đŸ‡”đŸ‡č Blast from the Past: Portugal 1994

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today we want to honour Sara Tavares, who participated for Portugal in 1994. She passed away last Sunday.

Portugal in the Eurovision Song Contest

Portugal started participating in the Eurovision Song Contest in 1964. It all started with a zero. This was the starting signal for a long and not easy road for Portugal. The idiosyncratic entries the country had often finished low. Exceptions were Carlos Mendes (1958) and JosĂ© Cid (1980), both of whom reached a seventh place. In 1996, Lucia Moniz finished in sixth place with her “O meu coração nĂŁo tem cor”. But for a victory, Portugal had to wait until 2017.

It was Salvador Sobral who managed to enchant both the televoters and the professional jury with his subdued song “Amar pelos dois”. It turned into a landslide victory for the Portuguese; something they had been waiting for so long. 

photo: EBU/Andres Putting

Festival RTP Da Canção 1994

The national final in Portugal is always called Festival RTP Da Canção. This year, two semifinals were held, on 10 and 17 january. Each of the semifinals contained 10 songs. Among them, Marco Quelhas, who represented Portugal in the 2001 contest as a half of the duo MTM. Eight songs headed to the final:

 

  1. Isabel Campelo, “Malmequer do Campo“, 122 pts, 3rd
  2. Trivium, “Trovas do Demo e d’el Rei“, 84 pts, 5th
  3. Pedro MiguĂ©is, “Todos NĂłs Alguma Vez“, 136 pts, 2nd
  4. Inova Fora Nada, “O Vento Sabe o Que Quer“, 83 pts, 6th
  5. JosĂ© Carvalho, “Lisboa, Minha Linda Cidade“, 92 pts, 4th
  6. Fernanda Lopes, “Se Fores Poema“, 75 pts, 7th
  7. TĂł Carlos, “Ai Dona InĂȘs“, 46 pts, 8th
  8. Sara Tavares, “Chamar a MĂșsica“, 220 pts, 1st

As you can see, Sara Tavares won with a landslide, 84 points ahead of the runner up!

Sara Tavares

Sara Alexandra Lima Tavares, born on February 1, 1978, in Lisbon, Portugal, was a renowned Portuguese singer, composer, guitarist, and percussionist. Of Cape Verdean descent, her parents immigrated to Portugal and settled in Almada in the 1970s. Tavares grew up in Lisbon and faced early family challenges, with her father leaving and her mother moving south with her siblings, leaving Sara in the care of an older woman.

Tavares exhibited remarkable musical talent from a young age. In 1994, at just 16, she won the national television song contest “Chuva de Estrelas,” performing Whitney Houston’s “One Moment in Time.” That same year, she triumphed at the “Festival da Canção,” earning a spot in the 1994 Eurovision Song Contest. Her winning song, “Chamar a MĂșsica,” was included on her debut EP, “Sara Tavares & Shout” (1996), where she blended gospel and funk with Portuguese influences.

Her debut album “Mi Ma BĂŽ,” produced by Lokua Kanza, was released in 1999. In 2017, Tavares released the album “Fitxadu,”. It was inspired by Lisbon’s diverse African sounds and cultures, showcasing a more electronic and urban sound. The album earned a Latin Grammy nomination for Best Portuguese Language Roots Album.

Tavares was multilingual, composing in Portuguese, Portuguese-based Creole languages, and occasionally English. Sara was known for singing the European-Portuguese version of “God Help the Outcasts” from the Disney movie “The Hunchback of Notre Dame,”. She won a Disney Award for the best version of the original song with it. She also won a Portuguese Golden Globe for Best Portuguese Singer in 2000.

photo: Henryk Kotowski

Tavares passed away on November 19, 2023, in Lisbon at the age of 45, after a long battle with a brain tumor diagnosed since 2009​​​​​​​​​​​​​​​​. Her death was a great shock in the Eurovision community.

Chamar a MĂșsica

“Chamar a MĂșsica,” the captivating song that Sara Tavares performed at the 1994 Eurovision Song Contest, showcases her exceptional talent as a young artist. At just 16 years old, Tavares brought this melodic and emotionally resonant piece to the Eurovision stage, representing Portugal with grace and artistry. The song is characterized by its smooth, soulful melody. It is blending elements of Portuguese musical tradition with contemporary influences. Although Tavares’ performance was well-received, it ultimately placed 8th in the competition. Despite this, “Chamar a MĂșsica” remains a significant part of her early career, reflecting her deep connection to her cultural roots.

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History

70 years of Eurovision: holding up signs

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1971 Sweden, Finland, Norway, Austria, and Portugal returned. Malta made its debut. Enthused by the 1970 festival, everyone dared to give it another try. The scoring system changed drastically. Each country had two jurors; one over 25 and one under. They indicated their votes by holding up signs live on television. It all took place in Dublin, where everything was held at the Gaiety Theatre. That is not entirely true: all sorts of things happened just outside the theatre. Almost every protest group to be found in Ireland was standing there. From Irish feminists and people opposed to hunting and Irish people against color television, to an action group promoting the Irish language. They didn’t like the Eurovision Song Contest. “Very low level pop music,” one of the protesters called it when asked. The Belgian duo Nicole and Hugo were very unlucky. Although they had won the national final, the two could not travel to Dublin because Nicole contracted jaundice. They were replaced by Jacques Raymond and Lily Castel. This duo had to practice the dance steps in their hotel room. For Austria, Marianne Mendt sang in a Viennese dialect. The 15-year-old Norwegian Hanne Krogh sang her song with a small parasol. We would see her again more often in the future. And then there was Clodagh Rodgers for the United Kingdom. It wasn’t fun for her in Dublin. As a Catholic Northern Irish lady, she received many threats, including death threats. Fortunately, there is also a cheerful note about her: she and her song “Jack in the Box” starred in an episode of ‘Monty Python’s Flying Circus’. SĂ©verine It was Monaco that walked away with the trophy. The French singer SĂ©verine represented the principality. By doing so, she comfortably beat the Spanish Karina and the German Katja Ebstein. “Un banc, un arbre, une rue” was her song. The song became a huge hit, even reaching number 1 in Belgium. She also finished in the top 3 in Ireland and Norway. SĂ©verine later participated in national finals in Germany twice more but did not win them. 1972 The same countries as in 1971 participated. The jury was now strictly guarded and was not allowed to leave Edinburgh Castle, where they awarded the points. The festival itself took place in the Usher Hall. Surprisingly, not Cathy Boyle, but Moira Shearer was the presenter. Vicky Leandros returned for Luxembourg. The Family Four represented Sweden for the second time. Tereza, who once participated for Monaco, now sang for her native country, Yugoslavia. We do not want to leave Ireland unmentioned: for the first and only time, the country sang in its regional language, Gaelic. Sandra and Andres participated for the Netherlands. They also came up with something new: they got the audience happily clapping along to their song. The duo ultimately finished fourth. The two were overtaken by Mary Roos, who participated on behalf of Germany and mainly complained that she was staying in such a cold hotel. The New Seekers were the favorites. Their song “Beg, Steal or Borrow” became an international hit. The duo representing Malta, Helen & Joseph, were promised a statue on the island if they won. Spoiler: the statue never materialized, as the two finished last. Vicky Leandros Vicky Leandros won by a considerable margin. “AprĂšs Toi” was the undisputed winner of the festival. Yves Dessca wrote the lyrics, and the composers were Klaus Munro and Mario Panas. The latter was actually secretly Leo Leandros, Vicky’s father, under a pseudonym. The story goes that Vicky had first offered the songs from her album to Germany, but the German broadcaster politely declined. She then translated all the songs into French and asked Luxembourg if they were interested. The rest is history. 1973 Austria and Malta dropped out. However, there were still 17 countries because Israel made its debut. This did mean, however, that the Nouveau Théùtre Municipal in Luxembourg was very heavily guarded. In this impregnable fortress, Helga Guitton hosted the 1973 Eurovision Song Contest. Nicole and Hugo were allowed to participate for Belgium this time. In bright purple suits, they finished last with their “Baby Baby.” They did, however, achieve immortal status with it, as the two appear in just about every compilation of Eurovision songs. The Finnish Marion Rung made a comeback, improving her own record for Finland (from seventh to sixth place). Massimo Ranieri also participated for Italy for a second time. And yes, Cliff Richard was back too. With “Power To All Our Friends,” he was once again the favorite, yet once again he failed to win. The Spanish group Mocedades also failed to do so, securing second place and a worldwide hit with their “Eres Tu.” We also do not want to leave The Nova from Sweden unmentioned. In their home country, they had defeated Abba in the national selection. At the time, the duo was still called The Malta. To avoid confusion with the country, they changed their name. The lyrics were striking, to say the least: “Oh your breasts are like swallows a nestling,” the duo sang enthusiastic. But anyway, Nicole and Hugo sang in their song “Een vrouw kan niets alleen” (A woman can do nothing alone). 1973 was not a very woman-friendly year. Anne-Marie David It was, however, the year of a girl from the Camargue who loved horses: Anne-Marie David. She participated for host country Luxembourg and she won with “Tu te reconnaĂźtras”. Although the entire team was French, there was still a real Luxembourgish touch to it: conductor Pierre CaĂł was a true Luxemburger. But whether the Luxembourg broadcaster was happy that the country won again is doubtful. Anne-Marie David would return to the Eurovision Song Contest six years later and still enjoys performing

Read More »
History
Martijn

70 years of Eurovision: holding up signs

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1971 Sweden, Finland, Norway, Austria, and Portugal returned. Malta made its debut. Enthused by the 1970 festival, everyone dared to give it another try. The scoring system changed drastically. Each country had two jurors; one over 25 and one under. They indicated their votes by holding up signs live on television. It all took place in Dublin, where everything was held at the Gaiety Theatre. That is not entirely true: all sorts of things happened just outside the theatre. Almost every protest group to be found in Ireland was standing there. From Irish feminists and people opposed to hunting and Irish people against color television, to an action group promoting the Irish language. They didn’t like the Eurovision Song Contest. “Very low level pop music,” one of the protesters called it when asked. The Belgian duo Nicole and Hugo were very unlucky. Although they had won the national final, the two could not travel to Dublin because Nicole contracted jaundice. They were replaced by Jacques Raymond and Lily Castel. This duo had to practice the dance steps in their hotel room. For Austria, Marianne Mendt sang in a Viennese dialect. The 15-year-old Norwegian Hanne Krogh sang her song with a small parasol. We would see her again more often in the future. And then there was Clodagh Rodgers for the United Kingdom. It wasn’t fun for her in Dublin. As a Catholic Northern Irish lady, she received many threats, including death threats. Fortunately, there is also a cheerful note about her: she and her song “Jack in the Box” starred in an episode of ‘Monty Python’s Flying Circus’. SĂ©verine It was Monaco that walked away with the trophy. The French singer SĂ©verine represented the principality. By doing so, she comfortably beat the Spanish Karina and the German Katja Ebstein. “Un banc, un arbre, une rue” was her song. The song became a huge hit, even reaching number 1 in Belgium. She also finished in the top 3 in Ireland and Norway. SĂ©verine later participated in national finals in Germany twice more but did not win them. 1972 The same countries as in 1971 participated. The jury was now strictly guarded and was not allowed to leave Edinburgh Castle, where they awarded the points. The festival itself took place in the Usher Hall. Surprisingly, not Cathy Boyle, but Moira Shearer was the presenter. Vicky Leandros returned for Luxembourg. The Family Four represented Sweden for the second time. Tereza, who once participated for Monaco, now sang for her native country, Yugoslavia. We do not want to leave Ireland unmentioned: for the first and only time, the country sang in its regional language, Gaelic. Sandra and Andres participated for the Netherlands. They also came up with something new: they got the audience happily clapping along to their song. The duo ultimately finished fourth. The two were overtaken by Mary Roos, who participated on behalf of Germany and mainly complained that she was staying in such a cold hotel. The New Seekers were the favorites. Their song “Beg, Steal or Borrow” became an international hit. The duo representing Malta, Helen & Joseph, were promised a statue on the island if they won. Spoiler: the statue never materialized, as the two finished last. Vicky Leandros Vicky Leandros won by a considerable margin. “AprĂšs Toi” was the undisputed winner of the festival. Yves Dessca wrote the lyrics, and the composers were Klaus Munro and Mario Panas. The latter was actually secretly Leo Leandros, Vicky’s father, under a pseudonym. The story goes that Vicky had first offered the songs from her album to Germany, but the German broadcaster politely declined. She then translated all the songs into French and asked Luxembourg if they were interested. The rest is history. 1973 Austria and Malta dropped out. However, there were still 17 countries because Israel made its debut. This did mean, however, that the Nouveau Théùtre Municipal in Luxembourg was very heavily guarded. In this impregnable fortress, Helga Guitton hosted the 1973 Eurovision Song Contest. Nicole and Hugo were allowed to participate for Belgium this time. In bright purple suits, they finished last with their “Baby Baby.” They did, however, achieve immortal status with it, as the two appear in just about every compilation of Eurovision songs. The Finnish Marion Rung made a comeback, improving her own record for Finland (from seventh to sixth place). Massimo Ranieri also participated for Italy for a second time. And yes, Cliff Richard was back too. With “Power To All Our Friends,” he was once again the favorite, yet once again he failed to win. The Spanish group Mocedades also failed to do so, securing second place and a worldwide hit with their “Eres Tu.” We also do not want to leave The Nova from Sweden unmentioned. In their home country, they had defeated Abba in the national selection. At the time, the duo was still called The Malta. To avoid confusion with the country, they changed their name. The lyrics were striking, to say the least: “Oh your breasts are like swallows a nestling,” the duo sang enthusiastic. But anyway, Nicole and Hugo sang in their song “Een vrouw kan niets alleen” (A woman can do nothing alone). 1973 was not a very woman-friendly year. Anne-Marie David It was, however, the year of a girl from the Camargue who loved horses: Anne-Marie David. She participated for host country Luxembourg and she won with “Tu te reconnaĂźtras”. Although the entire team was French, there was still a real Luxembourgish touch to it: conductor Pierre CaĂł was a true Luxemburger. But whether the Luxembourg broadcaster was happy that the country won again is doubtful. Anne-Marie David would return to the Eurovision Song Contest six years later and still enjoys performing

Read More »
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