A funny guide through the 1st semifinal

Tonight it’s that time again: the Eurovision Song Contest kicks off with its first semifinal. We cheerfully look at the entries per country.

Norway starts the row. Alessandra is ready for it and after the Norwegian entry we are too. Since the starting order is determined by the EBU and no longer by draw, it is always a blast that can open. She does that very will. In the Norwegian national final she sang with autotune. We conclude: she does not need that. Without autotune she will also go to the final.

Malta seems to have prepared the act in a special way. Normally there are all kinds of ideas from which a choice can be made. The Maltese have decided not to make a choice, but to do everything. At the start, the men show us that they feel better in their sweater. Halfway through the sweaters come off and they appear to be wearing silver glitter sweaters that many Eurovision participants would be jealous of. A place in the final for Malta will be difficult.

Serbia starts as if Luke Black just woke up and doesn’t feel like it at all. That is what the lyrics say. Around him four men (his demons?) who are connected to his bed with some sort of of vacuum cleaner hoses. Luke Black pulls those hoses loose. The Serbs can be happy tonight: they will most likely make it to the final.

Latvia is, after Malta, already the second band. The composition is a bright one. The staging with the beautiful lamps is nice, but you kind of forget that there is also a band playing there. And that’s a pity, Latvia does not stand out in this semifinal. That will also be the case in the result. Latvia will not qualify.

Do you remember Suzy? She represented Portugal with all glee in 2014. She didn’t make it to the final. It could just happen this year, because Mimicat brings a song in the same genre, but much better. And as red as red can be. But we think Mimicat can be a happy woman tonight after the hosts mentioned her as one of the finalists.

We would have loved to have been present at the brainstorming session about Ireland’s act. Because at a good moment someone must have shouted: ‘a golden jumpsuit, that’s it!’. Apparently no one said at the time that this was not a good idea. The result: you look at a jumpsuit for three minutes and completely forgets about the song. We will only see the suit once; Ireland will not be there on Saturday.

The Croatian participants seem to have fun. Thank goodness, at least someone has to have fun. A band with members in their sixties in the cloths of dictators, and later in their underpants. Well yeah, for everything is a market, and we even think the country will go to the final.

Remo Forrer from Switzerland sings a song about a water gun. Fortunately, no one in the delegation thought that he should also shoot with a water gun. The act is kept sober but fits the song. The final should be possible for Switzerland.

Fortunately, the Israeli delegation looked at Wikipedia to see what a unicorn actually is. In the music video, they performed another centaur, now a unicorn. In any case, a lot happens on stage, but unlike Malta, this is a unity. Noa communicates with the audience in the dance part. We cannot imagine Israel failing to reach the final.

Moldova sends Pasha Parfeni for the second time. This time he is supported by two ladies, each with a horn of hair on their heads. The entire group’s clothing is somewhat reminiscent of what Ruslana and her backing group wore when they won in 2004. This time it will not be easy for him to reach the final.

And then we get Sweden. We can easily say that we see a Eurovision winner at work here. Even if she doesn’t win this year, Loreen already did. Will Loreen be the one who will get two victories, like Johnny Logan? It is possible. Vocally she is good now and the act is also rock solid. We are glad that the structure hanging above her head is hung on sturdy cables.

We cannot imagine that Azerbaijan will reach the final. We know first hand that people in Azerbaijan themselves do not trust it either. The first images come from the time when the world was still in black and white and Azerbaijan was still part of the Soviet Union. Fortunately, the rest is in color. However, qualification will be very hard, if not impossible, for Azerbaijan.

And on we go to the Czech Republic: beautiful pink is not ugly. And the women of Vesna all have very long braids. We have news for you: the braids are not real. For those who know the video clip, the act in the final does not seem to come across very strongly. We think it is strong enough for the final however.

And then the Netherlands: a lot of work has been done and improvement is visible in the act. The vocals certainly sound good, although it must be said that Mia and Dion come across as very cautious. Especially in the first part of the song. The high note that Dion makes sounds very beautiful, and the last half minute is downright magical. We think a place in the final is possible.

