🇦🇿 Road to Malmö: Azerbaijan

photo: EBU

We can not wait for the Eurovision Song Contest in Malmö. Therefore, we have a closer look at one of the contestants every day. Today: Azerbaijan.

Fahree

Fahree, an emerging Azerbaijani musician, was born into a culturally rich family in Baku, 1995. With a jazz drummer father and an esteemed actor grandfather, the arts were deeply ingrained in his upbringing. Despite a diligent academic pursuit resulting in law degrees, the 2020 pandemic rekindled his inherent musical inclination. Forsaking law for his true calling, Fahree launched his music career with the 2022 hit “Dance.” Further success came with “Apardı uzaÄźlara,” a collaboration with Mila Miles. His track “Yollar” solidified his rising fame in February 2023. Come March 2024, Fahree’s artistic journey ascended as he was chosen to represent Azerbaijan at the Eurovision Song Contest.

Ilkin Dovlatov

Ilkin Dovlatov, a distinguished Azerbaijani mugham vocalist, was born into a musical family on June 16, 1990, in Baku. His talent emerged early with a debut performance at age four. Recognized by his school music teacher, Dovlatov pursued his musical aspirations, leading to his acclaim as the runner-up on The Voice of Azerbaijan in 2023, guided by mentor Ilqar Khayal. He further showcased his abilities in the AzÉ™ri Star contest. In October 2023, he joined the final contenders for Azerbaijan’s Eurovision entry, eventually teaming up with Fahree to perform “ÖzĂĽnlÉ™ apar” on the Eurovision stage, representing their cultural heritage with pride.

Mugham

Mugham is an intricate form of traditional Azerbaijani music, renowned for its rich improvisational character. It intertwines passionate singing with the complex modal structure of the “mugham” modes, often accompanied by the tar (a long-necked lute), the kamancheh (a bowed string instrument), and the daf (a type of frame drum). Rooted in the cultural intersections of the Silk Road, mugham is more than music; it’s a spiritual journey that narrates stories of love, loss, and the divine through its deeply emotional and philosophical performances. This UNESCO-recognized art form is a cornerstone of Azerbaijani culture, reflecting the nation’s soul and historic ethos. It is the third time (after 2008 and 2012) that a mugham singer can be heard at Eurovision.

Seyid Sushinski Ansambl, Mugham, photo: Wikimedia Commons

Azerbaijan in the Eurovision Song Contest

Elnur & Samir represented Azerbaijan in the 2008 Eurovision Song Contest with the song “Day after day”. It meant the debut of the country in the contest. With an 8th place, it was an immediate succes. So far the first and only victory came already in 2011, when Ell & Nikki won the contest with “Running scared”. But let’s not forget AySel & Arash (3rd in 2009), Safura (5th in 2010), Sabina Babayeva (5th in 2012) and Farid Mammadov (2nd in 2013). Last year, the twins TuralTuranX didn’t make it to the final.

Ell & Nikki

The Bookmakers

Currently, Azerbaijan has a 30th place in the odds to win the contest. If we look at that, it might be a tough job for Azerbaijan to reach the final. However, stage performance and act might lift the country up in the ranking.

The song

And this is the song:

 

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2014 The B&W Hallerne stood on a remote industrial estate in Copenhagen. That is where the contest was held. Lise Rønne, Nikolaj Koppel, and Pilou Asbæk hosted the song contest. Poland and Portugal participated again. However, Bulgaria, Croatia, Cyprus, and Serbia dropped out. The songs Paula Seling and Ovi participated in the Eurovision Song Contest once again. For the third consecutive time, San Marino sent Valentina Monetta. And although no one believed in it anymore, Valentina surprisingly reached the final. Dressed in primary colors and with long beards, the band Pollapönk, specializing in children’s songs, represented Iceland. They were fan favorites, just like Carl Espen. 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The phrase “Finally I can say I am different and it’s okay” was sung along to loudly, in particular. The Norwegian Mørland and Debrah Scarlett performed “A Monster Like Me”, a song entirely in the style of “Where The Wild Roses Grow”. The Australian contestant Guy Sebastian also put on a great show. He was among the contenders. If Australia were to win, a European country would take over the organization. Sebastian finished fifth. LoĂŻc Nottet from Belgium finished exactly one place higher. With his “Rythm Inside”, and the slick dance act that accompanied it, Nottet made a big impression. And then there was Aminata from Latvia with a style entirely her own. Polina Gagarina from Russia sang a peace song that made your teeth ache. Il Volo from Italy won the televote with a classical-style song, “Grande Amore”. MĂĄns Zelmerlöw It was already MĂĄns Zelmerlöw’s fifth attempt to go to the Eurovision Song Contest. In 2015, he finally succeeded with “Heroes”. Aided by virtual reality, with figurines meant to represent his heroes, MĂĄns impressed. Because the televoters awarded him a high ranking and the jury placed him first, MĂĄns won. After Eurovision, he remained a loyal visitor to broadcasts and Eurovision related events. In 2016, he even hosted the Eurovision Song Contest. In 2025, he narrowly missed winning Melodifestivalen.

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This Norwegian singer performed a ballad, “Silent Storm,” which made a deep impression on the audience. The Polish group, Donatan and Cleo, did too, but for a completely different reason. Flanked by buxom ladies in traditional attire doing laundry by hand or churning milk, the Polish duo painted a remarkable picture of the country. Sanna Nielsen participated in Melodifestivalen for the seventh time, and with “Undo,” she finally won. The Tolmachevy Sisters, twins, once won the Junior Eurovision Song Contest for Russia. Now they were in the adult version. For the first time, booing was clearly heard as a political statement, this time against Vladimir Putin. Then there was András Kállay-Saunders. He represented Hungary with a song to raise awareness about child abuse. The accompanying act depicted how Kállay-Saunders came to the rescue. And then there were The Common Linnets. The duo from the Netherlands were among the contenders for the final victory. 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The phrase “Finally I can say I am different and it’s okay” was sung along to loudly, in particular. The Norwegian Mørland and Debrah Scarlett performed “A Monster Like Me”, a song entirely in the style of “Where The Wild Roses Grow”. The Australian contestant Guy Sebastian also put on a great show. He was among the contenders. If Australia were to win, a European country would take over the organization. Sebastian finished fifth. LoĂŻc Nottet from Belgium finished exactly one place higher. With his “Rythm Inside”, and the slick dance act that accompanied it, Nottet made a big impression. And then there was Aminata from Latvia with a style entirely her own. Polina Gagarina from Russia sang a peace song that made your teeth ache. Il Volo from Italy won the televote with a classical-style song, “Grande Amore”. MĂĄns Zelmerlöw It was already MĂĄns Zelmerlöw’s fifth attempt to go to the Eurovision Song Contest. In 2015, he finally succeeded with “Heroes”. 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Read More »
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