Day 6: Bananas, raincoats, a circus and a rodeo rider

The storm around the still sun finally seems to have subsided a bit. This is not a weather forecast, but it is all about the Eurovision Song Contest. Now that everyone knows what really matters with the non-spinning sun, we can move on. And so we do. With ten countries from the 1st and 2nd semi, as well as the Big Five (more about that later), there is certainly something to look forward to.

ICELAND: It is no surprise that the foursome (the girls’ brother is also there) can sing. The clothing and the setting are slightly reminiscent of “Little House on the Prairie”, for those who still know what that is. However, the whole thing seems a bit static. It’s not a done deal for the Icelanders.

NORWAY: It ís a done deal for the Norwegians. They will make it to the final. Subwoolfer puts on a dazzling act. It is one of the kind that you either love or hate. Eurovision.tv notes that there is no change to the costumes. To be honest, we would also have been surprised if the gentlemen would suddenly wear something different.

ARMENIA: She is the last one in the first semifinal. While she may not be the festival’s best singer, Rosa Linn does a good job. She walks around a bedroom covered with Post-Its. When she pulls it off the wall, for example, the title of the song appears, but also, yes, a Eurovision heart!

FINLAND: The 2nd semifinal opens with the festival’s biggest stars: The Rasmus. The raincoats are now appropriate: the weather is not good. It also rains in Turin. Although the act is solid, there is something to be said for the vocals of Lauri Ylönen. We have heard better singing in the last few days….

ISRAEL: If we’re talking about song and dance, the Israelis do put down something. Michael Ben David never gets out of breath from all the dancing. He reaches the high notes effortlessly. The bookmakers’ expectations when it comes to Israel are not too high, but they could be completely wrong this time.

SERBIA: No changes in the act of Serbia, which by the way is partially subtitled. The hands that are washed are also reflected in the graphics. Whether it is all sung very well, you can question that. Fun fact: for the second time in Eurovision history, someone from the British royal family is being sung: after Princess Diana in 1986 (“Européennes”, for France) it is now Megan Markle’s turn.

AZERBAIJAN: Do you remember “Hold me”, Azerbaijan’s 2013 entry? It certainly wasn’t the strongest song that year, but thanks to the act it became second. We now see a similar act, but with a grandstand instead of a glass box. Big difference: Nadir is a very good singer. Because of the act and the good vocals this could end up higher than we all might expect.

GEORGIA: “Lock me in” the members of Circus Mircus sing. And a circus it is, with flying goggles and a decorated beard. You may wonder whether the song is something that the televoter or the jury is going for. It just might become the least understood entry of 2022.

MALTA: Few changes in the act. What we had not learned during the first rehearsals is that Emma not only sits behind the piano, but also stands on it. The moving and dancing seems to have an effect on Emma’s voice.

SAN MARINO: The extravagant Achille Lauro jumps, dances, runs, rides rodeo: it won’t be three quiet minutes. Behind him are two musicians in cages. In addition, there are three guitarists. Achille Lauro’s agility does not benefit the vocals at all. It was all so wild that the rodeo seems to be broken by now.

Hey wait…. I hear you thinking: and what about the Big 5!? Well, they will have their first rehearsals, without any press allowed. However, we will keep you updated about them later today.

