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Malmö messages: Fire, costume changes, sand and tradition

“Pedestal” is the entry that Aiko brings for the Czech Republic. The Czech team announced, although they had said this before, that they would be depicting the five stages of grief. By now, Aiko has reached the fifth stage, acceptance. The four dancers represent denial, anger, bargaining, and depression. The dancers are dressed in black. Aiko herself too, with wide-legged pants. The lighting mainly consists of red and black. And if we are to believe eurovision.tv, there will be flames throughout the song. The ESCZ Instagram account had images of this, but unfortunately removed it.

EBU/Sarah Louise Bennett

Austria has a costume change act. During her song “We Will Rave,” Kaleen starts in a long white coat with a train, which she later removes. Underneath, she wears a glittery outfit and matching boots. All this takes place under an inverted pyramid, where she and her four dancers perform. The men wear huge sunglasses. Dance plays a major role in this act. Eurovision.tv reports that Kaleen wears a different coat during the second rehearsal. And there’s a lot of smoke. We’re very curious about the singing in this song.

EBU/Corinne Cumming

In contrast to Austria, Denmark’s performance is static: Saba sings her song “Sand” entirely in one spot. She stands on a raised platform. She wears, as during the national final, a white pant suit. Her pockets are filled with sand which she then scatters across the stage. Behind her, a large LED version of herself is projected. The smoke machine is in full operation.

EBU/Sarah Louise Bennett

As we move to Armenia, we see a circle of torches. Amidst them, Ladaniva sings their song “Jako.” Singer Jaklin Baghdasaryan wears traditional Armenian attire and has her hair in traditional braids. Many traditional Armenian images are also seen on the LED screens and the cube above the duo.

EBU/Corinne Cumming
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Eurovision 2025
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Eurovision 2025 in Geneva or Basel

Swiss broadcaster SRG has announced the final two candidates to host the 69th Eurovision Song Contest: Basel and Geneva. SRG has narrowed down the initial bids to these two cities. One of them will host the contest in Switzerland in May 2025, with the final decision to be made in late August. Cities had until the end of June to submit their bids based on a detailed list of requirements. Important criteria included arena facilities, public transport, sustainability, hotel availability, security, waste management, investment, event experience, and city support. A Eurovision Song Contest working group reviewed the bids from Basel, Geneva, Zurich, and Berne/Biel. This review involved both quantitative and qualitative criteria, as well as the cities’ commitment and creative ideas. The goal is to make Eurovision 2025 an unforgettable event. The accounting firm PricewaterhouseCoopers (PwC) supervised the assessment of the bids. Following the recommendations of the working group, the ESC 2025 Steering Committee, led by SRG Director General Gilles Marchand, chose Basel and Geneva as the final candidates. Geneva, Commons.wikimedia.org Basel, Commons.wikimedia.org Switzerland will host the 69th Eurovision Song Contest in 2025 because of Nemo’s win in Malmö with the song “The Code,” which scored 591 points in the Grand Final, marking Switzerland’s third Eurovision victory. Share

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