2nd semifinal overview

The 2nd semifinal also opens with beautiful images of the Netherlands. Eefje de Visser and the ballet with Redouan Ait Chitt can then be seen on stage in Ahoy. After that we see the presenters. Edsilia Rombley stands out most because of her bright green dress, and what you cannot see from afar: Nikkie de Jager’s dress has stitching in the colors of the trans flag.

San Marino: Senhit wears one thing around her head at the start of her act. It most closely resembles an icon, and at the first rehearsal there were also images of Christ on it. They were later replaced by photos of Flo Rida, but they are now redundant because Flo Rida is on stage herself. We are absolutely sure of a place in the finale.

Estonia: Uku Suviste had to fight for his place at the 2021 festival himself, even though he was already the candidate in 2020. Still, many feel that he got so many votes this year out of pity. He is a good singer, but with this song he really does not convince us. No Eurovision final for Estonia this year.

Czech Republic: In recent days, Benny Cristo has been everywhere. Now that he is on stage, we still feel that he has forgotten to take that energy with him into Ahoy. We get a very strong feeling something is missing. His voice is not perfect either. We think it is not impossible for Benny to reach the final, but it will be hard.

Greece: Stefania, who represents Greece, is secretly also a bit from the Netherlands, because she comes from Uitrecht. Greece has pulled out the technical gadgets of the greenscreen, which makes it seem as if the dancers are invisible. You only see their clothes. In addition, Stefania seems to float through the city. Greece, Stefania in the lead, makes something beautiful out of it. She will very likely reach the final.

Austria: Another prayer, again “Amen”. David Bueno sings a ballad in which he can let us hear his strong voice. The staging has been kept simple. With the LED light around him, the whole thing is still spectacular. If Belgium succeeds on quality alone, you would say that Austria succeeds too. We think that’s what’s gonna happen.

Poland: Hardly anyone believes in the Polish entry. The question that arises is whether Rafal does that himself. Rafal is on stage with four dancers and wears sunglasses. All fine, but with his song he doesn’t seem to impress for a single moment during the entire song. No final for Poland this year.

Then Nikkie de Jager shows up. She gives the floor to Molly Sandén, who sang the soundtrack of “Eurovision Song Contest: the story of Fire Saga”. We also see Jeangu Macrooy pass by for a short while.

Moldova: Natalia Gordienko once played a (scantily clad) supporting role, now she plays a leading role in the Moldovan entry about sugar, surrounded by dancers. Lots of pink on stage, but we still have the feeling that the Moldovan team has run out of sugar. Unfortunately, Moldova makes very little impression. However, it can still reach the final.

Iceland: Do you see the Icelanders? In fact you don’t really see them, because they are not allowed to enter the stage stage. So you will see a recording of one of the rehearsals. The green sweater and the wicked dance: it has been thought through. Same goes for the instruments. We can reveal that they are not real. Still, it looks like a slick show. Nobody has any doubts about a place in the finale.

Serbia: There is something weird about the Serbian entry: unlike you might expect, the ladies can sing quite good. Their dance is a bit stiff. Unlike the song, the Hurricane ladies themselves are not really rocking. Our entire team expects the girls to be in the final.

Georgia: Before the festival, Tornike Kipriani grumbled that it was a shame you had to participate in such a shit show. Now he brings his ballad with verve with his Leonard Cohen-like voice. It is not such a shit show. Georgia is not going to reach the final.

Albania: Just like two years ago, Albania has remained close to its own culture. The song is sung in Albanian. Lots of red and green smoke, especially in the second half a kind of golden glow like the setting sun. Does the Albanian trick work twice in a row? It’s not impossible, but it will be difficult.

Portugal: Nobody gave a cent for the Portuguese entry beforehand. But with the right staging, people are no longer so sure that this will go wrong. Portugal starts in the time when the world was still in black and white, to bring some color to the stage halfway through the song. Portugal can be the big surprise in the final.

Then Chantal Janzen will reveal that we are going to see former winners this Saturday. In the meantime she talks to Helena Paparizou (ESF05).

Bulgaria: Victoria sits on a rock in the middle of a virtual sea. The picture is one of her and her father. That picture is dear to her because of her and her father. The father has ALS and therefore cannot be in Rotterdam. Viktoria’s vocals are fantastic as always. Bulgaria in the final? Was that a question? We know the answer: yes.

Finland: You may not raise your middle finger in the family program that the Eurovision song contest is: then you paint it red. A number of metal fans were angry that the song is called metal. So, dear reader, this is not metal. It is enjoyable for those who like heavy rock. Or would people who enjoy enjoyment get angry now? Anyway, we will see Finland back in the final.

Latvia: Samanta Tina brings a song that is extremely suitable for getting everything out of the closet in an act. We don’t understand why she doesn’t. Samanta is a fantastic singer. Given the mudguards the backing singers seem to look for a job at the Dutch Railway Company. But the train does probably not go to the final.

Switzerland: Ceci n’est pas Duncan Laurence. Gjon’s Tears sings his French ballad on a plastic scaffold. Lots of black and white in the background. Like Duncan Laurence, he lacks the talent to jump out of control vocally; no matter how high they are, the notes come out perfectly with Gjon. We are convinced of a place in the final.

Denmark: The writer of this has, during the first lockdown, reviewed a number of old Danish preselections. It has to be admitted, this entry would have fitted in perfectly. It is a pleasure for lovers of the eighties sound. The vocals are not always good. Where are Kirsten & Søren (ESC 84, 85 and 88) when you need them? It will be tough for the Danish to reach the final.

Then we are treated to “Close encounters of a special kind”, as Jan Smit announces it. Ballet dancer Ahmad Joudez and BMX rider Dez Maarsen will perform. Something spectacular again, so we’re sorry, but you can’t go to the toilet again. Some videos of viewers follow. And after another recap, Duncan Laurence, Izhar Cohen, Getty Kaspers, Ruslana, Nicole and Niamh Kavanagh will be seen and they talk about their experiences. And then it’s time for a second part of Eurovision Tutorials. Now she will explain how to win.

And you can also hear fragments of three direct finalists:

France: Edith Piaf is alive! You can say a lot about Barbara Pravi, for example that she can sing well, has a strong stage performance, a strong song… well, you know what we mean. Strong entry from France.

United Kingdom: The country that is so strong in the world of pop music, is so disappointing in the Eurovision Song Contest. Two lamps pretending to be trumpets are a nice idea, but if the singer sings that badly with a song that is not too strong, it’s still not a success.

Spain: In itself there is nothing wrong with the Spanish entry. However, Blas Cantó’s singing left something to be desired throughout the week. The performance he gave away at the jury final was the best of the whole week. But it is still not strong enough, no matter how much sympathy we have for the singer.

And then the result follows. We think San Marino, Greece, Austria, Moldova, Iceland, Serbia, Portugal, Bulgaria, Finland and Switzerland will pass on to the final.

photo credits: EBU

 

Related news

Eurovision 2026

Road to Vienna: Serbia

Road to Vienna: Serbia As the Eurovision Song Contest 2026 in Vienna approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Serbia   Lavina: Serbia’s Metal Force Heading to Eurovision 2026 Lavina is a six-member metal band from Niš, Serbia, formed in 2020. The lineup includes vocalist Luka Aranđelović, guitarists Pavle Samardžić and Andrija Cvetanović, bassist Nikola Petrović, keyboardist Pavle Aranđelović, and drummer Bojan Ilić. Known for blending heavy riffs with melodic and emotional elements, Lavina has quickly become one of Serbia’s most talked-about modern metal acts. Early Years and Formation From the beginning, Lavina focused on crafting a distinct sound rather than rushing into the spotlight. Their music combines progressive metal influences with accessible songwriting and modern production. This careful approach helped the band establish a strong identity within the Serbian music scene. Breakthrough with Odyssey In November 2022, Lavina released their debut album Odyssey. The record introduced their powerful and emotional style to a wider audience and marked a major milestone in their career. Early tracks like “Id” further showcased their musical direction and helped expand their reach beyond Niš. Growing Reputation Through Live Performances Between 2023 and 2024, Lavina built a solid reputation as a live act by touring across Europe. They performed in countries including Croatia, Romania, Bulgaria, Greece, Hungary, and Poland. These shows played a key role in growing their international fanbase and establishing their presence beyond the local scene. New Music and Evolution Lavina continued evolving with new releases such as “In Your Absence” (2024), “IRON WILL” (2024), and “this, too, will pass.” (2025). These tracks highlight the band’s artistic growth, combining heavy soundscapes with deeper emotional and atmospheric elements. Eurovision 2026 Breakthrough In 2026, Lavina won Serbia’s national selection, Pesma za Evroviziju, with the song “Kraj mene.” Performing in Serbian added authenticity and emotional depth to their entry. With this victory, Lavina will represent Serbia at the Eurovision Song Contest 2026 in Vienna, marking a historic moment as one of the country’s first metal acts on the Eurovision stage. Kraj Mene: A Powerful Song About Unrequited Love Kraj Mene (“Next to Me”) is an emotional track about unrequited love. The song explores feelings of longing, heartbreak, and vulnerability, making it highly relatable for listeners who have experienced one-sided love. The Tension Between Love and Reality At its core, the song highlights the struggle between desire and reality. The narrator seeks closeness but faces emotional distance and rejection. This contrast creates a powerful narrative that resonates with anyone who has loved without equal return. Minimalist Sound, Maximum Impact The music enhances the emotional depth of the track. With soft instrumentals and a minimalist arrangement, the focus remains on the vocals. This allows every emotion—hope, pain, and sadness—to stand out clearly, drawing listeners deeper into the story. A Message of Self-Awareness and Strength Beyond heartbreak, “Kraj Mene” also reflects self-awareness and resilience. The narrator recognizes the one-sided nature of their love and begins to accept it. This adds emotional depth and transforms the song into a story about personal growth. Serbia in the Eurovision Song Contest Serbia has participated in the Eurovision Song Contest 16 times since its debut as an independent nation in 2007. The country achieved its best result in its debut year, winning the contest with Marija Šerifović‘s “Molitva.” Serbia continues to showcase a diverse range of musical talents on the Eurovision stage.​    The bookmakers Serbia is currently sitting in 24th place; it’s getting tense. Will they fall short in the semi-final again, just like last year, or can they pull in enough points to make it to the final?

Read More »
Eurovision 2026
Anja Kroeze

Road to Vienna: Serbia

Road to Vienna: Serbia As the Eurovision Song Contest 2026 in Vienna approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Serbia   Lavina: Serbia’s Metal Force Heading to Eurovision 2026 Lavina is a six-member metal band from Niš, Serbia, formed in 2020. The lineup includes vocalist Luka Aranđelović, guitarists Pavle Samardžić and Andrija Cvetanović, bassist Nikola Petrović, keyboardist Pavle Aranđelović, and drummer Bojan Ilić. Known for blending heavy riffs with melodic and emotional elements, Lavina has quickly become one of Serbia’s most talked-about modern metal acts. Early Years and Formation From the beginning, Lavina focused on crafting a distinct sound rather than rushing into the spotlight. Their music combines progressive metal influences with accessible songwriting and modern production. This careful approach helped the band establish a strong identity within the Serbian music scene. Breakthrough with Odyssey In November 2022, Lavina released their debut album Odyssey. The record introduced their powerful and emotional style to a wider audience and marked a major milestone in their career. Early tracks like “Id” further showcased their musical direction and helped expand their reach beyond Niš. Growing Reputation Through Live Performances Between 2023 and 2024, Lavina built a solid reputation as a live act by touring across Europe. They performed in countries including Croatia, Romania, Bulgaria, Greece, Hungary, and Poland. These shows played a key role in growing their international fanbase and establishing their presence beyond the local scene. New Music and Evolution Lavina continued evolving with new releases such as “In Your Absence” (2024), “IRON WILL” (2024), and “this, too, will pass.” (2025). These tracks highlight the band’s artistic growth, combining heavy soundscapes with deeper emotional and atmospheric elements. Eurovision 2026 Breakthrough In 2026, Lavina won Serbia’s national selection, Pesma za Evroviziju, with the song “Kraj mene.” Performing in Serbian added authenticity and emotional depth to their entry. With this victory, Lavina will represent Serbia at the Eurovision Song Contest 2026 in Vienna, marking a historic moment as one of the country’s first metal acts on the Eurovision stage. Kraj Mene: A Powerful Song About Unrequited Love Kraj Mene (“Next to Me”) is an emotional track about unrequited love. The song explores feelings of longing, heartbreak, and vulnerability, making it highly relatable for listeners who have experienced one-sided love. The Tension Between Love and Reality At its core, the song highlights the struggle between desire and reality. The narrator seeks closeness but faces emotional distance and rejection. This contrast creates a powerful narrative that resonates with anyone who has loved without equal return. Minimalist Sound, Maximum Impact The music enhances the emotional depth of the track. With soft instrumentals and a minimalist arrangement, the focus remains on the vocals. This allows every emotion—hope, pain, and sadness—to stand out clearly, drawing listeners deeper into the story. A Message of Self-Awareness and Strength Beyond heartbreak, “Kraj Mene” also reflects self-awareness and resilience. The narrator recognizes the one-sided nature of their love and begins to accept it. This adds emotional depth and transforms the song into a story about personal growth. Serbia in the Eurovision Song Contest Serbia has participated in the Eurovision Song Contest 16 times since its debut as an independent nation in 2007. The country achieved its best result in its debut year, winning the contest with Marija Šerifović‘s “Molitva.” Serbia continues to showcase a diverse range of musical talents on the Eurovision stage.​    The bookmakers Serbia is currently sitting in 24th place; it’s getting tense. Will they fall short in the semi-final again, just like last year, or can they pull in enough points to make it to the final?

Read More »
Follow Us: