🇸🇲 Blast from the Past: San Marino 2012

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Valentina Monetta, who participated four times for San Marino. The song we take a closer look at is her first one: The Social Network Song (Oh oh – uh – Oh oh).

San Marino in the Eurovision Song Contest

In 2008, San Marino debuted at the Eurovision Song Contest. However, the band Miodio did not reach the final. Fans had to wait until 2011, when Senhit (Senit back then) took part for the first time. Valentina Monetta did no less than four attempts. She, Senhit and Serhat were the three contestants for San Marino who managed to reach the final. Okay, and Flo Rida of course, who featured in Senhit’s song “Adrenalina”. With a 19th place, it was Serhat who had the best score for San Marino with his song “Say na na na”.

National selection

On 14 March 2012, during a press conference by SMRTV (San Marino Radio & Television) it was revealed that they had chosen Valentina Monetta as San Marino’s representative for the Eurovision Song Contest 2012. The decision came about after an SMRTV director stumbled upon Monetta’s performance one evening.

A dedicated program, aired on 16 March 2012, was organized at the SMRTV studio to unveil Monetta’s contest song. The song titled “Facebook Uh, Oh, Oh”, composed by Ralph Siegel and penned by Jose Santana Rodriguez and Timothy Touchton, was introduced as San Marino’s Eurovision entry. Notably, Siegel, having crafted 20 Eurovision songs for different nations, clarified that “Facebook Uh, Oh, Oh” was crafted for the contest, but not specifically for Monetta.

Facebook is a brand, uh, oh, oh

Already two days after the presentation of the song, EBU told SMRTV that the song was breaking one of the Eurovision rules: mentioning brands in a song is not allowed. And Facebook is a brand. The lyrics had to be changed, and the song was now called “The Social Network Song (Oh oh – uh – Oh oh)”. Valentina was not the first one who faced this. That honour goes to Lotta Engberg who sang “Fyra Bug och en Coca-Cola”. Bugg was a Norwegian chewing gum brand and Coca-Cola is…. well, is Coca-Cola. Two years later, Belarusian Teo had to change the lyrics of his song. “Google Maps” became “All the maps”.

 

Valentina Monetta

Valentina Monetta, born on March 1, 1975, in the picturesque microstate of San Marino, is an iconic name in the Eurovision Song Contest universe. With a passion for music evident from her youth, Valentina’s journey to becoming San Marino’s most recognized Eurovision participant is a testament to her talent and determination.

Starting her career in various jazz bands, Monetta’s versatile voice allowed her to experiment with different genres, including pop, jazz, and R&B. While she was making waves in the local music scene, it was her association with the Eurovision Song Contest that catapulted her to international fame.

In 2012, SMRTV, San Marino’s national broadcaster, announced that Valentina would represent the country at the Eurovision Song Contest. She did not reach the final. However, this did not deter Valentina, and she returned to represent San Marino in 2013, 2014, and 2017.

Out of these participations, her 2014 entry, “Maybe,” holds a special place, as it secured San Marino’s first-ever spot in the Eurovision Grand Final. Beyond Eurovision, Valentina released several singles and albums, further establishing her prowess in the music industry.

Monetta’s relationship with Ralph Siegel, the renowned composer, further enriched her Eurovision experience. Siegel crafted multiple Eurovision entries for her, showcasing her versatility and range as a singer.

Over the years, Valentina Monetta has become synonymous with San Marino’s Eurovision history.

The Social Network Song (Oh oh – Uh – Oh oh)

Ralph Siegel, a veteran Eurovision composer, crafted the music of the song, while lyrics were penned by Jose Santana Rodriguez and Timothy Touchton.

The song’s lyrics delve into the digital age’s social media obsession, particularly highlighting the universal appeal and reach of platforms like Facebook. It’s a catchy, upbeat pop track with playful lyrics about online friendships, profile pictures, and virtual life.

While it received a mix of amusement and skepticism from Eurovision fans and did not qualify for the final, “The Social Network Song” nonetheless holds a distinctive spot in Eurovision history for its timely subject matter during the rise of social media.

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70 years of Eurovision: Conchita and other heroes

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2014 The B&W Hallerne stood on a remote industrial estate in Copenhagen. That is where the contest was held. Lise Rønne, Nikolaj Koppel, and Pilou Asbæk hosted the song contest. Poland and Portugal participated again. However, Bulgaria, Croatia, Cyprus, and Serbia dropped out. The songs Paula Seling and Ovi participated in the Eurovision Song Contest once again. For the third consecutive time, San Marino sent Valentina Monetta. And although no one believed in it anymore, Valentina surprisingly reached the final. Dressed in primary colors and with long beards, the band Pollapönk, specializing in children’s songs, represented Iceland. They were fan favorites, just like Carl Espen. This Norwegian singer performed a ballad, “Silent Storm,” which made a deep impression on the audience. The Polish group, Donatan and Cleo, did too, but for a completely different reason. Flanked by buxom ladies in traditional attire doing laundry by hand or churning milk, the Polish duo painted a remarkable picture of the country. Sanna Nielsen participated in Melodifestivalen for the seventh time, and with “Undo,” she finally won. The Tolmachevy Sisters, twins, once won the Junior Eurovision Song Contest for Russia. Now they were in the adult version. For the first time, booing was clearly heard as a political statement, this time against Vladimir Putin. Then there was András Kállay-Saunders. He represented Hungary with a song to raise awareness about child abuse. The accompanying act depicted how Kállay-Saunders came to the rescue. And then there were The Common Linnets. The duo from the Netherlands were among the contenders for the final victory. National stars Waylon and Ilse Delange had put their heads together. They created a song in the Americana style and had a slick act. The cameras circled around the two, who stood facing each other. Conchita Wurst But the winner was, of course, Conchita Wurst. Despite a good singing voice, Thomas Neuwirth failed to build a career as himself. But as his alter ego, Conchita Wurst, with a dress and a beard, he succeeded. With class, style, and a fantastic singing voice, Conchita sang her “Rise Like a Phoenix” to first place. She called attention to the emancipation of the LGBTQ+ community. “We are the unstoppables” was what she said when she had won. 2015 Just like this year, the Wiener Stadthalle in Vienna was the venue. There were no fewer than four presenters: Mirjam Weichselbraun, Alice Tumler, Arabella Kiesbauer, and… Conchita Wurst. Conchita could also be heard on the tram. At the stop in front of the Wiener Stadthalle, one could hear her: “Conchita Time! Here you have to go out for the Eurovision Song Contest.” Ukraine skipped a year. Cyprus, the Czech Republic, and Serbia returned. Australia made its debut. Because it was the 60th festival, the country that had been watching enthusiastically for years was now allowed to send an entry of its own. It was supposed to be a one-off, but Australia stayed. The songs Armenia sent the group Genealogy. One of the group members had also sung for Armenia in 2009. Elnur HĂĽseynov had already participated in 2008 for the then-debuting Azerbaijan; now he got to do it again. The group Pertti Kurikan Nimipäivät was particularly striking: a rock band consisting of members with an intellectual disability. At 1:27, their “Aina mun pitää” was the shortest Eurovision song ever. The men walked around as if they had already won. However, they finished last in their semi-final. Bojana Stamenov became one of the fan favorites with “Beauty Never Lies”. The phrase “Finally I can say I am different and it’s okay” was sung along to loudly, in particular. The Norwegian Mørland and Debrah Scarlett performed “A Monster Like Me”, a song entirely in the style of “Where The Wild Roses Grow”. The Australian contestant Guy Sebastian also put on a great show. He was among the contenders. If Australia were to win, a European country would take over the organization. Sebastian finished fifth. LoĂŻc Nottet from Belgium finished exactly one place higher. With his “Rythm Inside”, and the slick dance act that accompanied it, Nottet made a big impression. And then there was Aminata from Latvia with a style entirely her own. Polina Gagarina from Russia sang a peace song that made your teeth ache. Il Volo from Italy won the televote with a classical-style song, “Grande Amore”. MĂĄns Zelmerlöw It was already MĂĄns Zelmerlöw’s fifth attempt to go to the Eurovision Song Contest. In 2015, he finally succeeded with “Heroes”. Aided by virtual reality, with figurines meant to represent his heroes, MĂĄns impressed. Because the televoters awarded him a high ranking and the jury placed him first, MĂĄns won. After Eurovision, he remained a loyal visitor to broadcasts and Eurovision related events. In 2016, he even hosted the Eurovision Song Contest. In 2025, he narrowly missed winning Melodifestivalen.

