🇳🇱 Blast from the past: The Netherlands 1963

📷 Wikimedia Commons

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1963, when Annie Palmen represented The Netherlands with her song “Een speeldoos”.

The Netherlands in the Eurovision Song Contest

The Netherlands at the Eurovision Song Contest boasts five wins: Corry Brokken (“Net Als Toen”, 1957), Teddy Scholten (“Een Beetje”, 1959), Lenny Kuhr (“De Troubadour”, 1969), Teach-In (“Ding-A-Dong”, 1975) and Duncan Laurence (“Arcade”, 2019). Recent Dutch Eurovision entries show range: in 2022 S10’s “De Diepte” finished 11th; in 2023 Mia Nicolai & Dion Cooper’s “Burning Daylight” did not qualify; in 2024 Joost Klein’s “Europapa” was disqualified before the Grand Final. At Basel 2025 Claude’s “C’est La Vie” reached the final, placing 12th with 175 points. From classic chanson to modern pop, the Netherlands remains a consistent Eurovision contender today.

Cancelled Nationaal Songfestival 1963

As always, Het Nationaal Songfestival was the national final for the Eurovision Song Contest. For the first time, one artist was supposed to sing all the songs, three in total. Annie Palmen was chosen to do the job. The contest should have been held on 23 January in Tivoli, Utrecht. The songs chosen were:

  1. “Een droombeeld” (previously entitled “Geen ander”)
  2. “Hoor je mij”
  3. “Kijk daar is de zon”

Due to a strike, a dispute between Dutch broadcaster NTS and the tv orchestras, the contest had to be postponed until 11 February. The strike was still not over in February. The contest was thus cancelled. A comittee chose “Een droombeeld”. The title later changed into “Een Speeldoos”. On 8 February 1963, the song was presented in the Rudi Carell show.

Annie Palmen

Annie Palmen (born Anna Maria Palmen, 19 August 1926, IJmuiden; died 15 January 2000, Beverwijk) was a Dutch singer. She began as a teenager with dance orchestras around Haarlem and soon became a regular voice on Dutch radio. In 1958 she scored her first hit, “Ik zal je nooit meer vergeten,” which brought her national attention. 

She first entered the Nationaal Songfestival in 1960 with “Wat een geluk,” but the ticket went to Rudi Carrell. In 1963 broadcaster NTS selected Palmen as the artist and planned a televised final with three songs. A musicians’ strike led to the cancellation, and the chosen title “Geen ander” was rewritten and retitled “Een speeldoos.” In London on 23 March 1963 she performed “Een speeldoos,” written by Pieter Goemans, and finished joint last with zero points, tied with Finland, Norway and Sweden that night. 

After Eurovision she changed direction. In 1967 Palmen took the role of Drika with the KRO house orchestra De Boertjes van Buuten on the monthly TV programme Mik. She was invited by entertainer Kees Schilperoort to replace singer Annie de Reuver. Annie accepted the part with some hesitation. The character and the songs proved popular, and a related album reached gold status in 1969. When Mik ended in 1972, Palmen largely withdrew from show business. She died in 2000 after a long illness. Her career links post‑war light music on radio, the early years of the Eurovision Song Contest, and the rise of Dutch television entertainment and comedy on television.

Een straat voor Annie Palmen

On Facebook, the action ‘Een straat voor Annie Palmen’ by Rob Keesen rallied Beverwijk residents to honour the singer with a street name. The municipality embraced the idea, and around 2016 approved Annie Palmenlaan in Beverwijk, North Holland. Supporters and family marked the naming locally, turning an online campaign into a lasting tribute

Een Speeldoos

“Een Speeldoos” represented the Netherlands at the 1963 Eurovision Song Contest in London, performed by Annie Palmen. Written by lyricist Pieter Goemans with music by Dick Schallies, it reworked the earlier selection title “Geen ander” into a fairytale about a shepherd and shepherdess on a music box. The arrangement and melody sit in a gentle, chanson‑styled ballad tradition, with tinkling, music‑box imagery at its heart. On the night in London, the entry failed to score and finished last with nul points, joining three other countries on zero. The song remains a curious, delicate snapshot of early‑sixties Dutch pop at Eurovision.

