2nd semifinal overview

The 2nd semifinal also opens with beautiful images of the Netherlands. Eefje de Visser and the ballet with Redouan Ait Chitt can then be seen on stage in Ahoy. After that we see the presenters. Edsilia Rombley stands out most because of her bright green dress, and what you cannot see from afar: Nikkie de Jager’s dress has stitching in the colors of the trans flag.

San Marino: Senhit wears one thing around her head at the start of her act. It most closely resembles an icon, and at the first rehearsal there were also images of Christ on it. They were later replaced by photos of Flo Rida, but they are now redundant because Flo Rida is on stage herself. We are absolutely sure of a place in the finale.

Estonia: Uku Suviste had to fight for his place at the 2021 festival himself, even though he was already the candidate in 2020. Still, many feel that he got so many votes this year out of pity. He is a good singer, but with this song he really does not convince us. No Eurovision final for Estonia this year.

Czech Republic: In recent days, Benny Cristo has been everywhere. Now that he is on stage, we still feel that he has forgotten to take that energy with him into Ahoy. We get a very strong feeling something is missing. His voice is not perfect either. We think it is not impossible for Benny to reach the final, but it will be hard.

Greece: Stefania, who represents Greece, is secretly also a bit from the Netherlands, because she comes from Uitrecht. Greece has pulled out the technical gadgets of the greenscreen, which makes it seem as if the dancers are invisible. You only see their clothes. In addition, Stefania seems to float through the city. Greece, Stefania in the lead, makes something beautiful out of it. She will very likely reach the final.

Austria: Another prayer, again “Amen”. David Bueno sings a ballad in which he can let us hear his strong voice. The staging has been kept simple. With the LED light around him, the whole thing is still spectacular. If Belgium succeeds on quality alone, you would say that Austria succeeds too. We think that’s what’s gonna happen.

Poland: Hardly anyone believes in the Polish entry. The question that arises is whether Rafal does that himself. Rafal is on stage with four dancers and wears sunglasses. All fine, but with his song he doesn’t seem to impress for a single moment during the entire song. No final for Poland this year.

Then Nikkie de Jager shows up. She gives the floor to Molly Sandén, who sang the soundtrack of “Eurovision Song Contest: the story of Fire Saga”. We also see Jeangu Macrooy pass by for a short while.

Moldova: Natalia Gordienko once played a (scantily clad) supporting role, now she plays a leading role in the Moldovan entry about sugar, surrounded by dancers. Lots of pink on stage, but we still have the feeling that the Moldovan team has run out of sugar. Unfortunately, Moldova makes very little impression. However, it can still reach the final.

Iceland: Do you see the Icelanders? In fact you don’t really see them, because they are not allowed to enter the stage stage. So you will see a recording of one of the rehearsals. The green sweater and the wicked dance: it has been thought through. Same goes for the instruments. We can reveal that they are not real. Still, it looks like a slick show. Nobody has any doubts about a place in the finale.

Serbia: There is something weird about the Serbian entry: unlike you might expect, the ladies can sing quite good. Their dance is a bit stiff. Unlike the song, the Hurricane ladies themselves are not really rocking. Our entire team expects the girls to be in the final.

Georgia: Before the festival, Tornike Kipriani grumbled that it was a shame you had to participate in such a shit show. Now he brings his ballad with verve with his Leonard Cohen-like voice. It is not such a shit show. Georgia is not going to reach the final.

Albania: Just like two years ago, Albania has remained close to its own culture. The song is sung in Albanian. Lots of red and green smoke, especially in the second half a kind of golden glow like the setting sun. Does the Albanian trick work twice in a row? It’s not impossible, but it will be difficult.

Portugal: Nobody gave a cent for the Portuguese entry beforehand. But with the right staging, people are no longer so sure that this will go wrong. Portugal starts in the time when the world was still in black and white, to bring some color to the stage halfway through the song. Portugal can be the big surprise in the final.

Then Chantal Janzen will reveal that we are going to see former winners this Saturday. In the meantime she talks to Helena Paparizou (ESF05).

Bulgaria: Victoria sits on a rock in the middle of a virtual sea. The picture is one of her and her father. That picture is dear to her because of her and her father. The father has ALS and therefore cannot be in Rotterdam. Viktoria’s vocals are fantastic as always. Bulgaria in the final? Was that a question? We know the answer: yes.

Finland: You may not raise your middle finger in the family program that the Eurovision song contest is: then you paint it red. A number of metal fans were angry that the song is called metal. So, dear reader, this is not metal. It is enjoyable for those who like heavy rock. Or would people who enjoy enjoyment get angry now? Anyway, we will see Finland back in the final.

Latvia: Samanta Tina brings a song that is extremely suitable for getting everything out of the closet in an act. We don’t understand why she doesn’t. Samanta is a fantastic singer. Given the mudguards the backing singers seem to look for a job at the Dutch Railway Company. But the train does probably not go to the final.

