🇸🇲 Blast from the Past: San Marino 2012

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Valentina Monetta, who participated four times for San Marino. The song we take a closer look at is her first one: The Social Network Song (Oh oh – uh – Oh oh).

San Marino in the Eurovision Song Contest

In 2008, San Marino debuted at the Eurovision Song Contest. However, the band Miodio did not reach the final. Fans had to wait until 2011, when Senhit (Senit back then) took part for the first time. Valentina Monetta did no less than four attempts. She, Senhit and Serhat were the three contestants for San Marino who managed to reach the final. Okay, and Flo Rida of course, who featured in Senhit’s song “Adrenalina”. With a 19th place, it was Serhat who had the best score for San Marino with his song “Say na na na”.

National selection

On 14 March 2012, during a press conference by SMRTV (San Marino Radio & Television) it was revealed that they had chosen Valentina Monetta as San Marino’s representative for the Eurovision Song Contest 2012. The decision came about after an SMRTV director stumbled upon Monetta’s performance one evening.

A dedicated program, aired on 16 March 2012, was organized at the SMRTV studio to unveil Monetta’s contest song. The song titled “Facebook Uh, Oh, Oh”, composed by Ralph Siegel and penned by Jose Santana Rodriguez and Timothy Touchton, was introduced as San Marino’s Eurovision entry. Notably, Siegel, having crafted 20 Eurovision songs for different nations, clarified that “Facebook Uh, Oh, Oh” was crafted for the contest, but not specifically for Monetta.

Facebook is a brand, uh, oh, oh

Already two days after the presentation of the song, EBU told SMRTV that the song was breaking one of the Eurovision rules: mentioning brands in a song is not allowed. And Facebook is a brand. The lyrics had to be changed, and the song was now called “The Social Network Song (Oh oh – uh – Oh oh)”. Valentina was not the first one who faced this. That honour goes to Lotta Engberg who sang “Fyra Bug och en Coca-Cola”. Bugg was a Norwegian chewing gum brand and Coca-Cola is…. well, is Coca-Cola. Two years later, Belarusian Teo had to change the lyrics of his song. “Google Maps” became “All the maps”.

 

Valentina Monetta

Valentina Monetta, born on March 1, 1975, in the picturesque microstate of San Marino, is an iconic name in the Eurovision Song Contest universe. With a passion for music evident from her youth, Valentina’s journey to becoming San Marino’s most recognized Eurovision participant is a testament to her talent and determination.

Starting her career in various jazz bands, Monetta’s versatile voice allowed her to experiment with different genres, including pop, jazz, and R&B. While she was making waves in the local music scene, it was her association with the Eurovision Song Contest that catapulted her to international fame.

In 2012, SMRTV, San Marino’s national broadcaster, announced that Valentina would represent the country at the Eurovision Song Contest. She did not reach the final. However, this did not deter Valentina, and she returned to represent San Marino in 2013, 2014, and 2017.

Out of these participations, her 2014 entry, “Maybe,” holds a special place, as it secured San Marino’s first-ever spot in the Eurovision Grand Final. Beyond Eurovision, Valentina released several singles and albums, further establishing her prowess in the music industry.

Monetta’s relationship with Ralph Siegel, the renowned composer, further enriched her Eurovision experience. Siegel crafted multiple Eurovision entries for her, showcasing her versatility and range as a singer.

Over the years, Valentina Monetta has become synonymous with San Marino’s Eurovision history.

The Social Network Song (Oh oh – Uh – Oh oh)

Ralph Siegel, a veteran Eurovision composer, crafted the music of the song, while lyrics were penned by Jose Santana Rodriguez and Timothy Touchton.

The song’s lyrics delve into the digital age’s social media obsession, particularly highlighting the universal appeal and reach of platforms like Facebook. It’s a catchy, upbeat pop track with playful lyrics about online friendships, profile pictures, and virtual life.

While it received a mix of amusement and skepticism from Eurovision fans and did not qualify for the final, “The Social Network Song” nonetheless holds a distinctive spot in Eurovision history for its timely subject matter during the rise of social media.

