Basel Bulletin: flowers, a sauna and skyscapes

Flowers, a sauna and skyscapes: today the first seven countries have had their rehearsals. We tell you everything we know about the first 4, and update on the other three will follow.

EBU has decided to release photo’s of it only tomorrow. But still we can show you (if available) the national final performance or any other live performance so you got an idea what the artists are capable of. Disclaimer: for the description of the performance, we have to do it with what the EBU tells us.

🇺🇦 Ukraine

Ukraine’s Ziferblat open as the first band of the 2025 rehearsals. Since their Vidbir performance, they’ve made several changes to their staging. The wide-legged, puff-shouldered suits remain, but each member now wears a bright, sparkling colour. The three backing vocalists appear in gold pantsuits. Instead of the naturalistic set from Vidbir, the LED wall now displays pulsing pink and green neon graphics that intensify with the music. Precise lighting and camera work highlight every movement. Low smoke covers the stage from the start, and fireworks punctuate the instrumental section. Ziferblat deliver a stylised and deliberate performance that clearly reflects their visual and musical identity.

🇸🇪 Sweden

Sweden is represented in 2025 by Finnish trio KAJ, performing Bara Bada Bastu in Swedish—marking Sweden’s first entry in its own language since 1998. Though KAJ are Finnish nationals, they come from the Swedish-speaking region of Finland, making this a cross-cultural moment. The performance is a humorous but polished invitation to unwind, sauna-style. Staging updates from Melodifestivalen include a larger central firepit styled like a traditional sauna heat box, a tilted log store for the dancers, and the familiar green-brown suits. A prominent oversized sausage opens the act. The LED backdrop shifts from a serene forest to a neon-lit party at the key change. Flames, smoke jets, and laser lighting complete the performance.

🇵🇹 Portugal

Portugal’s NAPA close the first day of rehearsals with their entry for Eurovision 2025. The five-member band from Madeira perform in the same formation as seen at Festival da Canção, with slight staging updates for the Basel arena. The group now wears colour-coordinated long-sleeved jackets and shirts in varying shades. The LED wall displays slow-moving clouds and animated skyscapes, which shift in colour in sync with the LED arch above the stage. These visual elements support the calm and atmospheric tone of the song. The vocal arrangement remains faithful to their national final performance, with carefully layered harmonies.

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History

70 years of Eurovision: sadness and hapiness

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1980 There had been plans for an open-air Eurovision Song Contest at the Sea of ​​Tiberias. The Israeli broadcaster simply ran out of money to organize the contest. Eventually, the Netherlands took over. The Dutch broadcaster used the scripts from 1976 again. Even the opening film was the same as back then. Israel itself did not participate. The festival coincided with a memorial day there. Monaco also dropped out, but Morocco participated for the first time. Marloes Fluitsma hosted the event. She was extremely nervous. ‘Dames en heren, hallo, (Ladies and gentlemen, hello)’ she opened the contest. Without any spontaneity, she struggled her way through the event. Thank goodness, every country had brought its own presenter for this 25th Eurovision Song Contest. Katja Ebstein participated for Germany for the third time. She was accompanied by a group of backing vocals dressed as clowns. Maggie MacNeal made a comeback for the Netherlands; At the time as half of a duo, now solo and with the song “Amsterdam”. Paola, who had already represented Switzerland in 1969, was also present. Her song “Cinéma” dealt with Mickey Mouse, Charlie Chaplin, and Buster Keaton, among others. All three returning candidates finished in the top 5. Also noteworthy was Turkey, which returned and immediately sent a politically charged song, about oil of course: “Petr’oil”. Morocco sent Samira Ben Said, who would later become a major star throughout the entire Arab world as Samira Said. Another notable entry was that of Luxembourg. The French twins Sophie and Magaly participated for that country. The singing was not very in tune. Things did not end well for the twins in the end. Both died young. The song, “Le papa pingouin”, would become a number 1 hit in France twenty years later. Besides Turkey, Norway also submitted a politically charged song. This country called attention to a Norwegian minority, the Sami, who live in the north of Scandinavia. The yoik, a special Sami chant, could be heard in this song. Singer Mattis Hætta wore a matching costume. Johnny Logan Ireland was not really the favorite for the final victory. Kudos however to Johnny Logan for his good singing and simple performance, and for the saxophone solo included in the song. Against all expectations, it was all enough for an Irish victory. “He’s so happy, isn’t he?” Marloes Fluitsma sighed when Logan stormed onto the stage as the winner. Johnny Logan initially managed to capitalize on his victory. However, due to lawsuits and contract issues, he failed to build a major career. But more on that later. 1981 For the second time, the festival went to Dublin, this time to the Royal Dublin Society. Morocco dropped out, but Cyprus made its debut. Yugoslavia returned. Doireann Ni Bhriain was the host. She did a fine job, even when things went wrong with the Yugoslav jury. After she called out to the jury several times, a loud ‘Hello’ rang out, after which she asked for the points. “I don’t have it,” a somewhat surprised jury chairwoman announced. It took a while before she finally announced the points. Marty Brem participated for Austria for the second time. However, no one understood the ballet that accompanied the Austrian entry. Tommy Seebach (Denmark) also participated for the second time. Maxi (Ireland) was a member of the group Sheeba, and Björn Skifs participated for Sweden again. Peter, Sue, and Marc performed for Switzerland for the fourth and final time. And, very remarkably, Jean-Claude Pascal, the winner of 1961, performed for Luxembourg! Just like the two previous years, Ralph Siegel and Bernd Meinunger wrote the entry for Germany, this time “Johnny Blue” for Lena Valaitis. It became an international hit and a Eurovision evergreen. For Norway, Finn Kalvik sang the ballad “Aldri i livet”. At the record, he was accompanied by none other than Agnetha and Frida from Abba. However, they were not present during the live broadcast. And unfortunately, no one had any points left for Kalvik. Bucks Fizz The group that represented the United Kingdom was formed specifically for the Eurovision Song Contest: Bucks Fizz. One of the members, Cheryl Baker, had previously participated with the group Co-Co. Two men and two women, modeled after ABBA, sang “Making Your Mind Up”. The group members were dressed in primary colors; the ladies wore long skirts. Halfway through the act, the men pulled off the ladies’ skirts, and the women suddenly appeared to be wearing miniskirts. It made such an impression that the poor singing went unnoticed. “I started half a tone too high and sang the whole song off-key. And yet I won,” Cheryl Baker later explained. Bucks Fizz did manage to secure the victory. Not only was their Eurovision song a huge success, but less than a year later, the group topped all European charts again with the song “The Land Of Make Believe”. The group still exists, although only one member from the original lineup, Bobby G, is still involved. After the votes came in and Bucks Fizz had won, the group was jumping around enthusiastically and happily. That was in strong contrast to Johnny Logan, who came to present the award. It was clear that all the joy surrounding his victory had vanished from him: Logan had clearly not had a good year.

Read More »
History
Martijn

70 years of Eurovision: sadness and hapiness

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1980 There had been plans for an open-air Eurovision Song Contest at the Sea of ​​Tiberias. The Israeli broadcaster simply ran out of money to organize the contest. Eventually, the Netherlands took over. The Dutch broadcaster used the scripts from 1976 again. Even the opening film was the same as back then. Israel itself did not participate. The festival coincided with a memorial day there. Monaco also dropped out, but Morocco participated for the first time. Marloes Fluitsma hosted the event. She was extremely nervous. ‘Dames en heren, hallo, (Ladies and gentlemen, hello)’ she opened the contest. Without any spontaneity, she struggled her way through the event. Thank goodness, every country had brought its own presenter for this 25th Eurovision Song Contest. Katja Ebstein participated for Germany for the third time. She was accompanied by a group of backing vocals dressed as clowns. Maggie MacNeal made a comeback for the Netherlands; At the time as half of a duo, now solo and with the song “Amsterdam”. Paola, who had already represented Switzerland in 1969, was also present. Her song “Cinéma” dealt with Mickey Mouse, Charlie Chaplin, and Buster Keaton, among others. All three returning candidates finished in the top 5. Also noteworthy was Turkey, which returned and immediately sent a politically charged song, about oil of course: “Petr’oil”. Morocco sent Samira Ben Said, who would later become a major star throughout the entire Arab world as Samira Said. Another notable entry was that of Luxembourg. The French twins Sophie and Magaly participated for that country. The singing was not very in tune. Things did not end well for the twins in the end. Both died young. The song, “Le papa pingouin”, would become a number 1 hit in France twenty years later. Besides Turkey, Norway also submitted a politically charged song. This country called attention to a Norwegian minority, the Sami, who live in the north of Scandinavia. The yoik, a special Sami chant, could be heard in this song. Singer Mattis Hætta wore a matching costume. Johnny Logan Ireland was not really the favorite for the final victory. Kudos however to Johnny Logan for his good singing and simple performance, and for the saxophone solo included in the song. Against all expectations, it was all enough for an Irish victory. “He’s so happy, isn’t he?” Marloes Fluitsma sighed when Logan stormed onto the stage as the winner. Johnny Logan initially managed to capitalize on his victory. However, due to lawsuits and contract issues, he failed to build a major career. But more on that later. 1981 For the second time, the festival went to Dublin, this time to the Royal Dublin Society. Morocco dropped out, but Cyprus made its debut. Yugoslavia returned. Doireann Ni Bhriain was the host. She did a fine job, even when things went wrong with the Yugoslav jury. After she called out to the jury several times, a loud ‘Hello’ rang out, after which she asked for the points. “I don’t have it,” a somewhat surprised jury chairwoman announced. It took a while before she finally announced the points. Marty Brem participated for Austria for the second time. However, no one understood the ballet that accompanied the Austrian entry. Tommy Seebach (Denmark) also participated for the second time. Maxi (Ireland) was a member of the group Sheeba, and Björn Skifs participated for Sweden again. Peter, Sue, and Marc performed for Switzerland for the fourth and final time. And, very remarkably, Jean-Claude Pascal, the winner of 1961, performed for Luxembourg! Just like the two previous years, Ralph Siegel and Bernd Meinunger wrote the entry for Germany, this time “Johnny Blue” for Lena Valaitis. It became an international hit and a Eurovision evergreen. For Norway, Finn Kalvik sang the ballad “Aldri i livet”. At the record, he was accompanied by none other than Agnetha and Frida from Abba. However, they were not present during the live broadcast. And unfortunately, no one had any points left for Kalvik. Bucks Fizz The group that represented the United Kingdom was formed specifically for the Eurovision Song Contest: Bucks Fizz. One of the members, Cheryl Baker, had previously participated with the group Co-Co. Two men and two women, modeled after ABBA, sang “Making Your Mind Up”. The group members were dressed in primary colors; the ladies wore long skirts. Halfway through the act, the men pulled off the ladies’ skirts, and the women suddenly appeared to be wearing miniskirts. It made such an impression that the poor singing went unnoticed. “I started half a tone too high and sang the whole song off-key. And yet I won,” Cheryl Baker later explained. Bucks Fizz did manage to secure the victory. Not only was their Eurovision song a huge success, but less than a year later, the group topped all European charts again with the song “The Land Of Make Believe”. The group still exists, although only one member from the original lineup, Bobby G, is still involved. After the votes came in and Bucks Fizz had won, the group was jumping around enthusiastically and happily. That was in strong contrast to Johnny Logan, who came to present the award. It was clear that all the joy surrounding his victory had vanished from him: Logan had clearly not had a good year.

Read More »
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