🇼đŸ‡Ș Road to Basel: Ireland

Road to Basel: Ireland

Road to Basel: Ireland! As the Eurovision Song Contest 2025 in Basel approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Ireland.

photo: RTE/Ole-Martin Evensen Sandness

Emmy

Emmy Kristine Guttulsrud Kristiansen, known mononymously as Emmy, is a Norwegian singer-songwriter born on 13 September 2000 in Holmestrand, Norway. She began her musical journey at a young age, participating in the youth music show Melodi Grand Prix Junior in 2015 with the song “Aiaiaiai.” In 2021, she competed in Norway’s Melodi Grand Prix with “Witch Woods,” qualifying for the final. Emmy has also been involved as a songwriter for other artists and gained an international audience through her TikTok account, amassing over a million followers. ​

“Laika Party” (What does AI say?)

Emmy’s Eurovision entry, “Laika Party,” is a synth-pop track co-written with her brother Erlend Guttulsrud Kristiansen, Henrik Østlund, Truls Marius Aarra, and Irish-based songwriter Larissa Tormey. The song pays tribute to Laika, the Soviet space dog who became the first living being to orbit the Earth in 1957. Emmy was inspired to write the song after learning about Laika’s story, imagining an alternative fate where the dog enjoys an endless party in space. ​

National Selection Process

Ireland’s national broadcaster, RTÉ, organized Eurosong 2025 to select its Eurovision entry. The competition took place on 7 February 2025 during a special edition of The Late Late Show. Six acts competed, with the winner determined by a combination of votes from a national jury, an international jury, and a public televote. Emmy’s “Laika Party” won both the national jury and public votes, securing a total of 34 points and earning her the right to represent Ireland in Basel. ​

  1. Emmy, “Laika Party
  2. Samantha Mumba, “My Way
  3. Bobbi Arlo, “Powerplay
  4. Niyl, “Growth
  5. Reylta, “Fire
  6. Adgy, “Run into the Night
Ireland in the Eurovision Song Contest

Ireland has a rich history in the Eurovision Song Contest, having participated 56 times since its debut. The country holds the record for the most wins, with seven victories, including three consecutive wins in the 1990s. Notably, Johnny Logan is the only three-time winner, having won as a performer and songwriter. Linda Martin sang his “Why Me”. She was followed by Niamh Kavanagh, Paul Harrington & Charlie McGettigan and Eimear Quinn. But let’s not forget that it all started in 1970 with Dana’s “All Kinds of Everything”. In recent years, Ireland’s best result came in 2024 when Bambie Thug’s “Doomsday Blue” achieved sixth place. ​

A Random Irish Entry

Reflecting on Ireland’s Eurovision history, random.org chose Liam Reilly. He represented Ireland in 1990 and reached a 2nd place with “Somewhere in Europe”. Reilly was really somewhere in Europe, as he took the wrong plane when he travelled to Zagreb for the Eurovision Song Contest.

​

Betting Odds

As of now, Emmy’s “Laika Party” is currently in 20th place in order to win the Eurovision Song Contest. In the odds to win the semifinal, she has a 10th place at this moment. That means it is still nailbiting for Ireland, but a place in the final is possible for sure!

We eagerly await the Eurovision Song Contest in Basel and look forward to witnessing Emmy’s performance on the grand stage.

