🇦🇿 Road to Malmö: Azerbaijan

photo: EBU

We can not wait for the Eurovision Song Contest in Malmö. Therefore, we have a closer look at one of the contestants every day. Today: Azerbaijan.

Fahree

Fahree, an emerging Azerbaijani musician, was born into a culturally rich family in Baku, 1995. With a jazz drummer father and an esteemed actor grandfather, the arts were deeply ingrained in his upbringing. Despite a diligent academic pursuit resulting in law degrees, the 2020 pandemic rekindled his inherent musical inclination. Forsaking law for his true calling, Fahree launched his music career with the 2022 hit “Dance.” Further success came with “Apardı uzağlara,” a collaboration with Mila Miles. His track “Yollar” solidified his rising fame in February 2023. Come March 2024, Fahree’s artistic journey ascended as he was chosen to represent Azerbaijan at the Eurovision Song Contest.

Ilkin Dovlatov

Ilkin Dovlatov, a distinguished Azerbaijani mugham vocalist, was born into a musical family on June 16, 1990, in Baku. His talent emerged early with a debut performance at age four. Recognized by his school music teacher, Dovlatov pursued his musical aspirations, leading to his acclaim as the runner-up on The Voice of Azerbaijan in 2023, guided by mentor Ilqar Khayal. He further showcased his abilities in the Azəri Star contest. In October 2023, he joined the final contenders for Azerbaijan’s Eurovision entry, eventually teaming up with Fahree to perform “Özünlə apar” on the Eurovision stage, representing their cultural heritage with pride.

Mugham

Mugham is an intricate form of traditional Azerbaijani music, renowned for its rich improvisational character. It intertwines passionate singing with the complex modal structure of the “mugham” modes, often accompanied by the tar (a long-necked lute), the kamancheh (a bowed string instrument), and the daf (a type of frame drum). Rooted in the cultural intersections of the Silk Road, mugham is more than music; it’s a spiritual journey that narrates stories of love, loss, and the divine through its deeply emotional and philosophical performances. This UNESCO-recognized art form is a cornerstone of Azerbaijani culture, reflecting the nation’s soul and historic ethos. It is the third time (after 2008 and 2012) that a mugham singer can be heard at Eurovision.

Seyid Sushinski Ansambl, Mugham, photo: Wikimedia Commons

Azerbaijan in the Eurovision Song Contest

Elnur & Samir represented Azerbaijan in the 2008 Eurovision Song Contest with the song “Day after day”. It meant the debut of the country in the contest. With an 8th place, it was an immediate succes. So far the first and only victory came already in 2011, when Ell & Nikki won the contest with “Running scared”. But let’s not forget AySel & Arash (3rd in 2009), Safura (5th in 2010), Sabina Babayeva (5th in 2012) and Farid Mammadov (2nd in 2013). Last year, the twins TuralTuranX didn’t make it to the final.

Ell & Nikki

The Bookmakers

Currently, Azerbaijan has a 30th place in the odds to win the contest. If we look at that, it might be a tough job for Azerbaijan to reach the final. However, stage performance and act might lift the country up in the ranking.

The song

And this is the song:

 

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). 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The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. 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