🇼🇾 Blast from the Past: Iceland 1989

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today this year’s last one before we fully head over to the national final season: Iceland 1989.

Iceland in the Eurovision Song Contest

Iceland’s journey in the Eurovision Song Contest is a tale of persistence, creativity, and cultural expression. Debuting in 1986, this small island nation has become a Eurovision staple, despite never securing the coveted first place. Iceland’s music scene, known for its distinctiveness and innovation, is reflected in their Eurovision entries, ranging from pop and rock to avant-garde and electronic.

Iceland’s near-victories include the uptempo song Selma presented in 1999: “All Out Of Luck” and Yohanna‘s heartfelt ballad “Is It True?” in 2009. Both songs reached a 2nd place. Daði og Gagnamagnið‘s quirky, yet catchy “Think About Things” was the top favourite to win in 2020. Unfortunately it didn’t happen as the contest was cancelled due to COVID19.

One Icelandic entry ended up with a zero: “Það sem enginn sĂ©r” by Daniel ÁgĂșst Haraldsson. That is the song we talk about today.

photo: RUV

Söngvakeppnin 1989

The Icelandic national final is called Söngvakeppnin. In 1989 it contained only five songs, being:

  1. Það sem enginn sĂ©r“, by Daniel ÁgĂșst Haraldsson, 66 pts, 1st
  2. ÞĂș leiddir mig i ljĂłs“, by JĂłhanna Linnet, 30 pts, 5th
  3. Linudans“, by Ellen KristjĂĄnsdĂłttir & Mannakorn, 58 pts, 2nd
  4. SĂłley“, by Björgvin HalldĂłrsson & Katla Maria, 44 pts, 4th
  5. Alpatwist” by BĂ­tlavinafĂ©lagið, 58 pts, 2nd

When the winner was announced, it was not a happy moment for Daniel. Whoever saw the national final could conclude that the singer didn’t express a single sign of happiness. The entire show can be watched here.

Daniel ÁgĂșst Haraldsson

Daniel ÁgĂșst Haraldsson, an Icelandic musician with a distinctive artistic vision, has carved a unique niche in the world of music. Born on August 26, 1969, in Reykjavik, Iceland, Daniel ÁgĂșst grew up in a country known for its rich musical heritage and stunning landscapes, both of which have influenced his artistic journey.

Daniel ÁgĂșst’s musical career began to take shape in the 1980s when he co-founded the band NĂœdönsk, one of Iceland’s most popular bands. Known for their blend of rock and brass, NĂœdönsk became a cornerstone of the Icelandic music scene. His tenure with NĂœdönsk showcased his versatility as a musician and his ability to blend different genres seamlessly.

In 1989, as said, he won Söngvakeppnin and thus represented Iceland in the Eurovision Song Contest. Unfortunately, Daniel didn’t manage to earn any points with his song.

In 1994, Daniel ÁgĂșst’s musical direction took a significant turn when he joined GusGus, a collective known for its eclectic mix of electronic, house, and techno music. As one of the founding members, he contributed to the band’s first two albums, notably their self-titled debut and “Polydistortion,” which gained international acclaim. His work with GusGus solidified his reputation as a talented and innovative artist in the electronic music scene.

After his stint with GusGus, Daniel ÁgĂșst embarked on a solo career, exploring new musical territories. His solo debut, “Swallowed a Star” (2005), was a critical success, lauded for its experimental approach and emotional depth. The album demonstrated his ability to craft intricate soundscapes that are both haunting and beautiful.

Aside from his band and solo work, Daniel ÁgĂșst has been involved in various collaborations and projects, contributing to film soundtracks and working with other artists.

Það sem enginn sĂ©r

“Það sem enginn sĂ©r” stands out for its emotive and introspective nature, showcasing Daniel ÁgĂșst’s distinctive vocal style. The song’s lyrical depth, exploring themes of introspection and the unseen struggles of the human experience, resonated with the Icelandic audience, making it a strong choice for Eurovision. The song was written and composed by Valgeir GuðjĂłnsson, who previously wrote the 1987 Icelandic entry for Halla MĂĄrgret.

However, despite its artistic merit and Daniel ÁgĂșst’s compelling performance, “Það sem enginn sĂ©r” faced an unexpected setback at the contest. In a turn of events that stunned both the Icelandic delegation and Eurovision fans, the song received zero points, joining the infamous “nul points” club in Eurovision history.

Related news

Eurovision 2026

Eurovision 2026 reactions after second semi-final

The Eurovision 2026 reactions continued immediately after Thursday night’s second semi-final in Vienna. Bulgaria, Ukraine, Norway, Australia, Romania, Malta, Cyprus, Albania, Denmark and Czechia qualified for Saturday’s Grand Final. Azerbaijan, Luxembourg, Armenia, Switzerland and Latvia did not make it through. Since Eurovision will only reveal the detailed ranking after the final, the “winners” of the night are again the ten qualifiers. Social media quickly filled with tears, hugs and short messages from the green room. Qualifiers celebrate their Grand Final place Bulgaria’s DARA was the first name announced, and her disbelief was clear. In a filmed reaction, she said she “could not believe” it, while also underlining how much she loved being on stage with “Bangaranga”. Ukraine’s LELÉKA reacted with a softer kind of joy. She said she felt happy, hopeful and “lightful” after taking “Ridnym” to the final. Australia’s Delta Goodrem also moved quickly into gratitude mode. After qualifying with “Eclipse”, she called the moment “pure magic” and thanked fans for every vote, message and bit of love. Norway’s Jonas Lovv sounded equally relieved. Speaking to Norwegian press, he said the result felt “insanely” good and joked that his celebration plan was to go straight to bed. Malta’s AIDAN gave one of the most emotional reactions of the night. He said he was “genuinely so happy” and pointed out that the Maltese language was back on the Eurovision stage after 54 years. Denmark’s Sþren Torpegaard Lund described himself as overwhelmed and happy, while Czechia’s Daniel Zizka said he was grateful, tired and still trying to understand what had happened. Albania’s Alis also remained emotional after “Nñn” reached the final. Cyprus’ Antigoni thanked everyone who supported “JALLA” and said she had felt confident Cyprus could qualify. Romania’s Alexandra Căpitănescu also celebrated online after “Choke Me” secured Romania a place in the Grand Final. For all ten qualifiers, the mood immediately shifted from nerves to preparation for Saturday. Non-qualifiers thank fans and look back For the five non-qualifiers, the Eurovision 2026 reactions were more reflective. Luxembourg’s Eva Marija looked back with pride after “Mother Nature” missed the final. She said she had given everything, was proud of herself and felt grateful for the Eurovision adventure. Azerbaijan’s JIVA ended her performance by thanking Europe, but “Just Go” did not qualify. Armenia’s SIMÓN, Switzerland’s Veronica Fusaro and Latvia’s Atvara also stayed in the semi-final. Their latest Eurovision messages focused on the performance itself, the meaning behind their songs and the support around them. That made their reactions quieter, but not less meaningful. The second semi-final therefore showed the familiar two sides of Eurovision: pure celebration for the qualifiers and gratitude, disappointment and pride for those whose Vienna journey ended before Saturday.

Read More »
Eurovision 2026
Martijn

Eurovision 2026 reactions after second semi-final

The Eurovision 2026 reactions continued immediately after Thursday night’s second semi-final in Vienna. Bulgaria, Ukraine, Norway, Australia, Romania, Malta, Cyprus, Albania, Denmark and Czechia qualified for Saturday’s Grand Final. Azerbaijan, Luxembourg, Armenia, Switzerland and Latvia did not make it through. Since Eurovision will only reveal the detailed ranking after the final, the “winners” of the night are again the ten qualifiers. Social media quickly filled with tears, hugs and short messages from the green room. Qualifiers celebrate their Grand Final place Bulgaria’s DARA was the first name announced, and her disbelief was clear. In a filmed reaction, she said she “could not believe” it, while also underlining how much she loved being on stage with “Bangaranga”. Ukraine’s LELÉKA reacted with a softer kind of joy. She said she felt happy, hopeful and “lightful” after taking “Ridnym” to the final. Australia’s Delta Goodrem also moved quickly into gratitude mode. After qualifying with “Eclipse”, she called the moment “pure magic” and thanked fans for every vote, message and bit of love. Norway’s Jonas Lovv sounded equally relieved. Speaking to Norwegian press, he said the result felt “insanely” good and joked that his celebration plan was to go straight to bed. Malta’s AIDAN gave one of the most emotional reactions of the night. He said he was “genuinely so happy” and pointed out that the Maltese language was back on the Eurovision stage after 54 years. Denmark’s Sþren Torpegaard Lund described himself as overwhelmed and happy, while Czechia’s Daniel Zizka said he was grateful, tired and still trying to understand what had happened. Albania’s Alis also remained emotional after “Nñn” reached the final. Cyprus’ Antigoni thanked everyone who supported “JALLA” and said she had felt confident Cyprus could qualify. Romania’s Alexandra Căpitănescu also celebrated online after “Choke Me” secured Romania a place in the Grand Final. For all ten qualifiers, the mood immediately shifted from nerves to preparation for Saturday. Non-qualifiers thank fans and look back For the five non-qualifiers, the Eurovision 2026 reactions were more reflective. Luxembourg’s Eva Marija looked back with pride after “Mother Nature” missed the final. She said she had given everything, was proud of herself and felt grateful for the Eurovision adventure. Azerbaijan’s JIVA ended her performance by thanking Europe, but “Just Go” did not qualify. Armenia’s SIMÓN, Switzerland’s Veronica Fusaro and Latvia’s Atvara also stayed in the semi-final. Their latest Eurovision messages focused on the performance itself, the meaning behind their songs and the support around them. That made their reactions quieter, but not less meaningful. The second semi-final therefore showed the familiar two sides of Eurovision: pure celebration for the qualifiers and gratitude, disappointment and pride for those whose Vienna journey ended before Saturday.

Read More »
Follow Us: