🇫🇮 Blast from the past: Finland 1989

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Anneli Saaristo, who represented Finland in 1989.

Finland in the Eurovision Song Contest

Finland’s participation in the Eurovision Song Contest has been marked by a variety of performances and results since the country’s debut in the competition in 1961. Over the years, Finland has experienced both highs and lows. Finland’s initial years in Eurovision were tough. For many years, the nation struggled to make a significant impact on the scoreboard. They even scored ‘nul points’ (zero points) in 1963, 1965, and 1982. Their best score was a 6th place for Marion Rung and her “Tom Tom Tom” in 1973.
Finland’s most iconic moment in the contest came in 2006 when the hard rock band Lordi won with the song “Hard Rock Hallelujah”. Not only did this victory mark Finland’s first and, so far, only win in the contest, but it was also historic because Lordi was a hard rock band with a monster image – quite a departure from the usual Eurovision acts.
This year, Finland reached the top again, winning the televote and reaching a second place overall. Again, the song “Cha-cha-cha” and Käärijä’s performance faced a unique sound and performance.

Photo: Corinne Cumming/EBU

Euroviisut, the national final

In those days, the national selection was called Euroviisut. Ten songs competed in the contest that was held on February 4th in the Kulttuuritalo in Helsinki. Note that Anneli Saaristo sang two songs in the competition! Two songs are not in Finnish but in Swedish. The entire show can be watched here.

  1. Oi Äiti Maa, sung by Anneli Saaristo, 74 pts, 3rd
  2. Kan Det Vara Kärlek?, Mervi Hiltunen, 72 pts, 4th
  3. Hiljaisuutta, Kirka, 62 pts, 5th
  4. Rauhaton Sydän, Meiju Suvas, 24 pts, 10th
  5. Huominen Eurooppa, Tanjalotta Räikkä, 39 pts, 8th
  6. La Dolce Vita, Anneli Saaristo, 110 pts, 1st
  7. Minä Olen Muistanut, Kim Lönholm, 52 pts, 7th
  8. Rakkauden Laulut, Sonja Lumme, 62 pts, 5th
  9. Vad Finns Kvar, Cris Owen, 103 pts, 2nd
  10. Kahden Juhla, Marjorie, 31 pts, 9th

Anneli Saaristo

In the early 1970s, Saaristo participated in pop song contests. Throughout the decade, she worked as the soloist for a dance orchestra and mainly recorded cover versions of pop songs. In the spring of 1978, Saaristo competed in the Finnish Eurovision qualifiers Euroviisut with the song “Sinun Kanssasi, Sinua Ilman,” which became her first hit. Her next recording was “Aamulla Rakkaani Näin,” which Lea Laven had performed in the same qualifiers.

Saaristo’s first album, “Aina Aika Rakkauden,” was released in 1980. Published by a small record company, the album was a commercial disappointment. In 1982, Saaristo participated in the Autumn Tune competition with the song “Tyhjät Sanat” and in the 1984 Euroviisut with “Sä Liian Paljon Vaadit,” finishing third. Both songs were hits, and her subsequent albums sold better than the first.

In the fall of 1988, Saaristo received a press award in the Autumn Tune for her song “Taivaspaikka.” In 1989, she performed in the Eurovision qualifiers with the songs “Oi Ă„iti Maa” and “La Dolce Vita,” the latter winning. At the Eurovision Song Contest in Lausanne, “La Dolce Vita” placed seventh. The “La Dolce Vita” album achieved gold status.

Some of Saaristo’s most renowned songs include “Viimeinen Känni,” “Evakon Laulu,” “Päättyneet Juhlat,” “Appelsiinipuita Aavikkoon,” and “Kypsän Naisen Blues.” In the project “Miten Enkeleitä Vietellään,” she interpreted Bertolt Brecht’s erotic poems alongside Monna Kamu and Liisa Tavi. In the 2000s, Saaristo participated in Rakkauden Kiertokulku concerts with Eija Kantola and Marjorie.

Saaristo has also acted, for instance, in Turku City Theater. In 2005, she appeared in Timo Koivusalo’s movie Kaksipäisen Kotkan Varjossa. That same year, she was nominated for the Iskelmä-Finlandia award. In 2011, Saaristo was granted an artist pension. In recent years, she has performed with pop singer Fredi on the “Fredi’s Guest” concert tour.

Controversy

When Anneli Saaristo took part in Euroviisut and won it, this was of course mentioned in the fan magazines. A Finnish reporter in one of the magazines wrote about Anneli: “She looked like a nightmare already in 1978 when she for the firs time sang in our national heats but the 11 years since then have done their job well: there is no word to describe her looks!”. The writer of the article apologized one magazine later; he explained the article was not a proper translation of a letter in Finnish, and was mixed up with another article, that should have been published.

La Dolce Vita

“La Dolce Vita” is perhaps one of the most iconic songs associated with Anneli Saaristo, especially on the international stage. It was Finland’s official entry to the Eurovision Song Contest in 1989. The title, which translates to “The Sweet Life” in Italian, captures the essence of living life to the fullest and enjoying its pleasures.

The song’s participation in Eurovision marked a significant moment for Finland. Competing in Lausanne, Switzerland, “La Dolce Vita” achieved a commendable 7th place finish. This placement was a notable achievement for Finland at that time.

The tune itself is melodious and catchy, combining traditional pop elements with a distinct Finnish touch. Anneli’s powerful voice and emotive rendition made the performance memorable, helping the song stand out amidst other competitors.

While “La Dolce Vita” may not have secured the top spot at Eurovision, it cemented its position as one of Anneli Saaristo’s most celebrated tracks. Following the contest, the song enjoyed considerable airplay and popularity in Finland and even gained recognition in various parts of Europe. The song’s success also contributed to Anneli’s continued prominence in Finnish music, further showcasing her versatility and talent.

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Blast from the past

🇬🇧 Blast from the past: UK 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967, when Sandie Shaw brought the first victory to the United Kingdom with “Puppet On A String”. United Kingdom in the Eurovision Song Contest Few countries have a Eurovision pedigree like the United Kingdom. Since debuting in 1957, the UK has won five times: Sandie Shaw (1967), Lulu (1969), Brotherhood of Man (1976), Bucks Fizz (1981) and Katrina & The Waves (1997). The country hosted on nine occasions, most recently Liverpool 2023. t also holds the record for most runner‑up finishes, with 16 second places; the last came in 2022 when Sam Ryder’s “SPACE MAN” topped the jury vote. Recent form has been mixed: in 2023, host act Mae Muller finished 25th with 24 points; in 2024, Olly Alexander placed 18th with 46 points; and in 2025, Remember Monday ended 19th on 88 points.  Such swings epitomise the UK’s roller‑coaster history: long stretches of podiums and wins, punctuated by lean years, yet always central to Eurovision’s story and spectacle.  Sam Ryder, EBU A Song For Europe 1967 The UK national final in those days was called A Song For Europe. One artist sang 5 or 6 songs. Sandie Shaw was chosen to do the job in 1967. The contest was held on February 25. The results were announced one week later.The 5 titles were: Tell The Boys, 2nd place I’ll Cry Myself To Sleep, 3rd place Had A Dream Last Night, 4th place Puppet On A String, 1st place Ask Any Woman, 5th place   “Had A Dream Last Night” was written by another very popular pop star from those days: Chris Andrews. He is known for a lot of hits in the late sixties, “Yesterday Man” and “Pretty Belinda” being the biggest. You can watch a recap of all songs here in good quality. Sandie Shaw Sandie Shaw (born Sandra Ann Goodrich on 26 February 1947 in Dagenham) ranks among Britain’s defining 1960s pop voices. As a teenager, talent scouts noticed her; Pye Records signed her, and in 1964 she hit No. 1 with the Burt Bacharach–Hal David song “(There’s) Always Something There to Remind Me.” She followed it with a run of singles—“Girl Don’t Come,” “Long Live Love,” and “Message Understood”—that cemented her chart presence. Performing barefoot, she turned a quirk into a signature and a style statement. In 1967, Shaw won the Eurovision Song Contest for the United Kingdom in Vienna with “Puppet on a String,” securing the country’s first victory, and the single topped charts across Europe. In the early 1970s, Shaw stepped away from pop to pursue stage roles and business ventures. She later challenged her recording contracts. In the 1980s she returned to the charts through collaborations with indie admirers, notably The Smiths. Her 1988 album “Hello Angel” showcased a mature voice. Through the 1990s and 2000s she recorded selectively. She curated reissues of her catalogue. Sandie trained as a psychotherapist, mentoring artists and advocating for performers’ rights. She published memoirs and kept performing. In 2017 the UK honoured her with an MBE for services to music. It’s an honour that recognized a career bridging eras while remaining unmistakably hers. I’m going to the toilet Boudewijn BĂĽch (1948–2002) was a Dutch author, poet, bibliophile, and television presenter. He became famous for literary travel programs on VARA, a Dutch public broadcaster. In 1988, BĂĽch invited Sandie Shaw onto his VARA show. He kept the conversation light, comparing music “then and now.” Sandie’s ground rules forbade any talk of the Eurovision Song Contest. When BĂĽch raised the topic anyway, Shaw stood up, said “I’m going to the toilet,” and walked out, almost yanking her microphone cable free. BĂĽch closed the episode in the restroom, singing “Puppet on a String,” and he concluded that the song had gone down the toilet. Puppet On A String “Puppet On A String” is Sandie Shaw’s bright, bouncy slice of 1960s Europop. Lyricist Bill Martin and composer Phil Coulter wrote the song. At Eurovision 1967 in Vienna, Shaw performed barefoot, locking onto the camera with crisp phrasing and a smile. The arrangement rides an oom‑pah, fairground swing with brisk brass and a skippy rhythm. The hook lodges instantly, and the melody aims squarely at continental tastes. The United Kingdom stormed to victory with 47 points. That is more than double the runner‑up. This way the UK its first Eurovision win. The single topped the UK charts, and Shaw recorded versions in multiple languages, cementing its cross‑European appeal. Lyrically, the song toys with the image of a lover manipulated like a marionette, “a puppet on a string”, while the upbeat pop setting turns the drama into perfect television. “Puppet On A String” stands as a defining Eurovision winner and an enduring cornerstone of Sandie Shaw’s catalogue today.      

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Blast from the past
Martijn

🇬🇧 Blast from the past: UK 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967, when Sandie Shaw brought the first victory to the United Kingdom with “Puppet On A String”. United Kingdom in the Eurovision Song Contest Few countries have a Eurovision pedigree like the United Kingdom. Since debuting in 1957, the UK has won five times: Sandie Shaw (1967), Lulu (1969), Brotherhood of Man (1976), Bucks Fizz (1981) and Katrina & The Waves (1997). The country hosted on nine occasions, most recently Liverpool 2023. t also holds the record for most runner‑up finishes, with 16 second places; the last came in 2022 when Sam Ryder’s “SPACE MAN” topped the jury vote. Recent form has been mixed: in 2023, host act Mae Muller finished 25th with 24 points; in 2024, Olly Alexander placed 18th with 46 points; and in 2025, Remember Monday ended 19th on 88 points.  Such swings epitomise the UK’s roller‑coaster history: long stretches of podiums and wins, punctuated by lean years, yet always central to Eurovision’s story and spectacle.  Sam Ryder, EBU A Song For Europe 1967 The UK national final in those days was called A Song For Europe. One artist sang 5 or 6 songs. Sandie Shaw was chosen to do the job in 1967. The contest was held on February 25. The results were announced one week later.The 5 titles were: Tell The Boys, 2nd place I’ll Cry Myself To Sleep, 3rd place Had A Dream Last Night, 4th place Puppet On A String, 1st place Ask Any Woman, 5th place   “Had A Dream Last Night” was written by another very popular pop star from those days: Chris Andrews. He is known for a lot of hits in the late sixties, “Yesterday Man” and “Pretty Belinda” being the biggest. You can watch a recap of all songs here in good quality. Sandie Shaw Sandie Shaw (born Sandra Ann Goodrich on 26 February 1947 in Dagenham) ranks among Britain’s defining 1960s pop voices. As a teenager, talent scouts noticed her; Pye Records signed her, and in 1964 she hit No. 1 with the Burt Bacharach–Hal David song “(There’s) Always Something There to Remind Me.” She followed it with a run of singles—“Girl Don’t Come,” “Long Live Love,” and “Message Understood”—that cemented her chart presence. Performing barefoot, she turned a quirk into a signature and a style statement. In 1967, Shaw won the Eurovision Song Contest for the United Kingdom in Vienna with “Puppet on a String,” securing the country’s first victory, and the single topped charts across Europe. In the early 1970s, Shaw stepped away from pop to pursue stage roles and business ventures. She later challenged her recording contracts. In the 1980s she returned to the charts through collaborations with indie admirers, notably The Smiths. Her 1988 album “Hello Angel” showcased a mature voice. Through the 1990s and 2000s she recorded selectively. She curated reissues of her catalogue. Sandie trained as a psychotherapist, mentoring artists and advocating for performers’ rights. She published memoirs and kept performing. In 2017 the UK honoured her with an MBE for services to music. It’s an honour that recognized a career bridging eras while remaining unmistakably hers. I’m going to the toilet Boudewijn BĂĽch (1948–2002) was a Dutch author, poet, bibliophile, and television presenter. He became famous for literary travel programs on VARA, a Dutch public broadcaster. In 1988, BĂĽch invited Sandie Shaw onto his VARA show. He kept the conversation light, comparing music “then and now.” Sandie’s ground rules forbade any talk of the Eurovision Song Contest. When BĂĽch raised the topic anyway, Shaw stood up, said “I’m going to the toilet,” and walked out, almost yanking her microphone cable free. BĂĽch closed the episode in the restroom, singing “Puppet on a String,” and he concluded that the song had gone down the toilet. Puppet On A String “Puppet On A String” is Sandie Shaw’s bright, bouncy slice of 1960s Europop. Lyricist Bill Martin and composer Phil Coulter wrote the song. At Eurovision 1967 in Vienna, Shaw performed barefoot, locking onto the camera with crisp phrasing and a smile. The arrangement rides an oom‑pah, fairground swing with brisk brass and a skippy rhythm. The hook lodges instantly, and the melody aims squarely at continental tastes. The United Kingdom stormed to victory with 47 points. That is more than double the runner‑up. This way the UK its first Eurovision win. The single topped the UK charts, and Shaw recorded versions in multiple languages, cementing its cross‑European appeal. Lyrically, the song toys with the image of a lover manipulated like a marionette, “a puppet on a string”, while the upbeat pop setting turns the drama into perfect television. “Puppet On A String” stands as a defining Eurovision winner and an enduring cornerstone of Sandie Shaw’s catalogue today.      

Read More »
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