After the Eurovision Fame: Salvador Sobral

After the Eurovision Fame: Salvador Sobral

Salvador (Vilar Braamcamp) Sobral won the Eurovision Song Contest 2017 with “Amor pelos dois”, representing Portugal. What’s his story?

Early Years

Salvador Sobral was born on 28 December 1989 in Lisbon, the capital of Portugal. He comes from a family of Portuguese nobility.  He also is a descendant of Gerrit Braamcamp, an 18th-century Dutch distiller, timber trader, and renowned art collector. Portugal officially abolished nobility and its privileges in 1910 with the proclamation of the republic. Even so, people still informally call Sobral a count. His parents, Salvador Luís Cabral Braamcamp Sobral and Luísa Maria Cabral Posser Vilar, raised him in a musical family. His older sister, Luísa Sobral, built her own reputation as a Portuguese singer and songwriter

At the age of 10, Salvador appeared on the Portuguese TV program Bravo Bravíssimo, a talent show for young musical minds.  Around his twenties, he competed in Ídolos, the Portuguese version of Idols. He made it to the Top 10 finalists.

Salvador Sobral initially studied psychology at the ISPA Institute in Lisbon but left his studies to fully dedicate himself to music. Through the Erasmus program, he moved to Mallorca, where he performed in bars — an important formative experience that shaped his artistic path. He later pursued formal musical education at Taller de Músics in Barcelona, specializing in modern music and jazz, and graduated in 2014.

Eurovision and Heart Condition

When Salvador Sobral won the Eurovision Song Contest 2017 with “Amar pelos dois”, he already appeared fragile on stage. Behind the captivating smile and delicate voice was a heavy truth: the young Portuguese singer was battling a severe heart condition. His health often failed him, which meant he couldn’t always attend rehearsals.

Some fans began to see the lyrics of the song in a different light, since his sister Luísa had written it for him during his illness. The line my heart can love for both of us gained deeper meaning, as Salvador’s own heart was failing, and in a way, his sister was “loving for two.”

In his winner’s speech, Sobral criticized much of Eurovision’s music as “fast-food music without content”, emphasizing emotion over spectacle. While many praised his lyrical honesty, other, including fellow contestant Robin Bengtsson for Sweden, felt it came across as condescending.

He later expressed regret, calling those remarks “nonsense” and acknowledging that they were interpreted as arrogant. He also regretted labeling Eurovision participation as his “personal prostitution,” admitting he had been trying to seem funny and  rebellious

 

In September of that year, Sobral announced a forced pause in his career. He needed all his energy for treatment and recovery. The tension surrounding his situation grew, and it became clear that a major operation was inevitable.

On 8 December 2017, the crucial step followed: a heart transplant in a Lisbon hospital. The surgery was successful and literally gave Salvador a new rhythm. A month later, in January 2018, he was released from hospital. His recovery, however, came with strict rules: no hugs, no crowds, and above all: rest.

Sobral described this second chance at life as a rebirth. His voice, long affected by heavy medication, remained fragile, but he hoped to regain his full vocal strength.

Behind the medical journey lay an emotional one. Before the surgery, Salvador, uncertain of the outcome, wrote a sort of will on his phone. His wish: to be cremated and have his ashes scattered into the sea near Mallorca. A quiet but powerful testament to how close he was to death.

He has never made any statements about the precise nature of his congenital heart defect.

 

 

After Eurovision Fame

In April 2018, Salvador and his sister Luísa received the “Order of Merit”, awarded by the Portuguese president in recognition of their contribution to culture. Shortly afterward, Salvador made an impressive comeback at the Eurovision final in Lisbon. Together with Brazilian legend Caetano Veloso, he performed “Amar pelos dois”and his new song “Mano a Mano” It was a symbolic return: an artist singing with a new heart, literally and figuratively.

With renewed life and energy, Sobral embarked on a creative journey that took him from Lisbon to Paris, across Latin America, and finally to Barcelona. His path since 2019 reveals an artist constantly reinventing himself while staying true to his authenticity.

In February 2024, Salvador made history again: he performed at the prestigious Goya Awards alongside Spanish singer Sílvia Pérez Cru; the first Portuguese artist ever to do so. Their collaboration grew into an intimate artistic project that culminated in the 2025 album “Sílvia & Salvador”, recorded in analogue. The record captures their voices in honest dialogue; without embellishment, pure and deeply human.

That same year, Sobral chose a new home base: Barcelona. For him, it was more than a move; it was a chance to begin again, far from the shadows of illness and recovery.

Private Life

In December 2018, Salvador married French actress Jenna Thiam. No grand spectacle, no flashing cameras, just an intimate ceremony in Lisbon with close family and friends. Jenna became not only his life partner but also his rock during the turbulent years after his transplant.

Together they welcomed a daughter, who gave Salvador’s life a new dimension. For a man who had stood so close to death, fatherhood became a gift.

In March 2024, Sobral once again showed courage and vulnerability: he revealed that he is intersex. His body does not naturally produce testosterone, a reality he had kept private for many years. By speaking openly, he not only shared his truth but also offered recognition and strength to others in similar situations.

 

Today, Salvador Sobral lives between music, love, and fatherhood. Once known primarily for his fragile health, he now radiates strength and serenity. His private life, marriage, fatherhood, openness about his identity, and his move to Barcelona, shows that he is not only a great artist but also a man who has embraced his second chance at life with both hands.

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Austria in the Eurovision Song Contest, part 7

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For Austria in the Eurovision Song Contest, part 7, we look back at the start of the 21st century. Alf Poier participated for Austria, but there were also some unsuccesful entries. And there was a 3-year gap. 2000 – The Rounder Girls – All To You Austria’s 2000 entry “All To You” was internally selected by broadcaster ORF. The song was written by American songwriter Dave Moskin. Moskin gave the three-piece vocal group The Rounder Girls an up-tempo, gospel-influenced pop track. Performing last in the Stockholm final, the trio, with members from Austria, the US and the UK, delivered slick harmonies and choreography. They finished 14th out of 24 countries with 34 points. The Rounder Girls were a seasoned soul/gospel ensemble, and their Eurovision appearance raised their profile, though Austria’s middling result meant the country sat out the contest in 2001. 2002 – Manuel Ortega – Say A Word “Say A Word” by Manuel Ortega won Austria’s “Song.Null.Zwei” 2002 national final out of ten songs. this entry was an upbeat pop song with a catchy, boy-band style hook. It was composed by Alexander Kahr with lyrics by Robert Pfluger. At Eurovision 2002 in Tallinn, Ortega performed third and Austria placed 18th (26 points) in the final. Manuel Ortega, a young pop singer, had scored a summer hit in 2001 and was nicknamed “the Austrian Ricky Martin” for his Latin pop flair. His Eurovision song’s fun choreography and positive message reflected that image, though the result was a lower mid-table finish. 2003 – Alf Poier – Weil der Mensch zählt ORF organized the “Song.Null.Drei” 2003 selection. Petra Frey (ESC 1994) was the runner up. Comedian-singer Alf Poier triumphed with “Weil der Mensch zählt”. Poier penned this satirical song himself. Musically it’s a quirky folk-pop tune delivered in Styrian dialect. The performance, complete with cartoonish animal props, was a parody of Eurovision’s over-the-top style. At the Riga contest, this offbeat entry surprised many by scoring 6th place with 101 points. Alf Poier, an Austrian stand-up comedian known for absurdist humor, thus earned Austria’s best Eurovision result in over a decade. His comedic approach and catchy refrain turned him into a fan favorite that year. 2004 – Tie Break – Du bist Austria’s national final “Song.Null.Vier” chose Tie Break’s “Du bist” for Eurovision 2004. Waterloo & Robinson (ESC 1976!) were the runners up. Note that a song, written by popstar Falco, participated too. So posthumously, Falco did a Eurovision attempt!Written by composer Peter Zimmermann, “Du bist” is a tender schlager-style pop ballad performed in German. Tie Break, a trio of fresh-faced male singers (a boy band formed via a talent search), delivered tight harmonies in Istanbul’s final. Thanks to Austria’s top-10 result the year before, they pre-qualified directly for the final. Tie Break finished 21st out of 24 with 9 points. The group had gained national fame through the selection process, but on the Eurovision stage their gentle ballad struggled to stand out in a field dominated by more dynamic acts. 2005 – Global.Kryner – Y así In 2005, “Song.Null.Fünf” was held and the crossover folk band Global.Kryner won with “Y así”. They narrowly beated Alf Poier. The controversy was that Austria changed the rules of the voting on the very last moment. Would the original voting procedure be used, Alf Poier would have won. Band members Edi Köhldorfer (composer) and Christof Spörk (lyricist) combined Latin salsa rhythms with Austrian alpine polka to create this unique “salsa-polka-pop” song. Global.Kryner was a six-member ensemble known for blending folk and jazz influences. They opened the Eurovision semi-final in Kyiv with an energetic performance featuring yodels and Latin dance breaks. However, “Y así” did not advance to the final, placing 21st of 25 in the semi-final with 30 points. The group had earned acclaim in Austria and Germany, but their daring genre fusion proved too quirky for the Eurovision televote that year. 2007 – Eric Papilaya – Get A Life – Get Alive After a brief Eurovision hiatus, Austria returned in 2007 by internally selecting Eric Papilaya. His entry “Get A Life – Get Alive” – composed by Greg Usek with lyrics by Austin Howard. It was the official anthem of Vienna’s Life Ball AIDS charity event. This song is an upbeat pop-rock anthem with an inspirational message and flashy staging. Papilaya performed with a giant red ribbon on stage. Papilaya, a rock vocalist who rose to fame on the TV talent show Starmania, gave a spirited performance in Helsinki’s semi-final. Unfortunately Austria did not qualify for the final; he placed 27th (four points) in the semi. The entry drew media attention for its charity theme, but it wasn’t enough to overcome tough competition in 2007. 2011 – Nadine Beiler – The Secret Is Love Austria returned to Eurovision in 2011 through the national selection “Düsseldorf – wir kommen!”. The competition featured ten songs. However, well-known artists Alf Poier and Petra Frey failed to pass the online preselection. As a result, Nadine Beiler won the final with her soulful ballad “The Secret Is Love”. She co-wrote the song with veteran producer Thomas Rabitsch. Musically, the entry combines elements of gospel and pop, while it clearly highlights Beiler’s strong vocal range. Previously, Nadine Beiler had gained national fame by winning the television talent show Starmania in 2007 at the age of 16. Therefore, expectations were already high when she took the stage in Düsseldorf. Her Eurovision performance began a cappella and gradually built towards a powerful climax. Consequently, Austria qualified from the semi-final in seventh place with 69 points. In the grand final, Beiler finished 18th, scoring 64 points. Nevertheless, this result marked Austria’s first appearance in a Eurovision final in seven years and therefore signalled a credible and positive comeback.

Read More »
History
Martijn

Austria in the Eurovision Song Contest, part 7

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For Austria in the Eurovision Song Contest, part 7, we look back at the start of the 21st century. Alf Poier participated for Austria, but there were also some unsuccesful entries. And there was a 3-year gap. 2000 – The Rounder Girls – All To You Austria’s 2000 entry “All To You” was internally selected by broadcaster ORF. The song was written by American songwriter Dave Moskin. Moskin gave the three-piece vocal group The Rounder Girls an up-tempo, gospel-influenced pop track. Performing last in the Stockholm final, the trio, with members from Austria, the US and the UK, delivered slick harmonies and choreography. They finished 14th out of 24 countries with 34 points. The Rounder Girls were a seasoned soul/gospel ensemble, and their Eurovision appearance raised their profile, though Austria’s middling result meant the country sat out the contest in 2001. 2002 – Manuel Ortega – Say A Word “Say A Word” by Manuel Ortega won Austria’s “Song.Null.Zwei” 2002 national final out of ten songs. this entry was an upbeat pop song with a catchy, boy-band style hook. It was composed by Alexander Kahr with lyrics by Robert Pfluger. At Eurovision 2002 in Tallinn, Ortega performed third and Austria placed 18th (26 points) in the final. Manuel Ortega, a young pop singer, had scored a summer hit in 2001 and was nicknamed “the Austrian Ricky Martin” for his Latin pop flair. His Eurovision song’s fun choreography and positive message reflected that image, though the result was a lower mid-table finish. 2003 – Alf Poier – Weil der Mensch zählt ORF organized the “Song.Null.Drei” 2003 selection. Petra Frey (ESC 1994) was the runner up. Comedian-singer Alf Poier triumphed with “Weil der Mensch zählt”. Poier penned this satirical song himself. Musically it’s a quirky folk-pop tune delivered in Styrian dialect. The performance, complete with cartoonish animal props, was a parody of Eurovision’s over-the-top style. At the Riga contest, this offbeat entry surprised many by scoring 6th place with 101 points. Alf Poier, an Austrian stand-up comedian known for absurdist humor, thus earned Austria’s best Eurovision result in over a decade. His comedic approach and catchy refrain turned him into a fan favorite that year. 2004 – Tie Break – Du bist Austria’s national final “Song.Null.Vier” chose Tie Break’s “Du bist” for Eurovision 2004. Waterloo & Robinson (ESC 1976!) were the runners up. Note that a song, written by popstar Falco, participated too. So posthumously, Falco did a Eurovision attempt!Written by composer Peter Zimmermann, “Du bist” is a tender schlager-style pop ballad performed in German. Tie Break, a trio of fresh-faced male singers (a boy band formed via a talent search), delivered tight harmonies in Istanbul’s final. Thanks to Austria’s top-10 result the year before, they pre-qualified directly for the final. Tie Break finished 21st out of 24 with 9 points. The group had gained national fame through the selection process, but on the Eurovision stage their gentle ballad struggled to stand out in a field dominated by more dynamic acts. 2005 – Global.Kryner – Y así In 2005, “Song.Null.Fünf” was held and the crossover folk band Global.Kryner won with “Y así”. They narrowly beated Alf Poier. The controversy was that Austria changed the rules of the voting on the very last moment. Would the original voting procedure be used, Alf Poier would have won. Band members Edi Köhldorfer (composer) and Christof Spörk (lyricist) combined Latin salsa rhythms with Austrian alpine polka to create this unique “salsa-polka-pop” song. Global.Kryner was a six-member ensemble known for blending folk and jazz influences. They opened the Eurovision semi-final in Kyiv with an energetic performance featuring yodels and Latin dance breaks. However, “Y así” did not advance to the final, placing 21st of 25 in the semi-final with 30 points. The group had earned acclaim in Austria and Germany, but their daring genre fusion proved too quirky for the Eurovision televote that year. 2007 – Eric Papilaya – Get A Life – Get Alive After a brief Eurovision hiatus, Austria returned in 2007 by internally selecting Eric Papilaya. His entry “Get A Life – Get Alive” – composed by Greg Usek with lyrics by Austin Howard. It was the official anthem of Vienna’s Life Ball AIDS charity event. This song is an upbeat pop-rock anthem with an inspirational message and flashy staging. Papilaya performed with a giant red ribbon on stage. Papilaya, a rock vocalist who rose to fame on the TV talent show Starmania, gave a spirited performance in Helsinki’s semi-final. Unfortunately Austria did not qualify for the final; he placed 27th (four points) in the semi. The entry drew media attention for its charity theme, but it wasn’t enough to overcome tough competition in 2007. 2011 – Nadine Beiler – The Secret Is Love Austria returned to Eurovision in 2011 through the national selection “Düsseldorf – wir kommen!”. The competition featured ten songs. However, well-known artists Alf Poier and Petra Frey failed to pass the online preselection. As a result, Nadine Beiler won the final with her soulful ballad “The Secret Is Love”. She co-wrote the song with veteran producer Thomas Rabitsch. Musically, the entry combines elements of gospel and pop, while it clearly highlights Beiler’s strong vocal range. Previously, Nadine Beiler had gained national fame by winning the television talent show Starmania in 2007 at the age of 16. Therefore, expectations were already high when she took the stage in Düsseldorf. Her Eurovision performance began a cappella and gradually built towards a powerful climax. Consequently, Austria qualified from the semi-final in seventh place with 69 points. In the grand final, Beiler finished 18th, scoring 64 points. Nevertheless, this result marked Austria’s first appearance in a Eurovision final in seven years and therefore signalled a credible and positive comeback.

Read More »
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