After the Eurovision Fame: Salvador Sobral

After the Eurovision Fame: Salvador Sobral

Salvador (Vilar Braamcamp) Sobral won the Eurovision Song Contest 2017 with “Amor pelos dois”, representing Portugal. What’s his story?

Early Years

Salvador Sobral was born on 28 December 1989 in Lisbon, the capital of Portugal. He comes from a family of Portuguese nobility.  He also is a descendant of Gerrit Braamcamp, an 18th-century Dutch distiller, timber trader, and renowned art collector. Portugal officially abolished nobility and its privileges in 1910 with the proclamation of the republic. Even so, people still informally call Sobral a count. His parents, Salvador Luís Cabral Braamcamp Sobral and Luísa Maria Cabral Posser Vilar, raised him in a musical family. His older sister, Luísa Sobral, built her own reputation as a Portuguese singer and songwriter

At the age of 10, Salvador appeared on the Portuguese TV program Bravo Bravíssimo, a talent show for young musical minds.  Around his twenties, he competed in Ídolos, the Portuguese version of Idols. He made it to the Top 10 finalists.

Salvador Sobral initially studied psychology at the ISPA Institute in Lisbon but left his studies to fully dedicate himself to music. Through the Erasmus program, he moved to Mallorca, where he performed in bars — an important formative experience that shaped his artistic path. He later pursued formal musical education at Taller de Músics in Barcelona, specializing in modern music and jazz, and graduated in 2014.

Eurovision and Heart Condition

When Salvador Sobral won the Eurovision Song Contest 2017 with “Amar pelos dois”, he already appeared fragile on stage. Behind the captivating smile and delicate voice was a heavy truth: the young Portuguese singer was battling a severe heart condition. His health often failed him, which meant he couldn’t always attend rehearsals.

Some fans began to see the lyrics of the song in a different light, since his sister Luísa had written it for him during his illness. The line my heart can love for both of us gained deeper meaning, as Salvador’s own heart was failing, and in a way, his sister was “loving for two.”

In his winner’s speech, Sobral criticized much of Eurovision’s music as “fast-food music without content”, emphasizing emotion over spectacle. While many praised his lyrical honesty, other, including fellow contestant Robin Bengtsson for Sweden, felt it came across as condescending.

He later expressed regret, calling those remarks “nonsense” and acknowledging that they were interpreted as arrogant. He also regretted labeling Eurovision participation as his “personal prostitution,” admitting he had been trying to seem funny and  rebellious

 

In September of that year, Sobral announced a forced pause in his career. He needed all his energy for treatment and recovery. The tension surrounding his situation grew, and it became clear that a major operation was inevitable.

On 8 December 2017, the crucial step followed: a heart transplant in a Lisbon hospital. The surgery was successful and literally gave Salvador a new rhythm. A month later, in January 2018, he was released from hospital. His recovery, however, came with strict rules: no hugs, no crowds, and above all: rest.

Sobral described this second chance at life as a rebirth. His voice, long affected by heavy medication, remained fragile, but he hoped to regain his full vocal strength.

Behind the medical journey lay an emotional one. Before the surgery, Salvador, uncertain of the outcome, wrote a sort of will on his phone. His wish: to be cremated and have his ashes scattered into the sea near Mallorca. A quiet but powerful testament to how close he was to death.

He has never made any statements about the precise nature of his congenital heart defect.

 

 

After Eurovision Fame

In April 2018, Salvador and his sister Luísa received the “Order of Merit”, awarded by the Portuguese president in recognition of their contribution to culture. Shortly afterward, Salvador made an impressive comeback at the Eurovision final in Lisbon. Together with Brazilian legend Caetano Veloso, he performed “Amar pelos dois”and his new song “Mano a Mano” It was a symbolic return: an artist singing with a new heart, literally and figuratively.

With renewed life and energy, Sobral embarked on a creative journey that took him from Lisbon to Paris, across Latin America, and finally to Barcelona. His path since 2019 reveals an artist constantly reinventing himself while staying true to his authenticity.

In February 2024, Salvador made history again: he performed at the prestigious Goya Awards alongside Spanish singer Sílvia Pérez Cru; the first Portuguese artist ever to do so. Their collaboration grew into an intimate artistic project that culminated in the 2025 album “Sílvia & Salvador”, recorded in analogue. The record captures their voices in honest dialogue; without embellishment, pure and deeply human.

That same year, Sobral chose a new home base: Barcelona. For him, it was more than a move; it was a chance to begin again, far from the shadows of illness and recovery.

Private Life

In December 2018, Salvador married French actress Jenna Thiam. No grand spectacle, no flashing cameras, just an intimate ceremony in Lisbon with close family and friends. Jenna became not only his life partner but also his rock during the turbulent years after his transplant.

Together they welcomed a daughter, who gave Salvador’s life a new dimension. For a man who had stood so close to death, fatherhood became a gift.

In March 2024, Sobral once again showed courage and vulnerability: he revealed that he is intersex. His body does not naturally produce testosterone, a reality he had kept private for many years. By speaking openly, he not only shared his truth but also offered recognition and strength to others in similar situations.

 

Today, Salvador Sobral lives between music, love, and fatherhood. Once known primarily for his fragile health, he now radiates strength and serenity. His private life, marriage, fatherhood, openness about his identity, and his move to Barcelona, shows that he is not only a great artist but also a man who has embraced his second chance at life with both hands.

Related news

Uncategorized

Weekly Update

It’s Tuesday, October 28, 2025, and time for another weekly Eurovision update! This week brings national selection news from across Europe and a heated debate over Israel’s participation in Eurovision 2026. Ukraine’s broadcaster faces a legal threat over Vidbir rules, Germany wraps up its song submission phase, and several countries unveil plans for choosing their next Eurovision acts. Meanwhile, Austrian officials are speaking out strongly against any boycott of Israel. Here are this week’s top stories: National finals 🇺🇦 Ukraine: Broadcaster Stands Firm on Vidbir Rules Amid Lawsuit Threat Ukraine’s public broadcaster Suspilne has refused to alter its Eurovision selection rules despite pressure from a major pop star. Singer Olya Polyakova’s team appealed to the EBU and Suspilne, demanding a rule change. Otherwise “an inevitable lawsuit… could lead to even bigger scandals,” her producer Mykhailo Yasinskyi warned. The dispute centers on a policy barring artists who performed in Russia-occupied Crimea, Russia (after March 2014) or Belarus (after Feb 2022) from entering Vidbir 2026. Polyakova, who last performed in Russia in 2015, is thus ineligible under current rules. Suspilne flatly rejected her appeal, noting the selection process already began in September. Despite the controversy, Vidbir 2026 preparations continue with Eurovision 2016 winner Jamala as music producer, and the national final set for February. source: unn.ua and Suspilne 📷 Jamala, Andres Putting EBU 🇩🇪 Germany: Eurovision 2026 Song Submissions Window Closes Germany has closed the song submission period for its Eurovision 2026 selection. October 22 was the last day for artists and songwriters to send entries to broadcaster SWR. The German selection will now move into a multi-stage review process. In the first round, SWR’s editorial team evaluates each submission based on “artistic and vocal quality”. Next, international jurors and a sample of European viewers will listen and vote, simulating Eurovision’s scoring. Their input will produce a shortlist of acts, from which the final contestants will be chosen. Germany’s national final is planned for late February 2026, broadcast live on Das Erste. The eventual winner will go on to represent Germany at the 70th Eurovision Song Contest in Vienna. source: eurovoix.com 🇸🇲 San Marino: New “San Marino Song Contest” Format & March 7 Final The microstate of San Marino has announced an overhauled national selection format for Eurovision. Broadcaster SMRTV will hold a “San Marino Song Contest” with a format mirroring