🇵🇹 Blast from the Past: Portugal 1994

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today we want to honour Sara Tavares, who participated for Portugal in 1994. She passed away last Sunday.

Portugal in the Eurovision Song Contest

Portugal started participating in the Eurovision Song Contest in 1964. It all started with a zero. This was the starting signal for a long and not easy road for Portugal. The idiosyncratic entries the country had often finished low. Exceptions were Carlos Mendes (1958) and JosĂ© Cid (1980), both of whom reached a seventh place. In 1996, Lucia Moniz finished in sixth place with her “O meu coração nĂŁo tem cor”. But for a victory, Portugal had to wait until 2017.

It was Salvador Sobral who managed to enchant both the televoters and the professional jury with his subdued song “Amar pelos dois”. It turned into a landslide victory for the Portuguese; something they had been waiting for so long. 

photo: EBU/Andres Putting

Festival RTP Da Canção 1994

The national final in Portugal is always called Festival RTP Da Canção. This year, two semifinals were held, on 10 and 17 january. Each of the semifinals contained 10 songs. Among them, Marco Quelhas, who represented Portugal in the 2001 contest as a half of the duo MTM. Eight songs headed to the final:

 

  1. Isabel Campelo, “Malmequer do Campo“, 122 pts, 3rd
  2. Trivium, “Trovas do Demo e d’el Rei“, 84 pts, 5th
  3. Pedro MiguĂ©is, “Todos NĂłs Alguma Vez“, 136 pts, 2nd
  4. Inova Fora Nada, “O Vento Sabe o Que Quer“, 83 pts, 6th
  5. JosĂ© Carvalho, “Lisboa, Minha Linda Cidade“, 92 pts, 4th
  6. Fernanda Lopes, “Se Fores Poema“, 75 pts, 7th
  7. TĂł Carlos, “Ai Dona InĂŞs“, 46 pts, 8th
  8. Sara Tavares, “Chamar a MĂşsica“, 220 pts, 1st

As you can see, Sara Tavares won with a landslide, 84 points ahead of the runner up!

Sara Tavares

Sara Alexandra Lima Tavares, born on February 1, 1978, in Lisbon, Portugal, was a renowned Portuguese singer, composer, guitarist, and percussionist. Of Cape Verdean descent, her parents immigrated to Portugal and settled in Almada in the 1970s. Tavares grew up in Lisbon and faced early family challenges, with her father leaving and her mother moving south with her siblings, leaving Sara in the care of an older woman.

Tavares exhibited remarkable musical talent from a young age. In 1994, at just 16, she won the national television song contest “Chuva de Estrelas,” performing Whitney Houston’s “One Moment in Time.” That same year, she triumphed at the “Festival da Canção,” earning a spot in the 1994 Eurovision Song Contest. Her winning song, “Chamar a MĂşsica,” was included on her debut EP, “Sara Tavares & Shout” (1996), where she blended gospel and funk with Portuguese influences.

Her debut album “Mi Ma BĂ´,” produced by Lokua Kanza, was released in 1999. In 2017, Tavares released the album “Fitxadu,”. It was inspired by Lisbon’s diverse African sounds and cultures, showcasing a more electronic and urban sound. The album earned a Latin Grammy nomination for Best Portuguese Language Roots Album.

Tavares was multilingual, composing in Portuguese, Portuguese-based Creole languages, and occasionally English. Sara was known for singing the European-Portuguese version of “God Help the Outcasts” from the Disney movie “The Hunchback of Notre Dame,”. She won a Disney Award for the best version of the original song with it. She also won a Portuguese Golden Globe for Best Portuguese Singer in 2000.

photo: Henryk Kotowski

Tavares passed away on November 19, 2023, in Lisbon at the age of 45, after a long battle with a brain tumor diagnosed since 2009​​​​​​​​​​​​​​​​. Her death was a great shock in the Eurovision community.

Chamar a MĂşsica

“Chamar a MĂşsica,” the captivating song that Sara Tavares performed at the 1994 Eurovision Song Contest, showcases her exceptional talent as a young artist. At just 16 years old, Tavares brought this melodic and emotionally resonant piece to the Eurovision stage, representing Portugal with grace and artistry. The song is characterized by its smooth, soulful melody. It is blending elements of Portuguese musical tradition with contemporary influences. Although Tavares’ performance was well-received, it ultimately placed 8th in the competition. Despite this, “Chamar a MĂşsica” remains a significant part of her early career, reflecting her deep connection to her cultural roots.

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70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo JĂĽrgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “PoupĂ©e de cire, poupĂ©e de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo JĂĽrgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Ă…se Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo JĂĽrgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci ChĂ©rie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. RaphaĂ«l from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
History
Martijn

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo JĂĽrgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “PoupĂ©e de cire, poupĂ©e de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo JĂĽrgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Ă…se Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo JĂĽrgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci ChĂ©rie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. RaphaĂ«l from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
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