🇮🇪 Blast from the Past: Ireland 1979

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Cathal Dunne, who represented Ireland in 1979 with the song “Happy man”.

Ireland in the Eurovision Song Contest

Ireland’s journey in the Eurovision Song Contest reads like a tale of two eras. Once the undeniable monarchs of Eurovision, their story is a mix of triumph and challenge, a saga of unparalleled success followed by a period of struggle.

In the golden age of Irish Eurovision history, the nation didn’t just participate; they dominated. Their legacy began with Dana’s “All Kinds of Everything” in 1970. The 1980s saw Johnny Logan emerge as a Eurovision icon. His “What’s Another Year” in 1980 and “Hold Me Now” in 1987 didn’t just win; they brought him the title Mr. Eurovision. Linda Martin, with “Why Me?” in 1992, written by none other than Logan, added another chapter to this story.

The 1990s continued to smile on Ireland, with Niamh Kavanagh’s “In Your Eyes” in 1993 and the duo of Paul Harrington & Charlie McGettigan with “Rock ‘n’ Roll Kids” in 1994. Eimear Quinn’s “The Voice” in 1996 was perhaps the zenith of this era. In recent years, Ireland struggles and hardly reaches the final.

Johnny Logan, 1987

The Irish National Song Contest 1979

On the 4th of February, the Irish National Song Contest was held. Eight songs were performed, and regional juries chose the winner. Some familiar names could be found on the shortlist:

  1. Tweed, “No restrictions“, 4 pts, 5th
  2. Johnny Logan, “Angie”, 15 pts, 3rd
  3. Anderson, “Goodbye”, 3 pts, 6th
  4. The Memories, “The main attraction“, 13 pts, 4th
  5. Red Hurley and Tina, “Hiding behind our smile”, 0 pts, 8th
  6. Cathal Dunne, “Happy man“, 36 pts, 1st
  7. Catriona Walsh, “Superstar”, 3 pts, 6th
  8. The Miami Show Band, “Too much is going on”, 26 pts, 2nd

Both Red Hurley and Tina represented Ireland before, but faced a zero this time. Totally unknown, but soon to become one of the biggest Eurovision stars ever, Johnny Logan, made his debut in this national final.

Cathal Dunne

Cathal Dunne, born in 1951 in Cork, Ireland, is a renowned Irish singer, widely recognized for his participation in the 1979 Eurovision Song Contest. He represented Ireland with the song “Happy Man,” which became quite popular, reaching No. 3 in the Irish charts. Dunne’s musical journey began early, influenced by his uncle, Jack Lynch, the former Taoiseach (prime minister) of Ireland.

After graduating from University College Cork and Montfort College of Performing Arts in 1974, Dunne quickly made his mark in the music industry. He won the Castlebar Song Contest that same year with “Shalom” and participated in the Yamaha Music Festival in 1976 with “Lover, Not a Wife.” His single “Bad Boy” and top ten hit “Danny” further established his presence in the Irish music scene. He was also known for his performances with his backing bands, Stateside and later The Formula, in Irish clubs.

In 1981, Dunne’s song “We’ll be there” was featured in Fianna Fáil’s general election campaign. His Eurovision entry “Happy Man” won him the Irish National Song Contest, beating notable competitors like Tina Reynolds, Red Hurley, and future winner Johnny Logan. He finished fifth in the Eurovision final in Jerusalem.

Dunne’s move to the United States in the early 1980s marked a new chapter in his career. Settling there permanently after initial concerts in Michigan in 1982, he embraced the role of a traditional Irish balladeer, releasing several albums and diversifying his performances with comedy and show tunes. His continued dedication to music has kept him connected to his Irish roots while entertaining audiences in his adopted home.

Happy Man

As said, “Happy Man” was Ireland’s entry in the Eurovision Song Contest held in Jerusalem that year. 
This ballad with its optimistic lyrics stood out as a cheerful and engaging composition. Dunne, not just the performer but also the songwriter, showcased his multifaceted talent through this entry.

The song’s essence, encapsulated in its title, reflects a positive and content outlook on life. Its light-hearted and jubilant nature resonated with audiences, leading to a respectable fifth-place finish in the contest. This achievement was significant, considering the competitive nature of Eurovision and the diverse array of musical styles it encompasses.

“Happy Man” enjoyed commercial success following the contest, particularly in Ireland where it reached number three on the charts. The song remains a memorable part of Cathal Dunne’s musical career.

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Eurovision 2026

Weekly Update

It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-NoĂ«l Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland WeiĂźmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RĂšV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-NoĂ«l Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland WeiĂźmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RĂšV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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