After the Eurovision Fame: Vicky Leandros

After the Eurovision fame

Vicky Leandros participated in the Eurovision Song Contest 2 times; in 1967 she represented Luxembourg with “L’amour est blue” and finished in fourth place. The song, however, became a worldwide hit, and was covered by many.
In 1972 she was again asked to represent Luxembourg. She won the festival that year with “Après Toi” and gained worldwide fame.

 

Early life and Career

Vicky was born as Vasiliki Papathansasiou in Paleokastritsa (Corfu, Greece) on August 23. According to her own statement, she was born in 1952, but many biographies have mentioned birth year as 1949.

In 1958, the Papathanasiou family moved to West Germany. After her parents’ divorce in 1961, her mother returned to Greece, and Vicky grew up with her father, who himself had a successful career as Leo Leandros. With his support, she built a career in Greece and Germany, initially under the name Vicky. Her first single was released in 1965: “Messer, Gabel, Schere, Licht” and became an instant hit in Germany.  Until 1967 she had already scored several hits in this country, as well as in Canada and Greece.

 

After the Eurovision Fame

After winning the Eurovision Song Contest, Vicky was very successful in many countries, such as France, Greece, United Kingdom, Spain, Italy, Germany, the Netherlands, Belgium, Japan and Canada. She scored many hits worldwide, in different languages.

In 2000 she released her first album of her own compositions.

2005 was a jubilee year for Vicky; She was on stage for 30 years and celebrated this with a double CD with her greatest hits and some new tracks. Actually, it was her 40th anniversary as an artist, but she withdrew from publicity for about 10 years from 1982, in order to be able to pay more attention to her husband and 3 children. During that period, however, new albums were released.

In 2006 Vicky participated in the preselections for Eurosong in Germany, with the song “Don’t Break My Heart”. In this way, she hoped to represent her country in Athens. However, she had to leave the victory to the Texas Lightning.
Throughout her impressive career, she has sold over 55 million albums.

Political career

On 15 October 2006 Vicky Leandros was elected town counselor of the Greek harbour town of Piraeus on the Pasok list. Her task concerned the Cultural and International development of Piraeus. She was also Deputy Mayor of Piraeus. It was announced in June 2008 that Leandros decided to leave her position in Greek politics with immediate effect.  She stated, that she had underestimated the work load and time needed to fulfill her political obligations. Also it became impossible to combine those duties with her singing career.

In August 2022, a few days after her 70th (or 73rd) birthday, she announced her retirement with a farewell tour in Austria and Germany, which will take place until the end of 2024.

 

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Eurovision 2026
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Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-Noël Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland Weißmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RÚV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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