🇦🇿 Road to Malmö: Azerbaijan

photo: EBU

We can not wait for the Eurovision Song Contest in Malmö. Therefore, we have a closer look at one of the contestants every day. Today: Azerbaijan.

Fahree

Fahree, an emerging Azerbaijani musician, was born into a culturally rich family in Baku, 1995. With a jazz drummer father and an esteemed actor grandfather, the arts were deeply ingrained in his upbringing. Despite a diligent academic pursuit resulting in law degrees, the 2020 pandemic rekindled his inherent musical inclination. Forsaking law for his true calling, Fahree launched his music career with the 2022 hit “Dance.” Further success came with “Apardı uzaÄźlara,” a collaboration with Mila Miles. His track “Yollar” solidified his rising fame in February 2023. Come March 2024, Fahree’s artistic journey ascended as he was chosen to represent Azerbaijan at the Eurovision Song Contest.

Ilkin Dovlatov

Ilkin Dovlatov, a distinguished Azerbaijani mugham vocalist, was born into a musical family on June 16, 1990, in Baku. His talent emerged early with a debut performance at age four. Recognized by his school music teacher, Dovlatov pursued his musical aspirations, leading to his acclaim as the runner-up on The Voice of Azerbaijan in 2023, guided by mentor Ilqar Khayal. He further showcased his abilities in the AzÉ™ri Star contest. In October 2023, he joined the final contenders for Azerbaijan’s Eurovision entry, eventually teaming up with Fahree to perform “ÖzĂĽnlÉ™ apar” on the Eurovision stage, representing their cultural heritage with pride.

Mugham

Mugham is an intricate form of traditional Azerbaijani music, renowned for its rich improvisational character. It intertwines passionate singing with the complex modal structure of the “mugham” modes, often accompanied by the tar (a long-necked lute), the kamancheh (a bowed string instrument), and the daf (a type of frame drum). Rooted in the cultural intersections of the Silk Road, mugham is more than music; it’s a spiritual journey that narrates stories of love, loss, and the divine through its deeply emotional and philosophical performances. This UNESCO-recognized art form is a cornerstone of Azerbaijani culture, reflecting the nation’s soul and historic ethos. It is the third time (after 2008 and 2012) that a mugham singer can be heard at Eurovision.

Seyid Sushinski Ansambl, Mugham, photo: Wikimedia Commons

Azerbaijan in the Eurovision Song Contest

Elnur & Samir represented Azerbaijan in the 2008 Eurovision Song Contest with the song “Day after day”. It meant the debut of the country in the contest. With an 8th place, it was an immediate succes. So far the first and only victory came already in 2011, when Ell & Nikki won the contest with “Running scared”. But let’s not forget AySel & Arash (3rd in 2009), Safura (5th in 2010), Sabina Babayeva (5th in 2012) and Farid Mammadov (2nd in 2013). Last year, the twins TuralTuranX didn’t make it to the final.

Ell & Nikki

The Bookmakers

Currently, Azerbaijan has a 30th place in the odds to win the contest. If we look at that, it might be a tough job for Azerbaijan to reach the final. However, stage performance and act might lift the country up in the ranking.

The song

And this is the song:

 

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It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. 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They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
Eurovision 2026
Martijn

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Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-NoĂ«l Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland WeiĂźmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RĂšV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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