Road to Vienna: Serbia

Road to Vienna: Serbia

As the Eurovision Song Contest 2026 in Vienna approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Serbia

 

Lavina: Serbia’s Metal Force Heading to Eurovision 2026

Lavina is a six-member metal band from Niš, Serbia, formed in 2020. The lineup includes vocalist Luka Aranđelović, guitarists Pavle Samardžić and Andrija Cvetanović, bassist Nikola Petrović, keyboardist Pavle Aranđelović, and drummer Bojan Ilić. Known for blending heavy riffs with melodic and emotional elements, Lavina has quickly become one of Serbia’s most talked-about modern metal acts.

Early Years and Formation

From the beginning, Lavina focused on crafting a distinct sound rather than rushing into the spotlight. Their music combines progressive metal influences with accessible songwriting and modern production. This careful approach helped the band establish a strong identity within the Serbian music scene.

Breakthrough with Odyssey

In November 2022, Lavina released their debut album Odyssey. The record introduced their powerful and emotional style to a wider audience and marked a major milestone in their career. Early tracks like “Id” further showcased their musical direction and helped expand their reach beyond Niš.

Growing Reputation Through Live Performances

Between 2023 and 2024, Lavina built a solid reputation as a live act by touring across Europe. They performed in countries including Croatia, Romania, Bulgaria, Greece, Hungary, and Poland. These shows played a key role in growing their international fanbase and establishing their presence beyond the local scene.

New Music and Evolution

Lavina continued evolving with new releases such as “In Your Absence” (2024), “IRON WILL” (2024), and “this, too, will pass.” (2025). These tracks highlight the band’s artistic growth, combining heavy soundscapes with deeper emotional and atmospheric elements.

Eurovision 2026 Breakthrough

In 2026, Lavina won Serbia’s national selection, Pesma za Evroviziju, with the song “Kraj mene.” Performing in Serbian added authenticity and emotional depth to their entry. With this victory, Lavina will represent Serbia at the Eurovision Song Contest 2026 in Vienna, marking a historic moment as one of the country’s first metal acts on the Eurovision stage.

Kraj Mene: A Powerful Song About Unrequited Love

Kraj Mene (“Next to Me”) is an emotional track about unrequited love. The song explores feelings of longing, heartbreak, and vulnerability, making it highly relatable for listeners who have experienced one-sided love.

The Tension Between Love and Reality

At its core, the song highlights the struggle between desire and reality. The narrator seeks closeness but faces emotional distance and rejection. This contrast creates a powerful narrative that resonates with anyone who has loved without equal return.

Minimalist Sound, Maximum Impact

The music enhances the emotional depth of the track. With soft instrumentals and a minimalist arrangement, the focus remains on the vocals. This allows every emotion—hope, pain, and sadness—to stand out clearly, drawing listeners deeper into the story.

A Message of Self-Awareness and Strength

Beyond heartbreak, “Kraj Mene” also reflects self-awareness and resilience. The narrator recognizes the one-sided nature of their love and begins to accept it. This adds emotional depth and transforms the song into a story about personal growth.

Serbia in the Eurovision Song Contest

Serbia has participated in the Eurovision Song Contest 16 times since its debut as an independent nation in 2007. The country achieved its best result in its debut year, winning the contest with Marija Šerifović‘s “Molitva.” Serbia continues to showcase a diverse range of musical talents on the Eurovision stage.​ 

 

The bookmakers

Serbia is currently sitting in 24th place; it’s getting tense. Will they fall short in the semi-final again, just like last year, or can they pull in enough points to make it to the final?

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A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

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Eurovision Song Contest 2026 - Banner
Eurovision 2026
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Vienna 12 points: Eurovision 2nd semifinal tonight

Eurovision time! The second semi-final opens with a parody of JJ’s “Wasted Love”, performed by the hosts. To us, it feels like wasted time. 🇧🇬 Bulgaria In what looks like a waiting room, we see Dara with her dancers. There is some rather wild dancing going on. Halfway through the performance, the waiting room disappears, but the act remains just as gripping. Dara opens the show and immediately grabs the viewer’s attention, from the first second to the last. A perfect opener. 🇦🇿 Azerbaijan At first, Jiva’s performance is rather understated. That should put the focus mainly on the vocals and the song. Halfway through, the man she has to let go of appears, and a small routine with ribbons unfolds. A pity, because it distracts from the particularly strong vocals Jiva delivers. Whether the song is strong enough for a place in the final, we would not dare say. 🇷🇴 Romania There is a lot happening on stage for Romania. At first, Alexandra is connected to the two guitarists by light cables. Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times. 🇱🇺 Luxembourg The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts. 🇨🇿 Czechia Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final. 🇫🇷 France Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego? 🇦🇹 Austria Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year. 🇱🇻 Latvia Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. Whether the song is strong enough for a place in the final remains to be seen. 🇩🇰 Denmark Søren stands on stage with a kind of aquarium behind him, containing his dancers. Eventually, Søren himself also crawls into the aquarium, exactly at the moment when he has to hit a high note. That takes guts. Søren simply goes for it. The whole package has everything it needs for a high placing. 🇦🇺 Australia Delta Goodrem wears a dress with 7,000 Swarovski crystals. Her grand piano also appears to be covered in crystals. Delta has a great deal of experience and uses it to deliver a very strong performance. Right at the end, it turns out that a platform rises out of the piano. Delta rises up on it. She ends as a kind of Lady Liberty. Top three? 🇺🇦 Ukraine The vocals from Ukraine’s Lekela are fine. During the performance, however, little happens. We see curtains coming down, and use is made of the good old wind machine. A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

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