🇸🇲 Road to Basel: San Marino

Road to Basel: San Marino

Road to Basel: San Marino! As the Eurovision Song Contest 2025 in Basel approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on San Marino.

photo: SMRTV/Pier Costantini

Gabry Ponte

Gabriele “Gabry” Ponte is an Italian DJ, remixer, and record producer born on April 20, 1973, in Turin, Italy. He gained international fame in the late 1990s as a member of the Italian Eurodance group Eiffel 65, known for their hit “Blue (Da Ba Dee).” Over the years, Gabry Ponte has established a successful solo career, producing numerous dance hits and collaborating with various artists.

“Tutta l’Italia” (What does AI say?)

His Eurovision entry, “Tutta l’Italia,” is a dance track that combines electronic beats with elements of traditional Italian music, including instruments like the accordion and references to Italian pop culture. The song was co-written by Gabry Ponte, Andrea Bonomo, and Edwyn Roberts. Upon its release on January 31, 2025, “Tutta l’Italia” quickly gained popularity, reaching number fifteen on the Italian singles chart. The track was also used as the official theme song for the Sanremo Music Festival 2025.

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San Marino Song Contest 2025

San Marino selected its Eurovision 2025 representative through the national competition San Marino Song Contest 2025. The final took place on March 8, 2025, at the Teatro Nuovo in Dogana, hosted by Flora Canto and Francesco Facchinetti. Twenty songs competed, with the winner determined by a jury. Gabry Ponte’s performance of “Tutta l’Italia” captivated the jury, securing his victory and the opportunity to represent San Marino in Basel. ​

These are the results of the final:

  1. Gabry Ponte, “Tutta L’Italia”
  2. The Rumpled, “You Get Me So High”
  3. Teslenko, “Storm”
  4. Elasi, “Lorella”
  5. Boosta, “BTW”
  6. Besa, “Tiki”
  7. CRL, “Juliet”
  8. Giacomo Voli, “Ave Maria”
  9. Questo e Quello, “Bella Bella”
  10. Paco, “Until the End”
  11. Pierdavide Carone, “Mi vuoi sposare?”
  12. Marco Carta, “Solo fantasia”
  13. Angy Sciacqua, “I”
  14. Haymara, “Tómame las manos”
  15. Silvia Salemi, “Coralli”
  16. Bianca Atzei, “Testacoda”
  17. Vincenzo Capua, “Sei sempre tu”
  18. King Foo, “The Edge Of The World”
  19. Taoma, “NPC”
  20. Luisa Corno, “Il giorno giusto”
San Marino in the Eurovision Song Contest

San Marino has participated in the Eurovision Song Contest since 2008. Despite being one of the smallest countries in the competition, it has made notable contributions, with its best result in 2019 when Serhat‘s “Say Na Na Na” finished 19th in the Grand Final. But when we talk about San Marino, we must not forget Valentina Monetta. She participated for her country on no less than four occasions. She was, in 2014, the first one to bring San Marino to the final.​

Serhat in 2019

A Random San Marino Entry

Reflecting on San Marino’s Eurovision history, random.org chose the 2018 entry: Maltese Jessika Muscat and German Jenifer Brening. The song was co-written by ZoĂ« Straub, who represented Austria in 2016. In the performance, there is a main role for robots. During the rehearsals, there was an inside joke: the robot held a paper with the text “Justice for Valentina!”.

Betting Odds

As of now, Gabry Ponte’s “Tutta l’Italia” is 15th in the odds in order to win the Eurovision Song Contest. In the odds for winning semifinal 1, the country is 10th. It is seriously possible that San Marino will have it’s best score ever in the Eurovision Song Contest. If that is really gonna happen? We will wait and see.

We eagerly await the Eurovision Song Contest in Basel and look forward to witnessing Gabry Ponte’s performance on the grand stage.

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo StjĂłrnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. JoĂ«lle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave TajÄŤi unmentioned. 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He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. 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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo StjĂłrnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. JoĂ«lle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave TajÄŤi unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became CinecittĂ , the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. 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