🇸🇲 Blast from the Past: San Marino 2012

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Valentina Monetta, who participated four times for San Marino. The song we take a closer look at is her first one: The Social Network Song (Oh oh – uh – Oh oh).

San Marino in the Eurovision Song Contest

In 2008, San Marino debuted at the Eurovision Song Contest. However, the band Miodio did not reach the final. Fans had to wait until 2011, when Senhit (Senit back then) took part for the first time. Valentina Monetta did no less than four attempts. She, Senhit and Serhat were the three contestants for San Marino who managed to reach the final. Okay, and Flo Rida of course, who featured in Senhit’s song “Adrenalina”. With a 19th place, it was Serhat who had the best score for San Marino with his song “Say na na na”.

National selection

On 14 March 2012, during a press conference by SMRTV (San Marino Radio & Television) it was revealed that they had chosen Valentina Monetta as San Marino’s representative for the Eurovision Song Contest 2012. The decision came about after an SMRTV director stumbled upon Monetta’s performance one evening.

A dedicated program, aired on 16 March 2012, was organized at the SMRTV studio to unveil Monetta’s contest song. The song titled “Facebook Uh, Oh, Oh”, composed by Ralph Siegel and penned by Jose Santana Rodriguez and Timothy Touchton, was introduced as San Marino’s Eurovision entry. Notably, Siegel, having crafted 20 Eurovision songs for different nations, clarified that “Facebook Uh, Oh, Oh” was crafted for the contest, but not specifically for Monetta.

Facebook is a brand, uh, oh, oh

Already two days after the presentation of the song, EBU told SMRTV that the song was breaking one of the Eurovision rules: mentioning brands in a song is not allowed. And Facebook is a brand. The lyrics had to be changed, and the song was now called “The Social Network Song (Oh oh – uh – Oh oh)”. Valentina was not the first one who faced this. That honour goes to Lotta Engberg who sang “Fyra Bug och en Coca-Cola”. Bugg was a Norwegian chewing gum brand and Coca-Cola is…. well, is Coca-Cola. Two years later, Belarusian Teo had to change the lyrics of his song. “Google Maps” became “All the maps”.

 

Valentina Monetta

Valentina Monetta, born on March 1, 1975, in the picturesque microstate of San Marino, is an iconic name in the Eurovision Song Contest universe. With a passion for music evident from her youth, Valentina’s journey to becoming San Marino’s most recognized Eurovision participant is a testament to her talent and determination.

Starting her career in various jazz bands, Monetta’s versatile voice allowed her to experiment with different genres, including pop, jazz, and R&B. While she was making waves in the local music scene, it was her association with the Eurovision Song Contest that catapulted her to international fame.

In 2012, SMRTV, San Marino’s national broadcaster, announced that Valentina would represent the country at the Eurovision Song Contest. She did not reach the final. However, this did not deter Valentina, and she returned to represent San Marino in 2013, 2014, and 2017.

Out of these participations, her 2014 entry, “Maybe,” holds a special place, as it secured San Marino’s first-ever spot in the Eurovision Grand Final. Beyond Eurovision, Valentina released several singles and albums, further establishing her prowess in the music industry.

Monetta’s relationship with Ralph Siegel, the renowned composer, further enriched her Eurovision experience. Siegel crafted multiple Eurovision entries for her, showcasing her versatility and range as a singer.

Over the years, Valentina Monetta has become synonymous with San Marino’s Eurovision history.

The Social Network Song (Oh oh – Uh – Oh oh)

Ralph Siegel, a veteran Eurovision composer, crafted the music of the song, while lyrics were penned by Jose Santana Rodriguez and Timothy Touchton.

The song’s lyrics delve into the digital age’s social media obsession, particularly highlighting the universal appeal and reach of platforms like Facebook. It’s a catchy, upbeat pop track with playful lyrics about online friendships, profile pictures, and virtual life.

While it received a mix of amusement and skepticism from Eurovision fans and did not qualify for the final, “The Social Network Song” nonetheless holds a distinctive spot in Eurovision history for its timely subject matter during the rise of social media.

