1st semifinal overview

Of course we first see beautiful images of the Netherlands. The tiny house already plays a role. After Duncan Laurence has opened with a new song, the four presenters welcome you; three in a dark dress or suit, Chantal in yellow.

Lithuania: Yellow suits no one; but there are exceptions. Just try doing with your fingers what the guys from The Roop do. They are dancing, but not alone. We are sure of a place in the final for the yellow men.

Slovenia: “Amen”: this is not the last prayer you will hear. But Ana Soklic shows that she has a strong voice. She is a woman of the world: you can see that on the LED screens behind her. Unfortunately the final might be one bridge to far for her, we think.

Russia: You cannot miss it: Mazinha is a Russian woman. If you think she is going to perform the same trick as Linda Wagenmakers did: keep looking, she is doing something different. Mazinha will definitely reach the final.

Sweden: If you follow Melodifestivalen you will, as usual, see not much new things. But people who were concerned about Tusse’s voice can rest assured: there is nothing wrong with that. Tusse goes straight to the final.

Australia: The story is known, Montaigne is not in Rotterdam. You don’t notice that. Her performance is in every way a lot stronger than anything we’ve seen of her before. However, we think it’ll be tough for Montaigne to reach the final.

North Macedonia: Vasil comes with a ballad. And then half of the viewers say “wow, beautiful”, and the other half “boring”. But “Here I stand” suddenly means something completely different now that Vasil came out as gay in public two weeks ago. We are pretty sure that it’s not gonna help him to a place in the final.

And then Nikkie de Jager comes to update us on everything that has happened online in recent weeks. Then Edsilia Rombley talks to us from the greenroom, after which the show continues.

Ireland: Ireland does not use LED screens but cardboard. Two particularly handsome ladies serve all those pieces of cardboard in the Irish act. Yes, as a TV viewer you miss that part. She impresses by running the set, and empathizes with it so that it actually sounds like she is out of breath. It’s not impossible for Ireland to reach the final. It’ll be hard however.

Cyprus: Elena Tsagrinou sings that she likes menthe wrong men. If you think she’s breaking the rules by having a lot more than six people on stage, no, she works with mirrors. For a moment it was rumored that Lady Gaga would perform at the Eurovision song contest: not, but Elena comes close with her song. Cyprus will go to the final, no doubt about it.

Norway: Another bunch of demons, but now with an angel in the middle. But that one is a fallen angel. One with a special story, as you can read here. We do not know TIX personally, but he has stolen our hearts because of ihis openness. It will definitely bring him the final.

Croatia: Croatia works with holograms. Or did you really think they cloned Albina? The song has everything to make it to the final, but then Albina has to sing it well. And we haven’t really heard her do that until now. Reaching the final will be tough, but not impossible.

Belgium: You could expect it: Hooverphonic is not in for a puppet show and therefore puts down a more down to earth act. As a result, Geike Arnaert’s strong vocals come out all the better. Not making concessions could just result in something beautiful. One of the editors of Eurovision Universe has already promised to eat his shoe if Belgium does not make it to the final. We think that will very well be possible.

Israel: We can only say that Eden Alene is doing her best. Yet “Set me free” is not an entry that stands out from the rest. Eden sings a very high note: great that she does that, but it is not necessarily beautiful. The final is probably very far away for Eden.

And then we are going to look at Måns Zelmerlow, who will be interviewed by Chantal Janzen.

Romania: And then Roxen suddenly wears something different than during all rehearsals: a red and white blouse with ruffles and ditto skirt. Roxen has certainly made progress in the past week, but beautiful singing is something else in our humble opinions. No final this year for Romania.

Azerbaijan: The Azerbaijan delegation knows how to throw a party on stage. Fortunately, because let’s say it carefully: “Mata Hari” is not their strongest entry ever musically. Mata Hari means “eye of the day”, or simply sun. This can be seen in their act. See you in the final on saturday Azerbaijan.

Ukraine: If you are wondering what a forest would look like after a nuclear disaster, Go_A will show you. There are outspoken fans of this entry, but also outspoken opponents. Whether you like it or not, Ukraine show us a great performance.

