Basel Bulletin: The Big 5 and Switzerland

The Big 5 and Switzerland are on today. We haven’t seen or heard anything so far about them but here they are! They rehearsed today!

EBU has decided to release photo’s of it only the day after. But still we can show you (if available) the national final performance or any other live performance so you got an idea what the artists are capable of. Disclaimer: for the description of the performance, we have to do it with what the EBU tells us.

🇩🇪 Germany

Germany’s first rehearsal for Eurovision 2025 featured Abor & Tynna performing their electro track “Baller.” This is Germany’s first entry in German since 2007. The duo, who are siblings, originate from a musical family based in Vienna. The performance begins with Abor playing a white LED-lit electric cello in front of a tall curtain. As the beat drops, the curtain falls to reveal Tynna standing atop a large 1980s-style boombox prop, about three metres high. She performs the first verse and chorus there before descending to the stage. Four dancers use handheld spotlights to illuminate her as they freestyle around her.

Tynna’s outfit includes black military-style shorts, a crop top, knee-high boots, and leather gloves. The visuals feature intense white and blue strobes, industrial-style graphics, and the word “BALLER” in large LED lettering. For the finale, she dances on the walkway while Abor plays above. The final chorus includes pyrotechnics and a firework display.

🇫🇷 France

France’s Louane rehearsed her song “Maman” for the first time in Basel, presenting a minimalist and symbolic staging. She performs barefoot, wearing a long black lace dress, within a sand-covered circle at the center of the stage. Throughout the song, a steady stream of sand falls from above onto one side of the circle, representing the passage of time.

The performance includes a moment where Louane kneels and clears a patch of sand to reveal a mirror. Her movements are precisely timed with the musical arrangement and camera direction. The lighting builds gradually alongside orchestral strings, culminating in an intense sequence as the drumbeat grows louder.

All visuals are centered around the theme of time, with the hourglass imagery and falling sand reinforcing the song’s message about love, loss, and personal growth. The performance concludes with a wide, backlit shot, highlighting Louane’s stillness as the sand continues to fall.

🇬🇧 United Kingdom

The United Kingdom’s 2025 Eurovision rehearsal features vocal trio Remember Monday performing “What The Hell Just Happened?” The staging begins in a vintage-style boudoir on one side of the stage, designed to evoke the “morning after the night before.” A padded screen with a heart-shaped cut-out frames the trio as they begin the song in corseted dresses—pale blue (Lauren), pink (Holly-Anne), and yellow (Charlotte).

As the chorus hits, the group moves down the catwalk toward the main stage, where a large, tilted chandelier sits—around 2.5 to 3 metres tall—with candles and multi-coloured lighting. This prop represents the chaos referenced in the lyrics.

Throughout the performance, dynamic camerawork follows the trio’s movement, including overhead shots of the LED floor and a sweeping pan over the chandelier. The song concludes with the singers back in the boudoir, framed by the heart cut-out.

Pyrotechnics are expected in future rehearsals but were not included in this run.

🇨🇭 Switzerland

Switzerland’s first rehearsal for Eurovision 2025 features Zoë Më performing “Voyage” in an intimate, cinematic setting. The performance, set entirely in black space with sculptural lighting, is filmed in one continuous handheld shot. There are no cuts, choreography, props, or LED content. Instead, the camera moves gently and closely around Zoë, responding to her presence in real time.

She begins seated and remains alone on stage throughout, wearing an off-the-shoulder black silk dress printed with abstract florals in deep reds, purples, and blues. The performance is shot on vintage Zeiss Super Speed lenses, creating soft highlights and a shallow depth of field that isolates her in the frame.

During the bridge, the quiet atmosphere ruptures with smoke, wind, and overexposed flashes, while the camera continues uninterrupted. As the performance resolves, the audience appears with phone lights raised, before fading to black. The concept focuses entirely on emotional detail and visual restraint.

🇮🇹 Italy

Italy’s first rehearsal for Eurovision 2025 features Lucio Corsi performing his glam rock ballad Volevo Essere Un Duro. The 31-year-old singer-songwriter from Tuscany brings a 1970s aesthetic, both musically and visually, echoing Bowie-era piano ballads. The staging closely follows his Sanremo performance: Lucio begins seated at an extended piano, wearing a bright yellow, giant-shouldered bolero jacket and his signature white face makeup. He is joined on stage by guitarist and co-writer Tommaso Ottomano.