The last one is Finland. Anyone who thought to get a rest at the end will be disappointed. We can now dream Käärijä with his green bolero. An engaging person who effortlessly conquers the hearts of people of all sort. Televoter winner? Then he would also win the semi-final tonight because there is no jury present. If Finland does not go to the final, we will eat our shoe.

All in all, we can conclude that this is a pretty strong and difficult semi-final. We see Norway, Serbia, Portugal, Croatia, Switzerland, Israel, Sweden, the Czech Republic, the Netherlands and Finland going to the final. But who knows, there will be a big surprise tonight.

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Weekly Update

It’s time for another weekly Eurovision update! After we were unable to publish an update last week, we have extra information to cover this week. National finals are heating up across Europe, preparations for Eurovision 2026 are in full swing, and the debate over Israel’s participation continues. Here are the latest developments: Nordic & Baltic National Finals 🇸🇪 Sweden: SVT has announced the six-city tour for Melodifestivalen 2026, which will span five heats and a final. The shows kick off in Linköping on January 31 and continue to Gothenburg, Kristianstad, Malmö, and Sundsvall, culminating with the Grand Final in Stockholm on March 7. Notably, Sundsvall returns as a host city for the first time since 2011. SVT also received a record 3,888 song submissions for Melodifestivalen 2026. source: SVT 🇪🇪 Estonia: Eesti Laul 2026 is now underway. ERR opened song submissions on September 19, with entries accepted until October 20. The Eesti Laul 2026 shows are expected early next year, continuing Estonia’s tradition of a multi-show national final. source: info.err.ee Western Europe National Finals 🇩🇪 Germany: Germany will choose its Eurovision 2026 act via a public national final in late February. It will be broadcast on ARD’s Das Erste. Broadcaster SWR, taking over Eurovision duties from NDR, confirmed that no cooperation with Stefan Raab or RTL is planned for 2026. This means the earlier proposed Raab/RTL selection show will not go ahead. ARD will organize the selection alone. source: deutschlandfunk.de 🇱🇺 Luxembourg: The Grand Duchy’s return to Eurovision moves forward as the Luxembourg Song Contest 2026 submission window has closed. September 1 was the last day for artists to submit songs to represent Luxembourg in Vienna. National broadcaster RTL will now review all entries and invite selected candidates to audition before an international jury in October. That jury will pick finalists for Luxembourg’s televised national final. source: eurovoix.com 🇳🇱 The Netherlands: Dutch broadcaster AVROTROS has been secretive about its selection. After receiving around 300 song submissions, the field has been narrowed to 10 entries still in the race to represent the Netherlands. An internal selection committee is reviewing the final contenders, with an announcement of the chosen artist expected by the end of the year. source: songfestivalweblog 🇦🇹 Austria: ORF has confirmed “Wer singt für Österreich?” – Austria’s national final – will take place on February 20, 2026. The show returns to choose Austria’s act for Vienna as the country hosts Eurovision 2026. ORF has not yet announced the format or artists. However, expectations are high after Austria’s victory in 2025. source: escxtra Southern Europe National Finals 🇵🇹 Portugal: RTP unveiled major changes for Festival da Canção 2026. For the first time, a special “Prova de Acesso” contest for music school talents is providing one spot in the FdC line-up via an online public vote. Additionally, last year’s FdC winners NAPA get to directly invite one competing artist for 2026. These new paths join the traditional open submissions and RTP wildcards to make up 16 entries in total. source: RTP 🇪🇸 Spain: RTVE has reported an overwhelming response for Benidorm Fest 2026, Spain’s Eurovision selection. Over 900 songs were submitted by the September 25 deadline. A panel will now shortlist semi-finalists for the Benidorm Fest shows slated for early 2026. This strong interest comes as Spain seeks to continue its recent Eurovision revival. Notably, Spain’s participation itself was under question due to the Israel controversy. However, the broadcaster has since confirmed Spain will have a Benidorm Fest. source: RTVE South-Eastern Europe National Finals 🇬🇷 Greece: Greek broadcaster ERT is reviving a multi-show national final. Ethnikós Telikós 2026 will feature two semifinals (up to 28 songs total) and a grand final. Song submissions opened September 17 and run through November 2. In the final, the winner will be decided by 50% televote, 25% Greek jury, and 25% international jury. ERT hopes the expanded competition will build excitement and deliver another strong result. source: ERT 🇦🇱 Albania: In Tirana, RTSH has closed song submissions for Festivali i Këngës 64. The long-running festival will once again select Albania’s entry. September 30 was the final deadline for artists to send in songs for FiK 64, which takes place this December. The FiK selection committee will now review the entries and pick the lineup for the festival shows. Notably, FiK 64 will introduce a new real-time voting app for the public alongside the jury voting. Albania’s Eurovision 2026 journey is assured after a financial dispute with the EBU was resolved (more on that below), so the FiK winner will indeed head to Vienna. source: Eurovoix 🇭🇷 Croatia: HRT has officially opened submissions for Dora 2026, Croatia’s national selection for Eurovision. Songwriters and performers can submit entries from September 22 until November 23, 2025. HRT also published the rules and confirmed that Dora 2026 will be broadcast in February. source: HRT Eurovision 2026 Preparations & Participation A Eurovision Song Contest workshop was held in Dubrovnik, Croatia, as part of preparations for the upcoming 70th contest. Heads of Delegation from all participating broadcasters traveled to the host country for this meeting. The workshop reportedly covered organizational aspects of Eurovision 2026. That includes discussions about the voting system and potential rule changes for next year. With Eurovision celebrating a milestone edition in 2026, officials are considering tweaks to ensure the contest remains fair and engaging. source: Eurovoix 🇫🇷 France has officially confirmed its participation in Eurovision 2026. In a statement on social media, France Télévisions reaffirmed its support for the Eurovision event and the artists involved. France’s broadcaster emphasized the cultural importance of the contest and indicated it will be present in Vienna. Details of France’s selection process are still to be announced. Since 2023 France has internally selected its act, but it remains to be seen if that will continue.  🇦🇱 Albania will also be at Eurovision 2026 after a moment of uncertainty. RTSH’s Director General, Eni Vasili, successfully renegotiated the broadcaster’s debt with the EBU, averting a potential suspension. The EBU had been on the

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Martijn

Weekly Update

It’s time for another weekly Eurovision update! After we were unable to publish an update last week, we have extra information to cover this week. National finals are heating up across Europe, preparations for Eurovision 2026 are in full swing, and the debate over Israel’s participation continues. Here are the latest developments: Nordic & Baltic National Finals 🇸🇪 Sweden: SVT has announced the six-city tour for Melodifestivalen 2026, which will span five heats and a final. The shows kick off in Linköping on January 31 and continue to Gothenburg, Kristianstad, Malmö, and Sundsvall, culminating with the Grand Final in Stockholm on March 7. Notably, Sundsvall returns as a host city for the first time since 2011. SVT also received a record 3,888 song submissions for Melodifestivalen 2026. source: SVT 🇪🇪 Estonia: Eesti Laul 2026 is now underway. ERR opened song submissions on September 19, with entries accepted until October 20. The Eesti Laul 2026 shows are expected early next year, continuing Estonia’s tradition of a multi-show national final. source: info.err.ee Western Europe National Finals 🇩🇪 Germany: Germany will choose its Eurovision 2026 act via a public national final in late February. It will be broadcast on ARD’s Das Erste. Broadcaster SWR, taking over Eurovision duties from NDR, confirmed that no cooperation with Stefan Raab or RTL is planned for 2026. This means the earlier proposed Raab/RTL selection show will not go ahead. ARD will organize the selection alone. source: deutschlandfunk.de 🇱🇺 Luxembourg: The Grand Duchy’s return to Eurovision moves forward as the Luxembourg Song Contest 2026 submission window has closed. September 1 was the last day for artists to submit songs to represent Luxembourg in Vienna. National broadcaster RTL will now review all entries and invite selected candidates to audition before an international jury in October. That jury will pick finalists for Luxembourg’s televised national final. source: eurovoix.com 🇳🇱 The Netherlands: Dutch broadcaster AVROTROS has been secretive about its selection. After receiving around 300 song submissions, the field has been narrowed to 10 entries still in the race to represent the Netherlands. An internal selection committee is reviewing the final contenders, with an announcement of the chosen artist expected by the end of the year. source: songfestivalweblog 🇦🇹 Austria: ORF has confirmed “Wer singt für Österreich?” – Austria’s national final – will take place on February 20, 2026. The show returns to choose Austria’s act for Vienna as the country hosts Eurovision 2026. ORF has not yet announced the format or artists. However, expectations are high after Austria’s victory in 2025. source: escxtra Southern Europe National Finals 🇵🇹 Portugal: RTP unveiled major changes for Festival da Canção 2026. For the first time, a special “Prova de Acesso” contest for music school talents is providing one spot in the FdC line-up via an online public vote. Additionally, last year’s FdC winners NAPA get to directly invite one competing artist for 2026. These new paths join the traditional open submissions and RTP wildcards to make up 16 entries in total. source: RTP 🇪🇸 Spain: RTVE has reported an overwhelming response for Benidorm Fest 2026, Spain’s Eurovision selection. Over 900 songs were submitted by the September 25 deadline. A panel will now shortlist semi-finalists for the Benidorm Fest shows slated for early 2026. This strong interest comes as Spain seeks to continue its recent Eurovision revival. Notably, Spain’s participation itself was under question due to the Israel controversy. However, the broadcaster has since confirmed Spain will have a Benidorm Fest. source: RTVE South-Eastern Europe National Finals 🇬🇷 Greece: Greek broadcaster ERT is reviving a multi-show national final. Ethnikós Telikós 2026 will feature two semifinals (up to 28 songs total) and a grand final. Song submissions opened September 17 and run through November 2. In the final, the winner will be decided by 50% televote, 25% Greek jury, and 25% international jury. ERT hopes the expanded competition will build excitement and deliver another strong result. source: ERT 🇦🇱 Albania: In Tirana, RTSH has closed song submissions for Festivali i Këngës 64. The long-running festival will once again select Albania’s entry. September 30 was the final deadline for artists to send in songs for FiK 64, which takes place this December. The FiK selection committee will now review the entries and pick the lineup for the festival shows. Notably, FiK 64 will introduce a new real-time voting app for the public alongside the jury voting. Albania’s Eurovision 2026 journey is assured after a financial dispute with the EBU was resolved (more on that below), so the FiK winner will indeed head to Vienna. source: Eurovoix 🇭🇷 Croatia: HRT has officially opened submissions for Dora 2026, Croatia’s national selection for Eurovision. Songwriters and performers can submit entries from September 22 until November 23, 2025. HRT also published the rules and confirmed that Dora 2026 will be broadcast in February. source: HRT Eurovision 2026 Preparations & Participation A Eurovision Song Contest workshop was held in Dubrovnik, Croatia, as part of preparations for the upcoming 70th contest. Heads of Delegation from all participating broadcasters traveled to the host country for this meeting. The workshop reportedly covered organizational aspects of Eurovision 2026. That includes discussions about the voting system and potential rule changes for next year. With Eurovision celebrating a milestone edition in 2026, officials are considering tweaks to ensure the contest remains fair and engaging. source: Eurovoix 🇫🇷 France has officially confirmed its participation in Eurovision 2026. In a statement on social media, France Télévisions reaffirmed its support for the Eurovision event and the artists involved. France’s broadcaster emphasized the cultural importance of the contest and indicated it will be present in Vienna. Details of France’s selection process are still to be announced. Since 2023 France has internally selected its act, but it remains to be seen if that will continue.  🇦🇱 Albania will also be at Eurovision 2026 after a moment of uncertainty. RTSH’s Director General, Eni Vasili, successfully renegotiated the broadcaster’s debt with the EBU, averting a potential suspension. The EBU had been on the

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