The first semifinal

Finally, the moment has arrived: we get to see the full first semifinal. Only now can we truly judge if and how good it is.

In the opening of the show, we see ’12 points’ and old footage, after which the cubes rise. This is followed by Eleni Foureira, then Eric Saade, and subsequently, Chanel also makes an appearance.

Then the presenters Malin Åkerman and Petra Mede make their entrance, dressed in clashing pink and orange.

Cyprus:

Now that we can hear the entire song, it’s noticeable that Silia Kapsis’s singing has improved considerably during rehearsals. She and the dancers are dressed in white against a turquoise background. And yes, the shirts come off, at least the dancers’ shirts. And, of course, there’s a dance break.

Serbia:

In a cloudy sky, on a rock, Teya Dora sings her song. Later in the act, she steps off her rock. The act barely resonates because not everyone understands why there’s a flower at the end of the act. Serbia might struggle; there’s a risk it might be overshadowed.

Lithuania:

We now effortlessly recognize the song with the ‘lady Mondegreen’ lyrics. Silvester Belt’s entry does make an impact. The song is accessible to a wide audience, which cannot really be said for several other entries this evening.

Ireland:

Bambie Thug is doing their best to put on a terrifying act. With a devil on stage, a witches’ circle, and a pentagram, the artist definitely stands out. Whether the average viewer understands what’s happening is questionable, even as Bambie Thug exorcises the devil at the end and remains in an outfit in the transgender colours. For fans of beautiful singing: Bambie Thug has a beautiful singing voice, but also lets out a lot of screams.

Then the hosts chat, during which the attentive (and somewhat older) viewer might notice a reference to Lill Lindfors (the 1985 host).

United Kingdom:

We previously reported that Olly Alexander had said this was the most homosexual act ever. Having seen the entire act, we can wholeheartedly agree. Whether this entry is suitable for very young viewers is debatable, but perhaps you had already sent them out of the room during the previous act.

Ukraine:

On the floor, we see blue and yellow, the Ukrainian colors. The song is beautifully performed by Jerry Heil. As Alyona Alyona starts to rap, we see concrete colors. On the cubes, silhouettes of people are projected. Altogether, it’s very impressive and could possibly be a winner.

Poland:

Luna sings from a chessboard. The two towers in the center play a major role in the song, along with a black, a white, and a red king. It’s a chess game for three players, and Luna seems to have entered it. She, too, overcomes forces from the past.

Croatia:

There’s a lot happening; the song is about young people leaving the country in search of greener pastures. The song is ranked number one by the bookmakers. It could well finish very high. It certainly swings, but it will require some skills from Baby Lasagna to properly convey the message.

Iceland:

After several acts where a lot has happened, Hera Björk is somewhat of a breather. Unfortunately, this challenging song doesn’t really stand out compared to the rest. But perhaps that’s precisely its strength. Of course, we wish Hera Björk the best in the contest.

Then there’s a video; watch closely, because it’s brief. We definitely see a role for Arcade and Dancing Lasha Tumbai.

Germany:

Then, out of competition tonight, comes Isaak, who has brought his fire pit indoors. He sings that he’s always on the run but meanwhile doesn’t move from his spot; an interesting contradiction. It would be nice if Isaak could shake off the curse of the lower ranks. We fear that’s wishful thinking.

Slovenia:

Then the ode to Veronika of Desenice follows. Certainly, a good singer, but whether this act will clearly convey what Raiven intends to spotlight is doubtful. The viewers will hear and see how well it’s sung, but unfortunately, the televoters aren’t generally moved in large numbers.

Finland:

We see a whirlwind show from Windows95man. For three minutes, something happens that keeps the viewer engaged. The joke with the underwear and the attempt to suggest a naked Windows95man does the trick. However, Windows95man cannot sing; that’s what Henri Piispanen is for. And he does it quite well.

Moldova:

Really, no one believes in a final spot for Natalia Barbu anymore. It’s a shame because the graphics are certainly worth noting. Only, we had already noticed that when Natalia Barbu seems to get wings, she’s not positioned correctly for the camera. We still want to point out her dress, which is special. The song, unfortunately, is not.

Sweden:

Of course, the hall goes wild, the Norwegian twins Marcus & Martinus representing Sweden are incredibly popular. A music video, a slick show. The show by the twins from Norway, competing for Sweden, is solid. But whether the song is strong enough for a high score could be doubted.

Azerbaijan:

The Azerbaijani act consists of a woman who seems to come out of the water on the LED screens, waving her hands. These hands later reappear on stage. Fahree and Ilkin Dovlatov sing the song with this ensemble in the background. Whether the traditional Azerbaijani singing (mugham) comes across and makes it to the final is doubtful.

Australia:

An act that does make an impression. Especially singer Zaachariaha impresses with strong vocals. Initially, he stands at the front singing the song with the background singers. Later, there’s a lot of dancing and movement, and it turns into a cheerful, friendly performance. Australia might make it to the final.

Portugal:

A calming moment in this busy evening. No frills, a well-singing singer, and several masked dancers, all in white. Iolanda’s high note certainly makes a big impression in the press center. After so much commotion, it just might be that Portugal suddenly makes it to the final.

Luxembourg:

The act from Luxembourg looked very slick in the photos. Now that we see it live and for three minutes, it somehow lacks something and looks somewhat messy. Midway through the song, suddenly from two sides a tiger appears on the graphics. We would like to see Luxembourg in the final. It could definitely happen, but it’s not at all certain.

Johnny Logan returns to Eurovision to sing again, not as a competitor but as a guest.

We are also treated to a performance by Benjamin Ingrosso, the man who represented Sweden in 2018. He looks a bit different now but presents well with new music.

Our suggestion for semifinal 1: Cyprus, Serbia, Lithuania, Ireland, Ukraine, Croatia, Slovenia, Finland, Australia and Portugal will get through.

 

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Vienna 12 points: From festivali i Këngës to Sanremo

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 9 May, 10:30–10:55 CEST Delta Goodrem’s breakthrough came at the perfect intersection of television and music. After signing a record deal at fifteen, the Australian singer was cast as shy schoolgirl Nina Tucker in Neighbours in 2002. The role gave her music a national platform: “Born to Try”, performed within the series, introduced audiences to her piano-led pop sound and quickly became her first Australian number one. In March 2003, Goodrem released her debut album Innocent Eyes, a polished collection of emotional ballads and radio-friendly pop songs. The album turned her from promising newcomer into one of Australia’s defining pop stars of the decade. It debuted at number one on the ARIA Albums Chart and remained there for 29 weeks, an Australian-artist record. With five number-one singles, including “Lost Without You”, “Not Me, Not I” and “Predictable”, Innocent Eyes became a major landmark debut and established Goodrem as a powerful vocalist and songwriter internationally.  Ukraine — Leléka, “Ridnym” Running order: 12 | Rehearsal: 9 May, 11:05–11:30 CEST When Ukraine’s Eurovision 2026 act is called LELÉKA, it can seem slightly confusing: the name refers both to singer Viktoria Leléka and to the band she founded in Berlin in 2016. The group is her own long-running Ukrainian-German folk-jazz project. Built around Viktoria’s distinctive voice, LELÉKA combines Ukrainian traditional melodies with contemporary jazz, improvisation and warm acoustic arrangements. The quartet’s line-up includes Viktoria Leléka on vocals, Povel Widestrand on piano, Thomas Kolarczyk on double bass and Jakob Hegner on drums. Long before Eurovision, the band had already made a name for itself on the European jazz scene. They won the Creole Global Music Contest in Berlin and the European Young Jazz Talent Award in Burghausen. Releases such as Tuman, Sonce u Serci and Rizdvo show the group’s musical identity: rooted in Ukrainian culture, but shaped in Berlin’s vibrant international jazz world today.  Albania — Alis, “Nân” Running order: 13 | Rehearsal: 9 May, 11:40–12:05 CEST Festivali i Këngës is often introduced as Albania’s national final. Its story began however long before Albania joined the contest. The first edition was held in Tirana in December 1962. That makes it one of Europe’s longest-running song festivals. 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Norway’s Jonas Lovv turns “Ya” into an unofficial record: in “YA YA YA” he sings the word 72 times, matching Finland’s Pave Maijanen, who packed “Yamma” 72 times into “Yamma, yamma”. Maijanen represented Finland in Malmö in 1992 with a cheerful, nostalgic song about the old valve radio. The lyrics imagine a tiny box containing “a hundred musicians”, while memories of Sinatra and John Lennon on the radio become seeds of happiness. Musically, “Yamma, yamma” is built around its nonsense-like hook, a playful syllable that does more than fill space: it gives the song its identity. The entry did not convince the juries and finished 23rd and last with four points. Still, three decades later, its repeated refrain has found a new claim to fame: a shared Eurovision record with Jonas Lovv’s chant in the contest’s ever-growing book of memorable lyrical curiosities and oddities. 🇮🇹 Italy — Sal Da Vinci, “Per sempre si” Running order: – | Rehearsal: 9 May, 13:30–13:55 CEST Festival di Sanremo is much more than Italy’s Eurovision selection. The contest was first held in 1951 in the Casino Theatre of Sanremo. It was created as a festival for new Italian songs and quickly became a national institution. Its format was so influential that it helped inspire the creation of the Eurovision Song Contest in 1956. Over the decades, Sanremo has introduced classics, launched careers and reflected changing Italian tastes. Since Italy’s Eurovision return, the link between the two contests has become increasingly important. Today, the winner of the Campioni section is given the first choice to represent Italy at Eurovision, usually with the Sanremo-winning song. 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Eurovision 2026
Martijn

Vienna 12 points: From festivali i Këngës to Sanremo

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 9 May, 10:30–10:55 CEST Delta Goodrem’s breakthrough came at the perfect intersection of television and music. After signing a record deal at fifteen, the Australian singer was cast as shy schoolgirl Nina Tucker in Neighbours in 2002. The role gave her music a national platform: “Born to Try”, performed within the series, introduced audiences to her piano-led pop sound and quickly became her first Australian number one. In March 2003, Goodrem released her debut album Innocent Eyes, a polished collection of emotional ballads and radio-friendly pop songs. The album turned her from promising newcomer into one of Australia’s defining pop stars of the decade. It debuted at number one on the ARIA Albums Chart and remained there for 29 weeks, an Australian-artist record. With five number-one singles, including “Lost Without You”, “Not Me, Not I” and “Predictable”, Innocent Eyes became a major landmark debut and established Goodrem as a powerful vocalist and songwriter internationally.  Ukraine — Leléka, “Ridnym” Running order: 12 | Rehearsal: 9 May, 11:05–11:30 CEST When Ukraine’s Eurovision 2026 act is called LELÉKA, it can seem slightly confusing: the name refers both to singer Viktoria Leléka and to the band she founded in Berlin in 2016. The group is her own long-running Ukrainian-German folk-jazz project. Built around Viktoria’s distinctive voice, LELÉKA combines Ukrainian traditional melodies with contemporary jazz, improvisation and warm acoustic arrangements. The quartet’s line-up includes Viktoria Leléka on vocals, Povel Widestrand on piano, Thomas Kolarczyk on double bass and Jakob Hegner on drums. Long before Eurovision, the band had already made a name for itself on the European jazz scene. They won the Creole Global Music Contest in Berlin and the European Young Jazz Talent Award in Burghausen. Releases such as Tuman, Sonce u Serci and Rizdvo show the group’s musical identity: rooted in Ukrainian culture, but shaped in Berlin’s vibrant international jazz world today.  Albania — Alis, “Nân” Running order: 13 | Rehearsal: 9 May, 11:40–12:05 CEST Festivali i Këngës is often introduced as Albania’s national final. Its story began however long before Albania joined the contest. The first edition was held in Tirana in December 1962. That makes it one of Europe’s longest-running song festivals. Created by Albanian public broadcaster Radio Televizioni Shqiptar, the festival became a central stage for Albanian light music, composers, orchestras and vocalists. During the communist period it also reflected the country’s cultural restrictions. The songs and performances were closely controlled. Yet the festival survived, year after year, and many of Albania’s best-known singers built their reputations there. Since 2004, the winner or selected act from Festivali i Këngës has represented Albania at the Eurovision Song Contest.Anjeza Shahini was the first one. That Eurovision link gave FiK a new international audience, but at its heart it remains much more than a selection show. It is Albanian music history and national cultural tradition.  Malta — AIDAN, “Bella” Running order: 14 | Rehearsal: 9 May, 12:20–12:45 CEST With Aidan’s Eurovision entry “Bella”, the Maltese language returns to the contest for the first time since Claudette Pace’s “Desire” in 2000. Maltese, or Malti, is a small island language with a remarkably rich history. It is Malta’s national language and, together with English, one of the country’s two official languages. Linguistically, it is especially unusual. Maltese is a Semitic language, developed from medieval Arabic, but shaped over centuries by Sicily, Italy and later Britain. As a result, its sound world feels both Mediterranean and distinctly its own. Words of Arabic origin sit naturally beside vocabulary influenced by Italian, Sicilian and English, while the language is written in the Latin alphabet. Since Malta joined the European Union, Maltese has also been an official EU language. At Eurovision, hearing Maltese again is therefore more than a musical detail: it is a proud reminder of Malta’s layered cultural identity and history today.  Norway — JONAS LOVV, “Ya Ya Ya” Running order: 15 | Rehearsal: 9 May, 12:55–13:20 CEST In Eurovision, repetitions can become statistics. Norway’s Jonas Lovv turns “Ya” into an unofficial record: in “YA YA YA” he sings the word 72 times, matching Finland’s Pave Maijanen, who packed “Yamma” 72 times into “Yamma, yamma”. Maijanen represented Finland in Malmö in 1992 with a cheerful, nostalgic song about the old valve radio. The lyrics imagine a tiny box containing “a hundred musicians”, while memories of Sinatra and John Lennon on the radio become seeds of happiness. Musically, “Yamma, yamma” is built around its nonsense-like hook, a playful syllable that does more than fill space: it gives the song its identity. The entry did not convince the juries and finished 23rd and last with four points. Still, three decades later, its repeated refrain has found a new claim to fame: a shared Eurovision record with Jonas Lovv’s chant in the contest’s ever-growing book of memorable lyrical curiosities and oddities. 🇮🇹 Italy — Sal Da Vinci, “Per sempre si” Running order: – | Rehearsal: 9 May, 13:30–13:55 CEST Festival di Sanremo is much more than Italy’s Eurovision selection. The contest was first held in 1951 in the Casino Theatre of Sanremo. It was created as a festival for new Italian songs and quickly became a national institution. Its format was so influential that it helped inspire the creation of the Eurovision Song Contest in 1956. Over the decades, Sanremo has introduced classics, launched careers and reflected changing Italian tastes. Since Italy’s Eurovision return, the link between the two contests has become increasingly important. Today, the winner of the Campioni section is given the first choice to represent Italy at Eurovision, usually with the Sanremo-winning song. If the winner declines, RAI can choose another act from the festival. That rule

Read More »
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