🇧🇪 Blast from the past: Belgium 1996

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Lisa Del Bo, who represented Belgium in 1996.

Belgium in the Eurovision Song Contest

Belgium is one of the founding countries of the Eurovision Song Contest, having participated since the inaugural event in 1956. Unique to Belgium is its two main broadcasting systems: the Flemish-speaking VRT and the French-speaking RTBF. The broadcasters alternate each year in selecting the nation’s representative for the contest. This alternating system ensures representation from both linguistic communities. Over the years, Belgium has sent songs in Dutch, French, English, and even German. Belgium only won one time: in 1986 Sandra Kim won with a landslide with her song “J’aime La Vie”. However, in 1978 Jean VallĂ©e reached a second place with the song “L’amour, Ça Fait Chanter La Vie”. The contest was, in that year, also broadcast in Jordan. Israel won, but as Jordan didn’t recognize Israel, they mentioned Belgium as the winner. Another time Belgium became 2nd was in 2003, with Urban Trad and “Sanomi”.

In recent years, Belgium did quite well in Eurovision with artists such as Tom Dice (2010), LoĂŻc Nottet (2015), Blanche (2017) and Gustaph (2023).

National Final

The national selection in Belgium in 1996 was called “De Gouden Zeemeermin” (The Golden Mermaid). Four semifinals with ten songs each were held. Michel Follet and Alexandra Potvin hosted these shows, as well as the final. On March 9th, in the Casino of Knokke, the final selection was made:

  1. Lisa Del Bo, “Liefde is een kaartspel“, 215 pts, 1st
  2. Patrick Alessi, “Een andere wereld”, 73 pts, 11th
  3. Chelsy, “Kijk me aan“, 128 pts, 8th
  4. William Reven, “Zo voel ik vandaag“, 119 pts, 9th
  5. Nadia, “Morgen komt de lente”, 135 pts, 7th
  6. Peter Van Laet, “Er is iets“, 143, 4th
  7. Sabien Tiels, “Nooit meer alleen“, 139 pts, 6th
  8. Doran, “Jij alleen”, 37 pts, 12th
  9. Gary Hagger, “Dat ik hou van jou“, 141 pts, 5th
  10. Splinter, “Ik laat je nooit meer gaan“, 189 pts, 2nd
  11. Enzo, “Mooi“, 151 pts, 3rd
  12. Mario Caselli, “Mademoiselle“, 90 pts, 10th

Before the final, male trio Enzo was among the favourites, but in the end they didn’t win; Lisa Del Bo did. Anyone who wants to rewatch the entire show: that is possible! You can watch it here!

Lisa Del Bo

Lisa Del Bo was born on 9 July 1961 in Mopertingen, Bree, Belgium. From a young age, she showed an interest in music, though details of her early life and musical education are not widely documented.

In 1990, she was the winner of the Belgian version of the Dutch Soundmixshow with the song “What’s a woman” by Vaya Con Dios. She has since released 13 albums.

In 1993, Del Bo participated in Eurosong, the Belgian preliminary round for the Eurovision Song Contest. In this, she finished third with the song “Vlinder”, behind Barbara Dex. Three years later, in 1996, Del Bo took another chance in the Belgian pre-selection. With the song “Liefde is een kaartspel”, she managed to win and therefore got to represent Belgium in that year’s Eurovision Song Contest.

Lisa Del Bo cooperated with Luc Steeno and Willy Sommers on a duet album, “De mooiste duetten en méér”. Her most recent album, “Niet alleen”, was released in 2022. All of her albums reached the album charts and were successes.

Liefde is een kaartspel

“Liefde is een kaartspel” is a melodic song that uses card-playing as a metaphor for the game of love. The song was composed by Siirak Brogden and John Terra, with DaniĂ«l Ditmar writing the lyrics. The lyrics convey the idea that, in love, just as in card games, there’s an element of chance and unpredictability. You might not always win, but it’s worth taking the risk. At the Eurovision Song Contest, which took place in Oslo, Norway, the song was performed in Dutch. Despite being considered a contender by some, the song finished 16th place out of 23 participants, which was somewhat of a disappointment for the Belgian delegation.

In 2001, the Swedish entry “Listen To your Heartbeat” was accused of plagiarism. It was supposed to be a copy of “Liefde is een kaartspel”. The composers of the Swedish song, Thomas G:son and Henrik Sethsson, denied it. They said the similarities were a coincidence. In 2003, the Belgian music association, SABAM, declared that the song “Listen to Your Heartbeat” was a case of plagiarism. Though the song’s composers refuted the claims, they faced potential legal action from the lyricists and composers of “Liefde is een kaartspel”. To resolve the matter, the Swedish delegation agreed to a financial settlement.

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Eurovision 2026

Weekly Update

It’s Tuesday, October 28, 2025, and time for another weekly Eurovision update! This week brings national selection news from across Europe and a heated debate over Israel’s participation in Eurovision 2026. Ukraine’s broadcaster faces a legal threat over Vidbir rules, Germany wraps up its song submission phase, and several countries unveil plans for choosing their next Eurovision acts. Meanwhile, Austrian officials are speaking out strongly against any boycott of Israel. Here are this week’s top stories: National finals 🇺🇦 Ukraine: Broadcaster Stands Firm on Vidbir Rules Amid Lawsuit Threat Ukraine’s public broadcaster Suspilne has refused to alter its Eurovision selection rules despite pressure from a major pop star. Singer Olya Polyakova’s team appealed to the EBU and Suspilne, demanding a rule change. Otherwise “an inevitable lawsuit… could lead to even bigger scandals,” her producer Mykhailo Yasinskyi warned. The dispute centers on a policy barring artists who performed in Russia-occupied Crimea, Russia (after March 2014) or Belarus (after Feb 2022) from entering Vidbir 2026. Polyakova, who last performed in Russia in 2015, is thus ineligible under current rules. Suspilne flatly rejected her appeal, noting the selection process already began in September. Despite the controversy, Vidbir 2026 preparations continue with Eurovision 2016 winner Jamala as music producer, and the national final set for February. source: unn.ua and Suspilne 📷 Jamala, Andres Putting EBU 🇩🇪 Germany: Eurovision 2026 Song Submissions Window Closes Germany has closed the song submission period for its Eurovision 2026 selection. October 22 was the last day for artists and songwriters to send entries to broadcaster SWR. The German selection will now move into a multi-stage review process. In the first round, SWR’s editorial team evaluates each submission based on “artistic and vocal quality”. Next, international jurors and a sample of European viewers will listen and vote, simulating Eurovision’s scoring. Their input will produce a shortlist of acts, from which the final contestants will be chosen. Germany’s national final is planned for late February 2026, broadcast live on Das Erste. The eventual winner will go on to represent Germany at the 70th Eurovision Song Contest in Vienna. source: eurovoix.com 🇸🇲 San Marino: New “San Marino Song Contest” Format & March 7 Final The microstate of San Marino has announced an overhauled national selection format for Eurovision. Broadcaster SMRTV will hold a “San Marino Song Contest” with a format mirroring Eurovision itself. There will be two semi-finals on March 3 and 4, leading to a Grand Final on March 7, 2026. A total of 40 emerging artists, sourced from the parallel “Dreaming San Marino Song Contest” talent project, will compete in the semi-finals. Only 10 of them will advance to the final. They’ll join 10 pre-qualified established artists. In the March 7 final, these 20 acts will battle for the ticket to Eurovision 2026. The winner of San Marino’s contest will represent the country in Vienna next May. This marks a significant change from previous years’ formats, aiming to give new talent a chance alongside bigger names.  source: dreamingsanmarinosongcontest and SMRTV 🇱🇺 Luxembourg: 58 Hopefuls Audition for Eurovision Comeback Luxembourg’s quest for its next Eurovision entrant is in full swing with live auditions. From October 24–26, 58 candidates took part in auditions at RTL studios, vying for a spot in the Luxembourg Song Contest 2026. The aspiring acts had to meet at least one of three criteria: hold Luxembourgish nationality, reside in Luxembourg for 3+ months, or have a strong link to the nation’s music scene. The 58 contestants hail from 17 different cultural backgrounds. An international jury is evaluating the performances during the auditions, which feature 83 songs across six languages. 59% in English, plus French, Luxembourgish, Portuguese, Spanish, and German. The jury will select the best acts to advance to the televised final. The national final will be held on January 24, 2026 at the Rockhal arena, where one lucky artist will earn the ticket to Eurovision in Vienna. source: eurovision.rtl.lu. 🇲🇪 Montenegro: Songwriting Teams Revealed for MonteSong 2025 This week RTCG published the list of composers, lyricists, and arrangers for each of the 15 songs competing in MonteSong 2025. The lineup showcases a broad range of talent and international collaboration. Several local Montenegrin songwriters are joined by contributors from elsewhere in Europe and even the United States. For example, former Eurovision entrant Andrea Demirović returns as a co-writer of her song “I Believe,” teaming up with American songwriter Casey McQuillen. Other entries feature songwriting teams blending domestic and foreign talent, highlighting Montenegro’s openness to global influences in its music. MonteSong 2025 will feature 15 artists (previously announced by RTCG) performing original songs on December 21, 2025. By unveiling the creative teams now, RTCG is building anticipation and giving credit to the people behind the music. The national final’s winning song and artist will represent Montenegro at Eurovision 2026. source: RTCG 📷 Andrea Demirović 🇦🇱 Albania: Festivali i Këngës 64 Song Details Unveiled on Instagram In Albania, preparations for the 64th Festivali i Këngës are well underway. This week, the titles, genres, and songwriting credits of six competing songs were published. Among them are 2Farm’s song “Valle mbi hi” (Dance on the Ashes), an alternative track the band wrote and composed themselves, and Evi Reçi’s “Code of Life,” described as a modern ethno-EDM song. Notably, one of the revealed songwriters is Beatriçe Gjergji, who gave Albania a Top-10 finish at Eurovision 2025 with “Zjerm”. She returns as the lyricist-composer of the entry “Okej!” by newcomer Ghiti. In total, 28 artists will compete at Festivali i Këngës 64 in Tirana from December 17–20, 2025. RTSH has confirmed a revamped voting system. The FiK winner will be decided by 50% jury vote, 25% public televote and 25% international voting via the new “FiK” app.  Israel in the Eurovision Song Contest Austria: ORF and Government Reject Calls to Boycott Israel As the host country for Eurovision 2026, Austria is grappling with political pressure over Israel’s participation. In recent weeks, officials in some countries (including Spain, the Netherlands, and Ireland) threatened to

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Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, October 28, 2025, and time for another weekly Eurovision update! This week brings national selection news from across Europe and a heated debate over Israel’s participation in Eurovision 2026. Ukraine’s broadcaster faces a legal threat over Vidbir rules, Germany wraps up its song submission phase, and several countries unveil plans for choosing their next Eurovision acts. Meanwhile, Austrian officials are speaking out strongly against any boycott of Israel. Here are this week’s top stories: National finals 🇺🇦 Ukraine: Broadcaster Stands Firm on Vidbir Rules Amid Lawsuit Threat Ukraine’s public broadcaster Suspilne has refused to alter its Eurovision selection rules despite pressure from a major pop star. Singer Olya Polyakova’s team appealed to the EBU and Suspilne, demanding a rule change. Otherwise “an inevitable lawsuit… could lead to even bigger scandals,” her producer Mykhailo Yasinskyi warned. The dispute centers on a policy barring artists who performed in Russia-occupied Crimea, Russia (after March 2014) or Belarus (after Feb 2022) from entering Vidbir 2026. Polyakova, who last performed in Russia in 2015, is thus ineligible under current rules. Suspilne flatly rejected her appeal, noting the selection process already began in September. Despite the controversy, Vidbir 2026 preparations continue with Eurovision 2016 winner Jamala as music producer, and the national final set for February. source: unn.ua and Suspilne 📷 Jamala, Andres Putting EBU 🇩🇪 Germany: Eurovision 2026 Song Submissions Window Closes Germany has closed the song submission period for its Eurovision 2026 selection. October 22 was the last day for artists and songwriters to send entries to broadcaster SWR. The German selection will now move into a multi-stage review process. In the first round, SWR’s editorial team evaluates each submission based on “artistic and vocal quality”. Next, international jurors and a sample of European viewers will listen and vote, simulating Eurovision’s scoring. Their input will produce a shortlist of acts, from which the final contestants will be chosen. Germany’s national final is planned for late February 2026, broadcast live on Das Erste. The eventual winner will go on to represent Germany at the 70th Eurovision Song Contest in Vienna. source: eurovoix.com 🇸🇲 San Marino: New “San Marino Song Contest” Format & March 7 Final The microstate of San Marino has announced an overhauled national selection format for Eurovision. Broadcaster SMRTV will hold a “San Marino Song Contest” with a format mirroring Eurovision itself. There will be two semi-finals on March 3 and 4, leading to a Grand Final on March 7, 2026. A total of 40 emerging artists, sourced from the parallel “Dreaming San Marino Song Contest” talent project, will compete in the semi-finals. Only 10 of them will advance to the final. They’ll join 10 pre-qualified established artists. In the March 7 final, these 20 acts will battle for the ticket to Eurovision 2026. The winner of San Marino’s contest will represent the country in Vienna next May. This marks a significant change from previous years’ formats, aiming to give new talent a chance alongside bigger names.  source: dreamingsanmarinosongcontest and SMRTV 🇱🇺 Luxembourg: 58 Hopefuls Audition for Eurovision Comeback Luxembourg’s quest for its next Eurovision entrant is in full swing with live auditions. From October 24–26, 58 candidates took part in auditions at RTL studios, vying for a spot in the Luxembourg Song Contest 2026. The aspiring acts had to meet at least one of three criteria: hold Luxembourgish nationality, reside in Luxembourg for 3+ months, or have a strong link to the nation’s music scene. The 58 contestants hail from 17 different cultural backgrounds. An international jury is evaluating the performances during the auditions, which feature 83 songs across six languages. 59% in English, plus French, Luxembourgish, Portuguese, Spanish, and German. The jury will select the best acts to advance to the televised final. The national final will be held on January 24, 2026 at the Rockhal arena, where one lucky artist will earn the ticket to Eurovision in Vienna. source: eurovision.rtl.lu. 🇲🇪 Montenegro: Songwriting Teams Revealed for MonteSong 2025 This week RTCG published the list of composers, lyricists, and arrangers for each of the 15 songs competing in MonteSong 2025. The lineup showcases a broad range of talent and international collaboration. Several local Montenegrin songwriters are joined by contributors from elsewhere in Europe and even the United States. For example, former Eurovision entrant Andrea Demirović returns as a co-writer of her song “I Believe,” teaming up with American songwriter Casey McQuillen. Other entries feature songwriting teams blending domestic and foreign talent, highlighting Montenegro’s openness to global influences in its music. MonteSong 2025 will feature 15 artists (previously announced by RTCG) performing original songs on December 21, 2025. By unveiling the creative teams now, RTCG is building anticipation and giving credit to the people behind the music. The national final’s winning song and artist will represent Montenegro at Eurovision 2026. source: RTCG 📷 Andrea Demirović 🇦🇱 Albania: Festivali i Këngës 64 Song Details Unveiled on Instagram In Albania, preparations for the 64th Festivali i Këngës are well underway. This week, the titles, genres, and songwriting credits of six competing songs were published. Among them are 2Farm’s song “Valle mbi hi” (Dance on the Ashes), an alternative track the band wrote and composed themselves, and Evi Reçi’s “Code of Life,” described as a modern ethno-EDM song. Notably, one of the revealed songwriters is Beatriçe Gjergji, who gave Albania a Top-10 finish at Eurovision 2025 with “Zjerm”. She returns as the lyricist-composer of the entry “Okej!” by newcomer Ghiti. In total, 28 artists will compete at Festivali i Këngës 64 in Tirana from December 17–20, 2025. RTSH has confirmed a revamped voting system. The FiK winner will be decided by 50% jury vote, 25% public televote and 25% international voting via the new “FiK” app.  Israel in the Eurovision Song Contest Austria: ORF and Government Reject Calls to Boycott Israel As the host country for Eurovision 2026, Austria is grappling with political pressure over Israel’s participation. In recent weeks, officials in some countries (including Spain, the Netherlands, and Ireland) threatened to

Read More »
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