Switzerland: Ceci n’est pas Duncan Laurence. Gjon’s Tears sings his French ballad on a plastic scaffold. Lots of black and white in the background. Like Duncan Laurence, he lacks the talent to jump out of control vocally; no matter how high they are, the notes come out perfectly with Gjon. We are convinced of a place in the final.

Denmark: The writer of this has, during the first lockdown, reviewed a number of old Danish preselections. It has to be admitted, this entry would have fitted in perfectly. It is a pleasure for lovers of the eighties sound. The vocals are not always good. Where are Kirsten & Søren (ESC 84, 85 and 88) when you need them? It will be tough for the Danish to reach the final.

Then we are treated to “Close encounters of a special kind”, as Jan Smit announces it. Ballet dancer Ahmad Joudez and BMX rider Dez Maarsen will perform. Something spectacular again, so we’re sorry, but you can’t go to the toilet again. Some videos of viewers follow. And after another recap, Duncan Laurence, Izhar Cohen, Getty Kaspers, Ruslana, Nicole and Niamh Kavanagh will be seen and they talk about their experiences. And then it’s time for a second part of Eurovision Tutorials. Now she will explain how to win.

And you can also hear fragments of three direct finalists:

France: Edith Piaf is alive! You can say a lot about Barbara Pravi, for example that she can sing well, has a strong stage performance, a strong song… well, you know what we mean. Strong entry from France.

United Kingdom: The country that is so strong in the world of pop music, is so disappointing in the Eurovision Song Contest. Two lamps pretending to be trumpets are a nice idea, but if the singer sings that badly with a song that is not too strong, it’s still not a success.

Spain: In itself there is nothing wrong with the Spanish entry. However, Blas Cantó’s singing left something to be desired throughout the week. The performance he gave away at the jury final was the best of the whole week. But it is still not strong enough, no matter how much sympathy we have for the singer.

And then the result follows. We think San Marino, Greece, Austria, Moldova, Iceland, Serbia, Portugal, Bulgaria, Finland and Switzerland will pass on to the final.

photo credits: EBU

 

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History

70 years of Eurovision: Céline Dion and…. eh… who?

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1988 For the second time, the Royal Dublin Society was the venue. Two hosts were in charge: Pat Kenny and Michelle Rocca. Cyprus had to withdraw. The Cypriot entry turned out to have already participated in the national final four years earlier. That came out so late that Cyprus could not find a new song in time. Tommy Körberg participated for Sweden. He did that back in 1969 as well. Back then, there were two winners in the national final: Tommy and Jan Malmsjö. After a runoff, Tommy was allowed to go to the Eurovision Song Contest. And lo and behold, in 1988 he was the replacement for…. that very same Jan Malmsjö! Yardena Arazi participated for Israel. She did so in 1976, but in 1979 she was the host. It is the first and only time that a former host participated. MFÖ represented Turkey for the second time. Furthermore, the duo Hot Eyes was present for the third time. This time, singer Kirsten Siggaard was pregnant for no less than eight months! And then there was Dora. She had participated for Portugal before, and now again. Many big stars traveled to Dublin. Scott Fitzgerald had already had a worldwide hit with “If I Had Words” and now sang “Go” for the United Kingdom. Gerard Joling, who had just completed a tour of Asia, was the Dutch candidate. And France also came up with a big star: Gérard Lenorman. Unfortunately, there was little attention for his “Chanteur de charme”. And then there was the Belgian Lara Fabian. She represented Luxembourg with the song “Croire”. At that time she was still unknown; later she would score many hits.   Céline Dion It was nail-bitingly exciting. The United Kingdom and Switzerland constantly swapped first place. Until the very last point, it was unclear who would win. It was ultimately Céline Dion for Switzerland. This Canadian singer sang “Ne partez pas sans moi”. It didn’t become a big hit everywhere. But a year later, she got to open the festival and sang “Where Does My Heart Beat Now”. It became her first international hit, but certainly not the last. Her absolute biggest success was “My Heart Will Go On”, but she scored many hits. Due to illness, she was unable to perform for a long time. So there was admiration when she did sing during the Olympic Games in Paris. And recently she announced that she will start performing again. 1989 The Eurovision Song Contest was held in Lausanne. Once again, there was a duo presentation: Jacques Descheneaux and Lolita Morena. Cyprus was back after a long absence. Not a single participant had been on the Eurovision stage before. However, two very young participants were striking and controversial. 12-year-old Gili Netanel participated for Israel as half of the duo Gili & Galit. For France, the even younger, 11-year-old Nathalie Pâque took the stage. This makes her the youngest soloist ever. Many people disagreed with the participation of such young children. A year later, a minimum age was therefore introduced. The show opened with the occasional duo Anna Oxa and Fausto Leali. Two big names in Italian music, who now finished ninth together with “Avrei voluto”. One of the favorites competed for the Netherlands: Justine Pelmelay. But Justine missed a high final note and did not finish as high as expected at all. Birthe Kjær (Denmark) and Anneli Saaristo (Finland) had both tried to represent their country several times before. Now that the time had finally come, both were very successful. With a bright red dress and a swinging song, Birthe came third. Anneli was accompanied by Spanish guitar sounds and sang her song to a seventh place. The Icelandic Daníel was also notable. During the national final, then still with a shaved head, he seemed unable to crack a smile after his victory. As if participating in the Eurovision Song Contest was a severe punishment for the Icelandic singer. Once in Lausanne, now with hair, the Icelander failed to secure even a single point. Riva For the third consecutive time, the duo Stevo Cvikić and Rajko Dujmić wrote the entry. Always following the same recipe: a group with a female singer and a cheerful trifle. As there was no other clear favorite, the group Riva won for Yugoslavia with “Rock Me”. In Yugoslavia, people were happy, but in the rest of Europe, incomprehension prevailed. This wasn’t the best song, was it? What had the jury done!? During the afterparty, a number of participating artists huddled together for a jam session. Among those on stage were the Spanish Nina and the Dutch Justine. Friend and foe alike agreed that this was all much better than the winning song.

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2026
Anja Kroeze

Road to Vienna: Germany

Road to Vienna: Germany We cannot wait for the Eurovision Song Contest in Vienna. Therefore, we take a closer look at one of the contestants each day. Today, we highlight Germany Sarah Engels: From Talent Show Contestant to Eurovision 2026 Sarah Engels was born on October 15, 1992, in Cologne and raised in Hürth. She discovered her passion for music early, performing at school events and local festivals. Despite taking singing lessons for years, her first attempts at Deutschland sucht den Superstar in 2009 and 2010 ended in early elimination. Still, these setbacks helped shape her determination. Breakthrough on DSDS and Chart Success Her breakthrough came in 2011 during her third attempt at DSDS. After an initial elimination, she returned to the competition and finished as runner-up behind Pietro Lombardi. Soon after, she achieved major chart success with “Call My Name” and “I Miss You,” while her debut album Heartbeat reached number 2 in Germany and earned an Echo nomination. Expanding Career in Music and Television Following DSDS, Sarah Engels built a strong presence in both music and TV. Together with Pietro Lombardi, she released successful duo albums. At the same time, she became a familiar TV personality, finishing second on Let’s Dance and winning shows like The Masked Singer. This phase expanded her audience beyond music. From 2018 onward, Sarah explored a broader sound with albums like Zurück zu mir and Im Augenblick. She blended pop, schlager, and modern radio music, proving her ability to evolve. Her participation in the Free European Song Contest 2020 further strengthened her position in the German music scene. Acting, Musical Theatre, and New Projects In addition to music, Sarah moved into acting and voice work. She appeared in Das Traumschiff and voiced a character in Miraculous: Ladybug & Cat Noir – Der Film. In 2025, she released Strong Girls Club and took on a leading role in the musical Moulin Rouge! in Cologne, highlighting her versatility as a performer. Eurovision 2026: Representing Germany In 2026, Sarah Engels reached a new milestone by winning Germany’s national selection for the Eurovision Song Contest 2026 with her song “Fire.” The track delivers a message of empowerment and self-confidence. Her journey—from early setbacks to international representation—shows her growth into a complete artist. Fire: A Bold Message About Honesty   Fire is a powerful pop track about confronting lies in a relationship. With a catchy chorus and direct lyrics, the song captures the moment someone refuses to accept dishonesty any longer. From the start, the lyrics show strength and clarity. The singer rejects emotional games and chooses honesty over pretending. This creates a relatable message about self-respect and emotional independence. The Meaning Behind “Fire” The recurring image of “fire” symbolizes inner strength, passion, and confidence. In contrast, the “vampire” metaphor highlights a dishonest partner who hides the truth. Together, these images make the song emotionally impactful and easy to connect with. More Than a Breakup Song Fire goes beyond heartbreak. It focuses on self-worth and personal growth. The message is clear: don’t repeat toxic patterns and know when to walk away.     Germany in the Eurovision Song Contest Germany has been a steadfast participant in the Eurovision Song Contest since its inception in 1956, missing only one edition in 1996 due to elimination in a pre-qualification round. The country has secured two victories: in 1982 with Nicole‘s “Ein bißchen Frieden” and in 2010 with Lena‘s “Satellite.” In recent years, Germany has faced challenges, often placing lower on the scoreboard, with notable exceptions like Michael Schulte‘s fourth-place finish in 2018. As a member of the “Big Five,” Germany automatically qualifies for the Grand Final. The Bookmakers This year as well, the outlook for Germany isn’t very promising. Currently sitting at 23rd place with the bookmakers, it seems likely that Germany could once again finish in the lower ranks of the scoreboard.

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