Malta: With Destiny you don’t have to worry about her voice: it is always good. She now wears a silver-colored suit and ditto boots: she has changed that quite often in recent days. The song is still a swinging song. Malta jumps into the final without any doubt.

Then we can enjoy Davina Michelle singing the song “The power of water”, supported by actress Thekla Reuten. In addition, images of waterland in the Netherlands are added. Don’t go to the toilet now, but keep watching, because it is spectacular! When the lines are closed and the votes are counted we will see the countries that are automatically placed for the final.

Italy: You see a glam rock band, but that is not exactly what you hear. Rock it is. Opinions can be divided into “loud noise” and “great”. Something in between doesn’t seem possible. The group has chosen not to do too many crazy things that they otherwise don’t. Perhaps that is why the bookies are now talking about an Italian victory.

Germany: The German Eurovision committee must have had a brainstorm about what we had not yet seen in Eurovision. “Eureka!” Someone shouted, “A walking middle finger!”. It was not allowed, which is why it became a walking peace sign. Anyone who thinks that singer Jendrik plays a role as a brisky man got it wrong: he really is like that.

Netherlands: There has been a lot of criticism of Jeangu Macrooy and his entry “Birth of a new age”. The performance he puts down is, however, very strong. His voice is praised in the virtual press center, the Surinamese text is fantastic according to them and some even see Jeangu finish in the top 10. To be clear: it is not Dutch people who say that! And then there is the time for the results. With conspicuously small flags and the names of the countries written quite large, the ten finalists are lined up one by one. Which 10 do we think they are? Well, we wouldn’t be surprised to see Lithuania, Russia, Sweden, Cyprus, Norway, Croatia, Belgium, Azerbaijan, Ukraine and Malta being very happy at the end of the evening.

