The second semifinal

photo: EBU/Sarah Louise Bennett

The hosts Petra Mede and Malin Åkerman open the show with their own version of “Tattoo.”

Malta

In the Maltese act by Sarah Bonnici, there is a lot of movement and dancing. Later during the act, she is blindfolded, as are her dancers. Despite so much movement, Sarah manages to sing remarkably well.

Albania

Besa wears a turquoise gown with gemstones. The stage also includes several dancers, which might make it look a bit messy. However, many dancers are projected onto LED screens. Besa’s voice sounds a bit sharp here and there.

Greece

First, we see her purple boots, then the whole Marina Satti. She is also flanked by four dancers, but it looks much more organized. Greece has chosen a sophisticated entry not meant for casual listeners. A lot happens during this entry. Marina continues to sing well.

Switzerland

Nemo takes the viewer into his story with the song “The Code,” managing to crack the (binary) code. Their clothing says it all. Nemo has so far managed to enhance their narrative through fashion statements. Nemo jumps, skips, shows himself to be a balancing artist… and continues to sing crystal clear. We do not know if this is a winner, but we definitely respect their skills.

Czechia

You would expect Aiko to be standing on a pedestal during her performance. That’s not the case, but we find that the ceiling (one of the cubes) is very low. Aiko has four… Her nipples are no longer visible. Pay particular attention to the high note that Aiko effortlessly hits. Aiko surprises!

During the first semifinal, Nicole (from Hugo) received a tribute, and in this semifinal, Jahn Teigen (ESC 1978, 1982, 1983) is honored. We are treated to a journey through Eurovision history with several participants who did not finish very high.

France

Slimane, dressed in white, starts singing while lying down, then sits up. Everything is shot in close-up, which makes the song even more intimate. Slimane pulls out all the stops in terms of his singing ability. The song has its distinct fans, but others are completely on the opposite end of the spectrum.

Austria

It’s interesting to put someone on stage who has held various other roles at the contest. Singing is clearly not Kaleen’s strongest suit. Regardless of how enjoyable the song may be found, the singing is forgotten in Austria. However, the act looks absolutely tight, and Kaleen knows very well what she is doing in terms of dance.

Denmark

It seems like you only see a singer sprinkling some sand and singing her song. However, we also see a second Saba in the background… A hologram, as it turns out, because at one point she disintegrates into sand. Occasionally, Saba tends to sing too loud, which makes the whole thing seem a bit shouty.

Armenia

Cheerfulness all over, garnished with typical Armenian sounds. Singer Jaklin Baghdasarian of Ladaniva plays a leading role throughout the act. The other band members and backing band stand behind her, but at one point, the flutist also comes forward. We see all sorts of things in the background: trumpets, chickens, and the artists themselves.

Latvia

Looking at his Instagram account, he is very cheerful and humorous: the Latvian Dons. But seeing him standing there in his sleeveless leather outfit amid a circle, and hearing his very serious ballad, we notice little of that. There is nothing wrong with this song, but that might also be the problem.

Spain

Both the singer and the dancers are dressed in black. The singing isn’t fantastic, but Nebulossa certainly knows how to throw a party in the hall. And of course, halfway through the act, the dancers strip off their clothes and continue dancing with bare chests and buttocks. At the end, a keyhole appears behind the singer Mery. The Spaniards really throw a party.

San Marino

We stick with the Spanish language, as San Marino sends the Spanish group Megara. Singer Kenzy Loevett is briefly flanked by two dancers in scary Easter bunny suits. Everything is pink and black in this act. It’s all rock, and the group tries to match the scariness of Bambie Thug, but it remains rather tame for a horror show.

Georgia

Nutsa Buzaladze is dressed in gold and stands in a circle of fire, which at one moment looks like a sun, the next a burning hoop. Nutsa is flanked by four dancers, and gives her all in terms of singing, but that doesn’t necessarily mean it’s good. For Georgia, it’s definitely not a done deal.

Belgium

We had already seen photos of Mustii amid a circle of microphones, but he starts alone on stage. He then stands on a rotating platform. Later, he goes into this circle. Mustii is dressed in white. The singing we hear here is very cautious, with Mustii consciously staying below the high notes. He did not, as we previously reported, take his shirt off. But towards the end, we see the whole hall going wild with the Belgian entry!

Estonia

5miinust and Puuluup are having a party on stage. The title of the song is, as previously mentioned, the longest ever. Whether the party really come across with all the “hey hey hey” is still a question. Possibly a finalist position for Estonia, but that is by no means certain.

Italy

Angelina Mango starts lying down, with roses projected under her. She has a sort of henna-like print depicted. This print also continues with the dancers. There are so many prints all over. There are so many details that you occasionally don’t see Angelina and her dancers at all. The singing is fine where it concerns Angelina. She ends a cappella. That takes skilsl, and Angelina has them. Italy will finish high, but perhaps not win.

Israel

The Israeli entry is the only ballad in this latter stage of the second semifinal. Just before she starts singing, Eden Golan leans back in a circle with lights. Five dancers flank her, and of course, she is lifted in the middle of the song. The singing is good, including the high note. Israel got both bood and cheered; possibly SVT and EBU will filter the booing tomorrow.

Norway

Norwegian instruments, we see branches everywhere, and we see the Norwegian band Gåte. Nightwish meets Within Temptation during this entry. The whole has a Norwegian mystical character. The band seems to have come right out of the Norwegian mythology. Singer Gunnhild Sunli effortlessly hits all the high notes.

Netherlands

Joost starts while standing on a picture of his head, depicted on the floor. Next to him are two dancers, and on stage with him are his friends Appie Mussa (in a bird suit) and Stuntkabouter in a blue suit. The graphics correspond in part with the text. It’s a lot, we see many different graphics. Next to typical Dutch snacks, we also see the burning mill, silhouettes of the parents, and the word papa (daddy) pass by. During the 90s gabber music part, the stage turns red. During the emotional outro, the background is black, with subtitles. Then follows the text for his parents.

Tonights  interval act contains various surprises. First, we see a singalong with Sertab Erener, Charlotte Perrelli, and Helena Paparizou. Then we see the two presenters singing the song “We just love Eurovision too much.” They do this with the aforementioned Sertab, Charlotte, and Helena, but also Käärijä and The Herreys take the stage.

After that follows the moment of announcement. We think the following countries will make it to the final: Greece, Switzerland, Austria, Denmark, Armenia, Georgia, Belgium, Israel, Norway, and the Netherlands.