Related news

History

Austria in the Eurovision Song Contest, part 6

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the sixth episode, we look back at the nineties. With Tony Wegas’ double, and a total of three top-10 scores, the hard times began for Austria in the Eurovision Song Contest. 1992: Tony Wegas – “Zusammen geh’n” Tony Wegas, an Austrian singer and television actor, represented Austria at Eurovision 1992 with the power ballad “Zusammen geh’n”. Dieter Bohlen composed the music and Joachim Horn-Bernges wrote the lyrics, giving the song a classic pop-ballad style. Wegas delivered an emotive performance of this German-language track on the Malmö stage. “Zusammen geh’n” earned 63 points, securing a 10th place finish for Austria at the 1992 contest. 1993: Tony Wegas – “Maria Magdalena” Tony Wegas returned in 1993 to represent Austria with “Maria Magdalena,” a dramatic pop song with biblical references. He was selected internally, and presented 7 songs. Wegas, known for his singing career and TV acting, gave an engaging performance of this German-language track about Mary Magdalene. Christian Kolonovits and Johann Bertl composed the music, while Thomas Spitzer penned the lyrics, infusing the song with theatrical flair. Despite its uptempo style compared to the previous year, “Maria Magdalena” scored 32 points and placed 14th out of 25 entries at Eurovision 1993. 1994: Petra Frey – “FĂĽr den Frieden der Welt” Eight artists and songs competed in the national final. Simone participated but did not win. Petra Frey, only 16 years old at the time, represented Austria at Eurovision 1994 in Dublin with the ballad “FĂĽr den Frieden der Welt” (translated as “For the Peace of the World”). Alfons Weindorf composed the music, and brothers Karl & Johann Brunner wrote the lyrics, creating a heartfelt pop ballad calling for world peace. The song showcased Frey’s strong vocals, honed from her early schlager music career, and delivered a sincere message on stage. Austria’s 1994 entry earned 19 points, finishing in 17th place among 25 countries. 1995: Stella Jones – “Die Welt dreht sich verkehrt” Stella Jones, an Austrian singer with jazz and soul roots, took the stage in 1995 with “Die Welt dreht sich verkehrt” (meaning “The World Turns Upside Down”). Jones delivered a funky, blues-infused pop performance that reflected her versatile musical background. Michael W. Krausz both wrote the lyrics and composed the music for this entry, a song which stood out amid a contest often dominated by ballads. The Austrian entry scored 67 points, achieving a 13th place finish in the 1995 Eurovision final. 1996: George Nussbaumer – “Weil’s dr guat got” George Nussbaumer, a blind Austrian blues musician, brought a unique gospel-blues flair to Eurovision 1996 with “Weil’s dr guat got”. Sung in his native Vorarlberg dialect (the title roughly means “Because You’re Doing Well”), the song blended upbeat soul and pop elements. Nussbaumer co-wrote the entry himself. He composed the music and co-authored the lyrics with Michael W. Krausz and infused it with authentic blues style. His uplifting performance in Oslo resonated with the juries, as Austria earned 68 points and a 10th place finish at the 1996 contest. 1997: Bettina Soriat – “One Step” Bettina Soriat, an Austrian singer and stage performer, stepped into the spotlight in 1997 with “One Step.” Having been a backing vocalist for Austria’s 1996 entry, Soriat brought an upbeat dance-pop routine to Eurovision 1997. Marc Berry (stage name of Marcus Dlugaiczyk) wrote the song’s lyrics and co-composed the music with Ina Siber, crafting a catchy tune with playful choreography. Despite the energetic performance and its fun pop appeal, “One Step” received just 12 points, placing 21st out of 25 entries in the Dublin final. 1999: Bobbie Singer – “Reflection” Bobbie Singer (born Tina Schosser), an 18-year-old Austrian pop singer, returned for Eurovision 1999 after Austria’s one-year absence. She performed “Reflection,” a contemporary English-language pop song that projected a youthful, radio-friendly vibe. Dave Moskin wrote and composed “Reflection”, providing a modern pop sound accompanied by a live band on stage. Bobbie’s engaging performance in Jerusalem gave Austria a fresh image in the contest. The entry scored 65 points, achieving a 10th place finish out of 23 countries – Austria’s best Eurovision result of the 1990s.        

Read More »
History
Martijn

Austria in the Eurovision Song Contest, part 6

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the sixth episode, we look back at the nineties. With Tony Wegas’ double, and a total of three top-10 scores, the hard times began for Austria in the Eurovision Song Contest. 1992: Tony Wegas – “Zusammen geh’n” Tony Wegas, an Austrian singer and television actor, represented Austria at Eurovision 1992 with the power ballad “Zusammen geh’n”. Dieter Bohlen composed the music and Joachim Horn-Bernges wrote the lyrics, giving the song a classic pop-ballad style. Wegas delivered an emotive performance of this German-language track on the Malmö stage. “Zusammen geh’n” earned 63 points, securing a 10th place finish for Austria at the 1992 contest. 1993: Tony Wegas – “Maria Magdalena” Tony Wegas returned in 1993 to represent Austria with “Maria Magdalena,” a dramatic pop song with biblical references. He was selected internally, and presented 7 songs. Wegas, known for his singing career and TV acting, gave an engaging performance of this German-language track about Mary Magdalene. Christian Kolonovits and Johann Bertl composed the music, while Thomas Spitzer penned the lyrics, infusing the song with theatrical flair. Despite its uptempo style compared to the previous year, “Maria Magdalena” scored 32 points and placed 14th out of 25 entries at Eurovision 1993. 1994: Petra Frey – “FĂĽr den Frieden der Welt” Eight artists and songs competed in the national final. Simone participated but did not win. Petra Frey, only 16 years old at the time, represented Austria at Eurovision 1994 in Dublin with the ballad “FĂĽr den Frieden der Welt” (translated as “For the Peace of the World”). Alfons Weindorf composed the music, and brothers Karl & Johann Brunner wrote the lyrics, creating a heartfelt pop ballad calling for world peace. The song showcased Frey’s strong vocals, honed from her early schlager music career, and delivered a sincere message on stage. Austria’s 1994 entry earned 19 points, finishing in 17th place among 25 countries. 1995: Stella Jones – “Die Welt dreht sich verkehrt” Stella Jones, an Austrian singer with jazz and soul roots, took the stage in 1995 with “Die Welt dreht sich verkehrt” (meaning “The World Turns Upside Down”). Jones delivered a funky, blues-infused pop performance that reflected her versatile musical background. Michael W. Krausz both wrote the lyrics and composed the music for this entry, a song which stood out amid a contest often dominated by ballads. The Austrian entry scored 67 points, achieving a 13th place finish in the 1995 Eurovision final. 1996: George Nussbaumer – “Weil’s dr guat got” George Nussbaumer, a blind Austrian blues musician, brought a unique gospel-blues flair to Eurovision 1996 with “Weil’s dr guat got”. Sung in his native Vorarlberg dialect (the title roughly means “Because You’re Doing Well”), the song blended upbeat soul and pop elements. Nussbaumer co-wrote the entry himself. He composed the music and co-authored the lyrics with Michael W. Krausz and infused it with authentic blues style. His uplifting performance in Oslo resonated with the juries, as Austria earned 68 points and a 10th place finish at the 1996 contest. 1997: Bettina Soriat – “One Step” Bettina Soriat, an Austrian singer and stage performer, stepped into the spotlight in 1997 with “One Step.” Having been a backing vocalist for Austria’s 1996 entry, Soriat brought an upbeat dance-pop routine to Eurovision 1997. Marc Berry (stage name of Marcus Dlugaiczyk) wrote the song’s lyrics and co-composed the music with Ina Siber, crafting a catchy tune with playful choreography. Despite the energetic performance and its fun pop appeal, “One Step” received just 12 points, placing 21st out of 25 entries in the Dublin final. 1999: Bobbie Singer – “Reflection” Bobbie Singer (born Tina Schosser), an 18-year-old Austrian pop singer, returned for Eurovision 1999 after Austria’s one-year absence. She performed “Reflection,” a contemporary English-language pop song that projected a youthful, radio-friendly vibe. Dave Moskin wrote and composed “Reflection”, providing a modern pop sound accompanied by a live band on stage. Bobbie’s engaging performance in Jerusalem gave Austria a fresh image in the contest. The entry scored 65 points, achieving a 10th place finish out of 23 countries – Austria’s best Eurovision result of the 1990s.        

Read More »
Follow Us: