🇮🇪 Blast from the Past: Ireland 1979

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Cathal Dunne, who represented Ireland in 1979 with the song “Happy man”.

Ireland in the Eurovision Song Contest

Ireland’s journey in the Eurovision Song Contest reads like a tale of two eras. Once the undeniable monarchs of Eurovision, their story is a mix of triumph and challenge, a saga of unparalleled success followed by a period of struggle.

In the golden age of Irish Eurovision history, the nation didn’t just participate; they dominated. Their legacy began with Dana’s “All Kinds of Everything” in 1970. The 1980s saw Johnny Logan emerge as a Eurovision icon. His “What’s Another Year” in 1980 and “Hold Me Now” in 1987 didn’t just win; they brought him the title Mr. Eurovision. Linda Martin, with “Why Me?” in 1992, written by none other than Logan, added another chapter to this story.

The 1990s continued to smile on Ireland, with Niamh Kavanagh’s “In Your Eyes” in 1993 and the duo of Paul Harrington & Charlie McGettigan with “Rock ‘n’ Roll Kids” in 1994. Eimear Quinn’s “The Voice” in 1996 was perhaps the zenith of this era. In recent years, Ireland struggles and hardly reaches the final.

Johnny Logan, 1987

The Irish National Song Contest 1979

On the 4th of February, the Irish National Song Contest was held. Eight songs were performed, and regional juries chose the winner. Some familiar names could be found on the shortlist:

  1. Tweed, “No restrictions“, 4 pts, 5th
  2. Johnny Logan, “Angie”, 15 pts, 3rd
  3. Anderson, “Goodbye”, 3 pts, 6th
  4. The Memories, “The main attraction“, 13 pts, 4th
  5. Red Hurley and Tina, “Hiding behind our smile”, 0 pts, 8th
  6. Cathal Dunne, “Happy man“, 36 pts, 1st
  7. Catriona Walsh, “Superstar”, 3 pts, 6th
  8. The Miami Show Band, “Too much is going on”, 26 pts, 2nd

Both Red Hurley and Tina represented Ireland before, but faced a zero this time. Totally unknown, but soon to become one of the biggest Eurovision stars ever, Johnny Logan, made his debut in this national final.

Cathal Dunne

Cathal Dunne, born in 1951 in Cork, Ireland, is a renowned Irish singer, widely recognized for his participation in the 1979 Eurovision Song Contest. He represented Ireland with the song “Happy Man,” which became quite popular, reaching No. 3 in the Irish charts. Dunne’s musical journey began early, influenced by his uncle, Jack Lynch, the former Taoiseach (prime minister) of Ireland.

After graduating from University College Cork and Montfort College of Performing Arts in 1974, Dunne quickly made his mark in the music industry. He won the Castlebar Song Contest that same year with “Shalom” and participated in the Yamaha Music Festival in 1976 with “Lover, Not a Wife.” His single “Bad Boy” and top ten hit “Danny” further established his presence in the Irish music scene. He was also known for his performances with his backing bands, Stateside and later The Formula, in Irish clubs.

In 1981, Dunne’s song “We’ll be there” was featured in Fianna Fáil’s general election campaign. His Eurovision entry “Happy Man” won him the Irish National Song Contest, beating notable competitors like Tina Reynolds, Red Hurley, and future winner Johnny Logan. He finished fifth in the Eurovision final in Jerusalem.

Dunne’s move to the United States in the early 1980s marked a new chapter in his career. Settling there permanently after initial concerts in Michigan in 1982, he embraced the role of a traditional Irish balladeer, releasing several albums and diversifying his performances with comedy and show tunes. His continued dedication to music has kept him connected to his Irish roots while entertaining audiences in his adopted home.

Happy Man

As said, “Happy Man” was Ireland’s entry in the Eurovision Song Contest held in Jerusalem that year. 
This ballad with its optimistic lyrics stood out as a cheerful and engaging composition. Dunne, not just the performer but also the songwriter, showcased his multifaceted talent through this entry.

The song’s essence, encapsulated in its title, reflects a positive and content outlook on life. Its light-hearted and jubilant nature resonated with audiences, leading to a respectable fifth-place finish in the contest. This achievement was significant, considering the competitive nature of Eurovision and the diverse array of musical styles it encompasses.

“Happy Man” enjoyed commercial success following the contest, particularly in Ireland where it reached number three on the charts. The song remains a memorable part of Cathal Dunne’s musical career.

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Weekly update

It’s time for another weekly Eurovision update, with a mix of sad news and significant developments. Europe’s Eurovision community bids farewell to a former contestant, while broadcasters across the continent share important updates. Here are this week’s top stories: 🇩🇪 Obituary: Inge Brück (1936–2025) Germany’s Eurovision singer Inge Brück passed away on 8 September 2025, aged 88. Born in Mannheim in 1936, she began her career in the 1950s with the Erwin Lehn orchestra. Her breakthrough came in 1957 with the hit “Peter, komm heut’ abend zum Hafen,” which reached the German charts. Brück built a reputation as a versatile performer. She toured with big bands, worked in musical theatre, and appeared on many German television shows. In 1966 she achieved international recognition by winning the Rio de Janeiro Song Festival with “Frag den Wind.” The following year she represented Germany at the Eurovision Song Contest in Vienna. Her ballad “Anouschka,” composed by Hans Blum, finished eighth. Though she did not win, her performance was praised for its elegance and sincerity. The song remains one of the memorable entries of the 1960s. After Eurovision, Brück balanced acting and singing. In 1970 she starred in the ZDF series “Miss Molly Mill,” about a housemaid-turned-detective. The series drew up to 22 million viewers per episode and made Brück a household name. She also sang the show’s theme song, later released as a single. In the mid-1970s she shifted to spiritual and religious music. Together with Katja Ebstein and Peter Horton, she founded Künstler für Christus (Artists for Christ). The group toured churches and festivals, releasing a double album of Christian music. This work reflected Brück’s strong personal faith and her search for deeper meaning in her art. Brück was married to television director Michael Pfleghar, and later to Klaus Überall. In her later years she lived quietly in Meschede. She leaves behind a legacy as one of Germany’s notable entertainers of her time, remembered for her Schlager hits, television success, and of course her Eurovision appearance. The Eurovision community mourns her passing and celebrates her contribution to music and culture. 🇨🇭 Céline Dion’s Missed Comeback French media revealed that Céline Dion was due to make a surprise appearance at Eurovision 2025 in Basel. She had planned to sing “Ne partez pas sans moi,” her winning song from 1988. Dion flew to Switzerland, and hints of her involvement appeared during rehearsals. However, the singer, who suffers from stiff person syndrome, suffered a health crisis at the venue and had to cancel at the last moment. She returned to Las Vegas for treatment. Producers replaced her planned performance with a tribute by other artists. Dion later appeared at a Coldplay concert in Las Vegas, showing better spirits. Still, her illness continues to affect her career. Concerts remain postponed, and her next steps are uncertain. Fans and the Eurovision community continue to send her support. Eric Sallard, Wikimedia Commons 🇪🇸 Spain Questions Israel’s Participation Spain’s Culture Minister Ernest Urtasun said the country might withdraw from Eurovision 2026 if Israel is allowed to compete. Speaking on RTVE television, he argued that Spain “cannot normalise Israel’s participation as if nothing is happening.” Urtasun noted that RTVE has already raised concerns with the European Broadcasting Union. While the final decision lies with RTVE, the minister’s comments put political pressure on the broadcaster. Spain is still planning Benidorm Fest 2026, but a withdrawal remains possible. The EBU will discuss Israel’s status at its December assembly. Spain’s stance, following Slovenia’s earlier warning, highlights the political tension surrounding next year’s contest. Other News in Brief 🇲🇪 Montenegro – RTCG has opened submissions for MonteSong 2025, running until 3 October. Executive producer Vladana Vučinić stressed the festival is a platform for young artists, not a waste of money. 🇮🇹 Italy – RAI and the City of Sanremo confirmed the Sanremo Festival 2026 will stay in Sanremo. The event will run 24–28 February at the Teatro Ariston, with Carlo Conti returning as host. 🇨🇿 Czechia – Česká televize confirmed participation in Eurovision 2026. Entries can be submitted until 19 October, with the act to be chosen internally. 🇸🇲 San Marino – SMRTV confirmed participation and will continue its San Marino Song Contest format until at least 2028, backed by the Tourism Ministry. 🇸🇮 Slovenia – RTVSLO said it may withdraw from Eurovision 2026 if Israel participates. Director Ksenija Horvat stated, “we realistically think we won’t be able to go” under current conditions. Share

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Martijn

Weekly update

It’s time for another weekly Eurovision update, with a mix of sad news and significant developments. Europe’s Eurovision community bids farewell to a former contestant, while broadcasters across the continent share important updates. Here are this week’s top stories: 🇩🇪 Obituary: Inge Brück (1936–2025) Germany’s Eurovision singer Inge Brück passed away on 8 September 2025, aged 88. Born in Mannheim in 1936, she began her career in the 1950s with the Erwin Lehn orchestra. Her breakthrough came in 1957 with the hit “Peter, komm heut’ abend zum Hafen,” which reached the German charts. Brück built a reputation as a versatile performer. She toured with big bands, worked in musical theatre, and appeared on many German television shows. In 1966 she achieved international recognition by winning the Rio de Janeiro Song Festival with “Frag den Wind.” The following year she represented Germany at the Eurovision Song Contest in Vienna. Her ballad “Anouschka,” composed by Hans Blum, finished eighth. Though she did not win, her performance was praised for its elegance and sincerity. The song remains one of the memorable entries of the 1960s. After Eurovision, Brück balanced acting and singing. In 1970 she starred in the ZDF series “Miss Molly Mill,” about a housemaid-turned-detective. The series drew up to 22 million viewers per episode and made Brück a household name. She also sang the show’s theme song, later released as a single. In the mid-1970s she shifted to spiritual and religious music. Together with Katja Ebstein and Peter Horton, she founded Künstler für Christus (Artists for Christ). The group toured churches and festivals, releasing a double album of Christian music. This work reflected Brück’s strong personal faith and her search for deeper meaning in her art. Brück was married to television director Michael Pfleghar, and later to Klaus Überall. In her later years she lived quietly in Meschede. She leaves behind a legacy as one of Germany’s notable entertainers of her time, remembered for her Schlager hits, television success, and of course her Eurovision appearance. The Eurovision community mourns her passing and celebrates her contribution to music and culture. 🇨🇭 Céline Dion’s Missed Comeback French media revealed that Céline Dion was due to make a surprise appearance at Eurovision 2025 in Basel. She had planned to sing “Ne partez pas sans moi,” her winning song from 1988. Dion flew to Switzerland, and hints of her involvement appeared during rehearsals. However, the singer, who suffers from stiff person syndrome, suffered a health crisis at the venue and had to cancel at the last moment. She returned to Las Vegas for treatment. Producers replaced her planned performance with a tribute by other artists. Dion later appeared at a Coldplay concert in Las Vegas, showing better spirits. Still, her illness continues to affect her career. Concerts remain postponed, and her next steps are uncertain. Fans and the Eurovision community continue to send her support. Eric Sallard, Wikimedia Commons 🇪🇸 Spain Questions Israel’s Participation Spain’s Culture Minister Ernest Urtasun said the country might withdraw from Eurovision 2026 if Israel is allowed to compete. Speaking on RTVE television, he argued that Spain “cannot normalise Israel’s participation as if nothing is happening.” Urtasun noted that RTVE has already raised concerns with the European Broadcasting Union. While the final decision lies with RTVE, the minister’s comments put political pressure on the broadcaster. Spain is still planning Benidorm Fest 2026, but a withdrawal remains possible. The EBU will discuss Israel’s status at its December assembly. Spain’s stance, following Slovenia’s earlier warning, highlights the political tension surrounding next year’s contest. Other News in Brief 🇲🇪 Montenegro – RTCG has opened submissions for MonteSong 2025, running until 3 October. Executive producer Vladana Vučinić stressed the festival is a platform for young artists, not a waste of money. 🇮🇹 Italy – RAI and the City of Sanremo confirmed the Sanremo Festival 2026 will stay in Sanremo. The event will run 24–28 February at the Teatro Ariston, with Carlo Conti returning as host. 🇨🇿 Czechia – Česká televize confirmed participation in Eurovision 2026. Entries can be submitted until 19 October, with the act to be chosen internally. 🇸🇲 San Marino – SMRTV confirmed participation and will continue its San Marino Song Contest format until at least 2028, backed by the Tourism Ministry. 🇸🇮 Slovenia – RTVSLO said it may withdraw from Eurovision 2026 if Israel participates. Director Ksenija Horvat stated, “we realistically think we won’t be able to go” under current conditions. Share

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