đŸ‡ČđŸ‡© Road to Malmö: Moldova

We can not wait for the Eurovision Song Contest in Malmö. Therefore, we have a closer look at one of the contestants every day. Today: Moldova.

Natalia Barbu

Natalia Barbu, born on August 22, 1979, in Bălți, then part of the Moldavian SSR, USSR, has firmly established herself as a versatile artist in the Moldovan music scene. Daughter of esteemed musician Ana Barbu, Natalia has blended rock and pop genres with her heritage of folk and stage music. Her early collaborations with Trigon on jazz-folk projects set a creative foundation, which evolved as she penned the lyrics for most of her songs. A pivotal moment came in 2006 with a contract from Cat Music Records (Sony Music) in Romania, marking her entry into a wider European market.

Her single “Îngerul meu” soared to No. 1 in the Romanian Top 100, cementing her popularity. In 2007, her Eurovision entry “Fight” achieved a commendable 10th place finish. Embracing change, her 2012 single “I Said It’s Sad” showcased a major style evolution, topping Moldova’s Airplay charts. Esquire’s “sexiest woman alive” title in 2015 further celebrated her appeal. Returning to Eurovision in 2024 with “In the Middle,” Natalia Barbu continues to be a prominent figure in Moldova’s cultural tapestry.

Etapa națională

The national final in Moldova is called Etapa națională. Usually, the contest starts with an audition round, broadcast live on Moldovan television. 32 songs were submitted this year. However, two (a.o. Aliona Moon) withdrew before the contest and one was disqualified. Eleven songs headed to the final, which was won by Natalia Barbu. It was not an easy match: Natalia received the most votes of the jury, while Valeria Pasha won the televote. The rule in Etapa națională is that, in case of a tie, the jury winner goes to Eurovision.

Moldova in the Eurovision Song Contest

The first Moldovan entry for the Eurovision Song Contest was “Boonika bate doba” by Zdob ßi Zdub in 2005. It was the first of 3 entries by this band in total, and reached a 6th place. The best scoring entry so far for the country was “Hey mamma” by Sunstroke Project in 2017. They were 3rd. Also Sunstroke Project took part before, in 2010. With “Run away” they became famous: the sax player and his solo became the ‘epic sax guy’.

The Bookmakers

Currently the betting odds for Moldova are not too positive: a 36th place for Natalia Barbu. But we all know that  everything still can change until the very moment of the voting.

The song

And this is the song:

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70 years of Eurovision: Conchita and other heroes

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2014 The B&W Hallerne stood on a remote industrial estate in Copenhagen. That is where the contest was held. Lise RĂžnne, Nikolaj Koppel, and Pilou AsbĂŠk hosted the song contest. Poland and Portugal participated again. However, Bulgaria, Croatia, Cyprus, and Serbia dropped out. The songs Paula Seling and Ovi participated in the Eurovision Song Contest once again. For the third consecutive time, San Marino sent Valentina Monetta. And although no one believed in it anymore, Valentina surprisingly reached the final. Dressed in primary colors and with long beards, the band Pollapönk, specializing in children’s songs, represented Iceland. They were fan favorites, just like Carl Espen. This Norwegian singer performed a ballad, “Silent Storm,” which made a deep impression on the audience. The Polish group, Donatan and Cleo, did too, but for a completely different reason. Flanked by buxom ladies in traditional attire doing laundry by hand or churning milk, the Polish duo painted a remarkable picture of the country. Sanna Nielsen participated in Melodifestivalen for the seventh time, and with “Undo,” she finally won. The Tolmachevy Sisters, twins, once won the Junior Eurovision Song Contest for Russia. Now they were in the adult version. For the first time, booing was clearly heard as a political statement, this time against Vladimir Putin. Then there was AndrĂĄs KĂĄllay-Saunders. He represented Hungary with a song to raise awareness about child abuse. The accompanying act depicted how KĂĄllay-Saunders came to the rescue. And then there were The Common Linnets. The duo from the Netherlands were among the contenders for the final victory. National stars Waylon and Ilse Delange had put their heads together. They created a song in the Americana style and had a slick act. The cameras circled around the two, who stood facing each other. Conchita Wurst But the winner was, of course, Conchita Wurst. Despite a good singing voice, Thomas Neuwirth failed to build a career as himself. But as his alter ego, Conchita Wurst, with a dress and a beard, he succeeded. With class, style, and a fantastic singing voice, Conchita sang her “Rise Like a Phoenix” to first place. She called attention to the emancipation of the LGBTQ+ community. “We are the unstoppables” was what she said when she had won. 2015 Just like this year, the Wiener Stadthalle in Vienna was the venue. There were no fewer than four presenters: Mirjam Weichselbraun, Alice Tumler, Arabella Kiesbauer, and
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History
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 Conchita Wurst. Conchita could also be heard on the tram. At the stop in front of the Wiener Stadthalle, one could hear her: “Conchita Time! Here you have to go out for the Eurovision Song Contest.” Ukraine skipped a year. Cyprus, the Czech Republic, and Serbia returned. Australia made its debut. Because it was the 60th festival, the country that had been watching enthusiastically for years was now allowed to send an entry of its own. It was supposed to be a one-off, but Australia stayed. The songs Armenia sent the group Genealogy. One of the group members had also sung for Armenia in 2009. Elnur HĂŒseynov had already participated in 2008 for the then-debuting Azerbaijan; now he got to do it again. The group Pertti Kurikan NimipĂ€ivĂ€t was particularly striking: a rock band consisting of members with an intellectual disability. At 1:27, their “Aina mun pitĂ€Ă€â€ was the shortest Eurovision song ever. The men walked around as if they had already won. However, they finished last in their semi-final. Bojana Stamenov became one of the fan favorites with “Beauty Never Lies”. The phrase “Finally I can say I am different and it’s okay” was sung along to loudly, in particular. The Norwegian MĂžrland and Debrah Scarlett performed “A Monster Like Me”, a song entirely in the style of “Where The Wild Roses Grow”. The Australian contestant Guy Sebastian also put on a great show. He was among the contenders. If Australia were to win, a European country would take over the organization. Sebastian finished fifth. LoĂŻc Nottet from Belgium finished exactly one place higher. With his “Rythm Inside”, and the slick dance act that accompanied it, Nottet made a big impression. And then there was Aminata from Latvia with a style entirely her own. Polina Gagarina from Russia sang a peace song that made your teeth ache. Il Volo from Italy won the televote with a classical-style song, “Grande Amore”. MĂ„ns Zelmerlöw It was already MĂ„ns Zelmerlöw’s fifth attempt to go to the Eurovision Song Contest. In 2015, he finally succeeded with “Heroes”. Aided by virtual reality, with figurines meant to represent his heroes, MĂ„ns impressed. Because the televoters awarded him a high ranking and the jury placed him first, MĂ„ns won. After Eurovision, he remained a loyal visitor to broadcasts and Eurovision related events. In 2016, he even hosted the Eurovision Song Contest. In 2025, he narrowly missed winning Melodifestivalen.

Read More »
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