🇧🇪 Blast from the past: Belgium 1996

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Lisa Del Bo, who represented Belgium in 1996.

Belgium in the Eurovision Song Contest

Belgium is one of the founding countries of the Eurovision Song Contest, having participated since the inaugural event in 1956. Unique to Belgium is its two main broadcasting systems: the Flemish-speaking VRT and the French-speaking RTBF. The broadcasters alternate each year in selecting the nation’s representative for the contest. This alternating system ensures representation from both linguistic communities. Over the years, Belgium has sent songs in Dutch, French, English, and even German. Belgium only won one time: in 1986 Sandra Kim won with a landslide with her song “J’aime La Vie”. However, in 1978 Jean Vallée reached a second place with the song “L’amour, Ça Fait Chanter La Vie”. The contest was, in that year, also broadcast in Jordan. Israel won, but as Jordan didn’t recognize Israel, they mentioned Belgium as the winner. Another time Belgium became 2nd was in 2003, with Urban Trad and “Sanomi”.

In recent years, Belgium did quite well in Eurovision with artists such as Tom Dice (2010), Loïc Nottet (2015), Blanche (2017) and Gustaph (2023).

National Final

The national selection in Belgium in 1996 was called “De Gouden Zeemeermin” (The Golden Mermaid). Four semifinals with ten songs each were held. Michel Follet and Alexandra Potvin hosted these shows, as well as the final. On March 9th, in the Casino of Knokke, the final selection was made:

  1. Lisa Del Bo, “Liefde is een kaartspel“, 215 pts, 1st
  2. Patrick Alessi, “Een andere wereld”, 73 pts, 11th
  3. Chelsy, “Kijk me aan“, 128 pts, 8th
  4. William Reven, “Zo voel ik vandaag“, 119 pts, 9th
  5. Nadia, “Morgen komt de lente”, 135 pts, 7th
  6. Peter Van Laet, “Er is iets“, 143, 4th
  7. Sabien Tiels, “Nooit meer alleen“, 139 pts, 6th
  8. Doran, “Jij alleen”, 37 pts, 12th
  9. Gary Hagger, “Dat ik hou van jou“, 141 pts, 5th
  10. Splinter, “Ik laat je nooit meer gaan“, 189 pts, 2nd
  11. Enzo, “Mooi“, 151 pts, 3rd
  12. Mario Caselli, “Mademoiselle“, 90 pts, 10th

Before the final, male trio Enzo was among the favourites, but in the end they didn’t win; Lisa Del Bo did. Anyone who wants to rewatch the entire show: that is possible! You can watch it here!

Lisa Del Bo

Lisa Del Bo was born on 9 July 1961 in Mopertingen, Bree, Belgium. From a young age, she showed an interest in music, though details of her early life and musical education are not widely documented.

In 1990, she was the winner of the Belgian version of the Dutch Soundmixshow with the song “What’s a woman” by Vaya Con Dios. She has since released 13 albums.

In 1993, Del Bo participated in Eurosong, the Belgian preliminary round for the Eurovision Song Contest. In this, she finished third with the song “Vlinder”, behind Barbara Dex. Three years later, in 1996, Del Bo took another chance in the Belgian pre-selection. With the song “Liefde is een kaartspel”, she managed to win and therefore got to represent Belgium in that year’s Eurovision Song Contest.

Lisa Del Bo cooperated with Luc Steeno and Willy Sommers on a duet album, “De mooiste duetten en méér”. Her most recent album, “Niet alleen”, was released in 2022. All of her albums reached the album charts and were successes.

Liefde is een kaartspel

“Liefde is een kaartspel” is a melodic song that uses card-playing as a metaphor for the game of love. The song was composed by Siirak Brogden and John Terra, with Daniël Ditmar writing the lyrics. The lyrics convey the idea that, in love, just as in card games, there’s an element of chance and unpredictability. You might not always win, but it’s worth taking the risk. At the Eurovision Song Contest, which took place in Oslo, Norway, the song was performed in Dutch. Despite being considered a contender by some, the song finished 16th place out of 23 participants, which was somewhat of a disappointment for the Belgian delegation.

In 2001, the Swedish entry “Listen To your Heartbeat” was accused of plagiarism. It was supposed to be a copy of “Liefde is een kaartspel”. The composers of the Swedish song, Thomas G:son and Henrik Sethsson, denied it. They said the similarities were a coincidence. In 2003, the Belgian music association, SABAM, declared that the song “Listen to Your Heartbeat” was a case of plagiarism. Though the song’s composers refuted the claims, they faced potential legal action from the lyricists and composers of “Liefde is een kaartspel”. To resolve the matter, the Swedish delegation agreed to a financial settlement.

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). 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He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. 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The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. 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