Composer Wouter Hardy: not nervous tonight

Tonight the Dutchman Wouter Hardy, as composer of the Estonian entry Bridges, will participate for the 3rd time; and for the 3rd time for another country.

Kofax

Wouter co-wrote “Arcade” for Duncan Laurence. He was also responsible for “Tout l’univers”, the song Gjon’s Tears brought to Switzerland. But what else do we know him from? “I’ve played in bands, I’ve always been a pianist and a keyboardist. I’ve toured all over Europe, I’ve done Glastonbury. I opened for Robbie Williams. All of this was with Kofax, where I was band leader and keyboard player. And I have always played trumpet in orchestras and big bands. That’s where the classical influences come from,” explains Hardy.

Arcade

Back to the Eurovision Song Contest we come to “Arcade”. The composer says about this: “To win is absurd. Participation was already such that I thought: should we do this with Arcade? It had been there for quite a while. Then we were asked by Ilse Delange and yes, then you’re going to do it anyway. I thought: how can that work with such a song there? My association with the Eurovision Song Contest was circus and lots of dancing and fireworks. I think that’s exactly why it won; because it was so special. And I am very proud of that to this day, that it is something that I fully supported. Then I participated with Switzerland, which I also fully supported, and now again with Estonia. If not, I’m not going to do it.”

Intimidated

We can’t ignore it: on May 5th, an interview appeared in a Dutch newspaper in which Hardy explains how things went behind the scenes with Arcade at the time. Negotiations about rights didn’t go well. Hardy felt intimidated by Ilse Delange. When the votes came in, Hardy  was not in the greenroom. “I do hope that it will result in people being more willing to speak out about such things. I hope that helped. I have lost my story and that is a relief.”

Gjon’s Tears

And then, two years later, cqme the adventure with Gjon’s Tears in Switzerland. “Gjon was supposed to  participate in the Eurovision song contest in 2020. That was canceled, due to COVID19. So he had to have a new song, a new entry. Then he looked at who he could still work with. He was a big fan of “Arcade”, also thought that that was his sound. His references also really appealed to me, who passed them on, like Sam Smith, Hozier, Woodkid. When I read that I thought: okay that could be an interesting one, so I went to Zurich. That’s actually how it went. We subimtted that entry with some other songs and then we won. And in Rotterdam, that was quite special for me. In our own country but with a Swiss flag, that was a bit crazy, but that was cool”.

To the toilet

It was a close call for Gjon’s Tears to win. “I thought: we’re just going to do it again dude. And then Gjon said: I think we will get less points in the televoting. And he was rogjt, but I did think after the jury vote: now we’re just going to do it again. It’s very funny because we were drinking quite a lot in the greenroom, it was super fun. Then we finished at the top of the jury and then I said to Gjon: don’t drink too much because you might have to start singing if you win. Then he started drinking a lot of water. He really needed to go to the toilet, but that was not allowed. And then every time that camera came, then Gjon would sit so wide and when that camera was gone again with his legs squeezed. In the end we finished third and I am very happy with that. We also won the Marcel Besançon Award for best composition that year. Duncan sang “Arcade” and “Stars”, which I also made. That evening three songs and an award, so that’s very nice.”

Estonia

And then Estonia came along: “It was the same as Gjon. Alika has always wanted to do the Eurovision song contest, that was her dream. Then they put together a Spotify list of songs she likes. It had “Arcade”,  and “Tout l’univers”. Then her manager texted me: “we’re going to work with you.” We worked together for two days and the second day was Bridges, there was no doubt about that after that. They didn’t go into the studio with other people after that and then we participated with Eesti Laul, the national final in Estonia.

How is Wouter Hardy doing tonight, is he nervous? “No,” he says firmly. “No. I haven’t listened to any other song either. I just want to be surprised tonight. I’ve only heard Loreen, you can’t miss her. And the Netherlands of course, there is no other way. But no other songs. I’m not really nervous, I don’t have to do anything anymore. That’s great, my work is done. I can just grab a drink and listen.”

Not nervous

Hardy has some nice things to look forward to anyway. A new album is coming under the name HRDY. “That will be an album with instrumental songs but also featuring vocalists. I released some songs from my album. Those are songs with synthesizers, pianos, strings and so now I’m going to make songs with singers for the first time.”

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Nightly EuroClub events will run from May 11 through May 16 at the Prater DOME in Vienna, giving fans and delegations a place to celebrate after each show. Early-bird tickets cost around €28 for OGAE fan club members and about €37 for non-members. These discounted prices are only available until March 14. The EuroClub will feature different themed nights and guest DJs. It is open to all fans aged 18 and over. With the Eurovision party atmosphere returning, many attendees are already snapping up EuroClub passes to dance into the early hours during contest week. source: Instagram Euroclub   Heads of Delegation Meeting Held in Vienna The Heads of Delegation meeting for the Eurovision Song Contest 2026 took place today in Vienna. Representatives from all 35 participating countries gathered on March 17. This was one week after the deadline for each broadcaster to submit their song, staging plans and other materials for the contest. During the meeting, each delegation handed over its final entry and performance plans to the EBU and host broadcaster ORF. This annual summit allows producers to review all plans, ensure rules are being followed, and begin working on the show’s running order. Now that the Heads of Delegation meeting is complete, preparations move into the next phase. In the coming weeks, ORF will focus on postcard filming, stage design work and other production tasks as the road to Vienna continues. source: Eurovoix Update: A draw decided that Austria will perform in 25th position in the final of the Eurovision Song Contest. Betting Odds Update With all 35 songs now revealed, the betting markets are

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Eurovision 2026
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Weekly Update

It’s Tuesday, March 17, 2026, which means it’s time for another weekly Eurovision update! Over the past week, the final wave of song reveals for Eurovision 2026 generated plenty of buzz both on and off the stage. Four more countries unveiled their entries, completing the Vienna line-up. Meanwhile, controversies erupted around a few artists and songs. Preparations also ramped up as EuroClub tickets went on sale and pre-party announcements rolled out. The Heads of Delegation met in Vienna to finalize plans. The betting odds also shifted as new favorites emerged. Here are this week’s top stories: New Eurovision Entries Confirmed 🇨🇭 Switzerland Switzerland has revealed its entry for Eurovision 2026: Veronica Fusaro will perform the song “Alice”. The track is an intense alternative pop ballad with rock influences. It tells the story of a woman whose personal boundaries are gradually crossed under the guise of affection. Fusaro was internally selected by Swiss broadcaster SRG SSR. “Alice” is a revamped version of a song from her 2025 album, updated in collaboration with producer Charlie McClean. 🇦🇲 Armenia Armenia completed this year’s Eurovision roster by announcing SIMÓN as its representative with the song “Paloma Rumba”. The entry delivers a “rebellious anthem” about breaking free from a suffocating 9-to-5 routine. Its title literally translates to “Dove’s Dance” and symbolizes a joyful dance of freedom. Lilit Navasardyan (LI’LITH) composed “Paloma Rumba”. David Tserunyan, Eva Voskanyan, and Rosa Linn (Armenia’s 2022 representative) wrote the lyrics. SIMÓN earned the selection after finishing as the runner-up in Armenia’s national final. 🇨🇿 Czechia Czech Television (ČT) confirmed 23-year-old Daniel Zizka as the Czech representative for Eurovision 2026 with his song “CROSSROADS”. During the artist reveal on March 8, the broadcaster highlighted his soulful voice and authentic style. 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The broadcaster confirmed that she has been clearly reminded of Eurovision’s guidelines forbidding political advocacy. The EBU also stressed that all contestants must respect the event’s neutrality and keep the focus on music. source: SVT 🇦🇿 Azerbaijan: Broadcaster Denies AI Rumors Around Entry Azerbaijan’s broadcaster İctimai officially dismissed rumors that its Eurovision entry “Just Go” by JIVA was created using artificial intelligence. Speculation had spread online after fans noted that the song’s composer, Fuad Javadov, used AI tools in some previous projects. In a public statement, İctimai clarified that “Just Go” is an original work “created through a professional process.” The broadcaster stated that allegations of AI involvement “do not correspond to reality”. They also noted the increased involvement of local songwriters this year, with 107 of 186 submissions written by Azerbaijani creators. The selection committee chose JIVA for her strong live vocals. 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Nightly EuroClub events will run from May 11 through May 16 at the Prater DOME in Vienna, giving fans and delegations a place to celebrate after each show. Early-bird tickets cost around €28 for OGAE fan club members and about €37 for non-members. These discounted prices are only available until March 14. The EuroClub will feature different themed nights and guest DJs. It is open to all fans aged 18 and over. With the Eurovision party atmosphere returning, many attendees are already snapping up EuroClub passes to dance into the early hours during contest week. source: Instagram Euroclub   Heads of Delegation Meeting Held in Vienna The Heads of Delegation meeting for the Eurovision Song Contest 2026 took place today in Vienna. Representatives from all 35 participating countries gathered on March 17. This was one week after the deadline for each broadcaster to submit their song, staging plans and other materials for the contest. 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