Blast from the past: Bosnia and Herzegovina 2006

We know a lot about Eurovision; this is knowledge we want to share with you. Therefore we’d like to bring you a blast from the past. Back to 2006, the Bosnian entry, Hari Mata Hari with “Lejla”.

Bosnia and Herzegovina in the Eurovision Song Contest

The Bosnian participation in the Eurovision Song Contest has not been a success story so far. With a 7th place for Dino and Beatrice in 1999 and a 9th place for Deen in 2004, Bosnia and Herzegovina was not quite the country to be afraid of. Something had to change.

Internal selection

On February the 9th, 2006, RTBiH (Radio Televizija Bosná i Herzegovina) announced that Hari Varešanović was going to represent the country in the 2006 Eurovision Song Contest in Athens. Hari was the singer of the famous Bosnian group Hari Mata Hari. The group was going to join Hari on stage in Athens. On the 5th of March, during a live television show, the song “Lejla” was presented to the audience.

Hari Mata Hari

Hari Varešanović grew up in Vratnik, one of Sarajevo’s oldest towns. He recorded his first song “Zašto da ne uzmem nju”. In 1979, Hari joined the group Zov. Furthermore, Varešanović sang with the group “Ambasadori“, with whom he became a professional singer. After serving his military service he recorded a solo album called “Zlatne kocije”. That was in 1984.  In September 1985, Hari Varešanović, won a song contest and founded the music group “Hari Mata Hari”. That same year, they released their first album. In 1986, Pierre Zalica – “Badzo” and Zoran Kesic left the group. They were replaced by pianist Adi Mulihalilović and bass guitarist Neno Jeleč, who would eventually be replaced by Željko Zuber. Their 1986 album, “Ne bi te odbranila ni cijela Jugoslavija”, won the award for best album of the year. They took part in Jugovizija, the national selection for the Eurovision Song Contest, in 1986. They became 5th with “U tvojoj kosi” and in 1987 they gained the 14th place With the song “Nebeska kraljica“.

In 1988, Hari started filming for the production company Jugoton in Zagreb. The album “Ja te volim najviše na svijetu” has sold over 300,000 copies. The next album “Volio bih da te ne volim” sold over 500,000 copies.

The break-up of Yugoslavia and the wars that followed left a mark on the group’s career. In 1991, Edo Mulahalilović left the group to start his own career. At the end of 1991, the group released another album. After that album, most of the activities stopped, due to the war in Bosnia and Herzegovina. In late 1994, the group released their next album, while they were refugees in Germany. This album was made by Harry and Izo only. It was only in 1997 or 1998 when the group reunited. The group consisted of (except Harry and Izo) Karlo Martinović, Miki Bodlović, Adi Mulihalilović and Emir Mehić. They returned to the music scene with an album of greatest hits, released in 1998.

In 1999, Hari Varešanović was selected to represent Bosnia and Herzegovina at the Eurovision Song Contest. However, he was disqualified due to problems with the song’s status. Hari sold the song “Starac i more” to Finland in 1997. Finnish singer Janne Hurme recorded the song in Finnish, called “Sydänveri“. Together with Hank Paldum, Hari recorded the duet “Crni snijeg” in 2001. In the same year, the album “Baš ti lijepo stoje suze” was released with a couple of hit songs. In 2002, the song “Ruzmarin” became an instant hit. Hari Mata Hari was one of the 6 finalists at the Croatian Radio Festival. Also, in 2002, Hari Mata Hari won the Davorin Award for Song of the Year with “Kao domine”. In 2003, Hari Mata Hari took part in the Croatian Radio Festival twice again. At the Festival of Split, the group competed with the song “Zakon jačega”. Later that year, the band released their next album, entitled “Zakon jacega”. In 2006, Hari Mata Hari was asked again to represent Bosnia and Herzegovina in the Eurovision Song Contest.

In 2007, the group released the single “Zar je to još od nas ostalo”. In 2009, the band released the album “Sreća”. Nihat Voloder left the group and was replaced by Željko Zuber.

Lejla

The song “Lejla” was a love song. It was a typical Balkan ballad. No miracle, as it was composed by Željko Joksimović, who also was successfull as a singer for Serbia and Montenegro in 2004. The lyrics were written by Fahrudin Pecikoza and Dejan Ivanović. Pecikoza also wrote the 1993 Bosnian entry “Sva bol svijeta” ánd the disqualified entry “Starac i more” for Hari Mata Hari. The lyrics of the song can be found here.

Results

Although Finland was the clear favorite to win the contest, it was also clear that Bosnia and Herzegovina was going to do well. And the country díd! The first twelve points coming in were for Bosnia and Herzegovina. No less than nine (!!) countries gave it their ‘douze points’. With a total of 267 points, Bosnia and Herzegovina had its best score ever: a 3rd place. So far, this is still the best score.

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Blast from the past

🇬🇧 Blast from the past: UK 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967, when Sandie Shaw brought the first victory to the United Kingdom with “Puppet On A String”. United Kingdom in the Eurovision Song Contest Few countries have a Eurovision pedigree like the United Kingdom. Since debuting in 1957, the UK has won five times: Sandie Shaw (1967), Lulu (1969), Brotherhood of Man (1976), Bucks Fizz (1981) and Katrina & The Waves (1997). The country hosted on nine occasions, most recently Liverpool 2023. t also holds the record for most runner‑up finishes, with 16 second places; the last came in 2022 when Sam Ryder’s “SPACE MAN” topped the jury vote. Recent form has been mixed: in 2023, host act Mae Muller finished 25th with 24 points; in 2024, Olly Alexander placed 18th with 46 points; and in 2025, Remember Monday ended 19th on 88 points.  Such swings epitomise the UK’s roller‑coaster history: long stretches of podiums and wins, punctuated by lean years, yet always central to Eurovision’s story and spectacle.  Sam Ryder, EBU A Song For Europe 1967 The UK national final in those days was called A Song For Europe. One artist sang 5 or 6 songs. Sandie Shaw was chosen to do the job in 1967. The contest was held on February 25. The results were announced one week later.The 5 titles were: Tell The Boys, 2nd place I’ll Cry Myself To Sleep, 3rd place Had A Dream Last Night, 4th place Puppet On A String, 1st place Ask Any Woman, 5th place   “Had A Dream Last Night” was written by another very popular pop star from those days: Chris Andrews. He is known for a lot of hits in the late sixties, “Yesterday Man” and “Pretty Belinda” being the biggest. You can watch a recap of all songs here in good quality. Sandie Shaw Sandie Shaw (born Sandra Ann Goodrich on 26 February 1947 in Dagenham) ranks among Britain’s defining 1960s pop voices. As a teenager, talent scouts noticed her; Pye Records signed her, and in 1964 she hit No. 1 with the Burt Bacharach–Hal David song “(There’s) Always Something There to Remind Me.” She followed it with a run of singles—“Girl Don’t Come,” “Long Live Love,” and “Message Understood”—that cemented her chart presence. Performing barefoot, she turned a quirk into a signature and a style statement. In 1967, Shaw won the Eurovision Song Contest for the United Kingdom in Vienna with “Puppet on a String,” securing the country’s first victory, and the single topped charts across Europe. In the early 1970s, Shaw stepped away from pop to pursue stage roles and business ventures. She later challenged her recording contracts. In the 1980s she returned to the charts through collaborations with indie admirers, notably The Smiths. Her 1988 album “Hello Angel” showcased a mature voice. Through the 1990s and 2000s she recorded selectively. She curated reissues of her catalogue. Sandie trained as a psychotherapist, mentoring artists and advocating for performers’ rights. She published memoirs and kept performing. In 2017 the UK honoured her with an MBE for services to music. It’s an honour that recognized a career bridging eras while remaining unmistakably hers. I’m going to the toilet Boudewijn Büch (1948–2002) was a Dutch author, poet, bibliophile, and television presenter. He became famous for literary travel programs on VARA, a Dutch public broadcaster. In 1988, Büch invited Sandie Shaw onto his VARA show. He kept the conversation light, comparing music “then and now.” Sandie’s ground rules forbade any talk of the Eurovision Song Contest. When Büch raised the topic anyway, Shaw stood up, said “I’m going to the toilet,” and walked out, almost yanking her microphone cable free. Büch closed the episode in the restroom, singing “Puppet on a String,” and he concluded that the song had gone down the toilet. Puppet On A String “Puppet On A String” is Sandie Shaw’s bright, bouncy slice of 1960s Europop. Lyricist Bill Martin and composer Phil Coulter wrote the song. At Eurovision 1967 in Vienna, Shaw performed barefoot, locking onto the camera with crisp phrasing and a smile. The arrangement rides an oom‑pah, fairground swing with brisk brass and a skippy rhythm. The hook lodges instantly, and the melody aims squarely at continental tastes. The United Kingdom stormed to victory with 47 points. That is more than double the runner‑up. This way the UK its first Eurovision win. The single topped the UK charts, and Shaw recorded versions in multiple languages, cementing its cross‑European appeal. Lyrically, the song toys with the image of a lover manipulated like a marionette, “a puppet on a string”, while the upbeat pop setting turns the drama into perfect television. “Puppet On A String” stands as a defining Eurovision winner and an enduring cornerstone of Sandie Shaw’s catalogue today.      

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Blast from the past
Martijn

🇬🇧 Blast from the past: UK 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967, when Sandie Shaw brought the first victory to the United Kingdom with “Puppet On A String”. United Kingdom in the Eurovision Song Contest Few countries have a Eurovision pedigree like the United Kingdom. Since debuting in 1957, the UK has won five times: Sandie Shaw (1967), Lulu (1969), Brotherhood of Man (1976), Bucks Fizz (1981) and Katrina & The Waves (1997). The country hosted on nine occasions, most recently Liverpool 2023. t also holds the record for most runner‑up finishes, with 16 second places; the last came in 2022 when Sam Ryder’s “SPACE MAN” topped the jury vote. Recent form has been mixed: in 2023, host act Mae Muller finished 25th with 24 points; in 2024, Olly Alexander placed 18th with 46 points; and in 2025, Remember Monday ended 19th on 88 points.  Such swings epitomise the UK’s roller‑coaster history: long stretches of podiums and wins, punctuated by lean years, yet always central to Eurovision’s story and spectacle.  Sam Ryder, EBU A Song For Europe 1967 The UK national final in those days was called A Song For Europe. One artist sang 5 or 6 songs. Sandie Shaw was chosen to do the job in 1967. The contest was held on February 25. The results were announced one week later.The 5 titles were: Tell The Boys, 2nd place I’ll Cry Myself To Sleep, 3rd place Had A Dream Last Night, 4th place Puppet On A String, 1st place Ask Any Woman, 5th place   “Had A Dream Last Night” was written by another very popular pop star from those days: Chris Andrews. He is known for a lot of hits in the late sixties, “Yesterday Man” and “Pretty Belinda” being the biggest. You can watch a recap of all songs here in good quality. Sandie Shaw Sandie Shaw (born Sandra Ann Goodrich on 26 February 1947 in Dagenham) ranks among Britain’s defining 1960s pop voices. As a teenager, talent scouts noticed her; Pye Records signed her, and in 1964 she hit No. 1 with the Burt Bacharach–Hal David song “(There’s) Always Something There to Remind Me.” She followed it with a run of singles—“Girl Don’t Come,” “Long Live Love,” and “Message Understood”—that cemented her chart presence. Performing barefoot, she turned a quirk into a signature and a style statement. In 1967, Shaw won the Eurovision Song Contest for the United Kingdom in Vienna with “Puppet on a String,” securing the country’s first victory, and the single topped charts across Europe. In the early 1970s, Shaw stepped away from pop to pursue stage roles and business ventures. She later challenged her recording contracts. In the 1980s she returned to the charts through collaborations with indie admirers, notably The Smiths. Her 1988 album “Hello Angel” showcased a mature voice. Through the 1990s and 2000s she recorded selectively. She curated reissues of her catalogue. Sandie trained as a psychotherapist, mentoring artists and advocating for performers’ rights. She published memoirs and kept performing. In 2017 the UK honoured her with an MBE for services to music. It’s an honour that recognized a career bridging eras while remaining unmistakably hers. I’m going to the toilet Boudewijn Büch (1948–2002) was a Dutch author, poet, bibliophile, and television presenter. He became famous for literary travel programs on VARA, a Dutch public broadcaster. In 1988, Büch invited Sandie Shaw onto his VARA show. He kept the conversation light, comparing music “then and now.” Sandie’s ground rules forbade any talk of the Eurovision Song Contest. When Büch raised the topic anyway, Shaw stood up, said “I’m going to the toilet,” and walked out, almost yanking her microphone cable free. Büch closed the episode in the restroom, singing “Puppet on a String,” and he concluded that the song had gone down the toilet. Puppet On A String “Puppet On A String” is Sandie Shaw’s bright, bouncy slice of 1960s Europop. Lyricist Bill Martin and composer Phil Coulter wrote the song. At Eurovision 1967 in Vienna, Shaw performed barefoot, locking onto the camera with crisp phrasing and a smile. The arrangement rides an oom‑pah, fairground swing with brisk brass and a skippy rhythm. The hook lodges instantly, and the melody aims squarely at continental tastes. The United Kingdom stormed to victory with 47 points. That is more than double the runner‑up. This way the UK its first Eurovision win. The single topped the UK charts, and Shaw recorded versions in multiple languages, cementing its cross‑European appeal. Lyrically, the song toys with the image of a lover manipulated like a marionette, “a puppet on a string”, while the upbeat pop setting turns the drama into perfect television. “Puppet On A String” stands as a defining Eurovision winner and an enduring cornerstone of Sandie Shaw’s catalogue today.      

Read More »
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