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It’s time for another weekly Eurovision update, with a mix of sad news and significant developments. Europe’s Eurovision community bids farewell to a former contestant, while broadcasters across the continent share important updates. Here are this week’s top stories: 🇩🇪 Obituary: Inge Brück (1936–2025) Germany’s Eurovision singer Inge Brück passed away on 8 September 2025, aged 88. Born in Mannheim in 1936, she began her career in the 1950s with the Erwin Lehn orchestra. Her breakthrough came in 1957 with the hit “Peter, komm heut’ abend zum Hafen,” which reached the German charts. Brück built a reputation as a versatile performer. She toured with big bands, worked in musical theatre, and appeared on many German television shows. In 1966 she achieved international recognition by winning the Rio de Janeiro Song Festival with “Frag den Wind.” The following year she represented Germany at the Eurovision Song Contest in Vienna. Her ballad “Anouschka,” composed by Hans Blum, finished eighth. Though she did not win, her performance was praised for its elegance and sincerity. The song remains one of the memorable entries of the 1960s. After Eurovision, Brück balanced acting and singing. In 1970 she starred in the ZDF series “Miss Molly Mill,” about a housemaid-turned-detective. The series drew up to 22 million viewers per episode and made Brück a household name. She also sang the show’s theme song, later released as a single. In the mid-1970s she shifted to spiritual and religious music. Together with Katja Ebstein and Peter Horton, she founded Künstler für Christus (Artists for Christ). The group toured churches and festivals, releasing a double album of Christian music. This work reflected Brück’s strong personal faith and her search for deeper meaning in her art. Brück was married to television director Michael Pfleghar, and later to Klaus Überall. In her later years she lived quietly in Meschede. She leaves behind a legacy as one of Germany’s notable entertainers of her time, remembered for her Schlager hits, television success, and of course her Eurovision appearance. The Eurovision community mourns her passing and celebrates her contribution to music and culture. 🇨🇭 Céline Dion’s Missed Comeback French media revealed that Céline Dion was due to make a surprise appearance at Eurovision 2025 in Basel. She had planned to sing “Ne partez pas sans moi,” her winning song from 1988. Dion flew to Switzerland, and hints of her involvement appeared during rehearsals. However, the singer, who suffers from stiff person syndrome, suffered a health crisis at the venue and had to cancel at the last moment. She returned to Las Vegas for treatment. Producers replaced her planned performance with a tribute by other artists. Dion later appeared at a Coldplay concert in Las Vegas, showing better spirits. Still, her illness continues to affect her career. Concerts remain postponed, and her next steps are uncertain. Fans and the Eurovision community continue to send her support. Eric Sallard, Wikimedia Commons 🇪🇸 Spain Questions Israel’s Participation Spain’s Culture Minister Ernest Urtasun said the country might withdraw from Eurovision 2026 if Israel is allowed to compete. Speaking on RTVE television, he argued that Spain “cannot normalise Israel’s participation as if nothing is happening.” Urtasun noted that RTVE has already raised concerns with the European Broadcasting Union. While the final decision lies with RTVE, the minister’s comments put political pressure on the broadcaster. Spain is still planning Benidorm Fest 2026, but a withdrawal remains possible. The EBU will discuss Israel’s status at its December assembly. Spain’s stance, following Slovenia’s earlier warning, highlights the political tension surrounding next year’s contest. Other News in Brief 🇲🇪 Montenegro – RTCG has opened submissions for MonteSong 2025, running until 3 October. Executive producer Vladana Vučinić stressed the festival is a platform for young artists, not a waste of money. 🇮🇹 Italy – RAI and the City of Sanremo confirmed the Sanremo Festival 2026 will stay in Sanremo. The event will run 24–28 February at the Teatro Ariston, with Carlo Conti returning as host. 🇨🇿 Czechia – Česká televize confirmed participation in Eurovision 2026. Entries can be submitted until 19 October, with the act to be chosen internally. 🇸🇲 San Marino – SMRTV confirmed participation and will continue its San Marino Song Contest format until at least 2028, backed by the Tourism Ministry. 🇸🇮 Slovenia – RTVSLO said it may withdraw from Eurovision 2026 if Israel participates. Director Ksenija Horvat stated, “we realistically think we won’t be able to go” under current conditions. Share

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Martijn

Weekly update

It’s time for another weekly Eurovision update, with a mix of sad news and significant developments. Europe’s Eurovision community bids farewell to a former contestant, while broadcasters across the continent share important updates. Here are this week’s top stories: 🇩🇪 Obituary: Inge Brück (1936–2025) Germany’s Eurovision singer Inge Brück passed away on 8 September 2025, aged 88. Born in Mannheim in 1936, she began her career in the 1950s with the Erwin Lehn orchestra. Her breakthrough came in 1957 with the hit “Peter, komm heut’ abend zum Hafen,” which reached the German charts. Brück built a reputation as a versatile performer. She toured with big bands, worked in musical theatre, and appeared on many German television shows. In 1966 she achieved international recognition by winning the Rio de Janeiro Song Festival with “Frag den Wind.” The following year she represented Germany at the Eurovision Song Contest in Vienna. Her ballad “Anouschka,” composed by Hans Blum, finished eighth. Though she did not win, her performance was praised for its elegance and sincerity. The song remains one of the memorable entries of the 1960s. After Eurovision, Brück balanced acting and singing. In 1970 she starred in the ZDF series “Miss Molly Mill,” about a housemaid-turned-detective. The series drew up to 22 million viewers per episode and made Brück a household name. She also sang the show’s theme song, later released as a single. In the mid-1970s she shifted to spiritual and religious music. Together with Katja Ebstein and Peter Horton, she founded Künstler für Christus (Artists for Christ). The group toured churches and festivals, releasing a double album of Christian music. This work reflected Brück’s strong personal faith and her search for deeper meaning in her art. Brück was married to television director Michael Pfleghar, and later to Klaus Überall. In her later years she lived quietly in Meschede. She leaves behind a legacy as one of Germany’s notable entertainers of her time, remembered for her Schlager hits, television success, and of course her Eurovision appearance. The Eurovision community mourns her passing and celebrates her contribution to music and culture. 🇨🇭 Céline Dion’s Missed Comeback French media revealed that Céline Dion was due to make a surprise appearance at Eurovision 2025 in Basel. She had planned to sing “Ne partez pas sans moi,” her winning song from 1988. Dion flew to Switzerland, and hints of her involvement appeared during rehearsals. However, the singer, who suffers from stiff person syndrome, suffered a health crisis at the venue and had to cancel at the last moment. She returned to Las Vegas for treatment. Producers replaced her planned performance with a tribute by other artists. Dion later appeared at a Coldplay concert in Las Vegas, showing better spirits. Still, her illness continues to affect her career. Concerts remain postponed, and her next steps are uncertain. Fans and the Eurovision community continue to send her support. Eric Sallard, Wikimedia Commons 🇪🇸 Spain Questions Israel’s Participation Spain’s Culture Minister Ernest Urtasun said the country might withdraw from Eurovision 2026 if Israel is allowed to compete. Speaking on RTVE television, he argued that Spain “cannot normalise Israel’s participation as if nothing is happening.” Urtasun noted that RTVE has already raised concerns with the European Broadcasting Union. While the final decision lies with RTVE, the minister’s comments put political pressure on the broadcaster. Spain is still planning Benidorm Fest 2026, but a withdrawal remains possible. The EBU will discuss Israel’s status at its December assembly. Spain’s stance, following Slovenia’s earlier warning, highlights the political tension surrounding next year’s contest. Other News in Brief 🇲🇪 Montenegro – RTCG has opened submissions for MonteSong 2025, running until 3 October. Executive producer Vladana Vučinić stressed the festival is a platform for young artists, not a waste of money. 🇮🇹 Italy – RAI and the City of Sanremo confirmed the Sanremo Festival 2026 will stay in Sanremo. The event will run 24–28 February at the Teatro Ariston, with Carlo Conti returning as host. 🇨🇿 Czechia – Česká televize confirmed participation in Eurovision 2026. Entries can be submitted until 19 October, with the act to be chosen internally. 🇸🇲 San Marino – SMRTV confirmed participation and will continue its San Marino Song Contest format until at least 2028, backed by the Tourism Ministry. 🇸🇮 Slovenia – RTVSLO said it may withdraw from Eurovision 2026 if Israel participates. Director Ksenija Horvat stated, “we realistically think we won’t be able to go” under current conditions. Share

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