Composer Wouter Hardy: not nervous tonight

Tonight the Dutchman Wouter Hardy, as composer of the Estonian entry Bridges, will participate for the 3rd time; and for the 3rd time for another country.

Kofax

Wouter co-wrote “Arcade” for Duncan Laurence. He was also responsible for “Tout l’univers”, the song Gjon’s Tears brought to Switzerland. But what else do we know him from? “I’ve played in bands, I’ve always been a pianist and a keyboardist. I’ve toured all over Europe, I’ve done Glastonbury. I opened for Robbie Williams. All of this was with Kofax, where I was band leader and keyboard player. And I have always played trumpet in orchestras and big bands. That’s where the classical influences come from,” explains Hardy.

Arcade

Back to the Eurovision Song Contest we come to “Arcade”. The composer says about this: “To win is absurd. Participation was already such that I thought: should we do this with Arcade? It had been there for quite a while. Then we were asked by Ilse Delange and yes, then you’re going to do it anyway. I thought: how can that work with such a song there? My association with the Eurovision Song Contest was circus and lots of dancing and fireworks. I think that’s exactly why it won; because it was so special. And I am very proud of that to this day, that it is something that I fully supported. Then I participated with Switzerland, which I also fully supported, and now again with Estonia. If not, I’m not going to do it.”

Intimidated

We can’t ignore it: on May 5th, an interview appeared in a Dutch newspaper in which Hardy explains how things went behind the scenes with Arcade at the time. Negotiations about rights didn’t go well. Hardy felt intimidated by Ilse Delange. When the votes came in, Hardy  was not in the greenroom. “I do hope that it will result in people being more willing to speak out about such things. I hope that helped. I have lost my story and that is a relief.”

Gjon’s Tears

And then, two years later, cqme the adventure with Gjon’s Tears in Switzerland. “Gjon was supposed to  participate in the Eurovision song contest in 2020. That was canceled, due to COVID19. So he had to have a new song, a new entry. Then he looked at who he could still work with. He was a big fan of “Arcade”, also thought that that was his sound. His references also really appealed to me, who passed them on, like Sam Smith, Hozier, Woodkid. When I read that I thought: okay that could be an interesting one, so I went to Zurich. That’s actually how it went. We subimtted that entry with some other songs and then we won. And in Rotterdam, that was quite special for me. In our own country but with a Swiss flag, that was a bit crazy, but that was cool”.

To the toilet

It was a close call for Gjon’s Tears to win. “I thought: we’re just going to do it again dude. And then Gjon said: I think we will get less points in the televoting. And he was rogjt, but I did think after the jury vote: now we’re just going to do it again. It’s very funny because we were drinking quite a lot in the greenroom, it was super fun. Then we finished at the top of the jury and then I said to Gjon: don’t drink too much because you might have to start singing if you win. Then he started drinking a lot of water. He really needed to go to the toilet, but that was not allowed. And then every time that camera came, then Gjon would sit so wide and when that camera was gone again with his legs squeezed. In the end we finished third and I am very happy with that. We also won the Marcel Besançon Award for best composition that year. Duncan sang “Arcade” and “Stars”, which I also made. That evening three songs and an award, so that’s very nice.”

Estonia

And then Estonia came along: “It was the same as Gjon. Alika has always wanted to do the Eurovision song contest, that was her dream. Then they put together a Spotify list of songs she likes. It had “Arcade”,  and “Tout l’univers”. Then her manager texted me: “we’re going to work with you.” We worked together for two days and the second day was Bridges, there was no doubt about that after that. They didn’t go into the studio with other people after that and then we participated with Eesti Laul, the national final in Estonia.

How is Wouter Hardy doing tonight, is he nervous? “No,” he says firmly. “No. I haven’t listened to any other song either. I just want to be surprised tonight. I’ve only heard Loreen, you can’t miss her. And the Netherlands of course, there is no other way. But no other songs. I’m not really nervous, I don’t have to do anything anymore. That’s great, my work is done. I can just grab a drink and listen.”

Not nervous

Hardy has some nice things to look forward to anyway. A new album is coming under the name HRDY. “That will be an album with instrumental songs but also featuring vocalists. I released some songs from my album. Those are songs with synthesizers, pianos, strings and so now I’m going to make songs with singers for the first time.”

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🇬🇧 Blast from the past: UK 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967, when Sandie Shaw brought the first victory to the United Kingdom with “Puppet On A String”. United Kingdom in the Eurovision Song Contest Few countries have a Eurovision pedigree like the United Kingdom. Since debuting in 1957, the UK has won five times: Sandie Shaw (1967), Lulu (1969), Brotherhood of Man (1976), Bucks Fizz (1981) and Katrina & The Waves (1997). The country hosted on nine occasions, most recently Liverpool 2023. t also holds the record for most runner‑up finishes, with 16 second places; the last came in 2022 when Sam Ryder’s “SPACE MAN” topped the jury vote. Recent form has been mixed: in 2023, host act Mae Muller finished 25th with 24 points; in 2024, Olly Alexander placed 18th with 46 points; and in 2025, Remember Monday ended 19th on 88 points.  Such swings epitomise the UK’s roller‑coaster history: long stretches of podiums and wins, punctuated by lean years, yet always central to Eurovision’s story and spectacle.  Sam Ryder, EBU A Song For Europe 1967 The UK national final in those days was called A Song For Europe. One artist sang 5 or 6 songs. Sandie Shaw was chosen to do the job in 1967. The contest was held on February 25. The results were announced one week later.The 5 titles were: Tell The Boys, 2nd place I’ll Cry Myself To Sleep, 3rd place Had A Dream Last Night, 4th place Puppet On A String, 1st place Ask Any Woman, 5th place   “Had A Dream Last Night” was written by another very popular pop star from those days: Chris Andrews. He is known for a lot of hits in the late sixties, “Yesterday Man” and “Pretty Belinda” being the biggest. You can watch a recap of all songs here in good quality. Sandie Shaw Sandie Shaw (born Sandra Ann Goodrich on 26 February 1947 in Dagenham) ranks among Britain’s defining 1960s pop voices. As a teenager, talent scouts noticed her; Pye Records signed her, and in 1964 she hit No. 1 with the Burt Bacharach–Hal David song “(There’s) Always Something There to Remind Me.” She followed it with a run of singles—“Girl Don’t Come,” “Long Live Love,” and “Message Understood”—that cemented her chart presence. Performing barefoot, she turned a quirk into a signature and a style statement. In 1967, Shaw won the Eurovision Song Contest for the United Kingdom in Vienna with “Puppet on a String,” securing the country’s first victory, and the single topped charts across Europe. In the early 1970s, Shaw stepped away from pop to pursue stage roles and business ventures. She later challenged her recording contracts. In the 1980s she returned to the charts through collaborations with indie admirers, notably The Smiths. Her 1988 album “Hello Angel” showcased a mature voice. Through the 1990s and 2000s she recorded selectively. She curated reissues of her catalogue. Sandie trained as a psychotherapist, mentoring artists and advocating for performers’ rights. She published memoirs and kept performing. In 2017 the UK honoured her with an MBE for services to music. It’s an honour that recognized a career bridging eras while remaining unmistakably hers. I’m going to the toilet Boudewijn Büch (1948–2002) was a Dutch author, poet, bibliophile, and television presenter. He became famous for literary travel programs on VARA, a Dutch public broadcaster. In 1988, Büch invited Sandie Shaw onto his VARA show. He kept the conversation light, comparing music “then and now.” Sandie’s ground rules forbade any talk of the Eurovision Song Contest. When Büch raised the topic anyway, Shaw stood up, said “I’m going to the toilet,” and walked out, almost yanking her microphone cable free. Büch closed the episode in the restroom, singing “Puppet on a String,” and he concluded that the song had gone down the toilet. Puppet On A String “Puppet On A String” is Sandie Shaw’s bright, bouncy slice of 1960s Europop. Lyricist Bill Martin and composer Phil Coulter wrote the song. At Eurovision 1967 in Vienna, Shaw performed barefoot, locking onto the camera with crisp phrasing and a smile. The arrangement rides an oom‑pah, fairground swing with brisk brass and a skippy rhythm. The hook lodges instantly, and the melody aims squarely at continental tastes. The United Kingdom stormed to victory with 47 points. That is more than double the runner‑up. This way the UK its first Eurovision win. The single topped the UK charts, and Shaw recorded versions in multiple languages, cementing its cross‑European appeal. Lyrically, the song toys with the image of a lover manipulated like a marionette, “a puppet on a string”, while the upbeat pop setting turns the drama into perfect television. “Puppet On A String” stands as a defining Eurovision winner and an enduring cornerstone of Sandie Shaw’s catalogue today.      

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Blast from the past
Martijn

🇬🇧 Blast from the past: UK 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967, when Sandie Shaw brought the first victory to the United Kingdom with “Puppet On A String”. United Kingdom in the Eurovision Song Contest Few countries have a Eurovision pedigree like the United Kingdom. Since debuting in 1957, the UK has won five times: Sandie Shaw (1967), Lulu (1969), Brotherhood of Man (1976), Bucks Fizz (1981) and Katrina & The Waves (1997). The country hosted on nine occasions, most recently Liverpool 2023. t also holds the record for most runner‑up finishes, with 16 second places; the last came in 2022 when Sam Ryder’s “SPACE MAN” topped the jury vote. Recent form has been mixed: in 2023, host act Mae Muller finished 25th with 24 points; in 2024, Olly Alexander placed 18th with 46 points; and in 2025, Remember Monday ended 19th on 88 points.  Such swings epitomise the UK’s roller‑coaster history: long stretches of podiums and wins, punctuated by lean years, yet always central to Eurovision’s story and spectacle.  Sam Ryder, EBU A Song For Europe 1967 The UK national final in those days was called A Song For Europe. One artist sang 5 or 6 songs. Sandie Shaw was chosen to do the job in 1967. The contest was held on February 25. The results were announced one week later.The 5 titles were: Tell The Boys, 2nd place I’ll Cry Myself To Sleep, 3rd place Had A Dream Last Night, 4th place Puppet On A String, 1st place Ask Any Woman, 5th place   “Had A Dream Last Night” was written by another very popular pop star from those days: Chris Andrews. He is known for a lot of hits in the late sixties, “Yesterday Man” and “Pretty Belinda” being the biggest. You can watch a recap of all songs here in good quality. Sandie Shaw Sandie Shaw (born Sandra Ann Goodrich on 26 February 1947 in Dagenham) ranks among Britain’s defining 1960s pop voices. As a teenager, talent scouts noticed her; Pye Records signed her, and in 1964 she hit No. 1 with the Burt Bacharach–Hal David song “(There’s) Always Something There to Remind Me.” She followed it with a run of singles—“Girl Don’t Come,” “Long Live Love,” and “Message Understood”—that cemented her chart presence. Performing barefoot, she turned a quirk into a signature and a style statement. In 1967, Shaw won the Eurovision Song Contest for the United Kingdom in Vienna with “Puppet on a String,” securing the country’s first victory, and the single topped charts across Europe. In the early 1970s, Shaw stepped away from pop to pursue stage roles and business ventures. She later challenged her recording contracts. In the 1980s she returned to the charts through collaborations with indie admirers, notably The Smiths. Her 1988 album “Hello Angel” showcased a mature voice. Through the 1990s and 2000s she recorded selectively. She curated reissues of her catalogue. Sandie trained as a psychotherapist, mentoring artists and advocating for performers’ rights. She published memoirs and kept performing. In 2017 the UK honoured her with an MBE for services to music. It’s an honour that recognized a career bridging eras while remaining unmistakably hers. I’m going to the toilet Boudewijn Büch (1948–2002) was a Dutch author, poet, bibliophile, and television presenter. He became famous for literary travel programs on VARA, a Dutch public broadcaster. In 1988, Büch invited Sandie Shaw onto his VARA show. He kept the conversation light, comparing music “then and now.” Sandie’s ground rules forbade any talk of the Eurovision Song Contest. When Büch raised the topic anyway, Shaw stood up, said “I’m going to the toilet,” and walked out, almost yanking her microphone cable free. Büch closed the episode in the restroom, singing “Puppet on a String,” and he concluded that the song had gone down the toilet. Puppet On A String “Puppet On A String” is Sandie Shaw’s bright, bouncy slice of 1960s Europop. Lyricist Bill Martin and composer Phil Coulter wrote the song. At Eurovision 1967 in Vienna, Shaw performed barefoot, locking onto the camera with crisp phrasing and a smile. The arrangement rides an oom‑pah, fairground swing with brisk brass and a skippy rhythm. The hook lodges instantly, and the melody aims squarely at continental tastes. The United Kingdom stormed to victory with 47 points. That is more than double the runner‑up. This way the UK its first Eurovision win. The single topped the UK charts, and Shaw recorded versions in multiple languages, cementing its cross‑European appeal. Lyrically, the song toys with the image of a lover manipulated like a marionette, “a puppet on a string”, while the upbeat pop setting turns the drama into perfect television. “Puppet On A String” stands as a defining Eurovision winner and an enduring cornerstone of Sandie Shaw’s catalogue today.      

Read More »
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