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History

🇩đŸ‡č Austria in the Eurovision Song Contest, part 3

đŸ“· Waterloo & Robinson This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the third episode, we will look back at the seventies. Austria entered the top-5 twice. They also sang in a minority language. They also had some deviant entries. 1971 – Marianne Mendt – Musik Austria returned to the Eurovision Song Contest in 1971 after a two-year absence . They boycotted the Franco-ruled 1969 contest and protesting the four-way tie of 1969 by skipping 1970. Marianne Mendt performed “Musik.” Mendt, a jazz-pop singer from Vienna, delivered the song in her native Viennese German dialect, a rarity at Eurovision. Richard Schönherz and Manuel Rigoni composed “Musik” and also wrote its lyrics, giving the entry a swinging, soulful vibe about the power of music. At the contest in Dublin, “Musik” scored 66 points and finished 16th out of 18 entries. 1972 – The Milestones – Falter im Wind The Austrian rock band The Milestones represented the country at the Eurovision Song Contest 1972 in Edinburgh with “Falter im Wind” (“Butterfly in the Wind”). Composers Richard Schönherz and Manuel Rigoni teamed up with lyricist Heinz Unger to craft this folk-tinged pop song addressed to a butterfly. They reflected on life’s impermanence. The song’s gentle melody and rich harmonies resonated with the juries. Austria earned 100 points and achieved 5th place. This was the country’s best Eurovision result since its 1966 victory, showcasing a high point for Austria before a brief mid-’70s withdrawal from the contest. 1976 – Waterloo & Robinson – My Little World After skipping the contest from 1973 to 1975, Austria returned at the Eurovision Song Contest 1976 in The Hague with pop duo Waterloo & Robinson performing “My Little World.” The duo was already popular at home. They presented an upbeat, feel-good song that songwriter Gerhard Heinz had composed. Sung in English, “My Little World” celebrates the simple joys of love and life. It earned 80 points and reached 5th place, matching Austria’s 1972 success. This strong result followed ORF’s mid-’70s Eurovision hiatus, which was reportedly due to dissatisfaction with the contest’s scoring system at the time. 1977 – Die Schmetterlinge – Boom Boom Boomerang Austria took a daring turn at the Eurovision Song Contest 1977 in London with the group Schmetterlinge and their song “Boom Boom Boomerang.” Known for their political cabaret style, Schmetterlinge delivered a satirical pop performance. In that performance they lampooned the commercial music industry, complete with nonsense “international” lyrics and zany on-stage antics. Group members like Georg “Schurli” Herrnstadt and Willi Resetarits wrote the music, while Lukas Resetarits provided tongue-in-cheek lyrics skewering formulaic pop. Despite the bold concept and humor, the entry earned only 11 points, placing 17th out of 18 countries. Notably, two members of Schmetterlinge had been part of The Milestones (Austria’s 1972 act), adding a nod to the country’s earlier Eurovision experience. 1978 – Springtime – Mrs. Caroline Robinson In 1978, Austria was represented by Springtime, a pop trio formed by brothers Walter and Gerhard Markel with bassist Norbert Niedermayer. Their song “Mrs. Caroline Robinson” was an upbeat schlager-pop number with a humorous twist. It was written by the trio themselves. The lyrics told the quirky story of Caroline Robinson, the “top-witch of this town” who captivates everyone with her charm. Springtime’s performance in Paris was fun and energetic, and the song even became a hit at home. It earned a gold record in Austria. On the Eurovision scoreboard, however, “Mrs. Caroline Robinson” earned 14 points, finishing 15th out of 20 countries in 1978. 1979 – Christina Simon – Heute in Jerusalem Austria’s 1979 entry was the soulful “Heute in Jerusalem” (“Today in Jerusalem”), performed by singer Christina Simon. Christina had a background as a jazz vocalist. This reflective ballad was composed by Peter Wolf with lyrics by Austrian artist AndrĂ© Heller. Musically it blended contemporary jazz and blues influences, and its lyrics carried a heartfelt plea for peace in Jerusalem. That was quite fittingly, the contest was held in Jerusalem just days after the Israel–Egypt peace treaty. Simon’s emotional delivery brought gravitas to the stage. Unfortunately, “Heute in Jerusalem” received only 5 points, ending up in 18th (last) place at the 1979 contest. 

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History
Martijn

🇩đŸ‡č Austria in the Eurovision Song Contest, part 3

đŸ“· Waterloo & Robinson This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the third episode, we will look back at the seventies. Austria entered the top-5 twice. They also sang in a minority language. They also had some deviant entries. 1971 – Marianne Mendt – Musik Austria returned to the Eurovision Song Contest in 1971 after a two-year absence . They boycotted the Franco-ruled 1969 contest and protesting the four-way tie of 1969 by skipping 1970. Marianne Mendt performed “Musik.” Mendt, a jazz-pop singer from Vienna, delivered the song in her native Viennese German dialect, a rarity at Eurovision. Richard Schönherz and Manuel Rigoni composed “Musik” and also wrote its lyrics, giving the entry a swinging, soulful vibe about the power of music. At the contest in Dublin, “Musik” scored 66 points and finished 16th out of 18 entries. 1972 – The Milestones – Falter im Wind The Austrian rock band The Milestones represented the country at the Eurovision Song Contest 1972 in Edinburgh with “Falter im Wind” (“Butterfly in the Wind”). Composers Richard Schönherz and Manuel Rigoni teamed up with lyricist Heinz Unger to craft this folk-tinged pop song addressed to a butterfly. They reflected on life’s impermanence. The song’s gentle melody and rich harmonies resonated with the juries. Austria earned 100 points and achieved 5th place. This was the country’s best Eurovision result since its 1966 victory, showcasing a high point for Austria before a brief mid-’70s withdrawal from the contest. 1976 – Waterloo & Robinson – My Little World After skipping the contest from 1973 to 1975, Austria returned at the Eurovision Song Contest 1976 in The Hague with pop duo Waterloo & Robinson performing “My Little World.” The duo was already popular at home. They presented an upbeat, feel-good song that songwriter Gerhard Heinz had composed. Sung in English, “My Little World” celebrates the simple joys of love and life. It earned 80 points and reached 5th place, matching Austria’s 1972 success. This strong result followed ORF’s mid-’70s Eurovision hiatus, which was reportedly due to dissatisfaction with the contest’s scoring system at the time. 1977 – Die Schmetterlinge – Boom Boom Boomerang Austria took a daring turn at the Eurovision Song Contest 1977 in London with the group Schmetterlinge and their song “Boom Boom Boomerang.” Known for their political cabaret style, Schmetterlinge delivered a satirical pop performance. In that performance they lampooned the commercial music industry, complete with nonsense “international” lyrics and zany on-stage antics. Group members like Georg “Schurli” Herrnstadt and Willi Resetarits wrote the music, while Lukas Resetarits provided tongue-in-cheek lyrics skewering formulaic pop. Despite the bold concept and humor, the entry earned only 11 points, placing 17th out of 18 countries. Notably, two members of Schmetterlinge had been part of The Milestones (Austria’s 1972 act), adding a nod to the country’s earlier Eurovision experience. 1978 – Springtime – Mrs. Caroline Robinson In 1978, Austria was represented by Springtime, a pop trio formed by brothers Walter and Gerhard Markel with bassist Norbert Niedermayer. Their song “Mrs. Caroline Robinson” was an upbeat schlager-pop number with a humorous twist. It was written by the trio themselves. The lyrics told the quirky story of Caroline Robinson, the “top-witch of this town” who captivates everyone with her charm. Springtime’s performance in Paris was fun and energetic, and the song even became a hit at home. It earned a gold record in Austria. On the Eurovision scoreboard, however, “Mrs. Caroline Robinson” earned 14 points, finishing 15th out of 20 countries in 1978. 1979 – Christina Simon – Heute in Jerusalem Austria’s 1979 entry was the soulful “Heute in Jerusalem” (“Today in Jerusalem”), performed by singer Christina Simon. Christina had a background as a jazz vocalist. This reflective ballad was composed by Peter Wolf with lyrics by Austrian artist AndrĂ© Heller. Musically it blended contemporary jazz and blues influences, and its lyrics carried a heartfelt plea for peace in Jerusalem. That was quite fittingly, the contest was held in Jerusalem just days after the Israel–Egypt peace treaty. Simon’s emotional delivery brought gravitas to the stage. Unfortunately, “Heute in Jerusalem” received only 5 points, ending up in 18th (last) place at the 1979 contest. 

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