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History
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70 years of Eurovision: Conchita and other heroes

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2014 The B&W Hallerne stood on a remote industrial estate in Copenhagen. That is where the contest was held. Lise Rønne, Nikolaj Koppel, and Pilou Asbæk hosted the song contest. Poland and Portugal participated again. However, Bulgaria, Croatia, Cyprus, and Serbia dropped out. The songs Paula Seling and Ovi participated in the Eurovision Song Contest once again. For the third consecutive time, San Marino sent Valentina Monetta. And although no one believed in it anymore, Valentina surprisingly reached the final. Dressed in primary colors and with long beards, the band Pollapönk, specializing in children’s songs, represented Iceland. They were fan favorites, just like Carl Espen. This Norwegian singer performed a ballad, “Silent Storm,” which made a deep impression on the audience. The Polish group, Donatan and Cleo, did too, but for a completely different reason. Flanked by buxom ladies in traditional attire doing laundry by hand or churning milk, the Polish duo painted a remarkable picture of the country. Sanna Nielsen participated in Melodifestivalen for the seventh time, and with “Undo,” she finally won. The Tolmachevy Sisters, twins, once won the Junior Eurovision Song Contest for Russia. Now they were in the adult version. For the first time, booing was clearly heard as a political statement, this time against Vladimir Putin. Then there was András Kállay-Saunders. He represented Hungary with a song to raise awareness about child abuse. The accompanying act depicted how Kállay-Saunders came to the rescue. And then there were The Common Linnets. The duo from the Netherlands were among the contenders for the final victory. National stars Waylon and Ilse Delange had put their heads together. They created a song in the Americana style and had a slick act. The cameras circled around the two, who stood facing each other. Conchita Wurst But the winner was, of course, Conchita Wurst. Despite a good singing voice, Thomas Neuwirth failed to build a career as himself. But as his alter ego, Conchita Wurst, with a dress and a beard, he succeeded. With class, style, and a fantastic singing voice, Conchita sang her “Rise Like a Phoenix” to first place. She called attention to the emancipation of the LGBTQ+ community. “We are the unstoppables” was what she said when she had won. 2015 Just like this year, the Wiener Stadthalle in Vienna was the venue. There were no fewer than four presenters: Mirjam Weichselbraun, Alice Tumler, Arabella Kiesbauer, and… Conchita Wurst. Conchita could also be heard on the tram. At the stop in front of the Wiener Stadthalle, one could hear her: “Conchita Time! Here you have to go out for the Eurovision Song Contest.” Ukraine skipped a year. Cyprus, the Czech Republic, and Serbia returned. Australia made its debut. Because it was the 60th festival, the country that had been watching enthusiastically for years was now allowed to send an entry of its own. It was supposed to be a one-off, but Australia stayed. The songs Armenia sent the group Genealogy. One of the group members had also sung for Armenia in 2009. Elnur HĂĽseynov had already participated in 2008 for the then-debuting Azerbaijan; now he got to do it again. The group Pertti Kurikan Nimipäivät was particularly striking: a rock band consisting of members with an intellectual disability. At 1:27, their “Aina mun pitää” was the shortest Eurovision song ever. The men walked around as if they had already won. However, they finished last in their semi-final. Bojana Stamenov became one of the fan favorites with “Beauty Never Lies”. The phrase “Finally I can say I am different and it’s okay” was sung along to loudly, in particular. The Norwegian Mørland and Debrah Scarlett performed “A Monster Like Me”, a song entirely in the style of “Where The Wild Roses Grow”. The Australian contestant Guy Sebastian also put on a great show. He was among the contenders. If Australia were to win, a European country would take over the organization. Sebastian finished fifth. LoĂŻc Nottet from Belgium finished exactly one place higher. With his “Rythm Inside”, and the slick dance act that accompanied it, Nottet made a big impression. And then there was Aminata from Latvia with a style entirely her own. Polina Gagarina from Russia sang a peace song that made your teeth ache. Il Volo from Italy won the televote with a classical-style song, “Grande Amore”. MĂĄns Zelmerlöw It was already MĂĄns Zelmerlöw’s fifth attempt to go to the Eurovision Song Contest. In 2015, he finally succeeded with “Heroes”. Aided by virtual reality, with figurines meant to represent his heroes, MĂĄns impressed. Because the televoters awarded him a high ranking and the jury placed him first, MĂĄns won. After Eurovision, he remained a loyal visitor to broadcasts and Eurovision related events. In 2016, he even hosted the Eurovision Song Contest. In 2025, he narrowly missed winning Melodifestivalen.

Read More »
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