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weekly update of this week It’s time for another weekly Eurovision update. This week brings news on national selections for 2026, Austria’s preparations to host, and a change in Eurovision leadership. 🇪🇸 🇨🇭 Spain and Switzerland gear up for 2026 Spain is already planning its Eurovision 2026 entry. Broadcaster RTVE has named Sergio Jaén as the Artistic Director of Benidorm Fest 2026. At just 23, Jaén has a strong Eurovision résumé – he even staged Austria’s winning performance in 2025. He will design the staging for Spain’s song at Eurovision 2026. Benidorm Fest’s semi-finals are set for 10 and 12 February, with the Grand Final on 14 February 2026. source: RTVE Melody 📷 Sarah Louise Bennett/EBU Switzerland has kicked off its search for a 2026 act. Swiss broadcaster SRF will accept song submissions from 4 August to 25 August 2025. Artists, composers, and producers can send in entries during that period. Switzerland will once again choose its Eurovision entry through a multi-stage process with audience and expert juries. The Swiss representative and song will be revealed in early 2026. source: SRF 🇦🇹 Austria announces Eurovision 2026 core team Host broadcaster ORF has unveiled the core production team for Eurovision 2026. Michael Krön, ORF’s chief producer, will serve as Executive Producer – the overall project leader. Stefan Zechner will be the TV Show Producer, a role he also held when Austria hosted in 2015. The team features several experienced members from Vienna’s 2015 Eurovision, ensuring continuity. With this core team in place, ORF is gearing up to deliver another world-class contest. source: ORF Core Team, 📷 ORF 🇦🇹 Host city race: Graz out, Vienna pushes forward Graz has pulled out of the host city race for Eurovision 2026. The Styrian capital decided not to bid due to budget shortfalls and a projected €29.35 million hosting cost. City officials couldn’t secure enough financial support from the regional or federal government. Vienna, meanwhile, is moving full steam ahead with its bid. The Vienna City Council officially ratified a resolution to back the plan, proposing the Wiener Stadthalle as the venue. Vienna boasts around 82,000 hotel beds and excellent transport links to welcome Eurovision guests. Other cities like Innsbruck remain in the running, and ORF will announce the 2026 host city on 8 August 2025. Martin Österdahl to step down as Eurovision supervisor The Executive Supervisor of the Eurovision Song Contest, Martin Österdahl, will be leaving his post in summer 2025. The European Broadcasting Union announced on 27 June 2025 that Österdahl is stepping down, marking the end of his five-year tenure. He has overseen Eurovision since 2020, guiding the contest through five editions and various changes. The EBU is expected to appoint a new Executive Supervisor before the 2026 season begins. That was it for this week, see you next week with another weekly update! Share

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Weekly update

weekly update of this week It’s time for another weekly Eurovision update. This week brings news on national selections for 2026, Austria’s preparations to host, and a change in Eurovision leadership. 🇪🇸 🇨🇭 Spain and Switzerland gear up for 2026 Spain is already planning its Eurovision 2026 entry. Broadcaster RTVE has named Sergio Jaén as the Artistic Director of Benidorm Fest 2026. At just 23, Jaén has a strong Eurovision résumé – he even staged Austria’s winning performance in 2025. He will design the staging for Spain’s song at Eurovision 2026. Benidorm Fest’s semi-finals are set for 10 and 12 February, with the Grand Final on 14 February 2026. source: RTVE Melody 📷 Sarah Louise Bennett/EBU Switzerland has kicked off its search for a 2026 act. Swiss broadcaster SRF will accept song submissions from 4 August to 25 August 2025. Artists, composers, and producers can send in entries during that period. Switzerland will once again choose its Eurovision entry through a multi-stage process with audience and expert juries. The Swiss representative and song will be revealed in early 2026. source: SRF 🇦🇹 Austria announces Eurovision 2026 core team Host broadcaster ORF has unveiled the core production team for Eurovision 2026. Michael Krön, ORF’s chief producer, will serve as Executive Producer – the overall project leader. Stefan Zechner will be the TV Show Producer, a role he also held when Austria hosted in 2015. The team features several experienced members from Vienna’s 2015 Eurovision, ensuring continuity. With this core team in place, ORF is gearing up to deliver another world-class contest. source: ORF Core Team, 📷 ORF 🇦🇹 Host city race: Graz out, Vienna pushes forward Graz has pulled out of the host city race for Eurovision 2026. The Styrian capital decided not to bid due to budget shortfalls and a projected €29.35 million hosting cost. City officials couldn’t secure enough financial support from the regional or federal government. Vienna, meanwhile, is moving full steam ahead with its bid. The Vienna City Council officially ratified a resolution to back the plan, proposing the Wiener Stadthalle as the venue. Vienna boasts around 82,000 hotel beds and excellent transport links to welcome Eurovision guests. Other cities like Innsbruck remain in the running, and ORF will announce the 2026 host city on 8 August 2025. Martin Österdahl to step down as Eurovision supervisor The Executive Supervisor of the Eurovision Song Contest, Martin Österdahl, will be leaving his post in summer 2025. The European Broadcasting Union announced on 27 June 2025 that Österdahl is stepping down, marking the end of his five-year tenure. He has overseen Eurovision since 2020, guiding the contest through five editions and various changes. The EBU is expected to appoint a new Executive Supervisor before the 2026 season begins. That was it for this week, see you next week with another weekly update! Share

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