Eurovision itself. There will be two semi-finals on March 3 and 4, leading to a Grand Final on March 7, 2026. A total of 40 emerging artists, sourced from the parallel “Dreaming San Marino Song Contest” talent project, will compete in the semi-finals. Only 10 of them will advance to the final. They’ll join 10 pre-qualified established artists. In the March 7 final, these 20 acts will battle for the ticket to Eurovision 2026. The winner of San Marino’s contest will represent the country in Vienna next May. This marks a significant change from previous years’ formats, aiming to give new talent a chance alongside bigger names.  source: dreamingsanmarinosongcontest and SMRTV 🇱🇺 Luxembourg: 58 Hopefuls Audition for Eurovision Comeback Luxembourg’s quest for its next Eurovision entrant is in full swing with live auditions. From October 24–26, 58 candidates took part in auditions at RTL studios, vying for a spot in the Luxembourg Song Contest 2026. The aspiring acts had to meet at least one of three criteria: hold Luxembourgish nationality, reside in Luxembourg for 3+ months, or have a strong link to the nation’s music scene. The 58 contestants hail from 17 different cultural backgrounds. An international jury is evaluating the performances during the auditions, which feature 83 songs across six languages. 59% in English, plus French, Luxembourgish, Portuguese, Spanish, and German. The jury will select the best acts to advance to the televised final. The national final will be held on January 24, 2026 at the Rockhal arena, where one lucky artist will earn the ticket to Eurovision in Vienna. source: eurovision.rtl.lu. 🇲🇪 Montenegro: Songwriting Teams Revealed for MonteSong 2025 This week RTCG published the list of composers, lyricists, and arrangers for each of the 15 songs competing in MonteSong 2025. The lineup showcases a broad range of talent and international collaboration. Several local Montenegrin songwriters are joined by contributors from elsewhere in Europe and even the United States. For example, former Eurovision entrant Andrea Demirović returns as a co-writer of her song “I Believe,” teaming up with American songwriter Casey McQuillen. Other entries feature songwriting teams blending domestic and foreign talent, highlighting Montenegro’s openness to global influences in its music. MonteSong 2025 will feature 15 artists (previously announced by RTCG) performing original songs on December 21, 2025. By unveiling the creative teams now, RTCG is building anticipation and giving credit to the people behind the music. The national final’s winning song and artist will represent Montenegro at Eurovision 2026. source: RTCG 📷 Andrea Demirović 🇦🇱 Albania: Festivali i Këngës 64 Song Details Unveiled on Instagram In Albania, preparations for the 64th Festivali i Këngës are well underway. This week, the titles, genres, and songwriting credits of six competing songs were published. Among them are 2Farm’s song “Valle mbi hi” (Dance on the Ashes), an alternative track the band wrote and composed themselves, and Evi Reçi’s “Code of Life,” described as a modern ethno-EDM song. Notably, one of the revealed songwriters is Beatriçe Gjergji, who gave Albania a Top-10 finish at Eurovision 2025 with “Zjerm”. She returns as the lyricist-composer of the entry “Okej!” by newcomer Ghiti. In total, 28 artists will compete at Festivali i Këngës 64 in Tirana from December 17–20, 2025. RTSH has confirmed a revamped voting system. The FiK winner will be decided by 50% jury vote, 25% public televote and 25% international voting via the new “FiK” app.  Israel in the Eurovision Song Contest Austria: ORF and Government Reject Calls to Boycott Israel As the host country for Eurovision 2026, Austria is grappling with political pressure over Israel’s participation. In recent weeks, officials in some countries (including Spain, the Netherlands, and Ireland) threatened to

Read More »
Uncategorized
Martijn

Weekly Update

It’s Tuesday, October 28, 2025, and time for another weekly Eurovision update! This week brings national selection news from across Europe and a heated debate over Israel’s participation in Eurovision 2026. Ukraine’s broadcaster faces a legal threat over Vidbir rules, Germany wraps up its song submission phase, and several countries unveil plans for choosing their next Eurovision acts. Meanwhile, Austrian officials are speaking out strongly against any boycott of Israel. Here are this week’s top stories: National finals 🇺🇦 Ukraine: Broadcaster Stands Firm on Vidbir Rules Amid Lawsuit Threat Ukraine’s public broadcaster Suspilne has refused to alter its Eurovision selection rules despite pressure from a major pop star. Singer Olya Polyakova’s team appealed to the EBU and Suspilne, demanding a rule change. Otherwise “an inevitable lawsuit… could lead to even bigger scandals,” her producer Mykhailo Yasinskyi warned. The dispute centers on a policy barring artists who performed in Russia-occupied Crimea, Russia (after March 2014) or Belarus (after Feb 2022) from entering Vidbir 2026. Polyakova, who last performed in Russia in 2015, is thus ineligible under current rules. Suspilne flatly rejected her appeal, noting the selection process already began in September. Despite the controversy, Vidbir 2026 preparations continue with Eurovision 2016 winner Jamala as music producer, and the national final set for February. source: unn.ua and Suspilne 📷 Jamala, Andres Putting EBU 🇩🇪 Germany: Eurovision 2026 Song Submissions Window Closes Germany has closed the song submission period for its Eurovision 2026 selection. October 22 was the last day for artists and songwriters to send entries to broadcaster SWR. The German selection will now move into a multi-stage review process. In the first round, SWR’s editorial team evaluates each submission based on “artistic and vocal quality”. Next, international jurors and a sample of European viewers will listen and vote, simulating Eurovision’s scoring. Their input will produce a shortlist of acts, from which the final contestants will be chosen. Germany’s national final is planned for late February 2026, broadcast live on Das Erste. The eventual winner will go on to represent Germany at the 70th Eurovision Song Contest in Vienna. source: eurovoix.com 🇸🇲 San Marino: New “San Marino Song Contest” Format & March 7 Final The microstate of San Marino has announced an overhauled national selection format for Eurovision. Broadcaster SMRTV will hold a “San Marino Song Contest” with a format mirroring Eurovision itself. There will be two semi-finals on March 3 and 4, leading to a Grand Final on March 7, 2026. A total of 40 emerging artists, sourced from the parallel “Dreaming San Marino Song Contest” talent project, will compete in the semi-finals. Only 10 of them will advance to the final. They’ll join 10 pre-qualified established artists. In the March 7 final, these 20 acts will battle for the ticket to Eurovision 2026. The winner of San Marino’s contest will represent the country in Vienna next May. This marks a significant change from previous years’ formats, aiming to give new talent a chance alongside bigger names.  source: dreamingsanmarinosongcontest and SMRTV 🇱🇺 Luxembourg: 58 Hopefuls Audition for Eurovision Comeback Luxembourg’s quest for its next Eurovision entrant is in full swing with live auditions. From October 24–26, 58 candidates took part in auditions at RTL studios, vying for a spot in the Luxembourg Song Contest 2026. The aspiring acts had to meet at least one of three criteria: hold Luxembourgish nationality, reside in Luxembourg for 3+ months, or have a strong link to the nation’s music scene. The 58 contestants hail from 17 different cultural backgrounds. An international jury is evaluating the performances during the auditions, which feature 83 songs across six languages. 59% in English, plus French, Luxembourgish, Portuguese, Spanish, and German. The jury will select the best acts to advance to the televised final. The national final will be held on January 24, 2026 at the Rockhal arena, where one lucky artist will earn the ticket to Eurovision in Vienna. source: eurovision.rtl.lu. 🇲🇪 Montenegro: Songwriting Teams Revealed for MonteSong 2025 This week RTCG published the list of composers, lyricists, and arrangers for each of the 15 songs competing in MonteSong 2025. The lineup showcases a broad range of talent and international collaboration. Several local Montenegrin songwriters are joined by contributors from elsewhere in Europe and even the United States. For example, former Eurovision entrant Andrea Demirović returns as a co-writer of her song “I Believe,” teaming up with American songwriter Casey McQuillen. Other entries feature songwriting teams blending domestic and foreign talent, highlighting Montenegro’s openness to global influences in its music. MonteSong 2025 will feature 15 artists (previously announced by RTCG) performing original songs on December 21, 2025. By unveiling the creative teams now, RTCG is building anticipation and giving credit to the people behind the music. The national final’s winning song and artist will represent Montenegro at Eurovision 2026. source: RTCG 📷 Andrea Demirović 🇦🇱 Albania: Festivali i Këngës 64 Song Details Unveiled on Instagram In Albania, preparations for the 64th Festivali i Këngës are well underway. This week, the titles, genres, and songwriting credits of six competing songs were published. Among them are 2Farm’s song “Valle mbi hi” (Dance on the Ashes), an alternative track the band wrote and composed themselves, and Evi Reçi’s “Code of Life,” described as a modern ethno-EDM song. Notably, one of the revealed songwriters is Beatriçe Gjergji, who gave Albania a Top-10 finish at Eurovision 2025 with “Zjerm”. She returns as the lyricist-composer of the entry “Okej!” by newcomer Ghiti. In total, 28 artists will compete at Festivali i Këngës 64 in Tirana from December 17–20, 2025. RTSH has confirmed a revamped voting system. The FiK winner will be decided by 50% jury vote, 25% public televote and 25% international voting via the new “FiK” app.  Israel in the Eurovision Song Contest Austria: ORF and Government Reject Calls to Boycott Israel As the host country for Eurovision 2026, Austria is grappling with political pressure over Israel’s participation. In recent weeks, officials in some countries (including Spain, the Netherlands, and Ireland) threatened to

Read More »
Follow Us: