📷 EBU/Corinne Cumming
In this final episode of our series on Austria in the Eurovision Song Contest, we cover the years 2019–2025. We’ll look at each Austrian entry’s national selection process (if any), the song’s lyricists and composers, musical style, Eurovision score, and a few facts about the artist.
2019 – PÆNDA – “Limits”
In 2019, Austria internally selected singer-songwriter PÆNDA (Gabriela Horn) to perform the song “Limits” at Eurovision. PÆNDA wrote and composed the song herself; a minimalist electro-pop ballad that highlights her ethereal vocals and emotional songwriting. The lyrics describe pushing oneself too far and hitting personal limits. Despite its intimate staging and artistic vibe, Limits failed to advance from the semi-finals, placing 17th in Semi-Final 2. PÆNDA, a native of Styria, is an EDM-pop producer who launched her project in 2016. She blends underground electronic beats with catchy pop elements, and her Eurovision entry appeared on her 2019 album Evolution II.
2020 – Vincent Bueno – “Alive”
For Eurovision 2020, ORF internally selected Vincent Bueno to represent Austria. “Alive” is an upbeat pop track with R&B and funk influences. Vincent co-wrote the song with a team including David “Davey” Yang and Felix van Göns. The track’s groovy bassline and falsetto riffs convey a message of liberation. It’s about feeling truly “alive” by letting go of one’s ego. Vincent is an Austrian-Filipino singer who first found fame by winning ORF’s musical talent show in 2008. He also performed in theater productions, showcasing his stage experience. Sadly, Eurovision 2020 was cancelled due to the pandemic. As a result, “Alive” never reached the Rotterdam stage and received no final score.
2021 – Vincent Bueno – “Amen”
In 2021, Austria kept faith with Vincent Bueno, who returned with the power ballad “Amen”. ORF again internally selected Vincent after 2020’s cancellation. A trio of songwriters – Tobias Carshey, Ashley Hicklin, and Jonas Thander – crafted “Amen”. The entry starts as a gentle pop ballad and swells into a gospel-tinged climax, allowing Vincent to showcase soulful vocal runs. Lyrically, it’s an emotional farewell to a failed relationship, with the title evoking a final prayer or conclusion. Vincent’s performance in Rotterdam featured minimalist staging to match the song’s sincerity. However, “Amen” did not qualify for the Grand Final, placing 12th in its semi-final with 66 points. Vincent Bueno’s experience in show business, he’s a Musical! Die Show 2008 winner and skilled performer, was evident in his poised delivery, even if Austria missed out on the final.
2022 – LUM!X feat. Pia Maria – “Halo”
For 2022, Austrian DJ LUM!X (Luca Michlmayr) teamed up with newcomer Pia Maria for the high-energy song “Halo”. ORF internally selected the duo for Eurovision 2022. A songwriting team including LUM!X himself, Italian DJ Gabry Ponte, Norwegian producer Anders Nilsen, Swedish songwriter Rasmus Flyckt, and Canadian singer-songwriter Sophie Simmons wrote “Halo”. The track is a high-BPM dance number with a pulsating beat and a catchy hook. On stage in Turin, LUM!X worked the DJ decks while Pia Maria sang amid vibrant neon visuals. Despite the song’s hit potential, the live vocals were shaky and Austria failed to reach the final. “Halo” finished 15th in its semi-final (42 points). At the time, LUM!X was only 19 and already had viral hits like “Monster.” Meanwhile, 18-year-old Pia Maria was a newcomer making her live TV debut.
2023 – Teya & Salena – “Who the Hell Is Edgar?”
Austria took a witty turn in 2023 with “Who the Hell Is Edgar?”, a satirical electropop duet by Teya & Salena. The pair – Teodora “Teya” Špirić and Selina “Salena” Edbauer – were internally selected by ORF. They had written the song together at a songwriting camp. Teya, Salena, Czech producer Ronald Janeček, and Swiss songwriter Pele Loriano co-wrote “Who the Hell Is Edgar?”. It’s an up-tempo track with tongue-in-cheek lyrics about being “possessed” by the ghost of Edgar Allan Poe. This is a metaphor for the struggles of female songwriters in the music industry. The catchy “Poe, Poe, Poe” hook and quirky choreography made it one of that year’s most memorable entries. Teya & Salena’s charismatic performance carried Austria to the Grand Final in Liverpool, where they finished 15th with 120 points. The song also sparked conversations about streaming royalties and sexism – topics cleverly referenced in its lyrics.
2024 – Kaleen – “We Will Rave”
In 2024, Austria sent Kaleen (Marie-Sophie Kreissl) to Eurovision with the song “We Will Rave”. ORF held an internal selection with live auditions to choose Kaleen. “We Will Rave” is a techno-pop banger written by Anderz Wrethov, Jimmy “Joker” Thörnfeldt, Julie Aagaard (Kill J), and Thomas Stengaard. Its thumping bass and EDM drops created a rave-like atmosphere on stage. Kaleen delivered a flashy, dance-heavy performance befitting her background as a professional dancer. Austria ultimately struggled in the Grand Final – “We Will Rave” finished 24th (second-last) with only 24 points. Kaleen was already a five-time world dance champion and had worked on Eurovision shows as a choreographer and creative director. Yet 2024 was her first time stepping into the Eurovision spotlight as a singer.
2025 – JJ – “Wasted Love”
Austria achieved a historic victory in 2025 when JJ took the Eurovision crown with “Wasted Love”. ORF internally selected JJ (born Johannes Pietsch) to represent Austria. He co-wrote this operatic pop ballad with Teodora Špirić (Teya, see 2023) and composer Thomas Thurner. Orchestral strings and a melody that builds to a powerful climax make the song a perfect showcase for JJ’s soaring countertenor vocals. The lyrics lament lost love, delivered with the emotional intensity of a classical aria. “Wasted Love” captivated the audience, ultimately winning the Eurovision 2025 final with 436 points. At 24, JJ was already performing as a countertenor at the Vienna State Opera and had been a finalist on ORF’s Starmania in 2021. This triumph marked Austria’s third-ever Eurovision win.
sources: Eurovision.tv, de.wikipedia.org, en.wikipedia.org