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Eurovision 2026

Vienna 12 points: from a huge table to 7,000 crystals

  Day four of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The final eight countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Tuesday 5 May. First rehearsals remain closed to press; three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, May 14. 🇨🇾 Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 5 May, 09:00–09:30 CEST | Second rehearsal: 9 May Antigoni has been promising she would dance on the table. This morning at the Wiener Stadthalle she delivered  in a way nobody quite anticipated. The centrepiece of the staging is a table of extraordinary scale: large enough for all four dancers to join Antigoni on top of it, large enough to function as a full catwalk, and large enough that the chairs do not go beside it but on it. This choreography is tight and deliberate. The dancers even work with plates. And the whole setup directly brings to life the song’s most iconic lyric. It is a reference with Eurovision history behind it: Ivi Adamou danced on a table for Cyprus at Baku 2012, but the 2026 version operates on an entirely different scale. The table itself has a table runner made from an LED strip, which comes into its own during the “you want more?” section of the song. From there, Antigoni steps off the table and onto the catwalk with a purposeful strut, before the staging closes out with fire and pyrotechnics more commonly associated with rock entries than Mediterranean pop. The backdrop features giant ancient pillars lit in blue. Antigoni wears a short white beaded dress. Staging is by Sacha Jean-Baptiste, whose Eurovision credits include “Fuego” (Cyprus 2018) and the 2023 winner “Tattoo” for Sweden. Antigoni Buxton, 29, is a British-Cypriot singer-songwriter from North London who gained wider recognition after Love Island UK in 2022. CyBC selected her internally in November 2025. “Jalla”, meaning “more” in the Cypriot dialect, was co-written with Charalambous Kallona, Connor Mullally-Knight, Demetris Nikolaou, Claydee, Paris Kalpos, and Trey Qua. Cyprus competes 8th in Semi-Final 2. Sources: r/eurovision live thread / CyBC / Eurovoix / Instagram @antigoni 🇱🇻 Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 5 May, 09:40–10:10 CEST | Second rehearsal: 8 May Latvia’s first Vienna rehearsal delivers a scaled-up version of the performance that won Supernova 2026 in February. If the subreddit’s reporters are to be believed, it translates powerfully to the larger Wiener Stadthalle stage. Atvara completed three full run-throughs of “Ēnā.” The core concept remains unchanged: an intimate, atmospheric performance built around the song’s cinematic ballad structure and Atvara’s vocal. What has changed is the detail. Atvara is wearing a newly designed gown decorated with sparkling stones. They now extend further down the side and along her left arm. Speaking to Latvian broadcaster LSM ahead of Vienna, Atvara confirmed that the team had worked to adapt the Supernova concept to the Eurovision scale. They refined technical elements while leaving the core performance intact. Her stylist Inna Bertāne described the new dress in Latvian press as a deliberate step up. Atvara rose to prominence on TikTok via her debut single “Pie Manis Tveries” and later sold out 22 solo shows in Latvia in 2025. She won Supernova on 14 February, taking both the jury and public votes. Latvia competes 9th in Semi-Final 1. Sources: LSM / Supernova / Latvian Radio / Instagram @atvara.liene 🇩🇰 Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 5 May, 10:20–10:50 CEST | Second rehearsal: 9 May The Melodi Grand Prix staging has arrived in Vienna completely intact, and apparently quite literally so. The box that defined Søren’s breakthrough performance in Frederikshavn was not dismantled and rebuilt for the Wiener Stadthalle; it was shipped as-is. When something works that well, you don’t take risks with it. That said, what is inside the box has been elevated for Eurovision. Søren opens in black leather trousers and an aquamarine silk chiffon shirt, before ripping it off mid-performance. The singer than reveals a sparkly black mesh top underneath. The outfit reveal lands as a proper moment. Inside the box, red tube lights illuminate and intensify as the performance builds, so that by the second chorus the whole structure is radiating heat, matching the choreography. This has been noticeably scaled up from the national final, particularly the thrusting during the first verse. When Søren finally steps out of the box towards the end of the song, a storm takes over the stage floor and the backdrop behind him. The respite is brief: the graphics transform into blazing fire for the final twenty seconds.  Søren Torpegaard Lund, 27, is a trained musical theatre actor who graduated from the Danish Stage Arts School and played Tony in West Side Story at the Copenhagen Opera House in 2021–22. He co-wrote “Før vi går hjem” with Clara Sofie Fabricius, Thomas Meilstrup, and Valdemar Littauer Bendixen, winning Melodi Grand Prix on 14 February with both the jury and public votes. Denmark competes 10th in Semi-Final 2. Sources: r/eurovision live thread / DR / ESC Insight / Instagram @sorentorpegaardlund 🇦🇺 Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 5 May, 11:00–11:30 CEST | Second rehearsal: 9 May The biggest name in this year’s contest steps onto the Wiener Stadthalle stage and, by all accounts, does not disappoint. Delta Goodrem’s first Vienna rehearsal for “Eclipse” is a significant production. The staging is developed by Black Skull Creative, the team behind the entire Liverpool 2023 contest, alongside creative director Paul Clarke. It is described as one of the most technically ambitious performances in Vienna this year. The concept tracks a journey from a moon world into a sun world, culminating in a

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Eurovision 2026
Martijn

Vienna 12 points: from a huge table to 7,000 crystals

  Day four of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The final eight countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Tuesday 5 May. First rehearsals remain closed to press; three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, May 14. 🇨🇾 Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 5 May, 09:00–09:30 CEST | Second rehearsal: 9 May Antigoni has been promising she would dance on the table. This morning at the Wiener Stadthalle she delivered  in a way nobody quite anticipated. The centrepiece of the staging is a table of extraordinary scale: large enough for all four dancers to join Antigoni on top of it, large enough to function as a full catwalk, and large enough that the chairs do not go beside it but on it. This choreography is tight and deliberate. The dancers even work with plates. And the whole setup directly brings to life the song’s most iconic lyric. It is a reference with Eurovision history behind it: Ivi Adamou danced on a table for Cyprus at Baku 2012, but the 2026 version operates on an entirely different scale. The table itself has a table runner made from an LED strip, which comes into its own during the “you want more?” section of the song. From there, Antigoni steps off the table and onto the catwalk with a purposeful strut, before the staging closes out with fire and pyrotechnics more commonly associated with rock entries than Mediterranean pop. The backdrop features giant ancient pillars lit in blue. Antigoni wears a short white beaded dress. Staging is by Sacha Jean-Baptiste, whose Eurovision credits include “Fuego” (Cyprus 2018) and the 2023 winner “Tattoo” for Sweden. Antigoni Buxton, 29, is a British-Cypriot singer-songwriter from North London who gained wider recognition after Love Island UK in 2022. CyBC selected her internally in November 2025. “Jalla”, meaning “more” in the Cypriot dialect, was co-written with Charalambous Kallona, Connor Mullally-Knight, Demetris Nikolaou, Claydee, Paris Kalpos, and Trey Qua. Cyprus competes 8th in Semi-Final 2. Sources: r/eurovision live thread / CyBC / Eurovoix / Instagram @antigoni 🇱🇻 Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 5 May, 09:40–10:10 CEST | Second rehearsal: 8 May Latvia’s first Vienna rehearsal delivers a scaled-up version of the performance that won Supernova 2026 in February. If the subreddit’s reporters are to be believed, it translates powerfully to the larger Wiener Stadthalle stage. Atvara completed three full run-throughs of “Ēnā.” The core concept remains unchanged: an intimate, atmospheric performance built around the song’s cinematic ballad structure and Atvara’s vocal. What has changed is the detail. Atvara is wearing a newly designed gown decorated with sparkling stones. They now extend further down the side and along her left arm. Speaking to Latvian broadcaster LSM ahead of Vienna, Atvara confirmed that the team had worked to adapt the Supernova concept to the Eurovision scale. They refined technical elements while leaving the core performance intact. Her stylist Inna Bertāne described the new dress in Latvian press as a deliberate step up. Atvara rose to prominence on TikTok via her debut single “Pie Manis Tveries” and later sold out 22 solo shows in Latvia in 2025. She won Supernova on 14 February, taking both the jury and public votes. Latvia competes 9th in Semi-Final 1. Sources: LSM / Supernova / Latvian Radio / Instagram @atvara.liene 🇩🇰 Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 5 May, 10:20–10:50 CEST | Second rehearsal: 9 May The Melodi Grand Prix staging has arrived in Vienna completely intact, and apparently quite literally so. The box that defined Søren’s breakthrough performance in Frederikshavn was not dismantled and rebuilt for the Wiener Stadthalle; it was shipped as-is. When something works that well, you don’t take risks with it. That said, what is inside the box has been elevated for Eurovision. Søren opens in black leather trousers and an aquamarine silk chiffon shirt, before ripping it off mid-performance. The singer than reveals a sparkly black mesh top underneath. The outfit reveal lands as a proper moment. Inside the box, red tube lights illuminate and intensify as the performance builds, so that by the second chorus the whole structure is radiating heat, matching the choreography. This has been noticeably scaled up from the national final, particularly the thrusting during the first verse. When Søren finally steps out of the box towards the end of the song, a storm takes over the stage floor and the backdrop behind him. The respite is brief: the graphics transform into blazing fire for the final twenty seconds.  Søren Torpegaard Lund, 27, is a trained musical theatre actor who graduated from the Danish Stage Arts School and played Tony in West Side Story at the Copenhagen Opera House in 2021–22. He co-wrote “Før vi går hjem” with Clara Sofie Fabricius, Thomas Meilstrup, and Valdemar Littauer Bendixen, winning Melodi Grand Prix on 14 February with both the jury and public votes. Denmark competes 10th in Semi-Final 2. Sources: r/eurovision live thread / DR / ESC Insight / Instagram @sorentorpegaardlund 🇦🇺 Australia — Delta Goodrem, “Eclipse” Running order: 11 | Rehearsal: 5 May, 11:00–11:30 CEST | Second rehearsal: 9 May The biggest name in this year’s contest steps onto the Wiener Stadthalle stage and, by all accounts, does not disappoint. Delta Goodrem’s first Vienna rehearsal for “Eclipse” is a significant production. The staging is developed by Black Skull Creative, the team behind the entire Liverpool 2023 contest, alongside creative director Paul Clarke. It is described as one of the most technically ambitious performances in Vienna this year. The concept tracks a journey from a moon world into a sun world, culminating in a

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