🇵🇹 Blast from the Past: Portugal 1994

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today we want to honour Sara Tavares, who participated for Portugal in 1994. She passed away last Sunday.

Portugal in the Eurovision Song Contest

Portugal started participating in the Eurovision Song Contest in 1964. It all started with a zero. This was the starting signal for a long and not easy road for Portugal. The idiosyncratic entries the country had often finished low. Exceptions were Carlos Mendes (1958) and José Cid (1980), both of whom reached a seventh place. In 1996, Lucia Moniz finished in sixth place with her “O meu coração não tem cor”. But for a victory, Portugal had to wait until 2017.

It was Salvador Sobral who managed to enchant both the televoters and the professional jury with his subdued song “Amar pelos dois”. It turned into a landslide victory for the Portuguese; something they had been waiting for so long. 

photo: EBU/Andres Putting

Festival RTP Da Canção 1994

The national final in Portugal is always called Festival RTP Da Canção. This year, two semifinals were held, on 10 and 17 january. Each of the semifinals contained 10 songs. Among them, Marco Quelhas, who represented Portugal in the 2001 contest as a half of the duo MTM. Eight songs headed to the final:

 

  1. Isabel Campelo, “Malmequer do Campo“, 122 pts, 3rd
  2. Trivium, “Trovas do Demo e d’el Rei“, 84 pts, 5th
  3. Pedro Miguéis, “Todos Nós Alguma Vez“, 136 pts, 2nd
  4. Inova Fora Nada, “O Vento Sabe o Que Quer“, 83 pts, 6th
  5. José Carvalho, “Lisboa, Minha Linda Cidade“, 92 pts, 4th
  6. Fernanda Lopes, “Se Fores Poema“, 75 pts, 7th
  7. Tó Carlos, “Ai Dona Inês“, 46 pts, 8th
  8. Sara Tavares, “Chamar a Música“, 220 pts, 1st

As you can see, Sara Tavares won with a landslide, 84 points ahead of the runner up!

Sara Tavares

Sara Alexandra Lima Tavares, born on February 1, 1978, in Lisbon, Portugal, was a renowned Portuguese singer, composer, guitarist, and percussionist. Of Cape Verdean descent, her parents immigrated to Portugal and settled in Almada in the 1970s. Tavares grew up in Lisbon and faced early family challenges, with her father leaving and her mother moving south with her siblings, leaving Sara in the care of an older woman.

Tavares exhibited remarkable musical talent from a young age. In 1994, at just 16, she won the national television song contest “Chuva de Estrelas,” performing Whitney Houston’s “One Moment in Time.” That same year, she triumphed at the “Festival da Canção,” earning a spot in the 1994 Eurovision Song Contest. Her winning song, “Chamar a Música,” was included on her debut EP, “Sara Tavares & Shout” (1996), where she blended gospel and funk with Portuguese influences.

Her debut album “Mi Ma Bô,” produced by Lokua Kanza, was released in 1999. In 2017, Tavares released the album “Fitxadu,”. It was inspired by Lisbon’s diverse African sounds and cultures, showcasing a more electronic and urban sound. The album earned a Latin Grammy nomination for Best Portuguese Language Roots Album.

Tavares was multilingual, composing in Portuguese, Portuguese-based Creole languages, and occasionally English. Sara was known for singing the European-Portuguese version of “God Help the Outcasts” from the Disney movie “The Hunchback of Notre Dame,”. She won a Disney Award for the best version of the original song with it. She also won a Portuguese Golden Globe for Best Portuguese Singer in 2000.

photo: Henryk Kotowski

Tavares passed away on November 19, 2023, in Lisbon at the age of 45, after a long battle with a brain tumor diagnosed since 2009​​​​​​​​​​​​​​​​. Her death was a great shock in the Eurovision community.

Chamar a Música

“Chamar a Música,” the captivating song that Sara Tavares performed at the 1994 Eurovision Song Contest, showcases her exceptional talent as a young artist. At just 16 years old, Tavares brought this melodic and emotionally resonant piece to the Eurovision stage, representing Portugal with grace and artistry. The song is characterized by its smooth, soulful melody. It is blending elements of Portuguese musical tradition with contemporary influences. Although Tavares’ performance was well-received, it ultimately placed 8th in the competition. Despite this, “Chamar a Música” remains a significant part of her early career, reflecting her deep connection to her cultural roots.

