Blast from the past: Turkey 1983

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1983, when Çetin Alp & Short Wave represented Turkey with their song “Opera”.

Turkey in the Eurovision Song Contest

Turkey debuted in the Eurovision Song Contest in 1975 and competed until 2012. The country won once, in 2003, when Sertab Erener’s “Everyway That I Can” brought the trophy to Türkiye for the first time. Istanbul hosted the 2004 contest. Through the 2000s, Turkey mixed pop, rock and ethnic sounds, with entries by artists such as Kenan Doğulu, Mor ve Ötesi, Hadise and maNga earning regular top ten finishes. Turkey withdrew after 2012, citing rules on juries, televoting and the “Big Five”. Discussions about a return surface periodically, but no comeback has followed. The broadcaster has not announced future participation.

7. Eurovision Şarkı Yarışması Türkiye Finali

The Turkish entry was chosen out of 8 songs in what was called 7. Eurovision Şarkı Yarışması Türkiye Finali (7th Eurovision Song Contest Türkiye Final). The results were decided by an expert jury. Only the top-3 was announced.

  1. Müzisyen, sung by Vedat Sakman
  2. Boğaziçi, sung by Hakan Sıvacı
  3. Heyecan, sung by Ayşegül Aldinç (3rd place)
  4. Yaşayamam, sung by Mehmet Şengenç
  5. Dön bana, sung by Coşkun Demir
  6. Opera, sung by Çetin Alp & Short Wave (1st place)
  7. Heyamola, sung by Mavi Yolcular
  8. Atlantis, sung by Beş Yıl Önce, On Yıl Sonra (2nd place)

Ayşegül Aldinç already represented Turkey in 1981, for Beş Yıl Önce, On Yıl Sonra the time had not come yet. They had to wait a year for their turn.

Çetin Alp & Short Wave

Çetin Küçükarslan, known as Çetin Alp (21 June 1947, Malatya – 18 May 2004, Istanbul), was a Turkish pop singer. His career unfolded across the 1970s and 1980s. He came to notice after winning the Altın Ses competition and began releasing 45s. Early singles included “Günah Bize / Meçhul Karanlık” (1970), “Ayrılık Yok Artık / Bir Gün Biter Demiştin” (1972) and “Bir Kadeh Atınca Birşeyin Kalmaz / Hatıralar” (1973). In the late 1970s he recorded “Çek Çek / Sana Ne Olmuş” and continued to appear with orchestras led by Yurdaer Doğulu and Zekai Apaydın.

During the early 1980s Alp performed with Kısa Dalga Vokal Grubu, known internationally as The Short Wave, a three‑voice pop ensemble active in 19761980 that reunited periodically. Their collaboration culminated in 1983, when the group supported him on stage in Eurovision and in television appearances. The Short Wave’s members released several disco‑pop albums of their own.

Away from the stage, Alp’s legal name was Çetin Küçükarslan. He was married and divorced more than once; in the 1980s he lived and worked for several years with actress‑singer Suna Yıldızoğlu, with whom he also recorded the duet “Sonsuz Aşk” (1981). 

In later years he continued to perform in Turkey. Alp had long‑standing heart problems and died in Istanbul in May 2004, aged fifty‑six. His recordings—especially the run of 1970s 45s—and his brief partnership with The Short Wave preserve his place in Turkish popular music today.

Opera

“Opera” is the 1983 Turkish Eurovision entry performed by Çetin Alp with the vocal group The Short Wave. Written by Aysel Gürel and composed by Buğra Uğur, the song is an uptempo tribute to opera, with lyrics that reference well‑known works and a chorus built on fanfare‑style hooks. On stage in Munich, Alp performed with the group’s close harmonies and straightforward choreography. On the night, however, the juries awarded the song no points. It therefore tied for last place at the Eurovision Song Contest final that year. “Opera” remains a snapshot of Turkey’s early‑1980s pop experimentation on an international stage.

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Weekly Update

It’s time for another weekly update on Eurovision. Big developments are underway as the Eurovision Song Contest 2026 takes shape. The EBU’s Reference Group has welcomed a new member to help steer the contest’s future. National selection season is kicking off. Luxembourg has completed a unique “team-up” submission phase. Austria is bringing back a televised national final. Ukraine is consulting fans on how to improve its selection process. Switzerland just opened its song submission window. Meanwhile, Cyprus confirmed its participation for 2026, and buzz is building about a possible Eurovision comeback for a former Belgian star. Here are this week’s top stories: Reference Group Welcomes New Member Ahead of Eurovision 2026 The Eurovision Song Contest Reference Group, the committee that guides contest strategy, has a new addition. Michael Krön, Executive Producer for Eurovision 2026, has officially joined the Reference Group as the representative of host broadcaster ORF. Krön is the Chief Producer at ORF and will oversee the 70th edition of the contest in Austria, filling the spot reserved for the upcoming host country. His appointment means the Reference Group now once again has all host broadcaster positions filled. source: EBU Luxembourg: ‘Team-Up’ Phase Completed for Eurovision 2026 Selection Luxembourg’s journey to Eurovision 2026 is well underway. The Luxembourg Song Contest 2026 introduced a special “team-up” initiative to pair artists with songwriters. Applications for this team-up process have now closed as of August 4. This allowed Luxembourgish artists without a song to connect with local or international songwriters (and vice versa), forming teams to create entries. Those newly formed teams have until September 21 to complete their songs and submit them through the main selection window. Once the submission window closes on September 21, all entries will be reviewed. Successful candidates will be invited to audition in front of an international expert jury in October. This jury will then select the finalists for the national final. The winner of that final will earn the chance to represent Luxembourg in Eurovision’s 70th edition. source: eurovoix.com 📷 EBU/Corinne Cumming Austria Brings Back a National Final for 2026 Austria: ORF will stage a televised national final to choose the Eurovision 2026 entry. The broadcaster announced a late‑February 2026 show. Ten acts will compete for the ticket to Eurovision. Austria returns to a public selection on home soil, a big TV evening with plenty of audience involvement. Televoters and professional juries will decide the winner. ORF invites artists and bands to apply, and an internal panel will then select the ten finalists. ORF will share the exact date and format in the coming months. The broadcaster is also finalizing hosting duties, Vienna or Innsbruck, and plans to announce the host city later in August. source: ORF 📷 ORF/Thomas Ramstorfer Ukraine’s Broadcaster Seeks Fan Input on Eurovision Strategy Suspilne, Ukraine’s public broadcaster, took an innovative step this week by holding a listening session with Eurovision fans in Kyiv. The Head of Delegation Oksana Skybinska and popular Eurovision commentator Timur Miroshnychenko attended the meeting to hear feedback on how Ukraine approaches the contest. The goal was to discuss ways to improve Ukraine’s national selection process for Eurovision. Ukraine has tried various selection methods since its debut in 2003. This fan-inclusive discussion suggests the broadcaster is considering changes to keep up its strong Eurovision track record. Notably, Ukraine has not yet publicly confirmed its participation in Eurovision 2026. If it does take part in Austria next year, it will be Ukraine’s first Eurovision in Austria, as the country sat out the 2015 contest. For now, Suspilne is proactively gathering ideas on how to make their Eurovision entry as successful as possible. source: Suspilne Switzerland Opens Song Submission Window for 2026 Switzerland has officially opened the search for its Eurovision 2026 song. Swiss broadcaster SRG SSR began accepting song submissions on August 4, and the window will remain open until August 25, 2025. Songwriters, artists, and producers are invited to send in their entries (up to five per artist/team). Once the submission period closes, Switzerland will hold multiple audition rounds to select its entry. The selection process will mirror last year’s approach: a Swiss audience jury, an international audience jury, and an international expert jury (comprised of 25 former Eurovision national jurors) will evaluate the songs in several stages. Through this combination of domestic and international feedback, the Swiss entry for Eurovision 2026 will be chosen, with the winning song and artist set to be revealed in early 2026. Switzerland will be aiming to continue its recent success, after finishing 10th in 2025 on home ground in Basel. source: Eurovoix 📷 EBU/Alma Bengtsson Cyprus Confirms Eurovision 2026 Participation The list of countries committing to Eurovision 2026 keeps growing. This week Cyprus officially joined the party for next year’s contest in Austria. Cypriot broadcaster CyBC confirmed that Cyprus will compete at the Eurovision Song Contest 2026. Cyprus thus becomes one of the early confirmed participants for the 70th Eurovision edition. It’s not yet known how the Cypriot entry will be selected – the broadcaster hasn’t announced whether it will opt for an internal selection or a national final for 2026. (In recent years, CyBC has often chosen its artist and song internally.) More details on Cyprus’s Eurovision 2026 project are expected in due course. The Mediterranean nation has yet to win Eurovision, but it will be hoping that 2026 might finally be the year to go one better than its best-ever 2nd place finish in 2018. source: esctoday.com Other News in Brief Belgium: Rumors swirled this week that Loïc Nottet, Belgium’s 2015 Eurovision star and fourth-place finisher in Vienna, could return in 2026. French media reported that RTBF had internally chosen him. RTBF denied the report, saying it hasn’t selected an artist for 2026 and is still running its usual selection process. Belgium has not yet officially confirmed its participation. For now, a Loïc Nottet comeback is only a rumor; officials say they haven’t made any decisions about the 2026 entry. source: Het Nieuwsblad That’s all for this

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Blast from the past: Turkey 1983

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1983, when Çetin Alp & Short Wave represented Turkey with their song “Opera”. Turkey in the Eurovision Song Contest Turkey debuted in the Eurovision Song Contest in 1975 and competed until 2012. The country won once, in 2003, when Sertab Erener’s “Everyway That I Can” brought the trophy to Türkiye for the first time. Istanbul hosted the 2004 contest. Through the 2000s, Turkey mixed pop, rock and ethnic sounds, with entries by artists such as Kenan Doğulu, Mor ve Ötesi, Hadise and maNga earning regular top ten finishes. Turkey withdrew after 2012, citing rules on juries, televoting and the “Big Five”. Discussions about a return surface periodically, but no comeback has followed. The broadcaster has not announced future participation. 7. Eurovision Şarkı Yarışması Türkiye Finali The Turkish entry was chosen out of 8 songs in what was called 7. Eurovision Şarkı Yarışması Türkiye Finali (7th Eurovision Song Contest Türkiye Final). The results were decided by an expert jury. Only the top-3 was announced. Müzisyen, sung by Vedat Sakman Boğaziçi, sung by Hakan Sıvacı Heyecan, sung by Ayşegül Aldinç (3rd place) Yaşayamam, sung by Mehmet Şengenç Dön bana, sung by Coşkun Demir Opera, sung by Çetin Alp & Short Wave (1st place) Heyamola, sung by Mavi Yolcular Atlantis, sung by Beş Yıl Önce, On Yıl Sonra (2nd place) Ayşegül Aldinç already represented Turkey in 1981, for Beş Yıl Önce, On Yıl Sonra the time had not come yet. They had to wait a year for their turn. Çetin Alp & Short Wave Çetin Küçükarslan, known as Çetin Alp (21 June 1947, Malatya – 18 May 2004, Istanbul), was a Turkish pop singer. His career unfolded across the 1970s and 1980s. He came to notice after winning the Altın Ses competition and began releasing 45s. Early singles included “Günah Bize / Meçhul Karanlık” (1970), “Ayrılık Yok Artık / Bir Gün Biter Demiştin” (1972) and “Bir Kadeh Atınca Birşeyin Kalmaz / Hatıralar” (1973). In the late 1970s he recorded “Çek Çek / Sana Ne Olmuş” and continued to appear with orchestras led by Yurdaer Doğulu and Zekai Apaydın. During the early 1980s Alp performed with Kısa Dalga Vokal Grubu, known internationally as The Short Wave, a three‑voice pop ensemble active in 1976–1980 that reunited periodically. Their collaboration culminated in 1983, when the group supported him on stage in Eurovision and in television appearances. The Short Wave’s members released several disco‑pop albums of their own. Away from the stage, Alp’s legal name was Çetin Küçükarslan. He was married and divorced more than once; in the 1980s he lived and worked for several years with actress‑singer Suna Yıldızoğlu, with whom he also recorded the duet “Sonsuz Aşk” (1981).  In later years he continued to perform in Turkey. Alp had long‑standing heart problems and died in Istanbul in May 2004, aged fifty‑six. His recordings—especially the run of 1970s 45s—and his brief partnership with The Short Wave preserve his place in Turkish popular music today. Opera “Opera” is the 1983 Turkish Eurovision entry performed by Çetin Alp with the vocal group The Short Wave. Written by Aysel Gürel and composed by Buğra Uğur, the song is an uptempo tribute to opera, with lyrics that reference well‑known works and a chorus built on fanfare‑style hooks. On stage in Munich, Alp performed with the group’s close harmonies and straightforward choreography. On the night, however, the juries awarded the song no points. It therefore tied for last place at the Eurovision Song Contest final that year. “Opera” remains a snapshot of Turkey’s early‑1980s pop experimentation on an international stage. Share

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