1st semifinal overview

Of course we first see beautiful images of the Netherlands. The tiny house already plays a role. After Duncan Laurence has opened with a new song, the four presenters welcome you; three in a dark dress or suit, Chantal in yellow.

Lithuania: Yellow suits no one; but there are exceptions. Just try doing with your fingers what the guys from The Roop do. They are dancing, but not alone. We are sure of a place in the final for the yellow men.

Slovenia: “Amen”: this is not the last prayer you will hear. But Ana Soklic shows that she has a strong voice. She is a woman of the world: you can see that on the LED screens behind her. Unfortunately the final might be one bridge to far for her, we think.

Russia: You cannot miss it: Mazinha is a Russian woman. If you think she is going to perform the same trick as Linda Wagenmakers did: keep looking, she is doing something different. Mazinha will definitely reach the final.

Sweden: If you follow Melodifestivalen you will, as usual, see not much new things. But people who were concerned about Tusse’s voice can rest assured: there is nothing wrong with that. Tusse goes straight to the final.

Australia: The story is known, Montaigne is not in Rotterdam. You don’t notice that. Her performance is in every way a lot stronger than anything we’ve seen of her before. However, we think it’ll be tough for Montaigne to reach the final.

North Macedonia: Vasil comes with a ballad. And then half of the viewers say “wow, beautiful”, and the other half “boring”. But “Here I stand” suddenly means something completely different now that Vasil came out as gay in public two weeks ago. We are pretty sure that it’s not gonna help him to a place in the final.

And then Nikkie de Jager comes to update us on everything that has happened online in recent weeks. Then Edsilia Rombley talks to us from the greenroom, after which the show continues.

Ireland: Ireland does not use LED screens but cardboard. Two particularly handsome ladies serve all those pieces of cardboard in the Irish act. Yes, as a TV viewer you miss that part. She impresses by running the set, and empathizes with it so that it actually sounds like she is out of breath. It’s not impossible for Ireland to reach the final. It’ll be hard however.

Cyprus: Elena Tsagrinou sings that she likes menthe wrong men. If you think she’s breaking the rules by having a lot more than six people on stage, no, she works with mirrors. For a moment it was rumored that Lady Gaga would perform at the Eurovision song contest: not, but Elena comes close with her song. Cyprus will go to the final, no doubt about it.

Norway: Another bunch of demons, but now with an angel in the middle. But that one is a fallen angel. One with a special story, as you can read here. We do not know TIX personally, but he has stolen our hearts because of ihis openness. It will definitely bring him the final.

Croatia: Croatia works with holograms. Or did you really think they cloned Albina? The song has everything to make it to the final, but then Albina has to sing it well. And we haven’t really heard her do that until now. Reaching the final will be tough, but not impossible.

Belgium: You could expect it: Hooverphonic is not in for a puppet show and therefore puts down a more down to earth act. As a result, Geike Arnaert’s strong vocals come out all the better. Not making concessions could just result in something beautiful. One of the editors of Eurovision Universe has already promised to eat his shoe if Belgium does not make it to the final. We think that will very well be possible.

Israel: We can only say that Eden Alene is doing her best. Yet “Set me free” is not an entry that stands out from the rest. Eden sings a very high note: great that she does that, but it is not necessarily beautiful. The final is probably very far away for Eden.

And then we are going to look at Måns Zelmerlow, who will be interviewed by Chantal Janzen.

Romania: And then Roxen suddenly wears something different than during all rehearsals: a red and white blouse with ruffles and ditto skirt. Roxen has certainly made progress in the past week, but beautiful singing is something else in our humble opinions. No final this year for Romania.

Azerbaijan: The Azerbaijan delegation knows how to throw a party on stage. Fortunately, because let’s say it carefully: “Mata Hari” is not their strongest entry ever musically. Mata Hari means “eye of the day”, or simply sun. This can be seen in their act. See you in the final on saturday Azerbaijan.

Ukraine: If you are wondering what a forest would look like after a nuclear disaster, Go_A will show you. There are outspoken fans of this entry, but also outspoken opponents. Whether you like it or not, Ukraine show us a great performance.

Malta: With Destiny you don’t have to worry about her voice: it is always good. She now wears a silver-colored suit and ditto boots: she has changed that quite often in recent days. The song is still a swinging song. Malta jumps into the final without any doubt.

Then we can enjoy Davina Michelle singing the song “The power of water”, supported by actress Thekla Reuten. In addition, images of waterland in the Netherlands are added. Don’t go to the toilet now, but keep watching, because it is spectacular! When the lines are closed and the votes are counted we will see the countries that are automatically placed for the final.

Italy: You see a glam rock band, but that is not exactly what you hear. Rock it is. Opinions can be divided into “loud noise” and “great”. Something in between doesn’t seem possible. The group has chosen not to do too many crazy things that they otherwise don’t. Perhaps that is why the bookies are now talking about an Italian victory.

Germany: The German Eurovision committee must have had a brainstorm about what we had not yet seen in Eurovision. “Eureka!” Someone shouted, “A walking middle finger!”. It was not allowed, which is why it became a walking peace sign. Anyone who thinks that singer Jendrik plays a role as a brisky man got it wrong: he really is like that.

Netherlands: There has been a lot of criticism of Jeangu Macrooy and his entry “Birth of a new age”. The performance he puts down is, however, very strong. His voice is praised in the virtual press center, the Surinamese text is fantastic according to them and some even see Jeangu finish in the top 10. To be clear: it is not Dutch people who say that! And then there is the time for the results. With conspicuously small flags and the names of the countries written quite large, the ten finalists are lined up one by one. Which 10 do we think they are? Well, we wouldn’t be surprised to see Lithuania, Russia, Sweden, Cyprus, Norway, Croatia, Belgium, Azerbaijan, Ukraine and Malta being very happy at the end of the evening.

In cooperation with Eurovision Artists

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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. 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But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. 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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. France had scored well with a singer from Tunisia. That was clearly audible. The song contained many Arabic influences. Singer Amina knew how to capitalize on her participation. Her song “Le dernier qui à parlé” became an international hit. But it was Carola, also

Read More »
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