In cooperation with Eurovision Artists

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History

Austria in the Eurovision Song Contest, part 7

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For Austria in the Eurovision Song Contest, part 7, we look back at the start of the 21st century. Alf Poier participated for Austria, but there were also some unsuccesful entries. And there was a 3-year gap. 2000 – The Rounder Girls – All To You Austria’s 2000 entry “All To You” was internally selected by broadcaster ORF. The song was written by American songwriter Dave Moskin. Moskin gave the three-piece vocal group The Rounder Girls an up-tempo, gospel-influenced pop track. Performing last in the Stockholm final, the trio, with members from Austria, the US and the UK, delivered slick harmonies and choreography. They finished 14th out of 24 countries with 34 points. The Rounder Girls were a seasoned soul/gospel ensemble, and their Eurovision appearance raised their profile, though Austria’s middling result meant the country sat out the contest in 2001. 2002 – Manuel Ortega – Say A Word “Say A Word” by Manuel Ortega won Austria’s “Song.Null.Zwei” 2002 national final out of ten songs. this entry was an upbeat pop song with a catchy, boy-band style hook. It was composed by Alexander Kahr with lyrics by Robert Pfluger. At Eurovision 2002 in Tallinn, Ortega performed third and Austria placed 18th (26 points) in the final. Manuel Ortega, a young pop singer, had scored a summer hit in 2001 and was nicknamed “the Austrian Ricky Martin” for his Latin pop flair. His Eurovision song’s fun choreography and positive message reflected that image, though the result was a lower mid-table finish. 2003 – Alf Poier – Weil der Mensch zählt ORF organized the “Song.Null.Drei” 2003 selection. Petra Frey (ESC 1994) was the runner up. Comedian-singer Alf Poier triumphed with “Weil der Mensch zählt”. Poier penned this satirical song himself. Musically it’s a quirky folk-pop tune delivered in Styrian dialect. The performance, complete with cartoonish animal props, was a parody of Eurovision’s over-the-top style. At the Riga contest, this offbeat entry surprised many by scoring 6th place with 101 points. Alf Poier, an Austrian stand-up comedian known for absurdist humor, thus earned Austria’s best Eurovision result in over a decade. His comedic approach and catchy refrain turned him into a fan favorite that year. 2004 – Tie Break – Du bist Austria’s national final “Song.Null.Vier” chose Tie Break’s “Du bist” for Eurovision 2004. Waterloo & Robinson (ESC 1976!) were the runners up. Note that a song, written by popstar Falco, participated too. So posthumously, Falco did a Eurovision attempt!Written by composer Peter Zimmermann, “Du bist” is a tender schlager-style pop ballad performed in German. Tie Break, a trio of fresh-faced male singers (a boy band formed via a talent search), delivered tight harmonies in Istanbul’s final. Thanks to Austria’s top-10 result the year before, they pre-qualified directly for the final. Tie Break finished 21st out of 24 with 9 points. The group had gained national fame through the selection process, but on the Eurovision stage their gentle ballad struggled to stand out in a field dominated by more dynamic acts. 2005 – Global.Kryner – Y así In 2005, “Song.Null.Fünf” was held and the crossover folk band Global.Kryner won with “Y así”. They narrowly beated Alf Poier. The controversy was that Austria changed the rules of the voting on the very last moment. Would the original voting procedure be used, Alf Poier would have won. Band members Edi Köhldorfer (composer) and Christof Spörk (lyricist) combined Latin salsa rhythms with Austrian alpine polka to create this unique “salsa-polka-pop” song. Global.Kryner was a six-member ensemble known for blending folk and jazz influences. They opened the Eurovision semi-final in Kyiv with an energetic performance featuring yodels and Latin dance breaks. However, “Y así” did not advance to the final, placing 21st of 25 in the semi-final with 30 points. The group had earned acclaim in Austria and Germany, but their daring genre fusion proved too quirky for the Eurovision televote that year. 2007 – Eric Papilaya – Get A Life – Get Alive After a brief Eurovision hiatus, Austria returned in 2007 by internally selecting Eric Papilaya. His entry “Get A Life – Get Alive” – composed by Greg Usek with lyrics by Austin Howard. It was the official anthem of Vienna’s Life Ball AIDS charity event. This song is an upbeat pop-rock anthem with an inspirational message and flashy staging. Papilaya performed with a giant red ribbon on stage. Papilaya, a rock vocalist who rose to fame on the TV talent show Starmania, gave a spirited performance in Helsinki’s semi-final. Unfortunately Austria did not qualify for the final; he placed 27th (four points) in the semi. The entry drew media attention for its charity theme, but it wasn’t enough to overcome tough competition in 2007. 2011 – Nadine Beiler – The Secret Is Love Austria returned to Eurovision in 2011 through the national selection “Düsseldorf – wir kommen!”. The competition featured ten songs. However, well-known artists Alf Poier and Petra Frey failed to pass the online preselection. As a result, Nadine Beiler won the final with her soulful ballad “The Secret Is Love”. She co-wrote the song with veteran producer Thomas Rabitsch. Musically, the entry combines elements of gospel and pop, while it clearly highlights Beiler’s strong vocal range. Previously, Nadine Beiler had gained national fame by winning the television talent show Starmania in 2007 at the age of 16. Therefore, expectations were already high when she took the stage in Düsseldorf. Her Eurovision performance began a cappella and gradually built towards a powerful climax. Consequently, Austria qualified from the semi-final in seventh place with 69 points. In the grand final, Beiler finished 18th, scoring 64 points. Nevertheless, this result marked Austria’s first appearance in a Eurovision final in seven years and therefore signalled a credible and positive comeback.

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History

🇦🇹 Austria in the Eurovision Song Contest – final episode

📷 EBU/Corinne Cumming In this final episode of our series on Austria in the Eurovision Song Contest, we cover the years 2019–2025. We’ll look at each Austrian entry’s national selection process (if any), the song’s lyricists and composers, musical style, Eurovision score, and a few facts about the artist. 2019 – PÆNDA – “Limits” In 2019, Austria internally selected singer-songwriter PÆNDA (Gabriela Horn) to perform the song “Limits” at Eurovision. PÆNDA wrote and composed the song herself; a minimalist electro-pop ballad that highlights her ethereal vocals and emotional songwriting. The lyrics describe pushing oneself too far and hitting personal limits. Despite its intimate staging and artistic vibe, Limits failed to advance from the semi-finals, placing 17th in Semi-Final 2. PÆNDA, a native of Styria, is an EDM-pop producer who launched her project in 2016. She blends underground electronic beats with catchy pop elements, and her Eurovision entry appeared on her 2019 album Evolution II.  2020 – Vincent Bueno – “Alive” For Eurovision 2020, ORF internally selected Vincent Bueno to represent Austria. “Alive” is an upbeat pop track with R&B and funk influences. Vincent co-wrote the song with a team including David “Davey” Yang and Felix van Göns. The track’s groovy bassline and falsetto riffs convey a message of liberation. It’s about feeling truly “alive” by letting go of one’s ego. Vincent is an Austrian-Filipino singer who first found fame by winning ORF’s musical talent show in 2008. He also performed in theater productions, showcasing his stage experience. Sadly, Eurovision 2020 was cancelled due to the pandemic. As a result, “Alive” never reached the Rotterdam stage and received no final score. 2021 – Vincent Bueno – “Amen” In 2021, Austria kept faith with Vincent Bueno, who returned with the power ballad “Amen”. ORF again internally selected Vincent after 2020’s cancellation. A trio of songwriters – Tobias Carshey, Ashley Hicklin, and Jonas Thander – crafted “Amen”. The entry starts as a gentle pop ballad and swells into a gospel-tinged climax, allowing Vincent to showcase soulful vocal runs. Lyrically, it’s an emotional farewell to a failed relationship, with the title evoking a final prayer or conclusion. Vincent’s performance in Rotterdam featured minimalist staging to match the song’s sincerity. However, “Amen” did not qualify for the Grand Final, placing 12th in its semi-final with 66 points. Vincent Bueno’s experience in show business, he’s a Musical! Die Show 2008 winner and skilled performer, was evident in his poised delivery, even if Austria missed out on the final. 2022 – LUM!X feat. Pia Maria – “Halo” For 2022, Austrian DJ LUM!X (Luca Michlmayr) teamed up with newcomer Pia Maria for the high-energy song “Halo”. ORF internally selected the duo for Eurovision 2022. A songwriting team including LUM!X himself, Italian DJ Gabry Ponte, Norwegian producer Anders Nilsen, Swedish songwriter Rasmus Flyckt, and Canadian singer-songwriter Sophie Simmons wrote “Halo”. The track is a high-BPM dance number with a pulsating beat and a catchy hook. On stage in Turin, LUM!X worked the DJ decks while Pia Maria sang amid vibrant neon visuals. Despite the song’s hit potential, the live vocals were shaky and Austria failed to reach the final. “Halo” finished 15th in its semi-final (42 points). At the time, LUM!X was only 19 and already had viral hits like “Monster.” Meanwhile, 18-year-old Pia Maria was a newcomer making her live TV debut. 2023 – Teya & Salena – “Who the Hell Is Edgar?” Austria took a witty turn in 2023 with “Who the Hell Is Edgar?”, a satirical electropop duet by Teya & Salena. The pair – Teodora “Teya” Špirić and Selina “Salena” Edbauer – were internally selected by ORF. They had written the song together at a songwriting camp. Teya, Salena, Czech producer Ronald Janeček, and Swiss songwriter Pele Loriano co-wrote “Who the Hell Is Edgar?”. It’s an up-tempo track with tongue-in-cheek lyrics about being “possessed” by the ghost of Edgar Allan Poe. This is a metaphor for the struggles of female songwriters in the music industry. The catchy “Poe, Poe, Poe” hook and quirky choreography made it one of that year’s most memorable entries. Teya & Salena’s charismatic performance carried Austria to the Grand Final in Liverpool, where they finished 15th with 120 points. The song also sparked conversations about streaming royalties and sexism – topics cleverly referenced in its lyrics. 2024 – Kaleen – “We Will Rave” In 2024, Austria sent Kaleen (Marie-Sophie Kreissl) to Eurovision with the song “We Will Rave”. ORF held an internal selection with live auditions to choose Kaleen. “We Will Rave” is a techno-pop banger written by Anderz Wrethov, Jimmy “Joker” Thörnfeldt, Julie Aagaard (Kill J), and Thomas Stengaard. Its thumping bass and EDM drops created a rave-like atmosphere on stage. Kaleen delivered a flashy, dance-heavy performance befitting her background as a professional dancer. Austria ultimately struggled in the Grand Final – “We Will Rave” finished 24th (second-last) with only 24 points. Kaleen was already a five-time world dance champion and had worked on Eurovision shows as a choreographer and creative director. Yet 2024 was her first time stepping into the Eurovision spotlight as a singer. 2025 – JJ – “Wasted Love” Austria achieved a historic victory in 2025 when JJ took the Eurovision crown with “Wasted Love”. ORF internally selected JJ (born Johannes Pietsch) to represent Austria. He co-wrote this operatic pop ballad with Teodora Špirić (Teya, see 2023) and composer Thomas Thurner. Orchestral strings and a melody that builds to a powerful climax make the song a perfect showcase for JJ’s soaring countertenor vocals. The lyrics lament lost love, delivered with the emotional intensity of a classical aria. “Wasted Love” captivated the audience, ultimately winning the Eurovision 2025 final with 436 points. At 24, JJ was already performing as a countertenor at the Vienna State Opera and had been a finalist on ORF’s Starmania in 2021. This triumph marked Austria’s third-ever Eurovision win. sources: Eurovision.tv, de.wikipedia.org, en.wikipedia.org

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Martijn

🇦🇹 Austria in the Eurovision Song Contest – final episode

📷 EBU/Corinne Cumming In this final episode of our series on Austria in the Eurovision Song Contest, we cover the years 2019–2025. We’ll look at each Austrian entry’s national selection process (if any), the song’s lyricists and composers, musical style, Eurovision score, and a few facts about the artist. 2019 – PÆNDA – “Limits” In 2019, Austria internally selected singer-songwriter PÆNDA (Gabriela Horn) to perform the song “Limits” at Eurovision. PÆNDA wrote and composed the song herself; a minimalist electro-pop ballad that highlights her ethereal vocals and emotional songwriting. The lyrics describe pushing oneself too far and hitting personal limits. Despite its intimate staging and artistic vibe, Limits failed to advance from the semi-finals, placing 17th in Semi-Final 2. PÆNDA, a native of Styria, is an EDM-pop producer who launched her project in 2016. She blends underground electronic beats with catchy pop elements, and her Eurovision entry appeared on her 2019 album Evolution II.  2020 – Vincent Bueno – “Alive” For Eurovision 2020, ORF internally selected Vincent Bueno to represent Austria. “Alive” is an upbeat pop track with R&B and funk influences. Vincent co-wrote the song with a team including David “Davey” Yang and Felix van Göns. The track’s groovy bassline and falsetto riffs convey a message of liberation. It’s about feeling truly “alive” by letting go of one’s ego. Vincent is an Austrian-Filipino singer who first found fame by winning ORF’s musical talent show in 2008. He also performed in theater productions, showcasing his stage experience. Sadly, Eurovision 2020 was cancelled due to the pandemic. As a result, “Alive” never reached the Rotterdam stage and received no final score. 2021 – Vincent Bueno – “Amen” In 2021, Austria kept faith with Vincent Bueno, who returned with the power ballad “Amen”. ORF again internally selected Vincent after 2020’s cancellation. A trio of songwriters – Tobias Carshey, Ashley Hicklin, and Jonas Thander – crafted “Amen”. The entry starts as a gentle pop ballad and swells into a gospel-tinged climax, allowing Vincent to showcase soulful vocal runs. Lyrically, it’s an emotional farewell to a failed relationship, with the title evoking a final prayer or conclusion. Vincent’s performance in Rotterdam featured minimalist staging to match the song’s sincerity. However, “Amen” did not qualify for the Grand Final, placing 12th in its semi-final with 66 points. Vincent Bueno’s experience in show business, he’s a Musical! Die Show 2008 winner and skilled performer, was evident in his poised delivery, even if Austria missed out on the final. 2022 – LUM!X feat. Pia Maria – “Halo” For 2022, Austrian DJ LUM!X (Luca Michlmayr) teamed up with newcomer Pia Maria for the high-energy song “Halo”. ORF internally selected the duo for Eurovision 2022. A songwriting team including LUM!X himself, Italian DJ Gabry Ponte, Norwegian producer Anders Nilsen, Swedish songwriter Rasmus Flyckt, and Canadian singer-songwriter Sophie Simmons wrote “Halo”. The track is a high-BPM dance number with a pulsating beat and a catchy hook. On stage in Turin, LUM!X worked the DJ decks while Pia Maria sang amid vibrant neon visuals. Despite the song’s hit potential, the live vocals were shaky and Austria failed to reach the final. “Halo” finished 15th in its semi-final (42 points). At the time, LUM!X was only 19 and already had viral hits like “Monster.” Meanwhile, 18-year-old Pia Maria was a newcomer making her live TV debut. 2023 – Teya & Salena – “Who the Hell Is Edgar?” Austria took a witty turn in 2023 with “Who the Hell Is Edgar?”, a satirical electropop duet by Teya & Salena. The pair – Teodora “Teya” Špirić and Selina “Salena” Edbauer – were internally selected by ORF. They had written the song together at a songwriting camp. Teya, Salena, Czech producer Ronald Janeček, and Swiss songwriter Pele Loriano co-wrote “Who the Hell Is Edgar?”. It’s an up-tempo track with tongue-in-cheek lyrics about being “possessed” by the ghost of Edgar Allan Poe. This is a metaphor for the struggles of female songwriters in the music industry. The catchy “Poe, Poe, Poe” hook and quirky choreography made it one of that year’s most memorable entries. Teya & Salena’s charismatic performance carried Austria to the Grand Final in Liverpool, where they finished 15th with 120 points. The song also sparked conversations about streaming royalties and sexism – topics cleverly referenced in its lyrics. 2024 – Kaleen – “We Will Rave” In 2024, Austria sent Kaleen (Marie-Sophie Kreissl) to Eurovision with the song “We Will Rave”. ORF held an internal selection with live auditions to choose Kaleen. “We Will Rave” is a techno-pop banger written by Anderz Wrethov, Jimmy “Joker” Thörnfeldt, Julie Aagaard (Kill J), and Thomas Stengaard. Its thumping bass and EDM drops created a rave-like atmosphere on stage. Kaleen delivered a flashy, dance-heavy performance befitting her background as a professional dancer. Austria ultimately struggled in the Grand Final – “We Will Rave” finished 24th (second-last) with only 24 points. Kaleen was already a five-time world dance champion and had worked on Eurovision shows as a choreographer and creative director. Yet 2024 was her first time stepping into the Eurovision spotlight as a singer. 2025 – JJ – “Wasted Love” Austria achieved a historic victory in 2025 when JJ took the Eurovision crown with “Wasted Love”. ORF internally selected JJ (born Johannes Pietsch) to represent Austria. He co-wrote this operatic pop ballad with Teodora Špirić (Teya, see 2023) and composer Thomas Thurner. Orchestral strings and a melody that builds to a powerful climax make the song a perfect showcase for JJ’s soaring countertenor vocals. The lyrics lament lost love, delivered with the emotional intensity of a classical aria. “Wasted Love” captivated the audience, ultimately winning the Eurovision 2025 final with 436 points. At 24, JJ was already performing as a countertenor at the Vienna State Opera and had been a finalist on ORF’s Starmania in 2021. This triumph marked Austria’s third-ever Eurovision win. sources: Eurovision.tv, de.wikipedia.org, en.wikipedia.org

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