Weekly Update

It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories:

Israel Stays in Eurovision 2026 & New Rules Approved
EBU Confirms Israel’s Participation

At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy.

Broadcasters Approve New Contest Rules

Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies.

Martin Green

Spain, Ireland and Others Withdraw in Protest

Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace.

Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding.

Melody, Spain 2025, EBU

Mixed Reactions from Across Europe

Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-Noël Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland Weißmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants.

Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in.

Outlook: A Fractured Contest Ahead?

Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RÚV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers.

Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest.

As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

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Eurovision 2026

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

Read More »
Eurovision 2026
Martijn

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

Read More »
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