Weekly Update

It’s time for another weekly Eurovision update. This week brings news on the 2026 host city race, national final announcements, small-country concerns, leadership changes, and possible voting rule changes. Here’s everything you need to know.

🇦🇹 1. Oberwart and Ebreichsdorf out of the race

Two Austrian towns have dropped out of the 2026 Eurovision host city competition. Oberwart confirmed it won’t submit a bid. The local exhibition hall can hold about 4,000 people, which doesn’t meet Eurovision’s requirements. Source

Ebreichsdorf has also ended its plans. The proposed venue, Comer City, faced timing issues. City officials didn’t give it the green light. Source

Graz is still in the race. The city council will make a decision this Friday. Source

Other cities still preparing their bids include Vienna, Linz/Wels, Innsbruck, and St. Pölten. ORF will reveal the host city on August 8.

📷 placesofjuma.com

🇳🇴 🇫🇮 2. Norway and Finland kick off national final season

Norway and Finland have started preparing for their Eurovision 2026 entries. In Norway, broadcaster NRK opened submissions for Melodi Grand Prix 2026. Source

NRK’s music manager says they want unique songs. Entries should have something special—something people want to hear again and again. Let’s see who follows in the footsteps of Kyle Alessandro.

Finland is also moving forward. UMK 2026 opens for submissions on August 18. Source

The submission window will close on August 24. The national final takes place on February 28 in Tampere’s Nokia Arena. At that day, we know who will be the Finnish contestant after Erika Vikman.

Winners of MGP and UMK will represent their countries in Austria next year.

🇸🇲 3. San Marino talks to the EBU

San Marino wants changes before joining Eurovision 2026. RTV director Roberto Sergio says the country will meet with the EBU and other small states. Source

He hopes San Marino stays in the contest but only under fairer conditions. Small countries like his often feel overlooked. They usually don’t get a real televote and depend on algorithms.

San Marino wants equal chances. Talks with the EBU and possibly with Andorra or Monaco may change things. If not, San Marino could stay out in 2026.

4. Ana María Bordas leads Reference Group

Spain’s Ana María Bordas now chairs the Eurovision Song Contest Reference Group. Source

She began her two-year term in June. Bordas replaces Switzerland’s Bakel Walden. As RTVE’s Head of Delegation, she helped shape Spain’s Benidorm Fest.

Bordas says she wants teamwork and unity. Her goal is to support all broadcasters and make Eurovision even stronger. She will help lead the 2026 planning process.

📷 RTVE

5. Voting changes on the table

More broadcasters are speaking out about the current voting system. Norway, Spain, Belgium, and Iceland want change. Source

NRK says, according to newspaper VG, that the EBU is open to discussion. The Reference Group will address the issue this summer.

One major concern is how televoting works. Viewers can vote up to 20 times per device. Some fans use multiple SIM cards to vote more than allowed. Critics say that’s unfair.

In 2025, Israel won the public vote despite having low streaming numbers. Many suspect a large, government-funded voting push helped them win.

The public and jury votes don’t always align. Broadcasters want more balance and trust in the system. The EBU is expected to review the rules before next year’s contest.

 

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Blast from the past

Blast from the past: Latvia 2001

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 2001, when Arnis Mednis represented Latvia with the song “Too Much”. Latvia in the Eurovision Song Contest Latvia debuted in 2000 and immediately impressed: Brainstorm‘s “My Star” finished third. Two years later, Marie N gave the country its only victory with “I Wanna”, which led to Riga hosting in 2003. Other standout results include Walters and Kazha‘s fifth place in 2005 and Aminata‘s “Love Injected”, sixth in 2015. Eurovision.tv After a difficult run of non‑qualifications, Latvia’s fortunes have improved recently. In 2024, Dons carried “Hollow” back to the Grand Final for the first time since 2016, placing 16th with 64 points after qualifying seventh in the semi‑final. In 2025, folk‑pop group Tautumeitas qualified second in their semi and finished 13th with 158 points, Latvia’s best result since 2015. The year before, Sudden Lights narrowly missed the final, ending 11th in their semi with “Aijā”. Together, these results suggest Latvia is building momentum and pairing distinctive entries and staging with stronger jury support and fan buzz. Marie N Eirodziesma 2001 In past years, the Latvian national final was called Eirodziesma. In 2001 it was held on 24 February in the LTV Studios in Riga. Ten songs competed: Linda Leen and Lauris Reiniks sang “I Wish I Knew“, 40 pts, 2nd Tumsa sang “It’s Not the End“, 36 pts, 4th Madara Celma and Kristaps Krievkalns sang “Staying Alive“, 10 pts, 9th Yana Kay sang “Falling Into You“, 25 pts, 7th Labvēlīgais tips sang “Koka klucis Konstantīns“, 33 pts, 6th Marija Naumova sang “Hey Boy, Follow Me“, 38 pts, 3rd Credo sang “Cita tautasdziesma“, 10 pts, 9th Gunārs Kalniņš sang “Diamonds and Pearls“, 20 pts, 8th Shake and Bake sang, “Spirit of Love“, 36 pts, 4th Arnis Mednis sang “Too Much“, 42 pts, 1st Marija Naumova is also known as Marie N. She won Eurovision in 2002. Lauris Reiniks participated in 2003 with the group F.L.Y. Arnis Mednis Arnis Mednis (born 18 October 1961, Riga) is a Latvian singer, pianist, composer and producer best known for representing Latvia at the Eurovision Song Contest 2001 with his self‑penned “Too Much,” finishing 18th with 16 points. He trained at the Emīls Dārziņš Music School and the Latvian State Conservatory, foundations for a career that blends pop, jazz and funk. In the late 1980s Mednis co‑founded and fronted the jazz‑funk group Odis, among the first in Latvia to bring soul and funk to mainstream stages. With Odis he won the Liepājas Dzintars festival in 1990 and earned further honors at the Jūrmala and Sopot contests in 1993. Mednis first tried Eurovision via Eirodziesma 2000 (“Everyday in Circle,” 5th), then won Eirodziesma 2001 to reach Copenhagen. Alongside stage work he built a discography that includes Cooler (1999), Spaceman (2001), Pepija – Dziesmas teātra izrādei (2002) and Mana tautasdziesma (2019). He also helped Riga’s live scene by opening the City Jazz Club in the city center. A severe stroke in 2011 shifted his focus toward studio work and composition. In March 2024, Mednis rejoined Odis on keyboards during the Zelta Mikrofons awards; warmly received, he appeared onstage though he no longer sings. Today, Mednis remains a respected figure in Latvian pop and jazz, with a career spanning band leadership, solo releases and Eurovision. Too Much “Too Much” is an up‑tempo pop‑jazz entry with an upbeat stage presentation. Built on a jaunty groove with accordion and guitar accents, it pairs a swing‑tinged melody with playful lyrics about excess and regret. Mednis composed the music, while the lyrics were written by Gustavs Terzens and Arnis Mednis. On the night, Latvia placed 18th and earned 16 points. Though not a podium finish, the song is remembered for its brassy, cabaret‑flavoured staging and crisp live band feel, showcasing Latvia’s early‑2000s blend of pop and jazz.  

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Blast from the past
Martijn

Blast from the past: Latvia 2001

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 2001, when Arnis Mednis represented Latvia with the song “Too Much”. Latvia in the Eurovision Song Contest Latvia debuted in 2000 and immediately impressed: Brainstorm‘s “My Star” finished third. Two years later, Marie N gave the country its only victory with “I Wanna”, which led to Riga hosting in 2003. Other standout results include Walters and Kazha‘s fifth place in 2005 and Aminata‘s “Love Injected”, sixth in 2015. Eurovision.tv After a difficult run of non‑qualifications, Latvia’s fortunes have improved recently. In 2024, Dons carried “Hollow” back to the Grand Final for the first time since 2016, placing 16th with 64 points after qualifying seventh in the semi‑final. In 2025, folk‑pop group Tautumeitas qualified second in their semi and finished 13th with 158 points, Latvia’s best result since 2015. The year before, Sudden Lights narrowly missed the final, ending 11th in their semi with “Aijā”. Together, these results suggest Latvia is building momentum and pairing distinctive entries and staging with stronger jury support and fan buzz. Marie N Eirodziesma 2001 In past years, the Latvian national final was called Eirodziesma. In 2001 it was held on 24 February in the LTV Studios in Riga. Ten songs competed: Linda Leen and Lauris Reiniks sang “I Wish I Knew“, 40 pts, 2nd Tumsa sang “It’s Not the End“, 36 pts, 4th Madara Celma and Kristaps Krievkalns sang “Staying Alive“, 10 pts, 9th Yana Kay sang “Falling Into You“, 25 pts, 7th Labvēlīgais tips sang “Koka klucis Konstantīns“, 33 pts, 6th Marija Naumova sang “Hey Boy, Follow Me“, 38 pts, 3rd Credo sang “Cita tautasdziesma“, 10 pts, 9th Gunārs Kalniņš sang “Diamonds and Pearls“, 20 pts, 8th Shake and Bake sang, “Spirit of Love“, 36 pts, 4th Arnis Mednis sang “Too Much“, 42 pts, 1st Marija Naumova is also known as Marie N. She won Eurovision in 2002. Lauris Reiniks participated in 2003 with the group F.L.Y. Arnis Mednis Arnis Mednis (born 18 October 1961, Riga) is a Latvian singer, pianist, composer and producer best known for representing Latvia at the Eurovision Song Contest 2001 with his self‑penned “Too Much,” finishing 18th with 16 points. He trained at the Emīls Dārziņš Music School and the Latvian State Conservatory, foundations for a career that blends pop, jazz and funk. In the late 1980s Mednis co‑founded and fronted the jazz‑funk group Odis, among the first in Latvia to bring soul and funk to mainstream stages. With Odis he won the Liepājas Dzintars festival in 1990 and earned further honors at the Jūrmala and Sopot contests in 1993. Mednis first tried Eurovision via Eirodziesma 2000 (“Everyday in Circle,” 5th), then won Eirodziesma 2001 to reach Copenhagen. Alongside stage work he built a discography that includes Cooler (1999), Spaceman (2001), Pepija – Dziesmas teātra izrādei (2002) and Mana tautasdziesma (2019). He also helped Riga’s live scene by opening the City Jazz Club in the city center. A severe stroke in 2011 shifted his focus toward studio work and composition. In March 2024, Mednis rejoined Odis on keyboards during the Zelta Mikrofons awards; warmly received, he appeared onstage though he no longer sings. Today, Mednis remains a respected figure in Latvian pop and jazz, with a career spanning band leadership, solo releases and Eurovision. Too Much “Too Much” is an up‑tempo pop‑jazz entry with an upbeat stage presentation. Built on a jaunty groove with accordion and guitar accents, it pairs a swing‑tinged melody with playful lyrics about excess and regret. Mednis composed the music, while the lyrics were written by Gustavs Terzens and Arnis Mednis. On the night, Latvia placed 18th and earned 16 points. Though not a podium finish, the song is remembered for its brassy, cabaret‑flavoured staging and crisp live band feel, showcasing Latvia’s early‑2000s blend of pop and jazz.  

Read More »
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