🇦🇿 Road to Malmö: Azerbaijan

photo: EBU

We can not wait for the Eurovision Song Contest in Malmö. Therefore, we have a closer look at one of the contestants every day. Today: Azerbaijan.

Fahree

Fahree, an emerging Azerbaijani musician, was born into a culturally rich family in Baku, 1995. With a jazz drummer father and an esteemed actor grandfather, the arts were deeply ingrained in his upbringing. Despite a diligent academic pursuit resulting in law degrees, the 2020 pandemic rekindled his inherent musical inclination. Forsaking law for his true calling, Fahree launched his music career with the 2022 hit “Dance.” Further success came with “Apardı uzağlara,” a collaboration with Mila Miles. His track “Yollar” solidified his rising fame in February 2023. Come March 2024, Fahree’s artistic journey ascended as he was chosen to represent Azerbaijan at the Eurovision Song Contest.

Ilkin Dovlatov

Ilkin Dovlatov, a distinguished Azerbaijani mugham vocalist, was born into a musical family on June 16, 1990, in Baku. His talent emerged early with a debut performance at age four. Recognized by his school music teacher, Dovlatov pursued his musical aspirations, leading to his acclaim as the runner-up on The Voice of Azerbaijan in 2023, guided by mentor Ilqar Khayal. He further showcased his abilities in the Azəri Star contest. In October 2023, he joined the final contenders for Azerbaijan’s Eurovision entry, eventually teaming up with Fahree to perform “Özünlə apar” on the Eurovision stage, representing their cultural heritage with pride.

Mugham

Mugham is an intricate form of traditional Azerbaijani music, renowned for its rich improvisational character. It intertwines passionate singing with the complex modal structure of the “mugham” modes, often accompanied by the tar (a long-necked lute), the kamancheh (a bowed string instrument), and the daf (a type of frame drum). Rooted in the cultural intersections of the Silk Road, mugham is more than music; it’s a spiritual journey that narrates stories of love, loss, and the divine through its deeply emotional and philosophical performances. This UNESCO-recognized art form is a cornerstone of Azerbaijani culture, reflecting the nation’s soul and historic ethos. It is the third time (after 2008 and 2012) that a mugham singer can be heard at Eurovision.

Seyid Sushinski Ansambl, Mugham, photo: Wikimedia Commons

Azerbaijan in the Eurovision Song Contest

Elnur & Samir represented Azerbaijan in the 2008 Eurovision Song Contest with the song “Day after day”. It meant the debut of the country in the contest. With an 8th place, it was an immediate succes. So far the first and only victory came already in 2011, when Ell & Nikki won the contest with “Running scared”. But let’s not forget AySel & Arash (3rd in 2009), Safura (5th in 2010), Sabina Babayeva (5th in 2012) and Farid Mammadov (2nd in 2013). Last year, the twins TuralTuranX didn’t make it to the final.

Ell & Nikki

The Bookmakers

Currently, Azerbaijan has a 30th place in the odds to win the contest. If we look at that, it might be a tough job for Azerbaijan to reach the final. However, stage performance and act might lift the country up in the ranking.

The song

And this is the song:

 

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History

70 years of Eurovision: social media and an operatic voice

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2025 Switzerland hosted the Eurovision Song Contest for the third time. The venue was the St. Jakobshalle in Basel, and the contest was presented by Michelle Hunziker, Hazel Brugger, and Sandra Studer. The latter having represented Switzerland at Eurovision herself in 1991. Basel put on a polished, well-organised show. Montenegro returned. Moldova withdrew on the very last moment. The songs Montenegro sent Nina Žižić. She had already accompanied the two ‘astronauts’ who represented that country back in 2013. Justyna Steczkowska participated for Poland. She had also done so in 1995. In doing so, she achieved a record: the only contestant ever to participate twice with a gap of 30 years. Belgium took the lead in the odds at an early stage, but once the entry was announced, the country dropped down the rankings somewhat. However, it remained surprising that the contestant, Red Sebastian, did not make it to the final at all. Against all expectations, the Australian Go-Jo also failed to reach the final. The final The one who did make it was Kyle Alessandro. With his song “Lighter”, but especially with his social media videos and his charisma, he went a long way. In those videos, he was invariably in the company of JJ (Austria), Sissal (Denmark), and Miriana Conte (Malta). The latter attracted attention with her lyrics: “I’m serving Kant”, which stood for the Maltese word for singing. But it also sounded very much like an English word that was not allowed to be used on television at the BBC. The lyrics had to be adjusted and became “I’m serving….”. Tommy Cash, a friend of Joost Klein and Käärijä, participated for Estonia. In a kind of fake Italian, he sang “Espresso Macchiato”. With this, he incurred the wrath of a number of Italians, but became very popular among other groups of Italians. Cash finished third with it. Væb was the duo that participated for Iceland. A kind of reincarnation of Jedward. The boys were constantly at the bottom of the bookmakers’ odds and turned that into a whole show on social media. It resulted in a place in the final. Less unexpectedly, Erika Vikman from Finland also managed to do the same. Seated on a giant microphone and ending as if she was cumming, she drew attention to herself. Lucio Corsi from Italy did something special: he played his harmonica live. It was the first time since 1998 that instruments were played live. And then there were the favorites, from Finland but for Sweden. No one had expected that the three gentlemen in a sauna setting would win the Swedish preliminary round against Måns Zelmerlöw. When that did happen, they were immediately the favorites. Everyone was singing “Bara Bada Bastu” at the top of their lungs. Yet, in the end, it was not enough. The group KAJ finished fourth. The French singer Louane also failed to live up to expectations with her song “Maman.” During the act, she doused herself with sand that was actually not sand, but cork. It didn’t help. Israel What no one had counted on almost happened. Israel threatened to win the Eurovision Song Contest. Yuval Raphael had no singing career, but he did have a story as a victim of the attacks on October 7, 2023. Calls were made to vote for Israel as much as possible, and instructions were given on how to do so. Although the maximum number of televotes was 20, many who hadn’t even seen the broadcast managed to vote 80 times. Everyone waited in suspense when only Yuval and the Austrian JJ were still in the race. Many were relieved when it turned out that not Israel, but Austria won. JJ Austria’s JJ had been a favourite throughout the week, and the final confirmed what the rehearsals had suggested. His performance of “Wasted Love” was one of the most technically accomplished on the night. The professional juries placed him first, and the public gave him enough support to seal the victory.  The win was warmly received. JJ had brought something genuinely different to the contest: a voice that belonged to the operatic world, applied to a contemporary pop song without compromise. Basel had delivered a memorable host year, and the 2025 contest closed the anniversary decade on a high note, just in time for Eurovision to look ahead to its next seventy years.  

Read More »
History
Martijn

70 years of Eurovision: social media and an operatic voice

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2025 Switzerland hosted the Eurovision Song Contest for the third time. The venue was the St. Jakobshalle in Basel, and the contest was presented by Michelle Hunziker, Hazel Brugger, and Sandra Studer. The latter having represented Switzerland at Eurovision herself in 1991. Basel put on a polished, well-organised show. Montenegro returned. Moldova withdrew on the very last moment. The songs Montenegro sent Nina Žižić. She had already accompanied the two ‘astronauts’ who represented that country back in 2013. Justyna Steczkowska participated for Poland. She had also done so in 1995. In doing so, she achieved a record: the only contestant ever to participate twice with a gap of 30 years. Belgium took the lead in the odds at an early stage, but once the entry was announced, the country dropped down the rankings somewhat. However, it remained surprising that the contestant, Red Sebastian, did not make it to the final at all. Against all expectations, the Australian Go-Jo also failed to reach the final. The final The one who did make it was Kyle Alessandro. With his song “Lighter”, but especially with his social media videos and his charisma, he went a long way. In those videos, he was invariably in the company of JJ (Austria), Sissal (Denmark), and Miriana Conte (Malta). The latter attracted attention with her lyrics: “I’m serving Kant”, which stood for the Maltese word for singing. But it also sounded very much like an English word that was not allowed to be used on television at the BBC. The lyrics had to be adjusted and became “I’m serving….”. Tommy Cash, a friend of Joost Klein and Käärijä, participated for Estonia. In a kind of fake Italian, he sang “Espresso Macchiato”. With this, he incurred the wrath of a number of Italians, but became very popular among other groups of Italians. Cash finished third with it. Væb was the duo that participated for Iceland. A kind of reincarnation of Jedward. The boys were constantly at the bottom of the bookmakers’ odds and turned that into a whole show on social media. It resulted in a place in the final. Less unexpectedly, Erika Vikman from Finland also managed to do the same. Seated on a giant microphone and ending as if she was cumming, she drew attention to herself. Lucio Corsi from Italy did something special: he played his harmonica live. It was the first time since 1998 that instruments were played live. And then there were the favorites, from Finland but for Sweden. No one had expected that the three gentlemen in a sauna setting would win the Swedish preliminary round against Måns Zelmerlöw. When that did happen, they were immediately the favorites. Everyone was singing “Bara Bada Bastu” at the top of their lungs. Yet, in the end, it was not enough. The group KAJ finished fourth. The French singer Louane also failed to live up to expectations with her song “Maman.” During the act, she doused herself with sand that was actually not sand, but cork. It didn’t help. Israel What no one had counted on almost happened. Israel threatened to win the Eurovision Song Contest. Yuval Raphael had no singing career, but he did have a story as a victim of the attacks on October 7, 2023. Calls were made to vote for Israel as much as possible, and instructions were given on how to do so. Although the maximum number of televotes was 20, many who hadn’t even seen the broadcast managed to vote 80 times. Everyone waited in suspense when only Yuval and the Austrian JJ were still in the race. Many were relieved when it turned out that not Israel, but Austria won. JJ Austria’s JJ had been a favourite throughout the week, and the final confirmed what the rehearsals had suggested. His performance of “Wasted Love” was one of the most technically accomplished on the night. The professional juries placed him first, and the public gave him enough support to seal the victory.  The win was warmly received. JJ had brought something genuinely different to the contest: a voice that belonged to the operatic world, applied to a contemporary pop song without compromise. Basel had delivered a memorable host year, and the 2025 contest closed the anniversary decade on a high note, just in time for Eurovision to look ahead to its next seventy years.  

Read More »
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