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Vienna 12 points: saturday’s rehearsals

The 70th Eurovision Song Contest officially kicked off today in Vienna. First rehearsals remain closed to press — only three approved images per country will be released. Meanwhile, the official Eurovision subreddit is providing live descriptions of each performance. Eurovision Universe tried to find more information than the Eurovision blog provides us. We hope we succeeded in that. All countries below compete in Semi-Final 1 on Tuesday, 12 May. 🇲🇩 Moldova – Satoshi, “Viva Moldova!” Running order: 1 | Rehearsal: 10:30–11:00 CEST Moldova opened the entire contest on Saturday morning, and Satoshi hit the Wiener Stadthalle stage first among all 35 competing nations. In the lead-up to today’s rehearsal, he spoke openly to Moldovan state broadcaster Moldova 1 about his methodical preparation. “We record every rehearsal and analyse our performance, repeating exactly the movements we will make. We don’t have a rigid choreography, but we do have set positions. I feel quite confident. Things are happening as we planned.” Moreover, producer Roman Burlaca confirmed sweeping changes to the staging. Costumes are completely new, LED visuals have been upgraded, special effects added. A surprise “repeatable element” will be built in, though Burlaca stayed tight-lipped: “You will see it soon and understand.” Additionally, Satoshi announced on his Facebook page that the official music video was directed by Roman Burlaca, recorded by Nicu Lungu, and features the JOC National Ballet. Moldova performs 1st in Semi-Final 1 on 12 May. Moldova1 + 2 🇸🇪 Sweden – FELICIA, “My System” Running order: 2 | Rehearsal: 11:10–11:40 CEST According to the official Eurovision Reddit live blog, the performance opens with a smoke machine parting to reveal FELICIA, mask firmly on, before lasers engulf the entire stage. Crucially, Vienna brings something entirely new: in the second verse, FELICIA physically battles the lasers with her bare hands before taming them to frame her poses. Furthermore, the synths near the song’s climax make the arena floor physically vibrate. As a finale, a giant projection of FELICIA climbs out of the screens and into the audience. Swedish press were enthusiastic ahead of Vienna. Matilda Källén of Dagens Nyheter called the staging “maxed out, well-choreographed, and ready for Eurovision,” while Johan Hammerby of Hallandsposten dubbed it “world-class.” 🇭🇷 Croatia – LELEK, “Andromeda” Running order: 3 | Rehearsal: 11:50–12:20 CEST According to the Eurovision Reddit live blog, the performance opens with a walk down the full catwalk from the Green Room to the main stage. The five members then perform in deep blood-red robes, a visual step up from their Dora-winning look. LED screens carry the audience from a cave through a forest before closing with a wormhole sequence. Croatia Week described “Andromeda” as an atmospheric, cinematic ethno-pop track with powerful vocals, dramatic builds, and elements drawing from Croatian and Bosnian historical and cultural themes. This addresses generational trauma, resistance, and the strength of women across generations. At the heart of the song lies the tradition of sicanje. As Croatia Week explains, sicanje is a practice in which Croatian Catholics in parts of Bosnia, Herzegovina and Dalmatia tattooed crosses on their skin as a mark of identity and protection, particularly during times of oppression or the threat of forced conversion. Ahead of Vienna, HRT Magazine reported that LELEK themselves described the pressure of being favourites as “wind in our backs rather than a burden,” adding: “We don’t even want to imagine how it will be. We want to absorb the first emotion when we go on stage.” Furthermore, Telegrafi noted that the song’s lyrics, written by Tomislav Roso, with music by Filip Lacković, Lazar Pajić and Zorja Pajić, sparked international attention even before the Vienna rehearsals began, including a debate in Turkey over the song’s historical references.  Croatia Week + 3 🇬🇷 Greece – Akylas, “Ferto” Running order: 4 | Rehearsal: 12:45–13:15 CEST Greece enters Vienna as one of the strongest favourites, yet the delegation is actively keeping the full staging under wraps, a strategy that immediately recalls Joost Klein (Netherlands, 2024), who famously refused to reveal his “Europapa” staging until the live show in Malmö. Today’s Reddit live blog confirmed that Akylas performs in an orange and black outfit with furry boots and a distinctive hat, building a video game-like world on stage. Then he stops, removes his shades, and addresses his mother directly. However, key elements of the staging deliberately remain hidden. Speaking to ERT before flying to Vienna, Akylas said: “I don’t feel stressed, mainly excitement. We have studied everything and I believe that we will perform very well.” Creative director Fokas Evangelinos added: “It is a three-minute story with a beginning, middle and end, full of humour and emotion.” True to that approach, when a fan asked on Instagram after the stand-in rehearsal how it went, Akylas replied with just three words: “We’re doing very well.” No spoilers. No details. Exactly as planned.  🇵🇹 Portugal – Bandidos do Cante, “Rosa” Running order: 5 | Rehearsal: 13:25–13:55 CEST Portugal closed the opening rehearsal block. The group departed Lisbon Airport at 08:00 on 1 May, arriving in Vienna with their first Wiener Stadthalle rehearsal scheduled for the very next morning. In the days before arriving, broadcaster RTP actively posted on social media that the staging of “Rosa” has been reworked for Vienna, though the group deliberately kept the exact changes under wraps. The Portugal Post described “Rosa” as a performance that translates Alentejo heritage into something resonant across language barriers. That heritage is Cante Alentejano. This is a traditional vocal style the Alentejo region carries proudly.It even is UNESCO-recognised Intangible Cultural Heritage of Humanity. Bandidos do Cante offer something genuinely different: five voices, one tradition, and a song that quietly demands your full attention.  Lidador Noticias + 3 🇬🇪 Georgia – Bzikebi, “On Replay” Running order: 6 | Rehearsal: 15:00–15:30 CEST Georgia’s Eurovision 2026 rehearsal brought Bzikebi back to the big stage with a clear nod to their Junior Eurovision past. The trio wore black and yellow, but in a much more futuristic version than in 2008: yellow catsuits

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Martijn

Vienna 12 points: saturday’s rehearsals

The 70th Eurovision Song Contest officially kicked off today in Vienna. First rehearsals remain closed to press — only three approved images per country will be released. Meanwhile, the official Eurovision subreddit is providing live descriptions of each performance. Eurovision Universe tried to find more information than the Eurovision blog provides us. We hope we succeeded in that. All countries below compete in Semi-Final 1 on Tuesday, 12 May. 🇲🇩 Moldova – Satoshi, “Viva Moldova!” Running order: 1 | Rehearsal: 10:30–11:00 CEST Moldova opened the entire contest on Saturday morning, and Satoshi hit the Wiener Stadthalle stage first among all 35 competing nations. In the lead-up to today’s rehearsal, he spoke openly to Moldovan state broadcaster Moldova 1 about his methodical preparation. “We record every rehearsal and analyse our performance, repeating exactly the movements we will make. We don’t have a rigid choreography, but we do have set positions. I feel quite confident. Things are happening as we planned.” Moreover, producer Roman Burlaca confirmed sweeping changes to the staging. Costumes are completely new, LED visuals have been upgraded, special effects added. A surprise “repeatable element” will be built in, though Burlaca stayed tight-lipped: “You will see it soon and understand.” Additionally, Satoshi announced on his Facebook page that the official music video was directed by Roman Burlaca, recorded by Nicu Lungu, and features the JOC National Ballet. Moldova performs 1st in Semi-Final 1 on 12 May. Moldova1 + 2 🇸🇪 Sweden – FELICIA, “My System” Running order: 2 | Rehearsal: 11:10–11:40 CEST According to the official Eurovision Reddit live blog, the performance opens with a smoke machine parting to reveal FELICIA, mask firmly on, before lasers engulf the entire stage. Crucially, Vienna brings something entirely new: in the second verse, FELICIA physically battles the lasers with her bare hands before taming them to frame her poses. Furthermore, the synths near the song’s climax make the arena floor physically vibrate. As a finale, a giant projection of FELICIA climbs out of the screens and into the audience. Swedish press were enthusiastic ahead of Vienna. Matilda Källén of Dagens Nyheter called the staging “maxed out, well-choreographed, and ready for Eurovision,” while Johan Hammerby of Hallandsposten dubbed it “world-class.” 🇭🇷 Croatia – LELEK, “Andromeda” Running order: 3 | Rehearsal: 11:50–12:20 CEST According to the Eurovision Reddit live blog, the performance opens with a walk down the full catwalk from the Green Room to the main stage. The five members then perform in deep blood-red robes, a visual step up from their Dora-winning look. LED screens carry the audience from a cave through a forest before closing with a wormhole sequence. Croatia Week described “Andromeda” as an atmospheric, cinematic ethno-pop track with powerful vocals, dramatic builds, and elements drawing from Croatian and Bosnian historical and cultural themes. This addresses generational trauma, resistance, and the strength of women across generations. At the heart of the song lies the tradition of sicanje. As Croatia Week explains, sicanje is a practice in which Croatian Catholics in parts of Bosnia, Herzegovina and Dalmatia tattooed crosses on their skin as a mark of identity and protection, particularly during times of oppression or the threat of forced conversion. Ahead of Vienna, HRT Magazine reported that LELEK themselves described the pressure of being favourites as “wind in our backs rather than a burden,” adding: “We don’t even want to imagine how it will be. We want to absorb the first emotion when we go on stage.” Furthermore, Telegrafi noted that the song’s lyrics, written by Tomislav Roso, with music by Filip Lacković, Lazar Pajić and Zorja Pajić, sparked international attention even before the Vienna rehearsals began, including a debate in Turkey over the song’s historical references.  Croatia Week + 3 🇬🇷 Greece – Akylas, “Ferto” Running order: 4 | Rehearsal: 12:45–13:15 CEST Greece enters Vienna as one of the strongest favourites, yet the delegation is actively keeping the full staging under wraps, a strategy that immediately recalls Joost Klein (Netherlands, 2024), who famously refused to reveal his “Europapa” staging until the live show in Malmö. Today’s Reddit live blog confirmed that Akylas performs in an orange and black outfit with furry boots and a distinctive hat, building a video game-like world on stage. Then he stops, removes his shades, and addresses his mother directly. However, key elements of the staging deliberately remain hidden. Speaking to ERT before flying to Vienna, Akylas said: “I don’t feel stressed, mainly excitement. We have studied everything and I believe that we will perform very well.” Creative director Fokas Evangelinos added: “It is a three-minute story with a beginning, middle and end, full of humour and emotion.” True to that approach, when a fan asked on Instagram after the stand-in rehearsal how it went, Akylas replied with just three words: “We’re doing very well.” No spoilers. No details. Exactly as planned.  🇵🇹 Portugal – Bandidos do Cante, “Rosa” Running order: 5 | Rehearsal: 13:25–13:55 CEST Portugal closed the opening rehearsal block. The group departed Lisbon Airport at 08:00 on 1 May, arriving in Vienna with their first Wiener Stadthalle rehearsal scheduled for the very next morning. In the days before arriving, broadcaster RTP actively posted on social media that the staging of “Rosa” has been reworked for Vienna, though the group deliberately kept the exact changes under wraps. The Portugal Post described “Rosa” as a performance that translates Alentejo heritage into something resonant across language barriers. That heritage is Cante Alentejano. This is a traditional vocal style the Alentejo region carries proudly.It even is UNESCO-recognised Intangible Cultural Heritage of Humanity. Bandidos do Cante offer something genuinely different: five voices, one tradition, and a song that quietly demands your full attention.  Lidador Noticias + 3 🇬🇪 Georgia – Bzikebi, “On Replay” Running order: 6 | Rehearsal: 15:00–15:30 CEST Georgia’s Eurovision 2026 rehearsal brought Bzikebi back to the big stage with a clear nod to their Junior Eurovision past. The trio wore black and yellow, but in a much more futuristic version than in 2008: yellow catsuits

Read More »
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