Blast from the past: Norway 1972

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1972, when Grethe Kausland and Benny Borg represented Norway with their song “Småting”.

Norway in the Eurovision Song Contest

Norway debuted in Eurovision in 1960 and has claimed victory three times: Bobbysocks with “La det swinge” in 1985, Secret Garden’s “Nocturne” in 1995, and Alexander Rybak’s “Fairytale” in 2009—a record‑breaking win with 387 points. Despite these highs, Norway also holds the record for most last‑place finishes (12 times, including four “nul points”). In Eurovision 2025, Norway was represented by 19‑year‑old Kyle Alessandro with the song “Lighter”, selected via Melodi Grand Prix 2025. He qualified from semi‑final 1 in 8th place and finished 18th in the final with 89 points.

Norsk Melodi Grand Prix 1972

Melodi Grand Prix is always the national selection for the Eurovision Song Contest. In 1972, 5 songs competed. They were sung by one artist with a grand orchestra, another version with a small combo. Those were the songs:

  1. Happy Hippie, sung by Anita Hegerland (combo) and Gro Anita Schønn (orchestra), 38 pts, 3rd
  2. Lillebror, sung by Inger Lise Rypdal (combo) and Kirsti Sparboe (orchestra), 40 pts, 2nd
  3. Småting, sung by Hanne Krogh (combo) and Grethe Kausland & Benny Borg (orchestra), 43 pts, 1st
  4. Håp, sung by Ellen Nikolaysen (combo) and Anne-Karine Strøm (orchestra), 33 pts, 1st
  5. Et hus på landet, sung by Eli Tanja (combo) and Jan Erik Berntsen (orchestra), 30 pts, 5th

7 jury pairs from 7 regions chose the winner. One of the jurors was older than 25 years, the other one younger.

Grethe Kausland and Benny Borg

Grethe Kausland (born Grethe Nilsen on 3 July 1947 in Horten, Norway) was a beloved Norwegian singer, performer, and actress. Rising to fame as a child star, she made her first record at age 8—“Teddyen min”—which sold over 100,000 copies. By 12, she had recorded numerous singles and appeared in multiple Norwegian films.

Benny Borg (born Artie Benny Borg on 13 November 1945 in Gothenburg, Sweden) established his musical roots in pop bands during the 1960s. He moved to Norway in the late 1960s and became known for his versatility as a singer, composer, and entertainer.

In 1972, Kausland and Borg joined forces to represent Norway in the Eurovision Song Contest in Edinburgh, performing the Norwegian-language duet “Småting,” penned by Kåre Grøttum and Ivar Børsum. They were selected via Melodi Grand Prix 1972 and ultimately placed 14th with 73 points.

After Eurovision, Kausland joined the famed revue group Dizzie Tunes in 1973, performing with them until around 2001. She earned the prestigious Spellemannprisen in 1978 for her album A Taste of Grethe Kausland, and the Leonardstatuetten in 1991 for her contributions to Norwegian revue. Her television roles included the sitcom Karl & Co and children’s series like Jul i Blåfjell.

Borg also collaborated with Dizzie Tunes, becoming celebrated for his stage impersonations of Elvis Presley and Johnny Cash. He earned a Spellemannprisen in 1973 and later the Herman Wildenvey Poetry Award in 2004 for his musical settings of Norwegian poetry.

Grethe Kausland passed away in November 2007 from lung cancer at age 60, while Benny Borg continues to perform and create music, maintaining his legacy in Norwegian entertainment.

Småting

“Småting” was written by Ivar Børsum, with music composed by Kåre Grøttum. The song is a gentle duet, performed by Grethe Kausland and Benny Borg, focusing on life’s small, everyday joys. With its soft melody and warm harmonies, “Småting” offered a calm contrast to more dramatic entries in the 1972 Eurovision Song Contest.

The performance was simple and intimate, reflecting the song’s message of appreciating little things in life. Although it did not score highly—placing 14th with 73 points—it remains a fondly remembered entry in Norway’s Eurovision history, valued for its sincerity, charm, and the chemistry between the two performers.

 

 

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It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. 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Foreign Minister Jean-Noël Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland Weißmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RÚV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

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Eurovision 2026
Martijn

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It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-Noël Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland Weißmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RÚV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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