Weekly Update

It’s Tuesday, January 27, 2026, and time for another Eurovision 2026 weekly update. This week brought two new confirmed entries for Vienna. NF season also moved forward in several countries. We also saw fresh news about Loreen and Eurovision In Concert in Amsterdam.

It’s Tuesday, January 27, 2026. Time for another Eurovision 2026 weekly update. Israel and Luxembourg have chosen their acts for Vienna. Bulgaria’s NF moves to the final. San Marino has started its casting shows. Loreen and Eurovision in Concert also made headlines.

New Entries

🇮🇱 Israel has picked Noam Bettan for Eurovision 2026. He won the talent show HaKokhav HaBa on January 20 in Neve Ilan. Israel will announce his Eurovision song later.

🇱🇺 Luxembourg selected Eva Marija in the Luxembourg Song Contest. The NF took place on January 24 at Rockhall in Esch-sur-Alzette. Eva Marija won with “Mother Nature”. She will represent Luxembourg in Vienna.

National Finals

🇧🇬 Bulgaria opened its NF with a semi-final on January 24 in Sofia. Eight artists qualified for the final: Dara, Innerglow, Kerana & Cosmonauts, Mihaela Marinova, Molec, Mona, Preyah and Roksana. BNT will air the final on January 31 from BNT Studio 1. The show starts at 20:00 CET. A five-member jury and online voting will choose the winning artist.

🇨🇿 Czechia is still waiting to reveal its 2026 artist and song. ČT has said it plans a January announcement, but it has not shared a date yet. Fans have started to guess online, especially with the month almost over.

🇸🇲 San Marino has launched the Dreaming San Marino Song Contest. SMRTV shows the castings from Monday to Saturday at 19:15 on channel 550. The broadcaster says it received over 800 applications from 48 countries. The castings run until February 1. Next, the Stage & Live Academy runs from February 13–15. The San Marino Song Contest final is set for March 6.

Other News

Loreen teased a new project with projections in Berlin, London and Paris. The visuals show the date February 20. Her official website also shows a countdown that ends at 00:00 CET on February 22. (source: Eurovoix)

📷 EBU/Corinne Cumming

Eurovision in Concert confirmed its first act for 2026. Tamara Živković will perform “Nova Zora” at AFAS Live in Amsterdam on April 11. The event shared the news on Instagram: Instagram EIC

Agenda
January 31 Sweden Semifinal 20:00 CET SVT Play
January 31 Lithuania Semifinal 20:00 CET LRT and YouTube
January 31 Bulgaria Final 20:00 CET BNT
January 31 Latvia Semifinal 20:00 CET LTV
Next week

Next week should bring more national decisions and more confirmed entries. Bulgaria chooses its artist on January 31. San Marino continues its casting shows until February 1. Czechia also still has a few days left for its promised January reveal.

Related news

Eurovision 2026

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

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Eurovision 2026
Martijn

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

Read More »
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