🇧🇪 Blast from the past: Belgium 1996

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Lisa Del Bo, who represented Belgium in 1996.

Belgium in the Eurovision Song Contest

Belgium is one of the founding countries of the Eurovision Song Contest, having participated since the inaugural event in 1956. Unique to Belgium is its two main broadcasting systems: the Flemish-speaking VRT and the French-speaking RTBF. The broadcasters alternate each year in selecting the nation’s representative for the contest. This alternating system ensures representation from both linguistic communities. Over the years, Belgium has sent songs in Dutch, French, English, and even German. Belgium only won one time: in 1986 Sandra Kim won with a landslide with her song “J’aime La Vie”. However, in 1978 Jean Vallée reached a second place with the song “L’amour, Ça Fait Chanter La Vie”. The contest was, in that year, also broadcast in Jordan. Israel won, but as Jordan didn’t recognize Israel, they mentioned Belgium as the winner. Another time Belgium became 2nd was in 2003, with Urban Trad and “Sanomi”.

In recent years, Belgium did quite well in Eurovision with artists such as Tom Dice (2010), Loïc Nottet (2015), Blanche (2017) and Gustaph (2023).

National Final

The national selection in Belgium in 1996 was called “De Gouden Zeemeermin” (The Golden Mermaid). Four semifinals with ten songs each were held. Michel Follet and Alexandra Potvin hosted these shows, as well as the final. On March 9th, in the Casino of Knokke, the final selection was made:

  1. Lisa Del Bo, “Liefde is een kaartspel“, 215 pts, 1st
  2. Patrick Alessi, “Een andere wereld”, 73 pts, 11th
  3. Chelsy, “Kijk me aan“, 128 pts, 8th
  4. William Reven, “Zo voel ik vandaag“, 119 pts, 9th
  5. Nadia, “Morgen komt de lente”, 135 pts, 7th
  6. Peter Van Laet, “Er is iets“, 143, 4th
  7. Sabien Tiels, “Nooit meer alleen“, 139 pts, 6th
  8. Doran, “Jij alleen”, 37 pts, 12th
  9. Gary Hagger, “Dat ik hou van jou“, 141 pts, 5th
  10. Splinter, “Ik laat je nooit meer gaan“, 189 pts, 2nd
  11. Enzo, “Mooi“, 151 pts, 3rd
  12. Mario Caselli, “Mademoiselle“, 90 pts, 10th

Before the final, male trio Enzo was among the favourites, but in the end they didn’t win; Lisa Del Bo did. Anyone who wants to rewatch the entire show: that is possible! You can watch it here!

Lisa Del Bo

Lisa Del Bo was born on 9 July 1961 in Mopertingen, Bree, Belgium. From a young age, she showed an interest in music, though details of her early life and musical education are not widely documented.

In 1990, she was the winner of the Belgian version of the Dutch Soundmixshow with the song “What’s a woman” by Vaya Con Dios. She has since released 13 albums.

In 1993, Del Bo participated in Eurosong, the Belgian preliminary round for the Eurovision Song Contest. In this, she finished third with the song “Vlinder”, behind Barbara Dex. Three years later, in 1996, Del Bo took another chance in the Belgian pre-selection. With the song “Liefde is een kaartspel”, she managed to win and therefore got to represent Belgium in that year’s Eurovision Song Contest.

Lisa Del Bo cooperated with Luc Steeno and Willy Sommers on a duet album, “De mooiste duetten en méér”. Her most recent album, “Niet alleen”, was released in 2022. All of her albums reached the album charts and were successes.

Liefde is een kaartspel

“Liefde is een kaartspel” is a melodic song that uses card-playing as a metaphor for the game of love. The song was composed by Siirak Brogden and John Terra, with Daniël Ditmar writing the lyrics. The lyrics convey the idea that, in love, just as in card games, there’s an element of chance and unpredictability. You might not always win, but it’s worth taking the risk. At the Eurovision Song Contest, which took place in Oslo, Norway, the song was performed in Dutch. Despite being considered a contender by some, the song finished 16th place out of 23 participants, which was somewhat of a disappointment for the Belgian delegation.

In 2001, the Swedish entry “Listen To your Heartbeat” was accused of plagiarism. It was supposed to be a copy of “Liefde is een kaartspel”. The composers of the Swedish song, Thomas G:son and Henrik Sethsson, denied it. They said the similarities were a coincidence. In 2003, the Belgian music association, SABAM, declared that the song “Listen to Your Heartbeat” was a case of plagiarism. Though the song’s composers refuted the claims, they faced potential legal action from the lyricists and composers of “Liefde is een kaartspel”. To resolve the matter, the Swedish delegation agreed to a financial settlement.

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Vienna 12 points: saturday’s rehearsals

The 70th Eurovision Song Contest officially kicked off today in Vienna. First rehearsals remain closed to press — only three approved images per country will be released. Meanwhile, the official Eurovision subreddit is providing live descriptions of each performance. Eurovision Universe tried to find more information than the Eurovision blog provides us. We hope we succeeded in that. All countries below compete in Semi-Final 1 on Tuesday, 12 May. 🇲🇩 Moldova – Satoshi, “Viva Moldova!” Running order: 1 | Rehearsal: 10:30–11:00 CEST Moldova opened the entire contest on Saturday morning, and Satoshi hit the Wiener Stadthalle stage first among all 35 competing nations. In the lead-up to today’s rehearsal, he spoke openly to Moldovan state broadcaster Moldova 1 about his methodical preparation. “We record every rehearsal and analyse our performance, repeating exactly the movements we will make. We don’t have a rigid choreography, but we do have set positions. I feel quite confident. Things are happening as we planned.” Moreover, producer Roman Burlaca confirmed sweeping changes to the staging. Costumes are completely new, LED visuals have been upgraded, special effects added. A surprise “repeatable element” will be built in, though Burlaca stayed tight-lipped: “You will see it soon and understand.” Additionally, Satoshi announced on his Facebook page that the official music video was directed by Roman Burlaca, recorded by Nicu Lungu, and features the JOC National Ballet. Moldova performs 1st in Semi-Final 1 on 12 May. Moldova1 + 2 🇸🇪 Sweden – FELICIA, “My System” Running order: 2 | Rehearsal: 11:10–11:40 CEST According to the official Eurovision Reddit live blog, the performance opens with a smoke machine parting to reveal FELICIA, mask firmly on, before lasers engulf the entire stage. Crucially, Vienna brings something entirely new: in the second verse, FELICIA physically battles the lasers with her bare hands before taming them to frame her poses. Furthermore, the synths near the song’s climax make the arena floor physically vibrate. As a finale, a giant projection of FELICIA climbs out of the screens and into the audience. Swedish press were enthusiastic ahead of Vienna. Matilda Källén of Dagens Nyheter called the staging “maxed out, well-choreographed, and ready for Eurovision,” while Johan Hammerby of Hallandsposten dubbed it “world-class.” 