🇵🇹 Blast from the Past: Portugal 1994

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today we want to honour Sara Tavares, who participated for Portugal in 1994. She passed away last Sunday.

Portugal in the Eurovision Song Contest

Portugal started participating in the Eurovision Song Contest in 1964. It all started with a zero. This was the starting signal for a long and not easy road for Portugal. The idiosyncratic entries the country had often finished low. Exceptions were Carlos Mendes (1958) and José Cid (1980), both of whom reached a seventh place. In 1996, Lucia Moniz finished in sixth place with her “O meu coração não tem cor”. But for a victory, Portugal had to wait until 2017.

It was Salvador Sobral who managed to enchant both the televoters and the professional jury with his subdued song “Amar pelos dois”. It turned into a landslide victory for the Portuguese; something they had been waiting for so long. 

photo: EBU/Andres Putting

Festival RTP Da Canção 1994

The national final in Portugal is always called Festival RTP Da Canção. This year, two semifinals were held, on 10 and 17 january. Each of the semifinals contained 10 songs. Among them, Marco Quelhas, who represented Portugal in the 2001 contest as a half of the duo MTM. Eight songs headed to the final:

 

  1. Isabel Campelo, “Malmequer do Campo“, 122 pts, 3rd
  2. Trivium, “Trovas do Demo e d’el Rei“, 84 pts, 5th
  3. Pedro Miguéis, “Todos Nós Alguma Vez“, 136 pts, 2nd
  4. Inova Fora Nada, “O Vento Sabe o Que Quer“, 83 pts, 6th
  5. José Carvalho, “Lisboa, Minha Linda Cidade“, 92 pts, 4th
  6. Fernanda Lopes, “Se Fores Poema“, 75 pts, 7th
  7. Tó Carlos, “Ai Dona Inês“, 46 pts, 8th
  8. Sara Tavares, “Chamar a Música“, 220 pts, 1st

As you can see, Sara Tavares won with a landslide, 84 points ahead of the runner up!

Sara Tavares

Sara Alexandra Lima Tavares, born on February 1, 1978, in Lisbon, Portugal, was a renowned Portuguese singer, composer, guitarist, and percussionist. Of Cape Verdean descent, her parents immigrated to Portugal and settled in Almada in the 1970s. Tavares grew up in Lisbon and faced early family challenges, with her father leaving and her mother moving south with her siblings, leaving Sara in the care of an older woman.

Tavares exhibited remarkable musical talent from a young age. In 1994, at just 16, she won the national television song contest “Chuva de Estrelas,” performing Whitney Houston’s “One Moment in Time.” That same year, she triumphed at the “Festival da Canção,” earning a spot in the 1994 Eurovision Song Contest. Her winning song, “Chamar a Música,” was included on her debut EP, “Sara Tavares & Shout” (1996), where she blended gospel and funk with Portuguese influences.

Her debut album “Mi Ma Bô,” produced by Lokua Kanza, was released in 1999. In 2017, Tavares released the album “Fitxadu,”. It was inspired by Lisbon’s diverse African sounds and cultures, showcasing a more electronic and urban sound. The album earned a Latin Grammy nomination for Best Portuguese Language Roots Album.

Tavares was multilingual, composing in Portuguese, Portuguese-based Creole languages, and occasionally English. Sara was known for singing the European-Portuguese version of “God Help the Outcasts” from the Disney movie “The Hunchback of Notre Dame,”. She won a Disney Award for the best version of the original song with it. She also won a Portuguese Golden Globe for Best Portuguese Singer in 2000.

photo: Henryk Kotowski

Tavares passed away on November 19, 2023, in Lisbon at the age of 45, after a long battle with a brain tumor diagnosed since 2009​​​​​​​​​​​​​​​​. Her death was a great shock in the Eurovision community.

Chamar a Música

“Chamar a Música,” the captivating song that Sara Tavares performed at the 1994 Eurovision Song Contest, showcases her exceptional talent as a young artist. At just 16 years old, Tavares brought this melodic and emotionally resonant piece to the Eurovision stage, representing Portugal with grace and artistry. The song is characterized by its smooth, soulful melody. It is blending elements of Portuguese musical tradition with contemporary influences. Although Tavares’ performance was well-received, it ultimately placed 8th in the competition. Despite this, “Chamar a Música” remains a significant part of her early career, reflecting her deep connection to her cultural roots.

Related news

Eurovision 2026

Vienna 12 points: Eurovision semi final 2 takes the stage

Day three of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The first seven countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Monday 4 May. First rehearsals remain closed to press, three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, 14 May. 🇧🇬 Bulgaria — DARA, “Bangaranga” Running order: 1 | Rehearsal: 4 May, 10:30–11:00 CEST | Second rehearsal: 8 May DARA opened the entire Semi-Final 2 rehearsal block on Monday morning, and by all accounts she did not ease anyone in gently. The performance draws directly from the ancient Bulgarian Kukeri tradition. That is a ritual of driving out evil spirits through masked, chaotic movement. The staging makes this explicit. DARA’s dancers move in deliberately exaggerated, almost unsettling ways across the opening, creating a visual sense of controlled mayhem. DARA herself stands apart from the chaos: dressed in a black skirt, black belt, black knee-high boots, a short pink top and elbow-length pink gloves. By the performance’s final moments, the ritual fully resolves into spectacle. Staging is directed by Fredrik Rydman, who confirmed the concept in social media posts by DARA ahead of Vienna. DARA, born Darina Yotova in Varna in 1998, rose to prominence on The X Factor Bulgaria in 2015 and co-wrote “Bangaranga” alongside Anne Judith Wik, Dimitris Kontopoulos, and Monoir. Bulgaria returns to Eurovision after a three-year absence and competes 1st in Semi-Final 2. Sources: BNT / Instagram @darnadude / Wikipedia 🇦🇿 Azerbaijan — JIVA, “Just Go” Running order: 2 | Rehearsal: 4 May, 11:10–11:40 CEST | Second rehearsal: 8 May JIVA’s staging opens with JIVA stepping out of smoke in a shimmering gown that catches light in darker tones. Behind her, monochrome imagery on the LED screens depicts fragments of a relationship in decline, a visual counterpart to the ballad’s lyrical arc. The choreography remains restrained throughout, keeping focus on JIVA’s vocal delivery rather than on movement. Broadcaster ITV selected JIVA, real name Jamila Hashimova, through an internal process that reviewed 186 submitted songs and ultimately evaluated three finalists. ITV confirmed that “Just Go” is an entirely original composition by Azerbaijani-American writer Fuad Javadov and pushed back publicly against social media claims suggesting AI involvement in the songwriting process. For what it’s worth…. JIVA won the third season of The Voice of Azerbaijan in 2025. Azerbaijan competes 2nd in Semi-Final 2. Sources: ITV / AzerNews / Instagram @jiva_jh 🇷🇴 Romania — Alexandra Căpitănescu, “Choke Me” Running order: 3 | Rehearsal: 4 May, 11:50–12:20 CEST | Second rehearsal: 8 May Romania’s rehearsal brings a staging concept that broadcaster TVR has confirmed is largely rebuilt from scratch. Creative Director Jan Bors, former Head of Delegation for Czechia, told TVR that the Vienna performance is cinematic, fast-paced, and true to the rock identity of the song, retaining only minimal elements from the SelecÈ›ia NaÈ›ională performance. Alexandra Căpitănescu performs with her full four-piece live band: Bogdan Stoican on guitar, Matei Cohal on bass, Thomas Cîrcotă on piano and Luca Șofron on drums. The band hinted in an April YouTube livestream that additional elements may appear on stage beyond the five core performers. Căpitănescu won The Voice of Romania in 2023 and is currently completing a Master’s degree in physics in Bucharest. She co-wrote “Choke Me”, which she describes as a metaphor for being overwhelmed by self-doubt and inner pressure, with Călin Grajdan, Elvis Silitră, and Ștefan Condrea. Romania returns to Eurovision after a two-year absence and competes 3rd in Semi-Final 2. Sources: TVR / Wikipedia / Instagram @alexandra.capitanescu 🇱🇺 Luxembourg — Eva Marija, “Mother Nature” Running order: 4 | Rehearsal: 4 May, 12:45–13:15 CEST | Second rehearsal: 8 May Eva Marija brings nature’s imagery and movement to the Wiener Stadthalle stage. Her staging transforms the arena into a flowering visual world: butterflies, birds, and blossoming elements animate around her as she covers much of the stage. She wears a floaty, layered gown in earthy tones, trading the more structured outfit from the Luxembourg Song Contest for something that suits the song’s ethereal quality. Eva moves extensively across the catwalk, and her team has enhanced the staging well beyond the national final version. Eva Marija KavaÅ¡ Puc was born in Luxembourg City in 2005 to Slovenian parents, speaks six languages, and is currently finishing a songwriting degree at the Institute of Contemporary Music Performance in London. She took both the jury and public vote at the Luxembourg Song Contest in January. Eva co-wrote “Mother Nature” with Julie Aagaard, Maria Broberg, and Thomas Stengaard during an RTL songwriting camp. Luxembourg competes 4th in Semi-Final 2. Sources: RTL / Wikipedia / Culture Fix / Instagram @evamarija 🇨🇿 Czechia — Daniel Žižka, “CROSSROADS” Running order: 5 | Rehearsal: 4 May, 13:25–13:55 CEST | Second rehearsal: 9 May The day before his Vienna rehearsal, broadcaster ÄŒT posted a clip on social media showing Daniel Žižka working with a large mirror prop in a Prague studio. That is the first concrete visual hint at what Artistic Director Ruy Okamura has been building for three months. According to the official Eurovision subreddit, that mirror prop is central to the Wiener Stadthalle staging: Žižka performs in and around it, with the reflective surfaces used to multiply and fragment his image across the stage. The performance is restrained and singer-focused. Speaking to Czech outlet iDNES ahead of the contest, Žižka described his goal as giving “CROSSROADS” as much space as possible to speak for itself, adding that the team had pursued a more intimate visual message. Okamura told the Czech delegation’s press team the approach was designed to be rather unusual for the Eurovision stage. Žižka, 23, studied musical theatre at the Jaroslav Ježek Conservatory in Prague before moving into indie pop songwriting. “CROSSROADS” was

Read More »
Eurovision 2026
Martijn

Vienna 12 points: Eurovision semi final 2 takes the stage

Day three of first rehearsals at the 70th Eurovision Song Contest is underway in Vienna. The first seven countries of Semi-Final 2 step onto the Wiener Stadthalle stage for the very first time today, Monday 4 May. First rehearsals remain closed to press, three approved images per country will be published approximately 24 hours after each performance. The official Eurovision subreddit is providing live descriptions throughout the day. Eurovision Universe sought additional detail through national broadcaster coverage, social media, and press reports. All five countries below compete in Semi-Final 2 on Thursday, 14 May. 🇧🇬 Bulgaria — DARA, “Bangaranga” Running order: 1 | Rehearsal: 4 May, 10:30–11:00 CEST | Second rehearsal: 8 May DARA opened the entire Semi-Final 2 rehearsal block on Monday morning, and by all accounts she did not ease anyone in gently. The performance draws directly from the ancient Bulgarian Kukeri tradition. That is a ritual of driving out evil spirits through masked, chaotic movement. The staging makes this explicit. DARA’s dancers move in deliberately exaggerated, almost unsettling ways across the opening, creating a visual sense of controlled mayhem. DARA herself stands apart from the chaos: dressed in a black skirt, black belt, black knee-high boots, a short pink top and elbow-length pink gloves. By the performance’s final moments, the ritual fully resolves into spectacle. Staging is directed by Fredrik Rydman, who confirmed the concept in social media posts by DARA ahead of Vienna. DARA, born Darina Yotova in Varna in 1998, rose to prominence on The X Factor Bulgaria in 2015 and co-wrote “Bangaranga” alongside Anne Judith Wik, Dimitris Kontopoulos, and Monoir. Bulgaria returns to Eurovision after a three-year absence and competes 1st in Semi-Final 2. Sources: BNT / Instagram @darnadude / Wikipedia 🇦🇿 Azerbaijan — JIVA, “Just Go” Running order: 2 | Rehearsal: 4 May, 11:10–11:40 CEST | Second rehearsal: 8 May JIVA’s staging opens with JIVA stepping out of smoke in a shimmering gown that catches light in darker tones. Behind her, monochrome imagery on the LED screens depicts fragments of a relationship in decline, a visual counterpart to the ballad’s lyrical arc. The choreography remains restrained throughout, keeping focus on JIVA’s vocal delivery rather than on movement. Broadcaster ITV selected JIVA, real name Jamila Hashimova, through an internal process that reviewed 186 submitted songs and ultimately evaluated three finalists. ITV confirmed that “Just Go” is an entirely original composition by Azerbaijani-American writer Fuad Javadov and pushed back publicly against social media claims suggesting AI involvement in the songwriting process. For what it’s worth…. JIVA won the third season of The Voice of Azerbaijan in 2025. Azerbaijan competes 2nd in Semi-Final 2. Sources: ITV / AzerNews / Instagram @jiva_jh 🇷🇴 Romania — Alexandra Căpitănescu, “Choke Me” Running order: 3 | Rehearsal: 4 May, 11:50–12:20 CEST | Second rehearsal: 8 May Romania’s rehearsal brings a staging concept that broadcaster TVR has confirmed is largely rebuilt from scratch. Creative Director Jan Bors, former Head of Delegation for Czechia, told TVR that the Vienna performance is cinematic, fast-paced, and true to the rock identity of the song, retaining only minimal elements from the SelecÈ›ia NaÈ›ională performance. Alexandra Căpitănescu performs with her full four-piece live band: Bogdan Stoican on guitar, Matei Cohal on bass, Thomas Cîrcotă on piano and Luca Șofron on drums. The band hinted in an April YouTube livestream that additional elements may appear on stage beyond the five core performers. Căpitănescu won The Voice of Romania in 2023 and is currently completing a Master’s degree in physics in Bucharest. She co-wrote “Choke Me”, which she describes as a metaphor for being overwhelmed by self-doubt and inner pressure, with Călin Grajdan, Elvis Silitră, and Ștefan Condrea. Romania returns to Eurovision after a two-year absence and competes 3rd in Semi-Final 2. Sources: TVR / Wikipedia / Instagram @alexandra.capitanescu 🇱🇺 Luxembourg — Eva Marija, “Mother Nature” Running order: 4 | Rehearsal: 4 May, 12:45–13:15 CEST | Second rehearsal: 8 May Eva Marija brings nature’s imagery and movement to the Wiener Stadthalle stage. Her staging transforms the arena into a flowering visual world: butterflies, birds, and blossoming elements animate around her as she covers much of the stage. She wears a floaty, layered gown in earthy tones, trading the more structured outfit from the Luxembourg Song Contest for something that suits the song’s ethereal quality. Eva moves extensively across the catwalk, and her team has enhanced the staging well beyond the national final version. Eva Marija KavaÅ¡ Puc was born in Luxembourg City in 2005 to Slovenian parents, speaks six languages, and is currently finishing a songwriting degree at the Institute of Contemporary Music Performance in London. She took both the jury and public vote at the Luxembourg Song Contest in January. Eva co-wrote “Mother Nature” with Julie Aagaard, Maria Broberg, and Thomas Stengaard during an RTL songwriting camp. Luxembourg competes 4th in Semi-Final 2. Sources: RTL / Wikipedia / Culture Fix / Instagram @evamarija 🇨🇿 Czechia — Daniel Žižka, “CROSSROADS” Running order: 5 | Rehearsal: 4 May, 13:25–13:55 CEST | Second rehearsal: 9 May The day before his Vienna rehearsal, broadcaster ÄŒT posted a clip on social media showing Daniel Žižka working with a large mirror prop in a Prague studio. That is the first concrete visual hint at what Artistic Director Ruy Okamura has been building for three months. According to the official Eurovision subreddit, that mirror prop is central to the Wiener Stadthalle staging: Žižka performs in and around it, with the reflective surfaces used to multiply and fragment his image across the stage. The performance is restrained and singer-focused. Speaking to Czech outlet iDNES ahead of the contest, Žižka described his goal as giving “CROSSROADS” as much space as possible to speak for itself, adding that the team had pursued a more intimate visual message. Okamura told the Czech delegation’s press team the approach was designed to be rather unusual for the Eurovision stage. Žižka, 23, studied musical theatre at the Jaroslav Ježek Conservatory in Prague before moving into indie pop songwriting. “CROSSROADS” was

Read More »
Follow Us: