Basel Bulletin: The Big 5 and Switzerland

The Big 5 and Switzerland are on today. We haven’t seen or heard anything so far about them but here they are! They rehearsed today!

EBU has decided to release photo’s of it only the day after. But still we can show you (if available) the national final performance or any other live performance so you got an idea what the artists are capable of. Disclaimer: for the description of the performance, we have to do it with what the EBU tells us.

🇩🇪 Germany

Germany’s first rehearsal for Eurovision 2025 featured Abor & Tynna performing their electro track “Baller.” This is Germany’s first entry in German since 2007. The duo, who are siblings, originate from a musical family based in Vienna. The performance begins with Abor playing a white LED-lit electric cello in front of a tall curtain. As the beat drops, the curtain falls to reveal Tynna standing atop a large 1980s-style boombox prop, about three metres high. She performs the first verse and chorus there before descending to the stage. Four dancers use handheld spotlights to illuminate her as they freestyle around her.

Tynna’s outfit includes black military-style shorts, a crop top, knee-high boots, and leather gloves. The visuals feature intense white and blue strobes, industrial-style graphics, and the word “BALLER” in large LED lettering. For the finale, she dances on the walkway while Abor plays above. The final chorus includes pyrotechnics and a firework display.

🇫🇷 France

France’s Louane rehearsed her song “Maman” for the first time in Basel, presenting a minimalist and symbolic staging. She performs barefoot, wearing a long black lace dress, within a sand-covered circle at the center of the stage. Throughout the song, a steady stream of sand falls from above onto one side of the circle, representing the passage of time.

The performance includes a moment where Louane kneels and clears a patch of sand to reveal a mirror. Her movements are precisely timed with the musical arrangement and camera direction. The lighting builds gradually alongside orchestral strings, culminating in an intense sequence as the drumbeat grows louder.

All visuals are centered around the theme of time, with the hourglass imagery and falling sand reinforcing the song’s message about love, loss, and personal growth. The performance concludes with a wide, backlit shot, highlighting Louane’s stillness as the sand continues to fall.

🇬🇧 United Kingdom

The United Kingdom’s 2025 Eurovision rehearsal features vocal trio Remember Monday performing “What The Hell Just Happened?” The staging begins in a vintage-style boudoir on one side of the stage, designed to evoke the “morning after the night before.” A padded screen with a heart-shaped cut-out frames the trio as they begin the song in corseted dresses—pale blue (Lauren), pink (Holly-Anne), and yellow (Charlotte).

As the chorus hits, the group moves down the catwalk toward the main stage, where a large, tilted chandelier sits—around 2.5 to 3 metres tall—with candles and multi-coloured lighting. This prop represents the chaos referenced in the lyrics.

Throughout the performance, dynamic camerawork follows the trio’s movement, including overhead shots of the LED floor and a sweeping pan over the chandelier. The song concludes with the singers back in the boudoir, framed by the heart cut-out.

Pyrotechnics are expected in future rehearsals but were not included in this run.

🇨🇭 Switzerland

Switzerland’s first rehearsal for Eurovision 2025 features Zoë Më performing “Voyage” in an intimate, cinematic setting. The performance, set entirely in black space with sculptural lighting, is filmed in one continuous handheld shot. There are no cuts, choreography, props, or LED content. Instead, the camera moves gently and closely around Zoë, responding to her presence in real time.

She begins seated and remains alone on stage throughout, wearing an off-the-shoulder black silk dress printed with abstract florals in deep reds, purples, and blues. The performance is shot on vintage Zeiss Super Speed lenses, creating soft highlights and a shallow depth of field that isolates her in the frame.

During the bridge, the quiet atmosphere ruptures with smoke, wind, and overexposed flashes, while the camera continues uninterrupted. As the performance resolves, the audience appears with phone lights raised, before fading to black. The concept focuses entirely on emotional detail and visual restraint.

🇮🇹 Italy

Italy’s first rehearsal for Eurovision 2025 features Lucio Corsi performing his glam rock ballad Volevo Essere Un Duro. The 31-year-old singer-songwriter from Tuscany brings a 1970s aesthetic, both musically and visually, echoing Bowie-era piano ballads. The staging closely follows his Sanremo performance: Lucio begins seated at an extended piano, wearing a bright yellow, giant-shouldered bolero jacket and his signature white face makeup. He is joined on stage by guitarist and co-writer Tommaso Ottomano.

After the first third of the song, Lucio moves to the centre stage with his guitar. New for Eurovision are two large retro speaker props at the back—one square and approximately four metres high, the other slightly smaller. A sepia filter is applied to the broadcast, enhancing the vintage atmosphere, and English subtitles appear on-screen to support accessibility. A harmonica solo precedes the final chorus, one of the few live instrumental moments in this year’s contest.

🇪🇸 Spain

Spain’s first rehearsal for Eurovision 2025 features Melody performing her uptempo track Esa Diva. Known for her long-standing career in Spanish pop, Melody presents a completely reimagined staging compared to her Benidorm Fest performance. Previously seen elements such as the swing, throne, and neon pink visuals are no longer present. Instead, the new staging introduces a more refined and structured concept.

The performance is now divided into three distinct acts, each marked by a specific visual theme. First, Act One uses purple lighting and graphics. Then, Act Two shifts to red tones, adding intensity. Finally, Act Three transitions into pure white, blending with a mountain backdrop projected on the LED screen.

Throughout the performance, Melody is joined by five dancers—three male and two female—who perform different routines for each act. Additionally, her outfit features a black corseted design with sharp shoulders and hips, paired with a fedora and thigh-high boots. The performance opens in silhouette and concludes with a powerful, high-energy final dance sequence.

 

 

 

 

 

 

Related news

News

🇬🇷 Marinella dies at 87; Greece’s first Eurovision participant passes away

Greek music icon Marinella has died at the age of 87. Her family announced that she passed away on Saturday, 28 March 2026, after a long period of fragile health. In September 2024, Marinella suffered a stroke while performing at the Odeon of Herodes Atticus in Athens. She spent four months in hospital and later continued her rehabilitation at home. For Eurovision fans, Marinella will always hold a unique place in history. She was the very first Greek participant ever at the Eurovision Song Contest. In 1974, she represented Greece in Brighton with the song “Krassi, Thalassa Ke T’agori Mou.” That appearance marked Greece’s first-ever participation in the contest. Marinella finished in 11th place, but her performance opened the door to a Eurovision journey that would become an important part of Greek music history. Greece’s first Eurovision participant The name Marinella means far more than one Eurovision result. Still, her 1974 appearance remains historic. Every Greek artist who followed her on the Eurovision stage did so after Marinella had taken that first step. Because of that, her place in Eurovision history is secure. She did not just sing Greece’s debut entry. She became part of the foundation of Greece in the contest. A career that shaped Greek music Born as Kyriaki Papadopoulou in Thessaloniki, Marinella grew into one of the best-known voices in Greek music. Kathimerini described her as a singer whose name became linked with some of the biggest recording successes of the 20th century, while Euronews noted that her career stretched across more than six decades and included 66 solo albums. She also worked with major Greek composers such as Mikis Theodorakis, Stavros Xarhakos and Manos Hadjidakis. Kathimerini also recalled that Marinella never fully embraced the label of “legend.” In earlier interviews, she stressed that singing was about love and direct contact with her audience. That attitude perhaps explains why so many people in Greece felt close to her. She was not only admired for her voice, but also for the emotion and sincerity she brought to the stage. A lasting legacy Marinella dies, but her legacy will remain. For Greece, she was one of the defining voices of modern popular music. For Eurovision, she will always be remembered as the artist who started the Greek story in the contest. Her result in Brighton may not have brought Greece a trophy, yet her role was bigger than that. Marinella was first. That alone makes her unforgettable. source: Kathimerini

Read More »
News
Martijn

🇬🇷 Marinella dies at 87; Greece’s first Eurovision participant passes away

Greek music icon Marinella has died at the age of 87. Her family announced that she passed away on Saturday, 28 March 2026, after a long period of fragile health. In September 2024, Marinella suffered a stroke while performing at the Odeon of Herodes Atticus in Athens. She spent four months in hospital and later continued her rehabilitation at home. For Eurovision fans, Marinella will always hold a unique place in history. She was the very first Greek participant ever at the Eurovision Song Contest. In 1974, she represented Greece in Brighton with the song “Krassi, Thalassa Ke T’agori Mou.” That appearance marked Greece’s first-ever participation in the contest. Marinella finished in 11th place, but her performance opened the door to a Eurovision journey that would become an important part of Greek music history. Greece’s first Eurovision participant The name Marinella means far more than one Eurovision result. Still, her 1974 appearance remains historic. Every Greek artist who followed her on the Eurovision stage did so after Marinella had taken that first step. Because of that, her place in Eurovision history is secure. She did not just sing Greece’s debut entry. She became part of the foundation of Greece in the contest. A career that shaped Greek music Born as Kyriaki Papadopoulou in Thessaloniki, Marinella grew into one of the best-known voices in Greek music. Kathimerini described her as a singer whose name became linked with some of the biggest recording successes of the 20th century, while Euronews noted that her career stretched across more than six decades and included 66 solo albums. She also worked with major Greek composers such as Mikis Theodorakis, Stavros Xarhakos and Manos Hadjidakis. Kathimerini also recalled that Marinella never fully embraced the label of “legend.” In earlier interviews, she stressed that singing was about love and direct contact with her audience. That attitude perhaps explains why so many people in Greece felt close to her. She was not only admired for her voice, but also for the emotion and sincerity she brought to the stage. A lasting legacy Marinella dies, but her legacy will remain. For Greece, she was one of the defining voices of modern popular music. For Eurovision, she will always be remembered as the artist who started the Greek story in the contest. Her result in Brighton may not have brought Greece a trophy, yet her role was bigger than that. Marinella was first. That alone makes her unforgettable. source: Kathimerini

Read More »
Follow Us: