After the Eurovision Fame: Vicky Leandros

After the Eurovision fame

Vicky Leandros participated in the Eurovision Song Contest 2 times; in 1967 she represented Luxembourg with “L’amour est blue” and finished in fourth place. The song, however, became a worldwide hit, and was covered by many.
In 1972 she was again asked to represent Luxembourg. She won the festival that year with “Après Toi” and gained worldwide fame.

 

Early life and Career

Vicky was born as Vasiliki Papathansasiou in Paleokastritsa (Corfu, Greece) on August 23. According to her own statement, she was born in 1952, but many biographies have mentioned birth year as 1949.

In 1958, the Papathanasiou family moved to West Germany. After her parents’ divorce in 1961, her mother returned to Greece, and Vicky grew up with her father, who himself had a successful career as Leo Leandros. With his support, she built a career in Greece and Germany, initially under the name Vicky. Her first single was released in 1965: “Messer, Gabel, Schere, Licht” and became an instant hit in Germany.  Until 1967 she had already scored several hits in this country, as well as in Canada and Greece.

 

After the Eurovision Fame

After winning the Eurovision Song Contest, Vicky was very successful in many countries, such as France, Greece, United Kingdom, Spain, Italy, Germany, the Netherlands, Belgium, Japan and Canada. She scored many hits worldwide, in different languages.

In 2000 she released her first album of her own compositions.

2005 was a jubilee year for Vicky; She was on stage for 30 years and celebrated this with a double CD with her greatest hits and some new tracks. Actually, it was her 40th anniversary as an artist, but she withdrew from publicity for about 10 years from 1982, in order to be able to pay more attention to her husband and 3 children. During that period, however, new albums were released.

In 2006 Vicky participated in the preselections for Eurosong in Germany, with the song “Don’t Break My Heart”. In this way, she hoped to represent her country in Athens. However, she had to leave the victory to the Texas Lightning.
Throughout her impressive career, she has sold over 55 million albums.

Political career

On 15 October 2006 Vicky Leandros was elected town counselor of the Greek harbour town of Piraeus on the Pasok list. Her task concerned the Cultural and International development of Piraeus. She was also Deputy Mayor of Piraeus. It was announced in June 2008 that Leandros decided to leave her position in Greek politics with immediate effect.  She stated, that she had underestimated the work load and time needed to fulfill her political obligations. Also it became impossible to combine those duties with her singing career.

In August 2022, a few days after her 70th (or 73rd) birthday, she announced her retirement with a farewell tour in Austria and Germany, which will take place until the end of 2024.

 

Related news

Eurovision 2026

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

Read More »
Eurovision 2026
Martijn

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

Read More »
Follow Us: