Basel Bulletin: The Big 5 and Switzerland

The Big 5 and Switzerland are on today. We haven’t seen or heard anything so far about them but here they are! They rehearsed today!

EBU has decided to release photo’s of it only the day after. But still we can show you (if available) the national final performance or any other live performance so you got an idea what the artists are capable of. Disclaimer: for the description of the performance, we have to do it with what the EBU tells us.

🇩🇪 Germany

Germany’s first rehearsal for Eurovision 2025 featured Abor & Tynna performing their electro track “Baller.” This is Germany’s first entry in German since 2007. The duo, who are siblings, originate from a musical family based in Vienna. The performance begins with Abor playing a white LED-lit electric cello in front of a tall curtain. As the beat drops, the curtain falls to reveal Tynna standing atop a large 1980s-style boombox prop, about three metres high. She performs the first verse and chorus there before descending to the stage. Four dancers use handheld spotlights to illuminate her as they freestyle around her.

Tynna’s outfit includes black military-style shorts, a crop top, knee-high boots, and leather gloves. The visuals feature intense white and blue strobes, industrial-style graphics, and the word “BALLER” in large LED lettering. For the finale, she dances on the walkway while Abor plays above. The final chorus includes pyrotechnics and a firework display.

🇫🇷 France

France’s Louane rehearsed her song “Maman” for the first time in Basel, presenting a minimalist and symbolic staging. She performs barefoot, wearing a long black lace dress, within a sand-covered circle at the center of the stage. Throughout the song, a steady stream of sand falls from above onto one side of the circle, representing the passage of time.

The performance includes a moment where Louane kneels and clears a patch of sand to reveal a mirror. Her movements are precisely timed with the musical arrangement and camera direction. The lighting builds gradually alongside orchestral strings, culminating in an intense sequence as the drumbeat grows louder.

All visuals are centered around the theme of time, with the hourglass imagery and falling sand reinforcing the song’s message about love, loss, and personal growth. The performance concludes with a wide, backlit shot, highlighting Louane’s stillness as the sand continues to fall.

🇬🇧 United Kingdom

The United Kingdom’s 2025 Eurovision rehearsal features vocal trio Remember Monday performing “What The Hell Just Happened?” The staging begins in a vintage-style boudoir on one side of the stage, designed to evoke the “morning after the night before.” A padded screen with a heart-shaped cut-out frames the trio as they begin the song in corseted dresses—pale blue (Lauren), pink (Holly-Anne), and yellow (Charlotte).

As the chorus hits, the group moves down the catwalk toward the main stage, where a large, tilted chandelier sits—around 2.5 to 3 metres tall—with candles and multi-coloured lighting. This prop represents the chaos referenced in the lyrics.

Throughout the performance, dynamic camerawork follows the trio’s movement, including overhead shots of the LED floor and a sweeping pan over the chandelier. The song concludes with the singers back in the boudoir, framed by the heart cut-out.

Pyrotechnics are expected in future rehearsals but were not included in this run.

🇨🇭 Switzerland

Switzerland’s first rehearsal for Eurovision 2025 features Zoë Më performing “Voyage” in an intimate, cinematic setting. The performance, set entirely in black space with sculptural lighting, is filmed in one continuous handheld shot. There are no cuts, choreography, props, or LED content. Instead, the camera moves gently and closely around Zoë, responding to her presence in real time.

She begins seated and remains alone on stage throughout, wearing an off-the-shoulder black silk dress printed with abstract florals in deep reds, purples, and blues. The performance is shot on vintage Zeiss Super Speed lenses, creating soft highlights and a shallow depth of field that isolates her in the frame.

During the bridge, the quiet atmosphere ruptures with smoke, wind, and overexposed flashes, while the camera continues uninterrupted. As the performance resolves, the audience appears with phone lights raised, before fading to black. The concept focuses entirely on emotional detail and visual restraint.

🇮🇹 Italy

Italy’s first rehearsal for Eurovision 2025 features Lucio Corsi performing his glam rock ballad Volevo Essere Un Duro. The 31-year-old singer-songwriter from Tuscany brings a 1970s aesthetic, both musically and visually, echoing Bowie-era piano ballads. The staging closely follows his Sanremo performance: Lucio begins seated at an extended piano, wearing a bright yellow, giant-shouldered bolero jacket and his signature white face makeup. He is joined on stage by guitarist and co-writer Tommaso Ottomano.

