Blast from the past: Yugoslavia 1991

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1991, when Baby Doll represented Yugoslavia with her song “Brazil”.

Yugoslavia in the Eurovision Song Contest

Yugoslavia debuted in the Eurovision Song Contest in 1961. Already in their 2nd year, Yugoslavia reached a high score (4th) with Lola Novaković and her “Ne pali svetlo u sumrak”. Unfortunately, it was hard for the country to break that record. In 1983, the country reached the 4th place again with Danijel Popović and his “Džuli”. The English version of that song “Julie” became a worldwide hit. But Yugoslavia had to await their first and only victory until 1989. Riva won the contest with “Rock me”. Only three more Yugoslav entries followed, but the country fell apart. In 1992 they had their very last entry.

Riva

Jugovizija 1991

The Yugoslav national final was called Jugovizija. Eight regional television stations all had their contributions and their jury. In 1991, the contest was held on 9 March in Sarajevo. 16 songs participated:

  1. Tedi Spalato sang “Gospode moj”, 29 pts, 5th (HTV, Zagreb)
  2. Zorana Pavić sang “Ritam ljubavi“, 26 pts, 6th (TVBg, Belgrade)
  3. Milica Milisavljević-Dugalić sang “Sta će nebo reći“, 20 pts, 10th (TVPr, Pristina)
  4. Baby Doll sang “Brazil“, 68 pts, 1st (TVBg, Belgrade)
  5. Miran Rudan sang “Ne reci goodbye“, 5 pts, 15th (TVSl, Ljubljana)
  6. Jelena Džoja sang “Čuvaj se ljubavi“, 9 pts, 13th (TVSa, Sarajevo)
  7. Margarita Hristova sang “Daj mi krilja“, 3 pts, 16th (TVSk, Skopje)
  8. Vesna Ivić sang “Ime“, 11 pts, 11th (TVNS, Novi Sad)
  9. Ivana Banfić sang “Daj, povedi me“, 57 pts, 3rd (HTV, Zagreb)
  10. Helena Blagne sang “Navaden majski dan“, 25 pts, 7th (TVSl, Ljubljana)
  11. Šeri sang “Da li već spavaš“, 6 pts, 14th (TVBg, Belgrade)
  12. Ponoćni express sang “Pjesma o tebi“, 22 pts, 8th (TVCg, Titograd)
  13. Tony Cetinski sang “Marina“, 22 pts, 8th (TVNS, Novi Sad)
  14. Danijel Popović sang “Ma daj obuci levisice“, 66 pts, 2nd (HTV, Zagreb)
  15. Anastasija Nizamova-Muhić sang “Molitva“, 11 pts, 11th (TVSk, Skopje)
  16. Zerina Cokoja, “Bez tebe“, 52 pts, 4th, 52 pts, 4th (TVSa, Sarajevo)

Danijel was the hot favourite to win the competition. However, Yugoslavia was about to fall apart. In June 1991, Croatia and Slovenia declared their independence. Four months before that, the political tension was very high. The result was that the jury of TVSl, TVSa and TVSk did not vote for any of the Serbian songs. TVBg and TVPr did not vote for Danijel, the latter did not vote for the other Croatian entry either. However, both juries gave “Brazil” their maximum number of points. That is what brought Baby Doll her victory.


Danijel Popović

Baby Doll

Bebi Dol or Baby Doll, born Dragana Šarić on October 2, 1962, in Belgrade, is a prominent Serbian and former Yugoslav pop-rock singer. Raised by her jazz musician father, Milisav Šarić, she began her career in the late 1970s with the band Tarkus before co-founding Anoda Ruž with Goran Vejvoda in 1981. Following the band’s short run, she embarked on a solo career and gained fame with the 1981 single Mustafa, which won Song of the Year. In 1983, her debut album Ruže i krv earned her acclaim and established her popularity across Yugoslavia.

Bebi Dol’s style evolved with each release, from the oriental-inspired Inš-Alah in 1986 to the dance-influenced tracks on her 1995 album Ritam srca. Her 1991 Eurovision entry, Brazil, remains iconic despite placing low, a result often attributed to Yugoslavia’s political turmoil. Her 2002 album Ljuta sam received mixed reviews, but she continued performing, venturing into cover albums like Čovek rado izvan sebe živi in 2006.

In 2009, she participated as a finalist in the reality show Farma, appearing again in 2013 and 2015. Eight years later, she competed in the fourth season of Tvoje lice zvuči poznato, though she did not make it to the finals. In 2018, she entered the reality show Zadruga, but was quickly eliminated. In 2020, she appeared as a special guest in the series Tajkun.

Brazil

“Brazil” was written by Dragana Šarić herself, with music composed by Saša Habić and Zoran Vračević, the song blends Latin-inspired rhythms with Balkan pop, creating a vibrant, energetic piece. Known for its catchy melody and exotic flair, Brazil highlighted Bebi Dol’s theatrical style and ambitious staging, featuring elaborate costumes and dynamic choreography.

Despite its popularity at home, the song faced challenges on the European stage, likely influenced by the tense political climate in Yugoslavia at the time. Ultimately, Brazil scored only one point at the contest, finishing in last place. However, the song later gained recognition as a unique Eurovision entry, maintaining a dedicated following among fans for its creativity and Bebi Dol’s distinct performance.

 

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Martijn

Weekly update

It’s time for another weekly Eurovision update, with a mix of sad news and significant developments. Europe’s Eurovision community bids farewell to a former contestant, while broadcasters across the continent share important updates. Here are this week’s top stories: 🇩🇪 Obituary: Inge Brück (1936–2025) Germany’s Eurovision singer Inge Brück passed away on 8 September 2025, aged 88. Born in Mannheim in 1936, she began her career in the 1950s with the Erwin Lehn orchestra. Her breakthrough came in 1957 with the hit “Peter, komm heut’ abend zum Hafen,” which reached the German charts. Brück built a reputation as a versatile performer. She toured with big bands, worked in musical theatre, and appeared on many German television shows. In 1966 she achieved international recognition by winning the Rio de Janeiro Song Festival with “Frag den Wind.” The following year she represented Germany at the Eurovision Song Contest in Vienna. Her ballad “Anouschka,” composed by Hans Blum, finished eighth. Though she did not win, her performance was praised for its elegance and sincerity. The song remains one of the memorable entries of the 1960s. After Eurovision, Brück balanced acting and singing. In 1970 she starred in the ZDF series “Miss Molly Mill,” about a housemaid-turned-detective. The series drew up to 22 million viewers per episode and made Brück a household name. She also sang the show’s theme song, later released as a single. In the mid-1970s she shifted to spiritual and religious music. Together with Katja Ebstein and Peter Horton, she founded Künstler für Christus (Artists for Christ). The group toured churches and festivals, releasing a double album of Christian music. This work reflected Brück’s strong personal faith and her search for deeper meaning in her art. Brück was married to television director Michael Pfleghar, and later to Klaus Überall. In her later years she lived quietly in Meschede. She leaves behind a legacy as one of Germany’s notable entertainers of her time, remembered for her Schlager hits, television success, and of course her Eurovision appearance. The Eurovision community mourns her passing and celebrates her contribution to music and culture. 🇨🇭 Céline Dion’s Missed Comeback French media revealed that Céline Dion was due to make a surprise appearance at Eurovision 2025 in Basel. She had planned to sing “Ne partez pas sans moi,” her winning song from 1988. Dion flew to Switzerland, and hints of her involvement appeared during rehearsals. However, the singer, who suffers from stiff person syndrome, suffered a health crisis at the venue and had to cancel at the last moment. She returned to Las Vegas for treatment. Producers replaced her planned performance with a tribute by other artists. Dion later appeared at a Coldplay concert in Las Vegas, showing better spirits. Still, her illness continues to affect her career. Concerts remain postponed, and her next steps are uncertain. Fans and the Eurovision community continue to send her support. Eric Sallard, Wikimedia Commons 🇪🇸 Spain Questions Israel’s Participation Spain’s Culture Minister Ernest Urtasun said the country might withdraw from Eurovision 2026 if Israel is allowed to compete. Speaking on RTVE television, he argued that Spain “cannot normalise Israel’s participation as if nothing is happening.” Urtasun noted that RTVE has already raised concerns with the European Broadcasting Union. While the final decision lies with RTVE, the minister’s comments put political pressure on the broadcaster. Spain is still planning Benidorm Fest 2026, but a withdrawal remains possible. The EBU will discuss Israel’s status at its December assembly. Spain’s stance, following Slovenia’s earlier warning, highlights the political tension surrounding next year’s contest. Other News in Brief 🇲🇪 Montenegro – RTCG has opened submissions for MonteSong 2025, running until 3 October. Executive producer Vladana Vučinić stressed the festival is a platform for young artists, not a waste of money. 🇮🇹 Italy – RAI and the City of Sanremo confirmed the Sanremo Festival 2026 will stay in Sanremo. The event will run 24–28 February at the Teatro Ariston, with Carlo Conti returning as host. 🇨🇿 Czechia – Česká televize confirmed participation in Eurovision 2026. Entries can be submitted until 19 October, with the act to be chosen internally. 🇸🇲 San Marino – SMRTV confirmed participation and will continue its San Marino Song Contest format until at least 2028, backed by the Tourism Ministry. 🇸🇮 Slovenia – RTVSLO said it may withdraw from Eurovision 2026 if Israel participates. Director Ksenija Horvat stated, “we realistically think we won’t be able to go” under current conditions. Share

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