Basel Bulletin: The Big 5 and Switzerland

The Big 5 and Switzerland are on today. We haven’t seen or heard anything so far about them but here they are! They rehearsed today!

EBU has decided to release photo’s of it only the day after. But still we can show you (if available) the national final performance or any other live performance so you got an idea what the artists are capable of. Disclaimer: for the description of the performance, we have to do it with what the EBU tells us.

🇩🇪 Germany

Germany’s first rehearsal for Eurovision 2025 featured Abor & Tynna performing their electro track “Baller.” This is Germany’s first entry in German since 2007. The duo, who are siblings, originate from a musical family based in Vienna. The performance begins with Abor playing a white LED-lit electric cello in front of a tall curtain. As the beat drops, the curtain falls to reveal Tynna standing atop a large 1980s-style boombox prop, about three metres high. She performs the first verse and chorus there before descending to the stage. Four dancers use handheld spotlights to illuminate her as they freestyle around her.

Tynna’s outfit includes black military-style shorts, a crop top, knee-high boots, and leather gloves. The visuals feature intense white and blue strobes, industrial-style graphics, and the word “BALLER” in large LED lettering. For the finale, she dances on the walkway while Abor plays above. The final chorus includes pyrotechnics and a firework display.

🇫🇷 France

France’s Louane rehearsed her song “Maman” for the first time in Basel, presenting a minimalist and symbolic staging. She performs barefoot, wearing a long black lace dress, within a sand-covered circle at the center of the stage. Throughout the song, a steady stream of sand falls from above onto one side of the circle, representing the passage of time.

The performance includes a moment where Louane kneels and clears a patch of sand to reveal a mirror. Her movements are precisely timed with the musical arrangement and camera direction. The lighting builds gradually alongside orchestral strings, culminating in an intense sequence as the drumbeat grows louder.

All visuals are centered around the theme of time, with the hourglass imagery and falling sand reinforcing the song’s message about love, loss, and personal growth. The performance concludes with a wide, backlit shot, highlighting Louane’s stillness as the sand continues to fall.

🇬🇧 United Kingdom

The United Kingdom’s 2025 Eurovision rehearsal features vocal trio Remember Monday performing “What The Hell Just Happened?” The staging begins in a vintage-style boudoir on one side of the stage, designed to evoke the “morning after the night before.” A padded screen with a heart-shaped cut-out frames the trio as they begin the song in corseted dresses—pale blue (Lauren), pink (Holly-Anne), and yellow (Charlotte).

As the chorus hits, the group moves down the catwalk toward the main stage, where a large, tilted chandelier sits—around 2.5 to 3 metres tall—with candles and multi-coloured lighting. This prop represents the chaos referenced in the lyrics.

Throughout the performance, dynamic camerawork follows the trio’s movement, including overhead shots of the LED floor and a sweeping pan over the chandelier. The song concludes with the singers back in the boudoir, framed by the heart cut-out.

Pyrotechnics are expected in future rehearsals but were not included in this run.

🇨🇭 Switzerland

Switzerland’s first rehearsal for Eurovision 2025 features Zoë Më performing “Voyage” in an intimate, cinematic setting. The performance, set entirely in black space with sculptural lighting, is filmed in one continuous handheld shot. There are no cuts, choreography, props, or LED content. Instead, the camera moves gently and closely around Zoë, responding to her presence in real time.

She begins seated and remains alone on stage throughout, wearing an off-the-shoulder black silk dress printed with abstract florals in deep reds, purples, and blues. The performance is shot on vintage Zeiss Super Speed lenses, creating soft highlights and a shallow depth of field that isolates her in the frame.

During the bridge, the quiet atmosphere ruptures with smoke, wind, and overexposed flashes, while the camera continues uninterrupted. As the performance resolves, the audience appears with phone lights raised, before fading to black. The concept focuses entirely on emotional detail and visual restraint.

🇮🇹 Italy

Italy’s first rehearsal for Eurovision 2025 features Lucio Corsi performing his glam rock ballad Volevo Essere Un Duro. The 31-year-old singer-songwriter from Tuscany brings a 1970s aesthetic, both musically and visually, echoing Bowie-era piano ballads. The staging closely follows his Sanremo performance: Lucio begins seated at an extended piano, wearing a bright yellow, giant-shouldered bolero jacket and his signature white face makeup. He is joined on stage by guitarist and co-writer Tommaso Ottomano.

After the first third of the song, Lucio moves to the centre stage with his guitar. New for Eurovision are two large retro speaker props at the back—one square and approximately four metres high, the other slightly smaller. A sepia filter is applied to the broadcast, enhancing the vintage atmosphere, and English subtitles appear on-screen to support accessibility. A harmonica solo precedes the final chorus, one of the few live instrumental moments in this year’s contest.

🇪🇸 Spain

Spain’s first rehearsal for Eurovision 2025 features Melody performing her uptempo track Esa Diva. Known for her long-standing career in Spanish pop, Melody presents a completely reimagined staging compared to her Benidorm Fest performance. Previously seen elements such as the swing, throne, and neon pink visuals are no longer present. Instead, the new staging introduces a more refined and structured concept.

The performance is now divided into three distinct acts, each marked by a specific visual theme. First, Act One uses purple lighting and graphics. Then, Act Two shifts to red tones, adding intensity. Finally, Act Three transitions into pure white, blending with a mountain backdrop projected on the LED screen.

Throughout the performance, Melody is joined by five dancers—three male and two female—who perform different routines for each act. Additionally, her outfit features a black corseted design with sharp shoulders and hips, paired with a fedora and thigh-high boots. The performance opens in silhouette and concludes with a powerful, high-energy final dance sequence.

 

 

 

 

 

 

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🇨🇾 Blast from the past: Cyprus 2000

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 2000, when the duo Voice represented Cyprus with the song “Nomiza”. Cyprus in the Eurovision Song Contest Cyprus debuted at the Eurovision Song Contest in 1981 and has become a consistent finalist, yet is still chasing its first victory. The island’s benchmark result came in 2018. Eleni Foureira’s uptempo entry “Fuego” finished second with 436 points, the country’s best placing to date. Earlier, Cyprus had reached the top five with songs such as Anna Vissi’s “Mono i agapi” (1982), Hara and Andreas Constantinou’s “Mana mou” (1997) and Lisa Andreas’ “Stronger Every Minute” (2004).  In recent years Cyprus has relied on internal selections and close collaboration with international songwriters. In 2023, Australian‑Cypriot singer Andrew Lambrou took “Break a Broken Heart” to 12th place in the Liverpool final. Silia Kapsis followed in 2024 with the dance‑pop track “Liar”, qualifying from Malmö’s first semi‑final and finishing 15th overall. In 2025 Theo Evan performed “Shh” in Basel. He narrowly missed qualification in semi‑final one, placing 11th.  📷 Eleni Foureira, photo EBU/Andres Putting Diagonismós Tragoudioú Giourovízion 2000 The Cypriot national selection in 2000 was called Diagonismós Tragoudioú Giourovízion. The contest was held on 16 February. Eleven songs competed: Marina Solonos, “Eima akoma edo“, 148 pts, 3rd Annie, “Na m’agapas“, 131 pts, 5th Maria Amman, “Fones“, 87 pts, 10th Marilia Perikleous & Demetris Mouhtadouris, “Trikymia”, 93 pts, 9th Chrystanthos Chrystanthou, “An”, 78 pts, 11th Alexandros Panayi & Christina Argyri, “Nomiza“, 225 pts, 1st Lefki Stylianou, “Antio, loipon“, 94 pts, 8th Antonia Orthanou, “Sti gi eirini“, 100 pts, 7th Marian Georgiou & Kostas Kountos, “Paradeisos“, 145 pts, 4th Giorgos Gavriel, “Volt“, 122 pts, 6th Haroula Pirta, “Ki akoma s’agapo“, 184 pts, 2nd   Voice (Alexandros Panayi and Christina Argyri) Voice was the Cypriot vocal duo formed by Alexandros Panayi and Christina Argyri to represent Cyprus at the Eurovision Song Contest 2000 with the ballad “Nomiza”. Alexandros Panayi Alexandros Panayi (born 1970 in Nicosia) is a Greek-Cypriot singer, composer, lyricist and vocal coach with a long-standing relationship with Eurovision. He first appeared for Cyprus as a soloist in 1995 with “Sti fotia”, returning five years later as half of Voice and co-writer of “Nomiza”. Trained at Berklee College of Music in Boston, he has since worked extensively as a vocal director, producer and backing vocalist for several Eurovision delegations, including Greece’s winning entry “My Number One” in 2005. He has since returned regularly as songwriter, vocal director and mentor for various national and Eurovision projects.  Christina Argyri Christina Argyri (born 1971 in Nicosia) is a singer and actress who studied piano and music theory in Cyprus before also attending Berklee, specialising in jazz performance. Active mainly in theatre, she composes and performs music for stage productions and collaborates with Cypriot ensembles. Beyond Voice, Argyri has appeared as a backing vocalist at Eurovision, notably supporting Cypriot boyband One in 2002, and is also active as a dubbing and voice artist. Nomiza “Nomiza” was the Cypriot entry at the Eurovision Song Contest 2000. Written and composed by Panayi, the song is a dramatic pop ballad that shifts between Greek and Italian lyrics, telling the story of a love the narrator “thought” would last forever.  Musically, “Nomiza” builds from an intimate, slow‑to‑mid‑tempo opening into a bigger, more orchestral climax, showcasing the powerful harmonies between the two vocalists. Its bilingual structure gives it a distinctive Mediterranean flavour compared with other ballads in the 2000 line‑up. The song won the Cypriot national final and was later released as a CD single featuring Greek‑only and Italian versions, including the Italian title “Rosso Vivo”.  On stage in Stockholm, the performance focused on the singers’ interplay, with restrained staging and dark blue visuals reinforcing the emotional tone. In the final, “Nomiza” was performed 11th on the night and finished 21st out of 24 entries, scoring 8 points and relegating Cyprus from Eurovision 2001.  

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Blast from the past
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🇨🇾 Blast from the past: Cyprus 2000

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 2000, when the duo Voice represented Cyprus with the song “Nomiza”. Cyprus in the Eurovision Song Contest Cyprus debuted at the Eurovision Song Contest in 1981 and has become a consistent finalist, yet is still chasing its first victory. The island’s benchmark result came in 2018. Eleni Foureira’s uptempo entry “Fuego” finished second with 436 points, the country’s best placing to date. Earlier, Cyprus had reached the top five with songs such as Anna Vissi’s “Mono i agapi” (1982), Hara and Andreas Constantinou’s “Mana mou” (1997) and Lisa Andreas’ “Stronger Every Minute” (2004).  In recent years Cyprus has relied on internal selections and close collaboration with international songwriters. In 2023, Australian‑Cypriot singer Andrew Lambrou took “Break a Broken Heart” to 12th place in the Liverpool final. Silia Kapsis followed in 2024 with the dance‑pop track “Liar”, qualifying from Malmö’s first semi‑final and finishing 15th overall. In 2025 Theo Evan performed “Shh” in Basel. He narrowly missed qualification in semi‑final one, placing 11th.  📷 Eleni Foureira, photo EBU/Andres Putting Diagonismós Tragoudioú Giourovízion 2000 The Cypriot national selection in 2000 was called Diagonismós Tragoudioú Giourovízion. The contest was held on 16 February. Eleven songs competed: Marina Solonos, “Eima akoma edo“, 148 pts, 3rd Annie, “Na m’agapas“, 131 pts, 5th Maria Amman, “Fones“, 87 pts, 10th Marilia Perikleous & Demetris Mouhtadouris, “Trikymia”, 93 pts, 9th Chrystanthos Chrystanthou, “An”, 78 pts, 11th Alexandros Panayi & Christina Argyri, “Nomiza“, 225 pts, 1st Lefki Stylianou, “Antio, loipon“, 94 pts, 8th Antonia Orthanou, “Sti gi eirini“, 100 pts, 7th Marian Georgiou & Kostas Kountos, “Paradeisos“, 145 pts, 4th Giorgos Gavriel, “Volt“, 122 pts, 6th Haroula Pirta, “Ki akoma s’agapo“, 184 pts, 2nd   Voice (Alexandros Panayi and Christina Argyri) Voice was the Cypriot vocal duo formed by Alexandros Panayi and Christina Argyri to represent Cyprus at the Eurovision Song Contest 2000 with the ballad “Nomiza”. Alexandros Panayi Alexandros Panayi (born 1970 in Nicosia) is a Greek-Cypriot singer, composer, lyricist and vocal coach with a long-standing relationship with Eurovision. He first appeared for Cyprus as a soloist in 1995 with “Sti fotia”, returning five years later as half of Voice and co-writer of “Nomiza”. Trained at Berklee College of Music in Boston, he has since worked extensively as a vocal director, producer and backing vocalist for several Eurovision delegations, including Greece’s winning entry “My Number One” in 2005. He has since returned regularly as songwriter, vocal director and mentor for various national and Eurovision projects.  Christina Argyri Christina Argyri (born 1971 in Nicosia) is a singer and actress who studied piano and music theory in Cyprus before also attending Berklee, specialising in jazz performance. Active mainly in theatre, she composes and performs music for stage productions and collaborates with Cypriot ensembles. Beyond Voice, Argyri has appeared as a backing vocalist at Eurovision, notably supporting Cypriot boyband One in 2002, and is also active as a dubbing and voice artist. Nomiza “Nomiza” was the Cypriot entry at the Eurovision Song Contest 2000. Written and composed by Panayi, the song is a dramatic pop ballad that shifts between Greek and Italian lyrics, telling the story of a love the narrator “thought” would last forever.  Musically, “Nomiza” builds from an intimate, slow‑to‑mid‑tempo opening into a bigger, more orchestral climax, showcasing the powerful harmonies between the two vocalists. Its bilingual structure gives it a distinctive Mediterranean flavour compared with other ballads in the 2000 line‑up. The song won the Cypriot national final and was later released as a CD single featuring Greek‑only and Italian versions, including the Italian title “Rosso Vivo”.  On stage in Stockholm, the performance focused on the singers’ interplay, with restrained staging and dark blue visuals reinforcing the emotional tone. In the final, “Nomiza” was performed 11th on the night and finished 21st out of 24 entries, scoring 8 points and relegating Cyprus from Eurovision 2001.  

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