed:
    Amsterdam’s eagerly awaited Eurovision In Concert (April 5) continues to thrill fans by adding several Eurovision 2025 participants. Lithuania’s Katarsis, Ukraine’s Ziferblat, Australia’s Go-Jo, Melody from Spain, Marko Bošnjak from Croatia, and San Marino’s Gabry Ponte have all joined the lineup this week. Visitors can expect an incredible night. It will be filled with live performances of this year’s entries alongside special surprise appearances from past Eurovision stars. Together they make this an essential event for Eurovision enthusiasts.

  • London Eurovision Party – Exciting New Acts Announced:
    The London Eurovision Party on April 13 expands its impressive lineup this week. Czechia’s Adonxs, performing the catchy “Kiss Kiss Goodbye,” will join Electro Velvet, the UK’s memorable 2015 Eurovision duo. Additional performers include Katarsis (Lithuania), Emmy (Norway), and Australia’s Go-Jo. London-based fans can look forward to an unforgettable evening mixing fresh 2025 acts with nostalgic performances.

  • Madrid Pre-Party (PrePartyES) – Lineup Grows Further:
    Madrid’s prominent Eurovision PrePartyES (April 17–19) just announced nine new artists. Joining the spectacular lineup are Montenegro’s Nina Žižić, Norway’s Kyle Alessandro, Austria’s JJ, and Denmark’s Sissal. Special guest will be Marina Satti (Greece 2024). Fans attending the three-night celebration will experience a vibrant mix of Eurovision 2025 performances and memorable appearances by popular Eurovision alumni, cementing Madrid’s pre-party as a highlight of the Eurovision calendar.

New video’s

No less than 17 countries published the official video of their songs. Here’s your weekly update upon that. We will not mention them all individually, but you can find them all in our database. We mention just a few:

Montenegro’s Revamp – Nina Žižić’s Fresh Sound

Montenegro has unveiled a revamped version of Nina Žižić’s Eurovision 2025 entry. The song now features updated production elements and enhanced vocal arrangements, giving it a fresh, contemporary appeal. Žižić expressed excitement about the improvements, aiming to captivate both jury members and Eurovision fans alike in Basel.

Italy’s video – a special one

We didn’t add Italy’s video to the database, as the song is interrupted several times. It contains a beautiful story, so we still recommend watching it. It is worth it, the full 5 minutes!!

Spain’s Song Revamp

 Spain isn’t resting after their national final. Melody has unveiled a revamped version of “Esa Diva,” the song with which she won Benidorm Fest. The new version comes with a more international pop sound and a brand-new music video, giving the song a fresh polish ahead of Eurovision​. Spanish broadcaster RTVE explained that the revamp aimed to boost the song’s appeal while keeping its original essence. Melody believes the updates have made her entry even stronger.

Malta’s Eurovision Entry: From ‘Kant’ to ‘Serving’

Malta’s Eurovision 2025 journey experienced a significant twist with Miriana Conte’s entry, originally titled “Kant.” The Maltese word “kant” translates to “singing,” but its pronunciation closely resembles a vulgar English term, leading to potential misunderstandings. This linguistic overlap prompted the European Broadcasting Union (EBU) to request changes to the song’s title and lyrics to ensure suitability for the international audience.

In response, Conte and her team retitled the song to “Serving,” aligning with the original theme of confidence and self-expression. The revamped version maintains the song’s essence while adhering to the EBU’s guidelines. The updated music video, released on March 14, 2025, showcases Conte’s adaptability and commitment to her artistic vision.

 

Related news

Eurovision 2026

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

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Eurovision 2026
Martijn

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

Read More »
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