Basel Bulletin: The Big 5 and Switzerland

The Big 5 and Switzerland are on today. We haven’t seen or heard anything so far about them but here they are! They rehearsed today!

EBU has decided to release photo’s of it only the day after. But still we can show you (if available) the national final performance or any other live performance so you got an idea what the artists are capable of. Disclaimer: for the description of the performance, we have to do it with what the EBU tells us.

🇩🇪 Germany

Germany’s first rehearsal for Eurovision 2025 featured Abor & Tynna performing their electro track “Baller.” This is Germany’s first entry in German since 2007. The duo, who are siblings, originate from a musical family based in Vienna. The performance begins with Abor playing a white LED-lit electric cello in front of a tall curtain. As the beat drops, the curtain falls to reveal Tynna standing atop a large 1980s-style boombox prop, about three metres high. She performs the first verse and chorus there before descending to the stage. Four dancers use handheld spotlights to illuminate her as they freestyle around her.

Tynna’s outfit includes black military-style shorts, a crop top, knee-high boots, and leather gloves. The visuals feature intense white and blue strobes, industrial-style graphics, and the word “BALLER” in large LED lettering. For the finale, she dances on the walkway while Abor plays above. The final chorus includes pyrotechnics and a firework display.

🇫🇷 France

France’s Louane rehearsed her song “Maman” for the first time in Basel, presenting a minimalist and symbolic staging. She performs barefoot, wearing a long black lace dress, within a sand-covered circle at the center of the stage. Throughout the song, a steady stream of sand falls from above onto one side of the circle, representing the passage of time.

The performance includes a moment where Louane kneels and clears a patch of sand to reveal a mirror. Her movements are precisely timed with the musical arrangement and camera direction. The lighting builds gradually alongside orchestral strings, culminating in an intense sequence as the drumbeat grows louder.

All visuals are centered around the theme of time, with the hourglass imagery and falling sand reinforcing the song’s message about love, loss, and personal growth. The performance concludes with a wide, backlit shot, highlighting Louane’s stillness as the sand continues to fall.

🇬🇧 United Kingdom

The United Kingdom’s 2025 Eurovision rehearsal features vocal trio Remember Monday performing “What The Hell Just Happened?” The staging begins in a vintage-style boudoir on one side of the stage, designed to evoke the “morning after the night before.” A padded screen with a heart-shaped cut-out frames the trio as they begin the song in corseted dresses—pale blue (Lauren), pink (Holly-Anne), and yellow (Charlotte).

As the chorus hits, the group moves down the catwalk toward the main stage, where a large, tilted chandelier sits—around 2.5 to 3 metres tall—with candles and multi-coloured lighting. This prop represents the chaos referenced in the lyrics.

Throughout the performance, dynamic camerawork follows the trio’s movement, including overhead shots of the LED floor and a sweeping pan over the chandelier. The song concludes with the singers back in the boudoir, framed by the heart cut-out.

Pyrotechnics are expected in future rehearsals but were not included in this run.

🇨🇭 Switzerland

Switzerland’s first rehearsal for Eurovision 2025 features Zoë Më performing “Voyage” in an intimate, cinematic setting. The performance, set entirely in black space with sculptural lighting, is filmed in one continuous handheld shot. There are no cuts, choreography, props, or LED content. Instead, the camera moves gently and closely around Zoë, responding to her presence in real time.

She begins seated and remains alone on stage throughout, wearing an off-the-shoulder black silk dress printed with abstract florals in deep reds, purples, and blues. The performance is shot on vintage Zeiss Super Speed lenses, creating soft highlights and a shallow depth of field that isolates her in the frame.

During the bridge, the quiet atmosphere ruptures with smoke, wind, and overexposed flashes, while the camera continues uninterrupted. As the performance resolves, the audience appears with phone lights raised, before fading to black. The concept focuses entirely on emotional detail and visual restraint.

🇮🇹 Italy

Italy’s first rehearsal for Eurovision 2025 features Lucio Corsi performing his glam rock ballad Volevo Essere Un Duro. The 31-year-old singer-songwriter from Tuscany brings a 1970s aesthetic, both musically and visually, echoing Bowie-era piano ballads. The staging closely follows his Sanremo performance: Lucio begins seated at an extended piano, wearing a bright yellow, giant-shouldered bolero jacket and his signature white face makeup. He is joined on stage by guitarist and co-writer Tommaso Ottomano.

After the first third of the song, Lucio moves to the centre stage with his guitar. New for Eurovision are two large retro speaker props at the back—one square and approximately four metres high, the other slightly smaller. A sepia filter is applied to the broadcast, enhancing the vintage atmosphere, and English subtitles appear on-screen to support accessibility. A harmonica solo precedes the final chorus, one of the few live instrumental moments in this year’s contest.

🇪🇸 Spain

Spain’s first rehearsal for Eurovision 2025 features Melody performing her uptempo track Esa Diva. Known for her long-standing career in Spanish pop, Melody presents a completely reimagined staging compared to her Benidorm Fest performance. Previously seen elements such as the swing, throne, and neon pink visuals are no longer present. Instead, the new staging introduces a more refined and structured concept.

The performance is now divided into three distinct acts, each marked by a specific visual theme. First, Act One uses purple lighting and graphics. Then, Act Two shifts to red tones, adding intensity. Finally, Act Three transitions into pure white, blending with a mountain backdrop projected on the LED screen.

Throughout the performance, Melody is joined by five dancers—three male and two female—who perform different routines for each act. Additionally, her outfit features a black corseted design with sharp shoulders and hips, paired with a fedora and thigh-high boots. The performance opens in silhouette and concludes with a powerful, high-energy final dance sequence.

 

 

 

 

 

 

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70 years of Eurovision: the singing deodorants

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1984 Luxembourg was known for its venues being too small. This time, Desirée Nosbusch hosted the Eurovision Song Contest from the Teatre Municipal in the capital. She did this in an inimitable manner, effortlessly switching languages three times in a single sentence. Israel was once again absent due to a memorial day. Greece was not present either. Ireland was back. Isolda, one half of the Yugoslavian duo Ida & Vlado, had also participated two years earlier. Mary Roos, who had also participated in 1972, was making a return appearance as well. An ABBA-like group, Bravo, participated for Spain. Johnny Logan wrote the Irish entry, “Terminal 3”, for Linda Martin. The duo Hot Eyes for Denmark was also striking. In the Danish national final, they jumped into the pool; that was of course not possible in Luxembourg. At the time, no one knew that Kirsten, the female half of the duo, was pregnant. Another striking duo was Alice and Franco Battiato for Italy. The two were accompanied by a small opera choir. Their “I treni di tozeur” came fifth, and became an international hit. By now, the song is a Eurovision classic. The Herreys It remained very exciting for a long time, particularly between Ireland and Sweden. In the end, it was Sweden that won. Three brothers, Mormons who had been living in the United States for quite some time, sang the song “Diggy-loo Diggy-ley”. There was a lot of criticism in their own country after winning the national final. The brothers were dismissed as ‘the singing deodorants’. Yet it worked; with polo shirts in primary colors and golden boots, the three won the hearts of all of Europe. Once again, the winner of the Eurovision Song Contest was a major European hit. 1985 The Eurovision circus moved to Sweden, more precisely to Gothenburg. Lill Lindfors presented the contest in the Skandinaviumhallen. She garnered much praise for that task. One clip still makes it into all kinds of song festival compilations. After the entre act, Lill stepped on her dress with her heel, which then tore. For a moment, Lill, standing in her underwear, seemed to panic; then she unclipped two clips on her shoulder and discovered she was wearing a completely different dress. “I just wanted you to wake up a little” was her explanation. The Netherlands and Yugoslavia did not participate. Both countries had a day of remembrance that day. Israel and Greece were back. Many artists had participated before. Hot Eyes competed for Denmark, just like the year before. Former winner Izhar Cohen represented Israel. The now very famous duo Al Bano & Romina Power represented Italy. The Bobbysocks from Norway had both participated before. Hanne Krogh as a child star in 1971, Elisabeth Andreasson as half of the duo Chips in 1982. Notably: the other half of Chips, Kikki Danielsson, represented Sweden! Furthermore, there were Mariella Farré and Pino Gasparini, who had both competed for Switzerland separately before, and Gary Lux, who competed for Austria for the second time. Ireen Sheer took the stage for Luxembourg for the third time. Turkey received help from the Netherlands. The trio MFÖ sang “Didai Didai Dai”. The Dutch composer Peter Schön had written the arrangement. The Luxembourg entry was also special: three duos, a French, a German, and a British duo, sang the song “Children, Kinder, enfants”. A small detail: the French duo consisted of a Belgian and a Dutch singer. Bobbysocks As mentioned, both Bobbysocks had participated before. During the national final, jury member Tony Visconti was very clear: “If this wins, Norway certainly won’t win the Eurovision Song Contest.” He was way off. After an exciting battle with Germany, it was ultimately Norway that won. The Bobbysocks were ecstatic, and the whole country with them. After a long road of entries without points and places at the bottom of the leaderboard, they finally succeeded! “La det swinge” became the very first Norwegian winner. As “Let It Swing,” it became an international hit. The Bobbysocks remained big names in Norway, but not outside of it. In 2025, they participated in the Norwegian national final again, without success.

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History
Martijn

70 years of Eurovision: the singing deodorants

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1984 Luxembourg was known for its venues being too small. This time, Desirée Nosbusch hosted the Eurovision Song Contest from the Teatre Municipal in the capital. She did this in an inimitable manner, effortlessly switching languages three times in a single sentence. Israel was once again absent due to a memorial day. Greece was not present either. Ireland was back. Isolda, one half of the Yugoslavian duo Ida & Vlado, had also participated two years earlier. Mary Roos, who had also participated in 1972, was making a return appearance as well. An ABBA-like group, Bravo, participated for Spain. Johnny Logan wrote the Irish entry, “Terminal 3”, for Linda Martin. The duo Hot Eyes for Denmark was also striking. In the Danish national final, they jumped into the pool; that was of course not possible in Luxembourg. At the time, no one knew that Kirsten, the female half of the duo, was pregnant. Another striking duo was Alice and Franco Battiato for Italy. The two were accompanied by a small opera choir. Their “I treni di tozeur” came fifth, and became an international hit. By now, the song is a Eurovision classic. The Herreys It remained very exciting for a long time, particularly between Ireland and Sweden. In the end, it was Sweden that won. Three brothers, Mormons who had been living in the United States for quite some time, sang the song “Diggy-loo Diggy-ley”. There was a lot of criticism in their own country after winning the national final. The brothers were dismissed as ‘the singing deodorants’. Yet it worked; with polo shirts in primary colors and golden boots, the three won the hearts of all of Europe. Once again, the winner of the Eurovision Song Contest was a major European hit. 1985 The Eurovision circus moved to Sweden, more precisely to Gothenburg. Lill Lindfors presented the contest in the Skandinaviumhallen. She garnered much praise for that task. One clip still makes it into all kinds of song festival compilations. After the entre act, Lill stepped on her dress with her heel, which then tore. For a moment, Lill, standing in her underwear, seemed to panic; then she unclipped two clips on her shoulder and discovered she was wearing a completely different dress. “I just wanted you to wake up a little” was her explanation. The Netherlands and Yugoslavia did not participate. Both countries had a day of remembrance that day. Israel and Greece were back. Many artists had participated before. Hot Eyes competed for Denmark, just like the year before. Former winner Izhar Cohen represented Israel. The now very famous duo Al Bano & Romina Power represented Italy. The Bobbysocks from Norway had both participated before. Hanne Krogh as a child star in 1971, Elisabeth Andreasson as half of the duo Chips in 1982. Notably: the other half of Chips, Kikki Danielsson, represented Sweden! Furthermore, there were Mariella Farré and Pino Gasparini, who had both competed for Switzerland separately before, and Gary Lux, who competed for Austria for the second time. Ireen Sheer took the stage for Luxembourg for the third time. Turkey received help from the Netherlands. The trio MFÖ sang “Didai Didai Dai”. The Dutch composer Peter Schön had written the arrangement. The Luxembourg entry was also special: three duos, a French, a German, and a British duo, sang the song “Children, Kinder, enfants”. A small detail: the French duo consisted of a Belgian and a Dutch singer. Bobbysocks As mentioned, both Bobbysocks had participated before. During the national final, jury member Tony Visconti was very clear: “If this wins, Norway certainly won’t win the Eurovision Song Contest.” He was way off. After an exciting battle with Germany, it was ultimately Norway that won. The Bobbysocks were ecstatic, and the whole country with them. After a long road of entries without points and places at the bottom of the leaderboard, they finally succeeded! “La det swinge” became the very first Norwegian winner. As “Let It Swing,” it became an international hit. The Bobbysocks remained big names in Norway, but not outside of it. In 2025, they participated in the Norwegian national final again, without success.

Read More »
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