After the first third of the song, Lucio moves to the centre stage with his guitar. New for Eurovision are two large retro speaker props at the back—one square and approximately four metres high, the other slightly smaller. A sepia filter is applied to the broadcast, enhancing the vintage atmosphere, and English subtitles appear on-screen to support accessibility. A harmonica solo precedes the final chorus, one of the few live instrumental moments in this year’s contest.

🇪🇸 Spain

Spain’s first rehearsal for Eurovision 2025 features Melody performing her uptempo track Esa Diva. Known for her long-standing career in Spanish pop, Melody presents a completely reimagined staging compared to her Benidorm Fest performance. Previously seen elements such as the swing, throne, and neon pink visuals are no longer present. Instead, the new staging introduces a more refined and structured concept.

The performance is now divided into three distinct acts, each marked by a specific visual theme. First, Act One uses purple lighting and graphics. Then, Act Two shifts to red tones, adding intensity. Finally, Act Three transitions into pure white, blending with a mountain backdrop projected on the LED screen.

Throughout the performance, Melody is joined by five dancers—three male and two female—who perform different routines for each act. Additionally, her outfit features a black corseted design with sharp shoulders and hips, paired with a fedora and thigh-high boots. The performance opens in silhouette and concludes with a powerful, high-energy final dance sequence.

 

 

 

 

 

 

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History
Martijn

70 years of Eurovision, slipping into the sixties

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1959 France chose to organize the contest in Cannes. Eleven countries came together. No Luxembourg this year, but the United Kingdom was back. Monaco made its debut. The presentation was in the hands of Jacqueline Joubert, who would go on to do so more often. The big favorite was Domenico Modugno. After the success of “Volare,” he entered for Italy again. He did not show up for the first rehearsal. He did not consider it important. The French broadcaster thought different and scheduled a rehearsal for him anyway. He did not win by a long shot. His “Piove” finished in sixth place only. Also noteworthy were the participants from Germany: the recently deceased Kessler Sisters, who sang their song entirely in sync. But France did not want to grant Italy the victory. The same applied the other way around. And where two dogs fight over a bone, the third one runs off with it. And that was the Dutch Teddy Scholten. With the artfully rhymed “Een beetje,” she took first place, much to her own surprise. When someone from the production team urged her to go to the stage because she had won, she didn’t believe a word of it. And yet it was true: the Netherlands had won for the second time in four years. 1960 It became a bit too much for the Dutch broadcaster to organize the contest yet again. Therefore, the British BBC took over. The contest moved to London, and for the first time, but certainly not the last, Cathy Boyle hosted the event. Thirteen countries participated. Luxembourg was back, and Norway made its debut.Big stars participated. Siw Malmkvist represented Sweden. Camillo Felgen competed for Luxembourg (in Luxembourgish!). Rudi Carell, who would later become a big star in Germany, competed for the Netherlands. None of them finished high. The winner was 19-year-old Jacqueline Boyer. Conductor Franck Pourcel was displeased that she had to perform last. After all, she had to go to bed early, the conductor said. At Pourcel’s request, the entire rehearsal schedule was rearranged. And Jacqueline won! “Tom Pillibi”, a song about a pathological liar, became a huge success and an international hit. 1961 The Eurovision Song Contest returned to Cannes, France. Jacqueline Joubert hosted it for the second time. By then, the number of participating countries had grown to sixteen. Spain, Yugoslavia, and Finland made their debut. Lale Andersen participated for Germany. She had gained fame during World War II with the song “Lili Marleen”. A Greek also took to the stage, which was the first time. Although Greece itself was not yet participating, singer Jimmy Makoulis represented Austria. The final unintentionally became very exciting between Luxembourg and the United Kingdom. Unintentionally, because for a long time, too many points were accidentally recorded for the British on the scoreboard. The British duo, The Allisons, did have the big Eurovision hit of that year with “Are You Sure?”. Frenchman Jean-Claude Pascal won for Luxembourg. In “Nous, les amoureux,” he sang of a love that was disapproved of by others. Only much later Pascal admitted that this song was about the love between two men. In this, Pascal was far, very far ahead of his time.

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