S10 prefers the small theaters in Paris and Berlin

Today we had the opportunity to talk to Stien den Hollander. You know her better as S10, the Dutch candidate for the festival in Turin. “We’ve been keeping an eye on it from the start, of course, and we really just wanted to see all of your faces too,” S10 explains why she’s so curious about the fan media.

Not a lot of choreogrography

The conversation soon came to the rehearsals: “Of course there are some problems with the sun, I think everyone suffers from that. So do we, but not too much because our act was also quite intimate and small.”, says S10 light-hearted. “We’ve actually built the show in a way that I’m very free in where I look and stand,” the singer explains about the act. “So there’s not a lot of choreography in terms of looking. When the camera is very close to me, I look into it and that feels nice to me. Then I enclose myself completely and I actually do things for the people at home. Not like Now I have to look here and oh yes, now I have to look there, that would really be a bit too much for me.”

I couldn’t wait

“I also saw the stand-in rehearsal”, the singer said, “That was crazy. They pick out someone who looks a bit like you, so it was a blonde girl too, but she was pretty sultry and pretty sexy. She had quite a sexy interpretation of “De diepte”, which I really liked, because it was something different. It was good to see because then you really see: oh yes, we made this and now she is performing it there.”

“I wasn’t nervous at all for the first rehearsal. It was also nice because it was still quite private. It just felt really good. The very first rehearsal went really well for me. We could just really do some stuff. I am of course completely in my own focus. I look into the camera and i don’t see what’s happening behind me. We had the first rehearsal on Saturday and the second rehearsal on Wednesday and I couldn’t wait for Wednesday. I really wanted to get on that stage again.”

Small theaters

S10 also looked ahead, because she possibly can end up high in the contest. So, what would be next? “It is quite difficult to estimate that. Thinking: the higher you finish, the bigger your career i think can be or become abroad. I would like, if I finish high, for example to do a tour through Europe end of this year, but especially the small theaters in Paris or Berlin, for example, a bit underground. I wouldn’t fly to LA to sign a contract there.”

Music first and rock and roll never dies

And who does she think, will win? “If there is someone I would really like to see win, it is Sam Ryder. I just think he is so nice and so sympathetic and such an appearance. Still find it quite difficult to place all Eurovision candidates in a sort of ranking. I feel like there were about five artists last year who we thought: yes, they can all win. I think i can really see Sam Ryder winning.”
And if S10 would win herself, what would she say? “I still don’t really have a plan for that. Maybe I’ll just say ‘Music first’ and ‘Rock and roll never dies’, just a copy of the other artists who won.”

 

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It’s time for another weekly Eurovision update. Belgium has officially joined the list of 2026 participants, and Israel intends to take part. The EBU shared a statement after recent discussions. Luxembourg, Austria, and Denmark opened their national selection processes. Meanwhile, two Austrian cities exited the host city race, while two others moved forward with formal bids. Belgium Confirms, Israel Plans to Participate Belgium confirmed its participation in the Eurovision Song Contest 2026. Broadcaster RTBF announced the decision and will later decide how it will choose its entry. The Flemish broadcaster VRT will not be in charge this time, following the usual alternation. source: escspot 📷 EBU/Sarah Bennett Israel also intends to take part. Public broadcaster KAN said preparations are underway for next year’s contest in Austria. Although discussions about Israel’s role in Eurovision have drawn attention recently, KAN made its stance clear. Israel joins over a dozen broadcasters that have already declared their intention to participate.  EBU Responds with Statement after Assembly The European Broadcasting Union (EBU) addressed recent concerns about Eurovision’s direction. During the General Assembly in London, members shared their views on the contest’s growing challenges in a complex global climate. The EBU released a statement afterward, recognizing that participation questions have become more sensitive and complicated. Broadcasters voiced many opinions and expressed support for KAN’s independence, especially under political pressure. To move forward, the EBU brought in a former senior television executive to lead a structured dialogue with its members. This process will include further discussions and a report with recommendations, expected in the autumn. Countries Start Their Search for 2026 Entries In this weekly update we also look at national selections. Several countries have now launched their search for Eurovision 2026 songs. Luxembourg opened its submission platform on 4 July. Songwriters and performers can submit entries online. The national final will take place on 24 January 2026 at the Rockhal Arena. source: RTL Austria also began preparing for next year. Broadcaster ORF opened submissions for artists and songwriters. The submission deadline is 15 September. Last month, ORF hosted a songwriting camp in Vienna. Artists and producers worked together, creating 18 new songs. Some of these songs could be selected internally to represent Austria. source: Merci,Cherie In Denmark, broadcaster DR opened submissions for Dansk Melodi Grand Prix 2026. Composers can send in their songs until 2 November. A professional jury will select eight finalists. The national final is set for 14 February 2026 in Frederikshavn. The winner will represent Denmark at Eurovision 2026. source: DR 📷 EBU/Sarah Louise Bennett Vienna and Innsbruck Submit Host Bids The list of potential host cities is getting shorter. Wels and Linz, who planned a joint bid, decided not to move forward. Technical issues and high costs led them to withdraw. Their venue, the TipsArena, didn’t meet key Eurovision requirements. source: OTS At the same time, Vienna and Innsbruck submitted official bids to host the contest. Vienna proposed the Wiener Stadthalle, the same venue it used in 2015. Innsbruck chose the Olympiaworld complex. Both cities confirmed their bids with detailed proposals. ORF, the Austrian broadcaster, will now review the applications. A decision on the 2026 host city is expected by 8 August. That’s all for this weekly update. Stay tuned for another weekly roundup next week as the road to Eurovision 2026 continues! Share

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Martijn

Weekly Update

It’s time for another weekly Eurovision update. Belgium has officially joined the list of 2026 participants, and Israel intends to take part. The EBU shared a statement after recent discussions. Luxembourg, Austria, and Denmark opened their national selection processes. Meanwhile, two Austrian cities exited the host city race, while two others moved forward with formal bids. Belgium Confirms, Israel Plans to Participate Belgium confirmed its participation in the Eurovision Song Contest 2026. Broadcaster RTBF announced the decision and will later decide how it will choose its entry. The Flemish broadcaster VRT will not be in charge this time, following the usual alternation. source: escspot 📷 EBU/Sarah Bennett Israel also intends to take part. Public broadcaster KAN said preparations are underway for next year’s contest in Austria. Although discussions about Israel’s role in Eurovision have drawn attention recently, KAN made its stance clear. Israel joins over a dozen broadcasters that have already declared their intention to participate.  EBU Responds with Statement after Assembly The European Broadcasting Union (EBU) addressed recent concerns about Eurovision’s direction. During the General Assembly in London, members shared their views on the contest’s growing challenges in a complex global climate. The EBU released a statement afterward, recognizing that participation questions have become more sensitive and complicated. Broadcasters voiced many opinions and expressed support for KAN’s independence, especially under political pressure. To move forward, the EBU brought in a former senior television executive to lead a structured dialogue with its members. This process will include further discussions and a report with recommendations, expected in the autumn. Countries Start Their Search for 2026 Entries In this weekly update we also look at national selections. Several countries have now launched their search for Eurovision 2026 songs. Luxembourg opened its submission platform on 4 July. Songwriters and performers can submit entries online. The national final will take place on 24 January 2026 at the Rockhal Arena. source: RTL Austria also began preparing for next year. Broadcaster ORF opened submissions for artists and songwriters. The submission deadline is 15 September. Last month, ORF hosted a songwriting camp in Vienna. Artists and producers worked together, creating 18 new songs. Some of these songs could be selected internally to represent Austria. source: Merci,Cherie In Denmark, broadcaster DR opened submissions for Dansk Melodi Grand Prix 2026. Composers can send in their songs until 2 November. A professional jury will select eight finalists. The national final is set for 14 February 2026 in Frederikshavn. The winner will represent Denmark at Eurovision 2026. source: DR 📷 EBU/Sarah Louise Bennett Vienna and Innsbruck Submit Host Bids The list of potential host cities is getting shorter. Wels and Linz, who planned a joint bid, decided not to move forward. Technical issues and high costs led them to withdraw. Their venue, the TipsArena, didn’t meet key Eurovision requirements. source: OTS At the same time, Vienna and Innsbruck submitted official bids to host the contest. Vienna proposed the Wiener Stadthalle, the same venue it used in 2015. Innsbruck chose the Olympiaworld complex. Both cities confirmed their bids with detailed proposals. ORF, the Austrian broadcaster, will now review the applications. A decision on the 2026 host city is expected by 8 August. That’s all for this weekly update. Stay tuned for another weekly roundup next week as the road to Eurovision 2026 continues! Share

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