🇭🇷 Croatia – LELEK, “Andromeda” Running order: 3 | Rehearsal: 11:50–12:20 CEST According to the Eurovision Reddit live blog, the performance opens with a walk down the full catwalk from the Green Room to the main stage. The five members then perform in deep blood-red robes, a visual step up from their Dora-winning look. LED screens carry the audience from a cave through a forest before closing with a wormhole sequence. Croatia Week described “Andromeda” as an atmospheric, cinematic ethno-pop track with powerful vocals, dramatic builds, and elements drawing from Croatian and Bosnian historical and cultural themes. This addresses generational trauma, resistance, and the strength of women across generations. At the heart of the song lies the tradition of sicanje. As Croatia Week explains, sicanje is a practice in which Croatian Catholics in parts of Bosnia, Herzegovina and Dalmatia tattooed crosses on their skin as a mark of identity and protection, particularly during times of oppression or the threat of forced conversion. Ahead of Vienna, HRT Magazine reported that LELEK themselves described the pressure of being favourites as “wind in our backs rather than a burden,” adding: “We don’t even want to imagine how it will be. We want to absorb the first emotion when we go on stage.” Furthermore, Telegrafi noted that the song’s lyrics, written by Tomislav Roso, with music by Filip Lacković, Lazar Pajić and Zorja Pajić, sparked international attention even before the Vienna rehearsals began, including a debate in Turkey over the song’s historical references.  Croatia Week + 3 🇬🇷 Greece – Akylas, “Ferto” Running order: 4 | Rehearsal: 12:45–13:15 CEST Greece enters Vienna as one of the strongest favourites, yet the delegation is actively keeping the full staging under wraps, a strategy that immediately recalls Joost Klein (Netherlands, 2024), who famously refused to reveal his “Europapa” staging until the live show in Malmö. Today’s Reddit live blog confirmed that Akylas performs in an orange and black outfit with furry boots and a distinctive hat, building a video game-like world on stage. Then he stops, removes his shades, and addresses his mother directly. However, key elements of the staging deliberately remain hidden. Speaking to ERT before flying to Vienna, Akylas said: “I don’t feel stressed, mainly excitement. We have studied everything and I believe that we will perform very well.” Creative director Fokas Evangelinos added: “It is a three-minute story with a beginning, middle and end, full of humour and emotion.” True to that approach, when a fan asked on Instagram after the stand-in rehearsal how it went, Akylas replied with just three words: “We’re doing very well.” No spoilers. No details. Exactly as planned.  🇵🇹 Portugal – Bandidos do Cante, “Rosa” Running order: 5 | Rehearsal: 13:25–13:55 CEST Portugal closed the opening rehearsal block. The group departed Lisbon Airport at 08:00 on 1 May, arriving in Vienna with their first Wiener Stadthalle rehearsal scheduled for the very next morning. In the days before arriving, broadcaster RTP actively posted on social media that the staging of “Rosa” has been reworked for Vienna, though the group deliberately kept the exact changes under wraps. The Portugal Post described “Rosa” as a performance that translates Alentejo heritage into something resonant across language barriers. That heritage is Cante Alentejano. This is a traditional vocal style the Alentejo region carries proudly.It even is UNESCO-recognised Intangible Cultural Heritage of Humanity. Bandidos do Cante offer something genuinely different: five voices, one tradition, and a song that quietly demands your full attention.  Lidador Noticias + 3 🇬🇪 Georgia – Bzikebi, “On Replay” Running order: 6 | Rehearsal: 15:00–15:30 CEST Georgia’s Eurovision 2026 rehearsal brought Bzikebi back to the big stage with a clear nod to their Junior Eurovision past. The trio wore black and yellow, but in a much more futuristic version than in 2008: yellow catsuits

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Martijn

Vienna 12 points: saturday’s rehearsals

The 70th Eurovision Song Contest officially kicked off today in Vienna. First rehearsals remain closed to press — only three approved images per country will be released. Meanwhile, the official Eurovision subreddit is providing live descriptions of each performance. Eurovision Universe tried to find more information than the Eurovision blog provides us. We hope we succeeded in that. All countries below compete in Semi-Final 1 on Tuesday, 12 May. 🇲🇩 Moldova – Satoshi, “Viva Moldova!” Running order: 1 | Rehearsal: 10:30–11:00 CEST Moldova opened the entire contest on Saturday morning, and Satoshi hit the Wiener Stadthalle stage first among all 35 competing nations. In the lead-up to today’s rehearsal, he spoke openly to Moldovan state broadcaster Moldova 1 about his methodical preparation. “We record every rehearsal and analyse our performance, repeating exactly the movements we will make. We don’t have a rigid choreography, but we do have set positions. I feel quite confident. Things are happening as we planned.” Moreover, producer Roman Burlaca confirmed sweeping changes to the staging. Costumes are completely new, LED visuals have been upgraded, special effects added. A surprise “repeatable element” will be built in, though Burlaca stayed tight-lipped: “You will see it soon and understand.” Additionally, Satoshi announced on his Facebook page that the official music video was directed by Roman Burlaca, recorded by Nicu Lungu, and features the JOC National Ballet. Moldova performs 1st in Semi-Final 1 on 12 May. Moldova1 + 2 🇸🇪 Sweden – FELICIA, “My System” Running order: 2 | Rehearsal: 11:10–11:40 CEST According to the official Eurovision Reddit live blog, the performance opens with a smoke machine parting to reveal FELICIA, mask firmly on, before lasers engulf the entire stage. Crucially, Vienna brings something entirely new: in the second verse, FELICIA physically battles the lasers with her bare hands before taming them to frame her poses. Furthermore, the synths near the song’s climax make the arena floor physically vibrate. As a finale, a giant projection of FELICIA climbs out of the screens and into the audience. Swedish press were enthusiastic ahead of Vienna. Matilda Källén of Dagens Nyheter called the staging “maxed out, well-choreographed, and ready for Eurovision,” while Johan Hammerby of Hallandsposten dubbed it “world-class.” 🇭🇷 Croatia – LELEK, “Andromeda” Running order: 3 | Rehearsal: 11:50–12:20 CEST According to the Eurovision Reddit live blog, the performance opens with a walk down the full catwalk from the Green Room to the main stage. The five members then perform in deep blood-red robes, a visual step up from their Dora-winning look. LED screens carry the audience from a cave through a forest before closing with a wormhole sequence. Croatia Week described “Andromeda” as an atmospheric, cinematic ethno-pop track with powerful vocals, dramatic builds, and elements drawing from Croatian and Bosnian historical and cultural themes. This addresses generational trauma, resistance, and the strength of women across generations. At the heart of the song lies the tradition of sicanje. As Croatia Week explains, sicanje is a practice in which Croatian Catholics in parts of Bosnia, Herzegovina and Dalmatia tattooed crosses on their skin as a mark of identity and protection, particularly during times of oppression or the threat of forced conversion. Ahead of Vienna, HRT Magazine reported that LELEK themselves described the pressure of being favourites as “wind in our backs rather than a burden,” adding: “We don’t even want to imagine how it will be. We want to absorb the first emotion when we go on stage.” Furthermore, Telegrafi noted that the song’s lyrics, written by Tomislav Roso, with music by Filip Lacković, Lazar Pajić and Zorja Pajić, sparked international attention even before the Vienna rehearsals began, including a debate in Turkey over the song’s historical references.  Croatia Week + 3 🇬🇷 Greece – Akylas, “Ferto” Running order: 4 | Rehearsal: 12:45–13:15 CEST Greece enters Vienna as one of the strongest favourites, yet the delegation is actively keeping the full staging under wraps, a strategy that immediately recalls Joost Klein (Netherlands, 2024), who famously refused to reveal his “Europapa” staging until the live show in Malmö. Today’s Reddit live blog confirmed that Akylas performs in an orange and black outfit with furry boots and a distinctive hat, building a video game-like world on stage. Then he stops, removes his shades, and addresses his mother directly. However, key elements of the staging deliberately remain hidden. Speaking to ERT before flying to Vienna, Akylas said: “I don’t feel stressed, mainly excitement. We have studied everything and I believe that we will perform very well.” Creative director Fokas Evangelinos added: “It is a three-minute story with a beginning, middle and end, full of humour and emotion.” True to that approach, when a fan asked on Instagram after the stand-in rehearsal how it went, Akylas replied with just three words: “We’re doing very well.” No spoilers. No details. Exactly as planned.  🇵🇹 Portugal – Bandidos do Cante, “Rosa” Running order: 5 | Rehearsal: 13:25–13:55 CEST Portugal closed the opening rehearsal block. The group departed Lisbon Airport at 08:00 on 1 May, arriving in Vienna with their first Wiener Stadthalle rehearsal scheduled for the very next morning. In the days before arriving, broadcaster RTP actively posted on social media that the staging of “Rosa” has been reworked for Vienna, though the group deliberately kept the exact changes under wraps. The Portugal Post described “Rosa” as a performance that translates Alentejo heritage into something resonant across language barriers. That heritage is Cante Alentejano. This is a traditional vocal style the Alentejo region carries proudly.It even is UNESCO-recognised Intangible Cultural Heritage of Humanity. Bandidos do Cante offer something genuinely different: five voices, one tradition, and a song that quietly demands your full attention.  Lidador Noticias + 3 🇬🇪 Georgia – Bzikebi, “On Replay” Running order: 6 | Rehearsal: 15:00–15:30 CEST Georgia’s Eurovision 2026 rehearsal brought Bzikebi back to the big stage with a clear nod to their Junior Eurovision past. The trio wore black and yellow, but in a much more futuristic version than in 2008: yellow catsuits

Read More »
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