After the first third of the song, Lucio moves to the centre stage with his guitar. New for Eurovision are two large retro speaker props at the back—one square and approximately four metres high, the other slightly smaller. A sepia filter is applied to the broadcast, enhancing the vintage atmosphere, and English subtitles appear on-screen to support accessibility. A harmonica solo precedes the final chorus, one of the few live instrumental moments in this year’s contest.

🇪🇸 Spain

Spain’s first rehearsal for Eurovision 2025 features Melody performing her uptempo track Esa Diva. Known for her long-standing career in Spanish pop, Melody presents a completely reimagined staging compared to her Benidorm Fest performance. Previously seen elements such as the swing, throne, and neon pink visuals are no longer present. Instead, the new staging introduces a more refined and structured concept.

The performance is now divided into three distinct acts, each marked by a specific visual theme. First, Act One uses purple lighting and graphics. Then, Act Two shifts to red tones, adding intensity. Finally, Act Three transitions into pure white, blending with a mountain backdrop projected on the LED screen.

Throughout the performance, Melody is joined by five dancers—three male and two female—who perform different routines for each act. Additionally, her outfit features a black corseted design with sharp shoulders and hips, paired with a fedora and thigh-high boots. The performance opens in silhouette and concludes with a powerful, high-energy final dance sequence.

 

 

 

 

 

 

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70 years of Eurovision: a couple of big hits

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1982 ‘Harrogate, where?’ was the question raised at the beginning of the broadcast. For the small British seaside town was the venue for the 1982 Eurovision Song Contest. Jan Leeming hosted the event. France did not participate because the Minister of Culture considered the standard too low. Greece did have an entry, but ultimately withdrew it. Here, too, there was interference from a Minister of Culture. The song was deemed not good enough. Jahn Teigen and Anita Skorgan participated for Norway for the second and third time, respectively. By now married, they sang a quiet ballad. Sally Ann Tripplet, a member of the group Prima Donna in 1980, was also back for the United Kingdom; now as half of the duo Bardo. Anna Vissi, who competed for Greece in 1980, now represented Cyprus. Her “Mono I agapi” finished fifth, for a long time the best score for Cyprus. And then there was Stella: with Hearts of Soul she competed for the Netherlands in 1970, with Dream Express for Belgium in 1977, and now solo, also for Belgium. She also did well with a fourth place. We must not fail to mention the Finnish candidate: Kojo. He didn’t score a single point with a song against the neutron bomb. Unsurprisingly: the song was not very suitable for the general public. Israel sent Avi Toledano with a cheerful song called “Hora”. He came second with it. Nicole And that was actually what the competition was about. Because Germany won with a landslide. Nicole, 17 years old, wearing a black polka-dot dress, sitting on a stool with a guitar in her hand. This is how she sang her peace song “Ein bißchen Frieden”. There was a great deal of consensus regarding this entry. Nicole achieved the highest score up to that point. She managed to generate applause by singing her song not only in German but also in English, French, and Dutch. Later, she also released a Danish version of the song. 1983 The Olympic Stadium in Munich was the venue. More precisely, the Rudi Sedlmayer Halle, a basketball hall. The host was Marlène Charell. That poor presenter faced the impossible task of pronouncing just about every comma in three languages. Greece, France, and Italy were back, but Ireland skipped a year. This brought the total number of participants to twenty. Guy Bonnet had the honor of opening the festival for France. He had participated before, in 1970. Jahn Teigen was also returning for Norway, with his wife Anita Skorgan in the choir. The Norwegian conductor was Sigurd Jansen. Marlène Charell didn’t have that on her cue card. She only found out when she had to announce the man. So she just made up a name on the spot, “Johannes Skorgan”. 16-year-old Carola Häggkvist competed for Sweden. Her song “Främling” came third and Carola managed to score a big hit. She released the song not only in English, but also in German and Dutch. Another international hit was that of Yugoslavia. Back home, the big stars were quite angry that they had lost the national final to Daniel, but he achieved the best score for the country up to that point with his song “Džuli”. Ofra Haza participated for Israel. She came second with the song “Chai”. Later, she had a hit throughout Europe with “Im nin’alu”. In 2000, Haza died of AIDS. A notable act participated for Belgium: the group Pas De Deux with the song “Rendez-vous”, with the full lyrics “Rendez-vous, but enough is enough and I’m done”. When that song won the Belgian national final, half the audience left the hall. The rest stayed to boo and otherwise yell through the song and make their anger known. Corinne Hermes The winner was once again a French singer participating for Luxembourg: Corinne Hermes. The ballad “Si la vie est cadeau” may have made the biggest impression on the jury members, but certainly not on the record-buying public. Carola from Sweden and Daniel from Yugoslavia had the big international hits. Corinne Hermes had more trouble selling her song. But, all in all, several major hits emerged from the 1983 Eurovision Song Contest.  

Read More »
History
Martijn

70 years of Eurovision: a couple of big hits

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1982 ‘Harrogate, where?’ was the question raised at the beginning of the broadcast. For the small British seaside town was the venue for the 1982 Eurovision Song Contest. Jan Leeming hosted the event. France did not participate because the Minister of Culture considered the standard too low. Greece did have an entry, but ultimately withdrew it. Here, too, there was interference from a Minister of Culture. The song was deemed not good enough. Jahn Teigen and Anita Skorgan participated for Norway for the second and third time, respectively. By now married, they sang a quiet ballad. Sally Ann Tripplet, a member of the group Prima Donna in 1980, was also back for the United Kingdom; now as half of the duo Bardo. Anna Vissi, who competed for Greece in 1980, now represented Cyprus. Her “Mono I agapi” finished fifth, for a long time the best score for Cyprus. And then there was Stella: with Hearts of Soul she competed for the Netherlands in 1970, with Dream Express for Belgium in 1977, and now solo, also for Belgium. She also did well with a fourth place. We must not fail to mention the Finnish candidate: Kojo. He didn’t score a single point with a song against the neutron bomb. Unsurprisingly: the song was not very suitable for the general public. Israel sent Avi Toledano with a cheerful song called “Hora”. He came second with it. Nicole And that was actually what the competition was about. Because Germany won with a landslide. Nicole, 17 years old, wearing a black polka-dot dress, sitting on a stool with a guitar in her hand. This is how she sang her peace song “Ein bißchen Frieden”. There was a great deal of consensus regarding this entry. Nicole achieved the highest score up to that point. She managed to generate applause by singing her song not only in German but also in English, French, and Dutch. Later, she also released a Danish version of the song. 1983 The Olympic Stadium in Munich was the venue. More precisely, the Rudi Sedlmayer Halle, a basketball hall. The host was Marlène Charell. That poor presenter faced the impossible task of pronouncing just about every comma in three languages. Greece, France, and Italy were back, but Ireland skipped a year. This brought the total number of participants to twenty. Guy Bonnet had the honor of opening the festival for France. He had participated before, in 1970. Jahn Teigen was also returning for Norway, with his wife Anita Skorgan in the choir. The Norwegian conductor was Sigurd Jansen. Marlène Charell didn’t have that on her cue card. She only found out when she had to announce the man. So she just made up a name on the spot, “Johannes Skorgan”. 16-year-old Carola Häggkvist competed for Sweden. Her song “Främling” came third and Carola managed to score a big hit. She released the song not only in English, but also in German and Dutch. Another international hit was that of Yugoslavia. Back home, the big stars were quite angry that they had lost the national final to Daniel, but he achieved the best score for the country up to that point with his song “Džuli”. Ofra Haza participated for Israel. She came second with the song “Chai”. Later, she had a hit throughout Europe with “Im nin’alu”. In 2000, Haza died of AIDS. A notable act participated for Belgium: the group Pas De Deux with the song “Rendez-vous”, with the full lyrics “Rendez-vous, but enough is enough and I’m done”. When that song won the Belgian national final, half the audience left the hall. The rest stayed to boo and otherwise yell through the song and make their anger known. Corinne Hermes The winner was once again a French singer participating for Luxembourg: Corinne Hermes. The ballad “Si la vie est cadeau” may have made the biggest impression on the jury members, but certainly not on the record-buying public. Carola from Sweden and Daniel from Yugoslavia had the big international hits. Corinne Hermes had more trouble selling her song. But, all in all, several major hits emerged from the 1983 Eurovision Song Contest.  

Read More »
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