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Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, December 16, 2025. Time for another weekly update! The Eurovision world saw major developments this week as the path to Vienna 2026 takes shape. Iceland shocked fans by withdrawing from the Contest, while Poland confirmed its participation despite controversy. Portugal’s plans sparked internal debate, and the EBU’s Eurovision director reached out to address fan concerns. Meanwhile, we got our first glimpse of the Eurovision 2026 stage design. National selection season is also heating up across Europe with new song releases and lineup announcements from Luxembourg to Azerbaijan. And in a bold protest, a Eurovision legend joined the reigning champion in returning their trophies. Here are this week’s top stories: Eurovision 2026 Updates 📷 The participating countries. source: Eurovision 🇮🇸 Iceland: Broadcaster Withdraws from Eurovision 2026 Iceland’s broadcaster RÚV has confirmed the country will not take part in Eurovision 2026. RÚV joins a boycott with other nations. The decision comes in protest of the EBU allowing Israel to participate despite the ongoing conflict. Iceland follows Ireland, Spain, the Netherlands, and Slovenia in withdrawing from next year’s contest. This marks the first time Iceland sits out Eurovision since 1998. RÚV’s announcement cited aligning with those countries taking a stand over “events in the Middle East”. Herwith they reflect significant political pressures around the 2026 contest. source: RÚV 🇵🇱 Poland: TVP Confirms Participation Despite Boycotts Poland’s public broadcaster TVP has decided it will participate in Eurovision 2026. In an official statement, TVP acknowledged “the scale of tensions” surrounding the upcoming edition and said it understands the strong emotions involved. However, the Polish broadcaster is “giving Eurovision a chance” to remain a space filled with music – and only music. TVP noted it is siding with the majority of EBU members by staying in the contest. Poland’s confirmation comes after internal deliberations. The country will move forward with its selection process, aiming to focus on the song rather than politics. se.pl 🇵🇹 Portugal: RTP Stands Firm Amid Boycott Calls In Portugal, Eurovision has sparked intense debate. Seventeen artists competing in Festival da Canção 2026 (Portugal’s national final) signed a joint statement vowing to boycott Eurovision if they win, unless Israel is barred. They argue they “do not accept complicity in human rights violations,” referencing that Israel was not excluded despite United Nations accusations. In response, broadcaster RTP publicly reaffirmed it will participate in Eurovision 2026 regardless. RTP said that,regardless of the artists’ choices, it will hold Festival da Canção and send an entry to Vienna. This stance drew criticism. Portugal’s only Eurovision winner, Salvador Sobral, blasted RTP’s decision as “political cowardice”. A public petition urging Portugal’s withdrawal has gathered over 22,000 signatures. Despite the backlash, RTP is proceeding with its selection, even hinting it could send an alternate act if the FdC winner declines   source: sabado.pt. EBU Director Martin Green’s Open Letter to Fans Eurovision’s Executive Supervisor Martin Green CBE addressed the fan community in an open letter amid the current controversies. He acknowledged many fans’ “strong emotions” over events in the Middle East and calls for a stance. Green emphasized that the Eurovision Song Contest must remain guided by its rules to keep bringing people together. He pledged that all participating broadcasters will be expected to respect the contest’s rules and values, “and if they don’t… we will not tolerate it”. Green also directly addressed fans from Ireland, Spain, Iceland, Slovenia, and the Netherlands, whose broadcasters withdrew. He said their decisions were made “with great dignity” Green affirmed the EBU’s respect for those choices, and expressed hope that those countries “return to the Contest soon”. Despite the divided world, Green wrote, Eurovision will remain a space where “music takes centre stage” and everyone is welcome, whatever their views are. source: eurovision.com Vienna 2026 Stage Design Unveiled Host broadcaster ORF has revealed the stage design for Eurovision 2026 in Vienna. The stage, designed by the renowned Florian Wieder, centers on a large curved LED “leaf” as its centerpiece, complemented by a sweeping arc and an intricate golden “construct” structure. The concept draws inspiration from the Viennese Secession art movement, aiming to break conventions and foster radical creativity while preserving Eurovision’s familiar DNA. ORF describes the design as a blend of organic and modern elements: the Leaf symbolizes new beginnings, the Curved Line conveys musical movement, and the Construct brings architectural order in contrast. Notably, the Green Room will be directly connected to the stage via a walkway, enabling a dramatic “Winner’s Walk” through the audience for the victors. With state-of-the-art LED surfaces and a nod to Vienna’s artistic heritage, the stage promises to be both functional and visually striking as Europe gathers in May. source: eurovision.com National Finals and Selections 🇱🇺 Luxembourg: Eight Finalist Songs Released Luxembourg has published the songs competing in its much-anticipated national final return. All eight entries for the Luxembourg Song Contest 2026 (LSC 2026) are now available to hear on RTL’s platforms. Two entries are performed in French and the others in English, with some artists also weaving in lyrics from Portuguese and German. The national final will take place on 24 January 2026 at the Rockhal.  source: rtl.lu 🇲🇩 Moldova: 12 Finalists Chosen After Auditions In Moldova, the national selection has moved forward with a live audition round. Out of around 36 songs that entered the Selecția Națională 2026 auditions, a jury will pick 5 to 10 songs to advance to the televised final. The audition stage will be held today in Chișinău, was eventful.  The finalists will prepare for Moldova’s national final, which is scheduled for 17 January 2026. This is the first time in years the auditions for the Moldovan national final will not be seen live on TV. source: TRM 🇮🇹 Italy: Sanremo 2026 Artists Lineup Revealed In Italy, preparations for the iconic Festival di Sanremo 2026 are in full swing. RAI has announced the lineup of 30 big artists who will compete in the 76th edition of Sanremo. The list of performers was unveiled at the end of November. These 30

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